‎Zang aan meester Peter Benoit‎

‎Gent, Siffer 1892 14pp., 22cm., orig. omslag, onopengesneden, publicatie van de "Koninklijke Vlaamsche Academie voor Taal- & Letterkunde", goede staat, M91672‎

‎Songs and translations.‎

‎Printed by hand at 2 Lawrence Road, Hove, Sussex, [Oak, Ash, & Thorn Press], 1931, 8°(15,5 x 11,5 cm) 16 ll., 1 folding music sheet, original half cloth with title label on spine and front cover. ‎

‎Imprint with the printer's device : "Printed on a Hand Press "Oak, Ash, & Thorn". The edition is limited to fifty copies on hand made paper, this copy being no. 13." The imprint is signed by G. Higgens. There is a handwritten dedication (by the author) dated Hove, 1938, beneath. Printed statement : "All the verses in this book were written with the idea of their eventually receiving musical settings. Some have already had accompaniments composed for them by my collaborator Timothy Sloane. G. H." A very nice copy. ‎

‎Piano Sonata #2 / Graphis #192‎

‎ 1982 New York, Printed Editions, 1982, 305x228mm, 4 feuilles de mylar imprimées de couleurs différentes, libres sous couverture imprimée.(103803) ‎

‎Sonata for prepared piano‎

‎ 1938 New York, Printed Editions, 1982, 355x280mm, 12p., agrafé.(103799) ‎

‎Song for any voice(s) and instrument(s) / Graphis 129b‎

‎ 1982 New York, Printed Editions, 1983, 280x215mm, 4p.,en feuilles sous couverture imprimée.Texte explicatif de Dick Higgins, partition en double page centrale.Etat neuf.103802 ‎

‎Ten Ways of Looking at a Bird for violin and harpsichord‎

‎ 1982 New York, Printed Editions, 1981, 278x215mm, 16p., agrafé sous couverture imprimée.(103801) ‎

‎ Varèse (AVEC ENVOI DE L'AUTEUR)‎

‎Hachette Littérature. 1973. Format : 21/12cm. Pages : 206. Illustré photos en noir et blanc Défraîchi. ‎

‎Collection Musiciens de notre temps‎

‎KEYBOARD INSTRUMENTS Virginals, harpsichords and organs in paintings of the 16th and 17th centuries.‎

‎Antwerp, BAI, 2022 Hardcover, 280 x 210 mm, 176 pages, throughout illustraties, ENG edition, ISBN 9789085868293.‎

‎Paintings featuring harpsichords, virginals and organs offer us a glimpse of gorgeous interiors, amorous scenes and finely-dressed ladies - and the occasional young man too - at the keyboard. Keyboard instruments can also be the key to decoding an allegory, myth or hidden message in a painting. Other exhibits include painted harpsichord and virginal lids as well as original instruments. Loans from the National Gallery in London, the Rijksmuseum in Amsterdam, the Suermondt-Ludwigmuseum in Aachen and many other museums and collectors offer a delight for eyes and ears. The music room at the Snyders&Rockox House evokes the Jewish-Portuguese Duarte family, who came to Antwerp in the 16th century to flee the Inquisition. They were drawn by the commercial opportunities offered by the city, where they lived in a patrician residence on the Meir, the most important street. Besides an exceptional collection of paintings by leading Italian and above all Flemish masters, from Titian and Tintoretto to Quinten Massys, Peter Paul Rubens and Anthony Van Dyck, the family also owned five harpsichords and virginals. Duarte did not have to look far to find them, as Antwerp was one of the leading centres for the construction of these instruments and two if not more important harpsichord builders belonged to the businessman's circle of acquaintances. The first references to harpsichord builders in Antwerp date from the beginning of the 16th century. It was between 1560 and 1660, however, that the city was known as the undisputed world capital of harpsichord production. Every year, Antwerp workshops turned out hundreds of harpsichords and virginals. Contemporaries praised the instruments for the richness of their sound and their reliability. The members of the Ruckers-Couchet family were especially renowned for their exceptionally high-quality instruments. Hans Ruckers, his sons Joannes and Andreas and his grandson Joannes Couchet did for instrument-making what Peter Paul Rubens was doing for painting and Christophe Plantin for printing. The Ruckers-Couchet family was not alone: names like Marten van der Biest, Joos Karest, Cornelis and Simon Hagaerts, Joris Britsen and many others also stood for excellent quality. Antwerp harpsichords and virginals did not only sell very well locally, they were sought-after throughout Europe and even far beyond until well into the eighteenth century. A substantial proportion of Antwerp's harpsichord output, like that of its paintings and ornamental furniture, was destined for the international market. The city also developed a strong tradition in the building of domestic and church organs. Dozens of organ builders were active in the 16th century alone, including the Moors and Brebos families. The Ruckers-Couchet family worked with organs too: Joannes Ruckers, for instance, was responsible for a while for maintaining the organ at Antwerp Cathedral. The rise of the Antwerp keyboard builders was accompanied by a flourishing music printing industry (Antwerp was not the first or the only centre of music publication, but it was certainly one of the most important) and an emerging bourgeois culture in which music too played a part. The original instruments are a lasting testimony to musical life in Antwerp, as are the paintings that explore them as their subject matter. Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt‎

‎KLAVIER Virginalen, Klavecimbels en orgels verbeeld in de 16de en de 17de eeuw‎

‎, BAI, 2022 HB, 280 x 210 mm, 176 pagina's, illustraties in,kleur. NL edition. nieuw. ISBN 9789085868309.‎

‎In Museum Vleeshuis maak je kennis met klavecimbels en virginalen, met unieke, beschilderde klavecimbeldeksels, en met Anthony Van Dycks portret van klaviervirtuoos Henricus Liberti. Mario Sarrechia, Bart Rodyns en Korneel Bernolet zorgen met nieuwe opnames op klavecimbel, virginaal en orgel, voor de gepaste soundtrack. In het Snijders&Rockoxhuis kan je schilderijen van onder meer Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt ontdekken. Al deze schilderijen hebben n ding gemeen: ze tonen orgels, klavecimbels en virginalen, vaak van Antwerpse makelij. Enkele klavierinstrumenten uit de collectie van Museum Vleeshuis vullen de tentoonstelling aan.‎

‎Mozart‎

‎Taudend, Suhrkamp, 1977. In-8 relié en toile d'éditeur sous jaquette ill., 415 p., ill. et reproductions en noir h.t. Bon état. Livre en allemand. Buch auf deutscher Sprache‎

‎Wolfgang Amadeus Mozart‎

‎Jean Claude Lattès 1990 In-8 broché. 360 pages. Très bon état d’occasion.‎

‎Un éclairage inconnu, passionnant. Un livre essentiel à lire pour tous ceux qui ignorent ou s’intéressent follement à Mozart. Très bon état d’occasion ‎

‎Mozart.‎

‎ Lattès, coll. "Musiques et Musiciens" 1986 1 vol. relié in-8, cartonnage sous jaquette de l'éditeur, 363 pp., index. Très bon état, très frais.‎

‎Mozart.‎

‎Paris J.C. Lattès, coll. "Musiques et Musiciens" 1979 1 vol. broché in-8, broché, couverture illustrée, 343 pp., index. Dos un peu ridé, sinon très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎Mozart.‎

‎Coll. "Agora" n° 56, Paris, éd. Presses Pocket, 1990, in-12, cartonnage souple, couv. portrait en coul. de Mozart éd., 368 pp., quelques reproductions de gravures et de partitions en noir, chronologie, index des œuvres citées, index des noms, Un livre qui va vous permettre de comprendre le génie de Mozart. Un incontournable ! Très bon état ‎

‎Dt. Komponist.‎

‎O.J. (ca. 1780). Kupferstich (ovales Brustbild im Profil) von Liebe nach Heinrich Füger. Bildgrösse: 7 x 6 cm. Blattgrösse: 8,5 x 7 cm.‎

‎Füger, Heinrich (1751-1818): Oesterr. Maler. - Blattrand beschnitten, leicht gebräunt.‎

‎Biographie von Johann Adam Hiller.‎

‎Zürich, Mahler und Weber, 1848. Gr.-8°. 11 S. Mit einer lithogr. Porträt. Orig.-Heft (leicht fleckig und lichtrandig). = "36. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1848".‎

‎Rohr 862. - Ausser Porträttafel durchgehend stockfleckig.‎

‎Les Beatles. Les inédits.‎

‎Bath, Parragon Book, 2007. In-4°, 383p. Reliure cartonnée illustrée d'éditeur, sous jaquette illustrée.‎

‎Edition en langue française. Compilation de quelques 600 photographies issues des archives du Daily Mail, dont beaucoup n'avaient jamais été publiées avant la parution de cet ouvrage. A l'état de neuf.‎

‎MOZARTUV DON GIOVANNI (Mozart's Don Giovanni in Prague exhibition) - Vystaka k 200. vyroci svetove premiery v Praze 1787-1987.‎

‎Prague, State Library, 1987. in-4, 165 pp., importante iconographie, broche, couverture sous jaquette illustrée.-‎

‎Paperback + DW - Very Good [P-5] Text in Czech, English, Russian and German.‎

‎Kunst des Biedermeier 1815-1835. Architektur, Malerei, Plastik, Kunsthandwerk, Musik, Dichtung und Mode. ‎

‎Munchen, Prestel Verlag, 1989 Hardcover, yellow cloth with orig. pict. dustjacket, 320pp., 23x30.5cm., lavishly ill. in col. and b/w., as new.‎

‎Exhibitioncatalogue.‎

‎Louise de G. Charpentier‎

‎Paris, Mellottée, Les chefs d'oeuvre de la musique, 1922. In-8 (170x110mm) broché, 148 p. Très bon état général. ‎

‎Louise de G. Charpentier : Etude historique et critique - Analyse musicale.‎

‎Paris, P. Mellottée (« Les chefs d'oeuvre de la musique »), 1922. in-16 broché, couv.‎

‎Bon état (adhésif transparent au dos). [FEN] ‎

‎Louise de G. Charpentier.‎

‎MELLOTEE. 1922. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur bon état. 149pp.. . . . Classification Dewey : 780-Musique‎

‎Etude historique et critique. Analyse Musicale. Les chefs d'oeuvre de la musique. Classification Dewey : 780-Musique‎

‎L'Avant-Scène Opéra (numéro 258 ) Mathis le peintre. Par Hindemith paul‎

‎Premières loges ,2010, in-8 de 143 pages ,broché ,Très bon état , .Isbn : 9782843852770.(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay,lettre suivie)et 30 d'achat (colissimo suivi ). Pour l'étranger : tarif livre et brochure, colissimo international, DHL express‎

‎Pratique élementaire de la musique.‎

‎Paris, Jean-Claude Lattès, 1986, in-8°, 247 pages, broché.‎

‎Traduit et annoté par Robert Mermoud. De la collection Musique et Musiciens.‎

‎Paul Hindemith - Zeugnis in Bildern.‎

‎Mainz, B. Schott's Söhne, 1955. Quer-4°. 6 n.n. Bl., 87 S. Mit zahlr. Abb.. OPp., Schutzumschl. fehlend.‎