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La musique du XXe siècle - L'Univers des Connaissances
Hachette 1968 in12. 1968. Broché.
Bon état tranche un peu ternie intérieur propre bonne tenue
L'UNIVERS DES CONNAISSANCES : La musique du XXe siècle
HACHETTE. 1968. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 256 pages. Nombreuses photos et illustrations en noir et blanc dans le texte et hors texte.. . . . Classification Dewey : 780-Musique
Classification Dewey : 780-Musique
L'univers des connaissances : la musique du xxe siècle
Hachette. Non daté. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Quelques rousseurs. 256 pages. Nombreuses photos et illustrations en noir et blanc dans le texte et hors texte. Annoàtations sur la première page dans la marge.. . . . Classification Dewey : 780-Musique
Classification Dewey : 780-Musique
Musique nouvelle - illustrée par des exemples littéraires et musicaux - Neue Musik - traduit par Jean-Claude Salel
Corrêa 1956 in8. 1956. Broché.
couverture défraîchie bords frottés haut du bords du premier plat écorché intérieur propre
45 SIECLES DE MUSIQUE DANS L'EGYPTE ANCIENNE à travers la sculpture, la peinture, l'instrument. Documents – Textes – Annotations.
Paris, La Revue Musicale, Richard-Masse, 1956, in-folio cartonnage sous jaquette, 12 pp, CXII planches, 56 pp. Illustrations. Nombreux autres ouvrages disponibles sur la musique classique: Voir la catégorie Musique (ou recherche par auteur/compositeur). Petites déchirures sur la jaquette, couverture en bon état, ouvrage en très bon état.
Petites histoires de la grande musique
Clé d'or. 1948. In-12. Broché. Bon état, Couv. convenable, Dos frotté, Papier jauni. 179 pages.. . . . Classification Dewey : 780-Musique
Classification Dewey : 780-Musique
Heil den Koning! Feestzang ter gelegenheid van de 25ste verjaring der troonbeklimlming Z.M. Leopold II, Koning der Belgen
Gent, A.Siffer 1890 11pp., 22cm., 1e zelfstandige druk, goede staat, B83126
Hiel's liederen voor groote en kleine kinderen
Antwerpen/ Amsterdam, L. Dela Montagne/ J. Noordendorp 1879 112 + VII pp., 1e uitgave, gecart. band (gemarbreerde platten, lederen rug met titel in goudopdruk, wat gewone slijtage), 20cm., wat lichte roestvlekjes, goede staat, M93949
Historische zangen en vaderlandsche liederen
Roeselare, De Seyn-Verhougstraete 1885 viii + 206pp., met handgeschreven opdracht en handtekening van auteur, mooie halflinnen band 'orig.omslag mee ingebonden), 20cm., 2 stempeltjes, in de reeks "Volledige dichtwerken van Emanuel Hiel"
Liederen en gezangen voor groote en kleine kinderen. Eerste boek
Brussel, Lebègue 1879 148pp., 1e uitgave, 20cm., rode gecart. uitgeversband met titel in goudopdruk (wat slijtage aan randen), goede staat, bijgevoegd: losbladig pamflet in dichtvorm: "Dichtersoproep aan de liberale Vlaamsche dag- en weekbladen van België" door Emanuel Hiel (1883), M93948
Historische zangen en vaderlandsche liederen
Roeselare, De Seyn-Verhougstraete 1885 viii + 206pp., met handgeschreven opdracht en handtekening van auteur gericht aan "Monsieur et Madame E. Michotte", fraaie vollederen rode band met titel en decoraties in goudopdruk op rug en platten, helaas ontbreekt een stukje leder onderaan rug (3cm.) en zijn daardoor de scharnieren onderaan wat fragiel, enkele lichte vlekjes op platten, bovenste bladsneden verguld, versierde schutbladen, 20cm., met ingeplakt ex-libris van Lieven Rens, klein stempeltje op eerste titelblad, enkele roestvlekjes, T95334
Zang aan meester Peter Benoit
Gent, Siffer 1892 14pp., 22cm., orig. omslag, onopengesneden, publicatie van de "Koninklijke Vlaamsche Academie voor Taal- & Letterkunde", goede staat, M91672
Songs and translations.
Printed by hand at 2 Lawrence Road, Hove, Sussex, [Oak, Ash, & Thorn Press], 1931, 8°(15,5 x 11,5 cm) 16 ll., 1 folding music sheet, original half cloth with title label on spine and front cover.
Imprint with the printer's device : "Printed on a Hand Press "Oak, Ash, & Thorn". The edition is limited to fifty copies on hand made paper, this copy being no. 13." The imprint is signed by G. Higgens. There is a handwritten dedication (by the author) dated Hove, 1938, beneath. Printed statement : "All the verses in this book were written with the idea of their eventually receiving musical settings. Some have already had accompaniments composed for them by my collaborator Timothy Sloane. G. H." A very nice copy.
Phone number : 41 (0)22 800 17 04
Piano Sonata #2 / Graphis #192
1982 New York, Printed Editions, 1982, 305x228mm, 4 feuilles de mylar imprimées de couleurs différentes, libres sous couverture imprimée.(103803)
Phone number : +33 1 48 01 02 37
Sonata for prepared piano
1938 New York, Printed Editions, 1982, 355x280mm, 12p., agrafé.(103799)
Phone number : +33 1 48 01 02 37
Song for any voice(s) and instrument(s) / Graphis 129b
1982 New York, Printed Editions, 1983, 280x215mm, 4p.,en feuilles sous couverture imprimée.Texte explicatif de Dick Higgins, partition en double page centrale.Etat neuf.103802
Phone number : +33 1 48 01 02 37
Ten Ways of Looking at a Bird for violin and harpsichord
1982 New York, Printed Editions, 1981, 278x215mm, 16p., agrafé sous couverture imprimée.(103801)
Phone number : +33 1 48 01 02 37
Varèse (AVEC ENVOI DE L'AUTEUR)
Hachette Littérature. 1973. Format : 21/12cm. Pages : 206. Illustré photos en noir et blanc Défraîchi.
Collection Musiciens de notre temps
KEYBOARD INSTRUMENTS Virginals, harpsichords and organs in paintings of the 16th and 17th centuries.
Antwerp, BAI, 2022 Hardcover, 280 x 210 mm, 176 pages, throughout illustraties, ENG edition, ISBN 9789085868293.
Paintings featuring harpsichords, virginals and organs offer us a glimpse of gorgeous interiors, amorous scenes and finely-dressed ladies - and the occasional young man too - at the keyboard. Keyboard instruments can also be the key to decoding an allegory, myth or hidden message in a painting. Other exhibits include painted harpsichord and virginal lids as well as original instruments. Loans from the National Gallery in London, the Rijksmuseum in Amsterdam, the Suermondt-Ludwigmuseum in Aachen and many other museums and collectors offer a delight for eyes and ears. The music room at the Snyders&Rockox House evokes the Jewish-Portuguese Duarte family, who came to Antwerp in the 16th century to flee the Inquisition. They were drawn by the commercial opportunities offered by the city, where they lived in a patrician residence on the Meir, the most important street. Besides an exceptional collection of paintings by leading Italian and above all Flemish masters, from Titian and Tintoretto to Quinten Massys, Peter Paul Rubens and Anthony Van Dyck, the family also owned five harpsichords and virginals. Duarte did not have to look far to find them, as Antwerp was one of the leading centres for the construction of these instruments and two if not more important harpsichord builders belonged to the businessman's circle of acquaintances. The first references to harpsichord builders in Antwerp date from the beginning of the 16th century. It was between 1560 and 1660, however, that the city was known as the undisputed world capital of harpsichord production. Every year, Antwerp workshops turned out hundreds of harpsichords and virginals. Contemporaries praised the instruments for the richness of their sound and their reliability. The members of the Ruckers-Couchet family were especially renowned for their exceptionally high-quality instruments. Hans Ruckers, his sons Joannes and Andreas and his grandson Joannes Couchet did for instrument-making what Peter Paul Rubens was doing for painting and Christophe Plantin for printing. The Ruckers-Couchet family was not alone: names like Marten van der Biest, Joos Karest, Cornelis and Simon Hagaerts, Joris Britsen and many others also stood for excellent quality. Antwerp harpsichords and virginals did not only sell very well locally, they were sought-after throughout Europe and even far beyond until well into the eighteenth century. A substantial proportion of Antwerp's harpsichord output, like that of its paintings and ornamental furniture, was destined for the international market. The city also developed a strong tradition in the building of domestic and church organs. Dozens of organ builders were active in the 16th century alone, including the Moors and Brebos families. The Ruckers-Couchet family worked with organs too: Joannes Ruckers, for instance, was responsible for a while for maintaining the organ at Antwerp Cathedral. The rise of the Antwerp keyboard builders was accompanied by a flourishing music printing industry (Antwerp was not the first or the only centre of music publication, but it was certainly one of the most important) and an emerging bourgeois culture in which music too played a part. The original instruments are a lasting testimony to musical life in Antwerp, as are the paintings that explore them as their subject matter. Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt
KLAVIER Virginalen, Klavecimbels en orgels verbeeld in de 16de en de 17de eeuw
, BAI, 2022 HB, 280 x 210 mm, 176 pagina's, illustraties in,kleur. NL edition. nieuw. ISBN 9789085868309.
In Museum Vleeshuis maak je kennis met klavecimbels en virginalen, met unieke, beschilderde klavecimbeldeksels, en met Anthony Van Dycks portret van klaviervirtuoos Henricus Liberti. Mario Sarrechia, Bart Rodyns en Korneel Bernolet zorgen met nieuwe opnames op klavecimbel, virginaal en orgel, voor de gepaste soundtrack. In het Snijders&Rockoxhuis kan je schilderijen van onder meer Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt ontdekken. Al deze schilderijen hebben n ding gemeen: ze tonen orgels, klavecimbels en virginalen, vaak van Antwerpse makelij. Enkele klavierinstrumenten uit de collectie van Museum Vleeshuis vullen de tentoonstelling aan.
Mozart
Taudend, Suhrkamp, 1977. In-8 relié en toile d'éditeur sous jaquette ill., 415 p., ill. et reproductions en noir h.t. Bon état. Livre en allemand. Buch auf deutscher Sprache
Wolfgang Amadeus Mozart
Jean Claude Lattès 1990 In-8 broché. 360 pages. Très bon état d’occasion.
Un éclairage inconnu, passionnant. Un livre essentiel à lire pour tous ceux qui ignorent ou s’intéressent follement à Mozart. Très bon état d’occasion
Mozart.
Lattès, coll. "Musiques et Musiciens" 1986 1 vol. relié in-8, cartonnage sous jaquette de l'éditeur, 363 pp., index. Très bon état, très frais.
Mozart.
Paris J.C. Lattès, coll. "Musiques et Musiciens" 1979 1 vol. broché in-8, broché, couverture illustrée, 343 pp., index. Dos un peu ridé, sinon très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
