‎Musée de Montmartre : Images musicales : Jolivet, Milhaud, Honegger, Casadesus, Satie (exposirion du 1er mars 1995 au 31 mai 1995).‎

‎Paris, Société d'Histoire et d'Archéologie Le Vieux Montmartre, 1995. 21 x 30, 47 pp., quelques illustrations dont certaines en couleurs, broché, très bon état.‎

‎Tragedy and Lieto fine in Romantic Opera Seria‎

‎, Brepols, 2019 Hardback, x + 265 pages, Size:205 x 255 mm, Illustrations:11 b/w, 8 col., Musical examples 188, Language: English. ISBN 9782503586427.‎

‎Summary In a seminal essay Carl Dahlhaus has pointed out that often it is possible to turn the ending in a different direction without making any difference to the substance of the tragic course of events leading to it . Dahlhaus' statement is especially relevant to Italian Romantic opera seria. Whereas Lieto fine was central to the ethics of eighteenth-century Enlightenment opera, Romantic opera turned to heartbreaking tragic endings, often as means of social and political criticism. Yet the ending of a Romantic opera was not inevitable, and a significant proportion of Romantic operas have Lieto fine. An example is Rossini's Tancredi that was premiered in 1813 first with Lieto fine (Venice), then with a tragic ending (Ferrara), and again with Lieto fine (Milan), suggesting that the ending was not essential to the opera. The book analyzes the processes leading to Lieto fine in 23 operas from Tancredi to Puccini's La Fanciulla del West . This includes mixed endings, such as in Verdi's Macbeth that ends with a hymn of victory, yet centers on the human tragedy of Macbeth and Lady Macbeth. The book discusses both canonic and unjustly neglected operas, such as the socialist Papa Martin by Antonio Cagnoni.‎

‎Vinko Jelic (1596-1636?) i njegova zbirka duhovnih koncerata i ricercara "Parnassia Militia" (1622)‎

‎Zagreb, Uredio Akademik Stjepan Sulek 1957 xciii + 148pp.+ 9 plates out of text, 32cm., publisher's hardcover, copy from the collection of the Belgian musicologist prof.dr. René Lenaerts (with his ex-libris tipped in), in the series "Jugoslavenska Akademija Znastoti i Umjetnosti. Spomenici Hrvatske Muzicke Prosloti" Knjiga 1, very good condition, [Contains the life and work of the Croatian composer Vinko Jelic, as well as in unabridged form his collection 'Parnassia militia' prepared for practical execution. Text in Croatian, with sumary in German, English and French], M94149‎

‎For Town and Country: The Civic Music System in Denmark, 1660-1800‎

‎, Brepols, 2019 Paperback, 340 pages, Size:190 x 290 mm, Illustrations:23 b/w, 7 col., 13 tables b/w., 6 maps b/w, 26 music examples, Language: English. ISBN 9782503585727.‎

‎Summary The employment of civic musicians was a practice in most European countries in early modern Europe, all the way from London and Venice to small Danish towns. This study's objective is to lay out which kinds of civic musicians (stadsmusikanter) Denmark had, and to examine what that came to signify for musicians and music, as there has not been a study in depth of civic musicians' employment in Denmark until now. It has been a particular objective of this study to illuminate the Danish situation in relation to some other European countries. Compared to Germany, the civic music system in the kingdom of Denmark developed some clear characteristics in the period 1660-1800 because it had to fulfil the requirements of both the absolute monarchy and the municipal authorities. It is particularly interesting that the system was regulated by royal licenses which applied across both towns and the countryside. The book's first main section goes through the background to the absolute monarchy's civic music system, including the conditions of employment. The second main section shows what the social consequences of the Danish system were for both licensed and unlicensed musicians. The third section is about the instruments and the music. We find examples of the entire repertoire of the Danish civic musicians, from ambitious artistic ensemble music to virtuoso solo sonatas with continuo and single part music for everyday use. The civic musicians exercised a marked influence on the unlicensed players in villages. One can speak of a cultural battle between the professional civic musicians' music and the traditions of the country fiddlers. Civic musicians in Denmark had international contacts with colleagues and played a prolific role as promoters of music.‎

‎Die Haydndrucke aus dem Archiv der «Theater- und Musik-Liebhabergesellschaft zu Luzern», nebst Materialen zum Musikleben in Luzern um 1800. ‘Freiburger Studien zur Musikwissenschaft’, 7.‎

‎Freiburg (Schweiz), Universitätsverlag, 1959, gr. in-8°, 47 S., broschiert.‎

‎Die Motive in den hessischen Volksliedern‎

‎Rostock, Winterberg's Buchdruckerei 1917 79pp., 22cm., Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der königlichen Universität Greifswald), ex-library copy (stamp, two labels at spine), text clean and bright, M109346‎

‎"Jeunesses Musicales du Congo Belge, section de Léopoldville (4 fascicules); 1 : Premier concert, 6 mai 1953; 2 : Deuxième concert, 3 juin 1953; 3 : Troisième concert, 15 juin 1953; 4 : Quatrième concert, 21 août 1953."‎

‎Léopoldville, Imprimerie du Pourquoi Pas ?, 1953. 13 x 21, 4 fascicules, 130 pp., broché, bon état (couvertures légèrement défraîchies).‎

‎LE PSYCHISME ET LA MUSICOTHERAPIE DES CHINOIS‎

‎1983 / 182 pages. Broché Editions de la maisnie ‎

‎Trés bon état.‎

‎C'est ainsi que l'on crée - A propos de La Main Heureuse d'Arnold Schoenberg‎

‎Villeneuve d'Ascq Septentrion 2003 In4 carré ( 21 x 21 cm ) - 314 pages + un cahier central d'illustrations couleur + 1 Compact Disc - ‎

5 Images

‎Bon ‎

‎Nineteenth-Century Programme Music. Creation, Negotiations, Reception‎

‎, Brepols, 2019 Hardback, xiii + 489 pages, Size:210 x 260 mm, Illustrations:16 b/w, 87 tables b/w., Languages: English, German, Italian. ISBN 9782503583464.‎

‎Summary The history of programme music stretches back centuries, but only in the nineteenth century did it enter into widespread use. Indeed, seminal compositions by Ludwig van Beethoven and Fr d ric Chopin to Arnold Schoenberg and Jean Sibelius have helped programme music to secure a position within the artistic pantheon, albeit not without bringing a significant amount of controversy in tow. Yet despite its ubiquitous presence in the nineteenth century, scholarship has not adequately articulated the full extent of programme music's range and impact. This volume explores the diverse ways in which programme music was defined, historicized, practiced, disseminated, and judged. It considers how biography, tradition, and function informed the compositional approaches taken by Beethoven, Joseph Joachim, Ethel Smyth, and Zygmunt Noskowski, among others. It draws on extra-musical elements-novels, poems, lithographs, and other forms of creative expression-to determine the ontological profile of works by Chopin, Franz Liszt, Antonio Pasculli, Piotr Tchaikovsky, and Leo? Jan ?ek. It situates compositions by Johannes Brahms, Gustav Mahler, Sibelius, and Schoenberg within the ongoing discourse around Hanslickian absolute and Lisztian programme music. And it visits major European cities to highlight the critical streams of reception toward the end of the century. Throughout, it repeatedly engages with questions of generic identity (with special attention given to the symphonic poem), issues of narrativity and topicality, and considerations of form and structure.‎

‎"Hautbois et basson; leur histoire, leur famille, leur répertoire. Collection : ""Instruments de musique""."‎

‎Lausanne, Editions Payot, 1981. 19 x 21, 196 pp., nombreuses illustrations en N/B et en couleurs, quelques notations musicales, reliure d'édition carton illustré, très bon état (sauf légères traces sur les pages de garde).‎

‎Sigismondo D?India et ses mondes. Un compositeur italien d?avant-garde, histoire et documents‎

‎, Brepols, 2019 Paperback, 592 pages, Size:178 x 254 mm, Illustrations:23 b/w, 2 tables b/w., 1 maps b/w, Language: French. ISBN 9782503584591.‎

‎Summary Cet ouvrage analyse le parcours artistique et pr sente une traduction analytique de toutes les traces crites connues portant sur l'oeuvre et la carri re musicale d'un compositeur majeur de l' poque de Monteverdi, Sigismondo D'India (c.1582-c.1629), depuis l'Italie m ridionale de ses origines jusqu' son s jour Rome et Mod ne, o le musicien acheva son existence. En tudiant les villes, les cours, les princes protecteurs, les d dicataires et les lieux destin s la musique, chacun des chapitres suit une tape de la carri re de D'India et redonne vie aux mondes de ce compositeur italien d'avant-garde. Apparaissent alors les th matiques du voyage, de l'identit nobiliaire et du croisement, lesquelles permettent de penser l'histoire de la musique comme une histoire la fois des pratiques culturelles et de l'exp rience musicale. TABLE OF CONTENTS PREMI RE PARTIE SIGISMONDO D'INDIA ET SES MONDES HISTOIRE INTRODUCTION ENTRE LA SICILE ET NAPLES SIGISMONDO D'INDIA NOBLE PALERMITAIN ? D'INDIA ET LES COMPOSITEURS SICILIENS SUR LES TRACES DE LA FAMILLE D'INDIA EN SICILE SIGISMONDO D'INDIA NOBLE NAPOLITAIN ? DE PALERME NAPLES. TAT DE LA RECHERCHE SUR LES ORIGINES NAPOLITAINES DU COMPOSITEUR LES D'INDIA DE NAPLES LA COUR DE TURIN LE DUC CHARLES-EMMANUEL Ier PORTRAIT ARTISTIQUE ET POLITIQUE DE CHARLES-EMMANUEL Ier LA COUR DE TURIN AU TEMPS DE CHARLES-EMMANUEL Ier L'ARRIV E DE D'INDIA LA COUR DE SAVOIE LA PRINCESSE CHRISTINE DE FRANCE L'ARRIV E DE CHRISTINE DE FRANCE TURIN EN 1620. CHANGEMENTS ET D VELOPPEMENTS POLITICO-CULTURELS EN SAVOIE ESPACES, POLITIQUE ET SYMBOLISME - LES BALLI DE D'INDIA HYBRIDATION ET TRANSFERT ENTRE LA FRANCE ET LA SAVOIE LES D PLACEMENTS DE LA FAMILLE DE SAVOIE EN FRANCE ET L'ABSENCE DE D'INDIA TURIN - L'ANN E 1622 LE DUCH DE PARME ET DE PLAISANCE LE MARQUIS PIER FRANCESCO MALASPINA LO STATO DEI MALASPINA DEGLI EDIFIZI, UN TAT SATELLITE DU DUCH DE PARME ET DE PLAISANCE PIER FRANCESCO MALASPINA, ENTRE MUSIQUE, LITT RATURE, MATH MATIQUES ET ART DIPLOMATIQUE LA NOBILDONNA BARBARA LANDI BARATTIERI LES FAMILLES LANDI ET BARATTIERI AU SEIN DE LA NOBLESSE DE PLAISSANCE AU D BUT DU XVIIe SI CLE SIGISMONDO D'INDIA PLAISANCE ENTRE MUSIQUE SACR E, MADRIGAUX, COMPOSITIONS PO TIQUES ET C L BRATIONS LE DEUXI ME RECUEIL DE VILLANELLES, ENTRE VENISE, NAPLES, TURIN ET PLAISANCE LE DUC RANUCCIO, LE CARDINAL ODOARDO ET L'ABB DIOFEBO FARNESE LE DUCH DE PARME ET DE PLAISANCE, UN VIVIER MUSICAL DE L'ITALIE DU NORD ENTRE RENAISSANCE ET BAROQUE LES FRERES RANUCCIO ET ODOARDO FARNESE, ENTRE PARME ET ROME DIO FEBO FARNESE, ENTRE LA CURIE, LE DROIT CANONIQUE, LA PoeSIE, LE THEATRE ET LA MUSIQUE LE COMTE FEDERICO ROSSI DI SAN SECONDO LA RENOMMEE DES ROSSI DI SAN SECONDO. HISTOIRE D'UNE FAMILLE DE LA VALLEE DU TARO FEDERICO ROSSI ET LES ARTS. MUSIQUE, COMMITENZA ET CIRCULATION ARTISTIQUE LA VILLE DE MILAN SIGISMONDO D'INDIA ET LE MILIEU MUSICAL MILANAIS LE MYST RE DE LA LAMENTATION D'ARMIDE ET DU HUITI ME LIVRE DES MUSICHE PUBLI MILAN LES RECUEILS DU NOBLE PALERMITAIN DIT S MILAN - R SULTATS D'UNE RECHERCHE SUR LES IMPRIMEURS MILANAIS LE CARDINAL FEDERICO BORROMEO UNE RECHERCHE AUTOUR DU CARDINAL FEDERICO BORROMEO LA CIRCULATION DES MUSICIENS ET PO TES DANS L' TAT BORROMEO L'AUTRICHE ET L'ALLEMAGNE LE PRINCE-ARCHEV QUE MARCO SITTICO ALTEMPS LA FAMILLE ALTEMPS, ENTRE L'AUTRICHE ET ROME LE RAYONNEMENT CULTUREL DE LA FAMILLE ALTEMPS : MUSIQUE, LITT RATURE ET SCIENCE L'ARCHEV QUE MARCO SITTICO ALTEMPS ET SIGISMONDO D'INDIA FERDINAND II D'AUTRICHE, CHARLES DE HABSBOURG ET MAXIMILIEN DE BAVI RE L'AUTRICHE ET L'ITALIE AU D BUT DU XVIIe SI CLE, ENTRE POLITIQUE FAMILIALE ET CHANGES ARTISTIQUES TROIS PRINCES M LOMANES DU MONDE GERMANIQUE L'ANGLETERRE ET VENISE L'AMBASSADEUR SIR HENRY WOTTON L'AMBASSADE VENISE DE HENRY WOTTON - ART DE LA N GOCIATION ET N GOCIATION DE L'ART ENRICO VOTTONE, ENTRE REPR SENTATION MUSICALE ET REPR SENTATION DIPLOMATIQUE LE CHEVALIER SIGISMONDO D'INDIA. IL CAVALIERATO DI SAN MARCO DIPLOMATIE, CONFLIT POLITIQUE ET SPECTACLE - LA VENISE BLOUISSANTE DE L'AMBASSADEUR PISCINA SIGISMONDO D'INDIA, AGGIUTANTE DI CAMERA DU DUC DE SAVOIE ET CHEVALIER DE SAINT-MARC LA COUR DE MOD NE LA PRINCESSE ISABELLE D'ESTE-SAVOIE LE PREMIER M LODRAME MOD NE - L'ISOLA D'ALCINA DE D'INDIA-TESTI ENTRE DEUX VILLES ET DEUX PROTECTEURS, SIGISMONDO D'INDIA ET LES ANN ES 1626, 1627 ET 1628 LE PRINCE ALPHONSE III D'ESTE LE TROISI ME LIVRE DE MONODIES ACCOMPAGN ES, ENTRE TURIN, MOD NE ET MILAN LE D PART DE TURIN ET L'ARRIV E MOD NE - CONTEXTE CULTUREL, ARTISTIQUE ET POLITIQUE DE LA COUR D'ESTE AU D BUT DU XVIIe SI CLE LA MORT DE SIGISMONDO D'INDIA, NOUVELLES RECHERCHES MOD NE SUR SA DISPARITION LA COUR DE ROME LE CARDINAL MAURICE DE SAVOIE SIGISMONDO D'INDIA, GENTILUOMO DU CARDINAL DE SAVOIE LA ROME DU CARDINAL MAURICE DE SAVOIE, ENTRE MAGNIFICENCE ET POLITIQUE L'ACCADEMIA DEI DESIOSI DU CARDINAL MAURICE DE SAVOIE, UNE ACAD MIE D'ARMES ET DE LETTRES DEUX oeUVRES ROMAINES PERDUES LE PAPE URBAIN VIII ENTRE F TES ET C L BRATIONS, LA ROME DE PAUL V, GR GOIRE XV ET DU D BUT DU PONTIFICAT D'URBAIN VIII D'INDIA, LA CHAPELLE PONTIFICALE ET LE PAPE URBAIN VIII, LE MYST RE DE LA MESSE POLYPHONIQUE DOMINE CLAMAVI AD TE CONCLUSION DEUXI ME PARTIE SIGISMONDO D'INDIA CORRESPONDANCES, PR FACES, P TRES D DICATOIRES ET AUTRES DOCUMENTS INTRODUCTION LES CORRESPONDANCES LES CORRESPONDANCES SIGN ES PAR SIGISMONDO D'INDIA LES CORRESPONDANCES ADRESS ES SIGISMONDO D'INDIA LES CORRESPONDANCES O IL EST FAIT MENTION DE SIGISMONDO D'INDIA LES PR FACES LE PREMIER LIVRE DES MUSICHE DE 1609 LE TROISI ME LIVRE DES MUSICHE DE 1618 LE LIVRE DES MUSICHE E BALLI DE 1621 LES P TRES D DICATOIRES LE PREMIER LIVRE DE MADRIGAUX DE 1606 LE PREMIER LIVRE DES VILLANELLES DE 1608 LE PREMIER LIVRE DES MUSICHE DE 1609 LE PREMIER LIVRE DE MOTETS DE 1610 LE DEUXI ME LIVRE DE MOTETS DE 1610 LE DEUXI ME LIVRE DE MADRIGAUX DE 1611 LE DEUXIEME LIVRE DES VILLANELLES DE 1612 LE TROISIEME LIVRE DE MADRIGAUX DE 1615 LE DEUXIEME LIVRE DES MUSICHE DE 1615 LE CINQUI ME LIVRE DE MADRIGAUX DE 1616 LE TROISI ME LIVRE DES MUSICHE DE 1618 LE LIVRE DES MUSICHE E BALLI DE 1621 LE QUATRI ME LIVRE DES MUSICHE DE 1621 LE CINQUI ME LIVRE DES MUSICHE DE 1623 LE SEPTI ME LIVRE DE MADRIGAUX DE 1624 LE HUITI ME LIVRE DE MADRIGAUX DE 1624 LE TROISI ME LIVRE DE MOTETS DE 1627 LES AUTRES DOCUMENTS LES IMPRIM S ANCIENS LES RECUEILS DE MUSIQUE LES IMPRIM S D' POQUE LES DOCUMENTS D'ARCHIVE REGISTRES ACTES, COMPTES RENDUS ET D LIB RATIONS MANDATS DE PAIEMENT QUITTANCES CONCLUSION ANNEXES BIBLIOGRAPHIE INDEX DES NOMS PROPRES‎

‎Symphonism in Nineteenth-Century Europe‎

‎, Brepols, 2020 Hardback, xiv + 484 pages, Size:210 x 260 mm, Languages: English, Spanish, German. ISBN 9782503586434.‎

‎Summary This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in which it encompassed not only the creation of musical products and performances, but also significantly affected many compositional approaches, as well as aesthetic factors, such as the opposition between programme and absolute music. The emergence of the great symphony orchestras led to unprecedented types of professional interaction, and new forms of patronage. It also fostered the creation of a specific repertoire, and the construction of the first purpose-built concert halls. These developments originated in Europe at the beginning of the 19th century, in conjunction with the growth of music destined for increasing orchestral formations and the concert as a social phenomenon, available to the common public. About twenty authors discuss in this volume issues about analysis and musical creation, repertoire, musical aesthetics and criticism, orchestras and symphonic ensembles, musical performing venues, production system, consumption, entertainment system and the dissemination and reception of symphonic models in Europe. Through the work of Beethoven, Berlioz, Mendelssohn, Brahms, Mahler, Strauss, among others, the volume addresses these and other aspects across the European geography and in different contexts: Spain, Italy, French, Portugal, United Kingdom, Northern Europe and Eastern Europe. TABLE OF CONTENTS Jos Ignacio Su rez Garc a - Ram n Sobrino S nchez Introduction Symphonic Works by Western European Composers Christian Speck Zum Orchester in Beethovens Symphonien R. Larry Todd Und es soll wahrhaft kein Choral darin vorkommen : On Mendelssohn's Use of Chorales in His Symphonies Virginia Whealton Transformed Abruzzi: Harold en Italie, the r cit de voyage, and French Romantic Visual Culture James L. Zychowicz Gustav Mahler's Adagio Movements and His Evolving Symphonic Structures Vadim Rakochi Dramaturgical Functions of Solos in Richard Strauss's Symphonic Poems Johannes Brahms: A Case Study George S. Bozarth Brahms's Symphonism Jacquelyn Sholes On Meaning in Brahms's Symphonies David Hurwitz Dvo! k's Fifth Symphony: A Politically Incorrect Inspiration for Brahms's Third? National Approaches to Symphonic Literature Marino Pessina Le 'Sinfonie' giovanili di Antonio Bazzini: una ricognizione Ram n Sobrino S nchez The Sociedad de Conciertos de Madrid (1866-1903) and the Uni n Art stico-Musical (1877-1891): From the Reception to the Creation of a Symphonic Repertoire in Spain Jeremy Dibble The Last Symphonies of Hubert Parry and Charles Villiers Stanford: A Journey towards Structural Compression Pauline Fairclough Legacies of Romanticism in the early Soviet Symphony Musical Performance Venues, Organizations, and Entertainment Systems Francesco Esposito The Concertante Symphony as 'Musical Metaphor': The Role of Orchestral Music in the Concert Practice of Liberal Lisbon (1822-1853) Francesc Cort s La orquesta del G. T. del Liceu de Barcelona: organizaci n y funcionamiento en los conciertos sinf nicos de la segunda mitad del s. xix Andrea Garc a Torres Los conciertos populares en el mbito madrile o: la b squeda de nuevos p blicos y la urgencia por europeizar el sistema musical Mia L wengart From a Bourgeois Concern to a Matter of Social Urgency: Legitimization and Institutionalization of Symphonic Music in Stockholm, 1890-1926 Musical Practices, Reception, and Criticism Chloe Valenti Pitched Battles? Vocal Health and the British Pitch Debate in the Late Nineteenth Century Jos Ignacio Su rez Garc a Wagner en los conciertos sinf nicos: su recepci n en Madrid en el siglo xix (1864-1901) Stanislav Tuksar The Issues of Programme and Absolute Music in the Writings of the Leading Croatian 19th-Century Musicologist Franjo Ksaver Kuha" (1834-1911) Abstracts Biographies Index of Names‎

‎"Jubilate 1993; Musique tchèque et slovaque/Tsjechische en slovaakse musiek."‎

‎Bruxelles, Fondation Europalia International, 1993. 15 x 21, 183 pp., quelques illustrations, broché, très bon état.‎

‎Bilingue français, néerlandais.‎

‎"L'opéra secret au XVIIIe siècle; aventures et intrigues secrètes racontées d'après les papiers inédits conservés aux Archives de l'Etat et de l'Opéra."‎

‎Paris, Librairie Ancienne et Moderne Edouard Rouveyre, 1880. "13 x 20, 258 pp., bandeaux, lettrines et culs-de-lampe, broché, non coupé, couverture rempliée, bon état (couverture légèrement abîmée : petit manque au coin supérieur gauche; peu de rousseurs)."‎

‎Eaux-fortes par de Malval.‎

‎Musique : Mélanges d'histoire et de critique musicale et dramatique.‎

‎ 1896 br. in-12, (2ff.), 452pp., illustré, P. Librairie de l'Art 1896‎

‎Studien zu den barocken Orgelprospekten Westfalens [2 volumes]‎

‎Münster i.W., 1996 Complete in 2 volumes, I (text): 399pp., II: over 200 bl/w illustrations, 30cm., softcovers, text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster Westfalen), stamp at verso of title page, text is clean and bright, good condition, weight: 1.7kg., M109498‎

‎L'Art Choral‎

‎ 1987 Paris, Berger-Levrault 1987 1 in -8 Cartonnage Editeur 299 [pp] Livre de technique de direction de choeur avec de nombreuses photos et illustrations.‎

‎ Etat de conservation excellent. Frais de port inclus vers France métropole au tarif normal, délai d'acheminement sous 72h, pour les commandes > à 80 euros et poids < 1kg. Disponibilité sous réserve de vente en Boutique. Disponibilité sous réserve de vente en boutique, prix valable frais de port inclus pour commande > 90 € et poids < 1 Kg‎

‎L'art choral : Le choriste, le chef de chur, le pédagogue, la vie du chur, l'écriture chorale, l'accompagnement instrumental, la musique chorale liturgique, les churs d'enfants.‎

‎Paris, Editions Berger-Levrault, 1974. 15 x 23, 303 pp., 75 figures, reliure d'édition carton illustré, très bon état.‎

‎Avant-propos d'Ernest Ansermet.‎

‎Studien über die Wiedergabe romantischer Musik in der Gegenwart‎

‎Nürnberg, 1934 71pp., with some music examples in text, 21cm., text in German, Doctoral Dissertaton (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen philosophischen Fakultät der Friedrich-Alexanders-Universität zu Erlangen), stamp at verso of title page, text is clean and bright, M113447‎

‎An der Wegscheide - Untersuchungen zur Entwicklung im Schaffen des Regerschülers Hermann Unger in den Jahren 1913-1933‎

‎Köln, 1998 266pp., with music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108940‎

‎Wogulische und ostjakische Melodien phonographisch aufgenommen‎

‎Helsinki, Suomalais-Ugrilainen Seura 1937 lxi + 378pp. (of which 364pp. with music scores for chant), 25cm., text in German, in the series "Suomalais-Ugrilaisen seuran toimituksia. Mémoires de la société finno-ougrienne" volume LXXIII (73), 3 stamps, pages still uncut, text and interior clean and bright, good condition, M98443‎

‎Critique de la raison pratique. Traduction française de François Picavet ave une introduction de Ferdinand Alquié. Cinquième édition. Collection Bibliothèque de Philosophie Contemporaine.‎

‎ Paris, Presses Universitaires de France 1966, 215x130mm, XXXII - 192pages, broché. Etiquette de cotation sur le revers de la couverture supérieure, autrement très bel exemplaire. ‎

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‎Sounding the Past: Music as History and Memory‎

‎, Brepols, 2020 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:2 b/w, 21 col., 9 tables b/w., 14 musical examples, Language: English. ISBN 9782503588315.‎

‎Summary This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the complex and diverse roles and pedigrees given music of the past in sources, media, genres, communities, and regions in the Age of Reformations. Particular attention is given to the use of older styles and musical traditions in changing constructions of religious and political identity, laying the groundwork for a revised narrative of European music history that accommodates within its framework the full plurality of styles and regions found in the sources. The volume concludes with reflections on the conflicting appropriations and effects of the musical past today in composition, performance, musicological discourse, and tourism. TABLE OF CONTENTS Preface Karl K gle Introduction: Towards a New History of the Musical Past Karl K gle Part I: Singing Histories Introduction: Sung Histories Susan Rankin Chapters: 1. Making Music into History, Susan Rankin 2. Collecting Clausulae, Shaping the Past, Adam Mathias (University of Cambridge) 3. Using the Past as Model: Musical Scripts in Books of the Prague Diocese, David Eben (Charles University Prague) and Susan Rankin 4. Operation Libroni: Franchinus Gaffurius and the Construction of a Repertory for Milan's Duomo, Daniele V. Filippi (Schola Cantorum Basiliensis) Part II: Traditions Introduction: Tradition in the Musical Past Pawe? Gancarczyk 5. From Tolerated Addition to Keepers of Tradition: The Authority of the 'Past' in Latin Song in Central Europe in the Fourteenth and Fifteenth Centuries, Jan Ciglbauer (Charles University Prague) 6. Memory of Genre: The Polytextual Motet in Central Europe and its Two Traditions, Pawe? Gancarczyk 7. Tradition and Experimentation in Choirbooks Printed in Late Sixteenth- and Seventeenth-Century Italy, Emanuel Signer (University of Cambridge) Part III: Persistence in Times of Change Introduction: Religious Reforms and their Links with the Past, Inga Mai Groote and Lenka Hl vkov 8. Using the Past, Shaping the Present: Tracing the Tradition of Specific Polyphonic Repertories in Bohemian Utraquist Sources (c.1450-1540), Lenka Hl vkov 9. Flexible Uniformity or Stability over the Years? The Liturgy of Monastic Houses Affiliated with the Windesheim Congregation, Manon Louviot (Utrecht University) 10. The Presence of the Past in Lutheran Music and Liturgy: A Commentary on David Chytraeus's Agenda of 1578, Christine Roth (University of Zurich) Part IV. Perspectives Introduction: Dilemmas of Historicism, Karl K gle 11. The Memory of Meaning: Polychorality in Venice and the Cori Spezzati Meme, Bart?omiej Gembicki (Institute of Art, Polish Academy of Sciences, Warsaw) 12. Visions of the Past: A Conversation with Micha? Gondko and Pawe? Szamburski, Antonio Chemotti (Institute of Art, Polish Academy of Sciences, Warsaw) Bibliography General Index‎

‎L'Orient sonore. Musiques oubliées, musiques vivantes. ‎

‎ 2020 Editions Actes Sud - 2020 - In-8, broché, couverture illustrée en N&B, sous blister - 170 p. ‎

‎Bon état ‎