‎Calligraphy of Medieval Music,‎

‎Turnhout, Brepols, 2011 Paperback, 276 p., 116 b/w ill. + 21 colour ill., 17,8 x 25,4. ISBN 9782503540054.‎

‎The Calligraphy of Medieval Music treats the practical aspects of the book making and music writing trades in the Middle Ages. It covers most major regions of music writing in medieval Europe, from Sicily to England and from Spain to the eastern Germanic regions. Specific issues raised by the contributors include the pricking and ruling of books; the writing habits of scribes and their reliance on memory; the cultural influence of monastic orders such as the Carthusians; graphic variants between regional styles of music notation ranging from tenth-century Saint-Gall to sixteenth-century Cambrai; and the impact of print on late medieval notation. The volume opens with a few essays dealing with general issues such as page layout and manuscript production both in and out of medieval Europe. The second part of the book covers early music notations from the tenth and eleventh centuries, and the third part, the twelfth to the sixteenth centuries. Languages : English, French.‎

‎COURS COMPLET d'EDUCATION MUSICALE et de CHANT CHORAL‎

‎4 volumes de 104, 128, 160 et 144 pages, format 240 x 155 mm, illustrés, brochés, publiés en 1954, Editions Musicales Alphonse Leduc‎

‎Cours fort complet d'éducation musicale et de chant choral‎

‎Harpe celtique : le temps des enchanteurs‎

‎Celtics Chadenn Dos carré collé 2004 In-4 (19 x 26 cm), dos carré collé, 143 pages ; petite trace sur la tranche en queue, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Tschechischer Komponist.‎

‎o. O., o. V., (um 1930). Photographie (Portrait). Format: Postkarte.‎

‎Jindrich sammelte Volkslieder, schrieb zahlreiche Liederzyklen, Chöre, ein Melodram und Stücke für Klavier.‎

‎Le cinéma musical du rock au disco 1953 1967(Collection Têtes d'affiche)‎

‎PAC 1978 236 pages in8. 1978. Broché. 236 pages.‎

‎bords légèrement frottés intérieur propre bonne tenue‎

‎Conversations avec Pablo Casals in-8,couverture rempliée,345 pages‎

‎ Albin michel 1955‎

‎Bon état‎

‎CANTILEGE 2-Z. SOLFEGE VOCAL ET INTRUMENTAL A L'USAGE DES CLASSES DE 5EME DES LYCEES CES, CEG,CET, ET DES ECOLES NORMALES.‎

‎MAGNARD. 2EME EDITION.. 1979. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 128 pages. Couverture illustrée en couleur. Nombreuses partitions. Ecriture sur la page de titre et sur la 4eme de couverture.. . . . Classification Dewey : 780-Musique‎

‎REVUE ET CORRIGEE. Classification Dewey : 780-Musique‎

‎Cantilege 3 z - Classe de 4eme ‎

‎ Editions Magnard, 1984. Format 24x16 cm, broche, 144 pages. Bon etat, petites traces d'usage sur un livre d'occasion. ‎

‎CANTILEGE 4 - CLASSE DE 3e‎

‎MAGNARD. 1969. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur frais. 142 pages.. . . A l'italienne. Classification Dewey : 780-Musique‎

‎Solfège vocal et instrumental à l'usage des classes de 3e des lycées et des écoles normales. Classification Dewey : 780-Musique‎

‎Jacques Moderne, Musique de Joye,‎

‎Turnhout, Brepols, 1993 Paperback, XX+153 p., 220 x 310 mm. ISBN 9782869060623.‎

‎Language : French.‎

‎DES CHANTS DE L'AMOUR & DES RYTHMES‎

‎FLAMMARION. 1928. In-8. Broché. Etat passable, Plats abîmés, Coiffe en pied abîmée, Intérieur frais. 235 pages. Non illustré.. . . . Classification Dewey : 780-Musique‎

‎ Classification Dewey : 780-Musique‎

‎Les Contes Musicaux De Marlene Jobert: Pinocchio‎

‎Editions Glenat S.A 2007 19 2x1 2x19 4cm. 2007. Relié.‎

‎Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France‎

‎Ringel rangel rofen‎

‎Moseler verlag wolfenbuttel 66 pages in12. Sans date. Broché. 66 pages.‎

‎Bon Etat‎

‎50 Jahre Bernisch-Kantonaler Jodlerverband 1917-1967.‎

‎Bern, gr. in-8°, 208 S. + 32 Tafeln, Original-Leinenband.‎

‎Mijn taalorkest Een ruime keuze uit Brahman‎

‎, Vantilt, 2018 paperback, 13 x 21cm, 184 pagina's. ISBN 9789460043819.‎

‎Dr. Johan Andreas der Mouw (1863-1919) was leraar klassieke talen en publicist op filosofisch gebied. Aan het eind van zijn leven ontwikkelde hij zich tot een productieve dichter, onder het pseudoniem Adwaita (Sanskriet voor Tweeheidsloos). Hij debuteerde in De Groene Amsterdammer. Zijn enige, zeer omvangrijke bundel ?Brahman? verscheen postuum, in twee paarse banden. ??k Ben Brahman. Maar we zitten zonder meid.? Een karakteristieke regel voor Johan Andreas der Mouw: hooggestemd en relativerend, geestig en diep serieus tegelijkertijd. Het sonnet, zijn favoriete vorm, was geknipt voor die tegenstelling: tussen de twee kwatrijnen en de twee terzinen hoort er immers een omslag plaats te vinden, zo?n tegenstelling is bij het sonnet een verplichting. ?Mijn taalorkest? noemde Der Mouw zijn materiaal; hij is het dan ook die de metrische versregel van het sonnet het muzikaalst weet te behandelen, vooral wat betreft de syncope, in de poezie antimetrie genoemd, die was geintroduceerd door Willem Kloos, maar die door Der Mouw in al haar betekenisondersteunende aspecten is verkend. ‎

‎COLLECTION LITOLFF 3 TRIOS POUR 2 VIOLONS ET ALTO OU VIOLONCELLE DE F. MAZAS OP. 18‎

‎BRAUNSCHWEIG HENRY LITOLFF'S VERLAG ‎

‎Bello spartito senza data ma dei primi del novecento di questo spartito per violino e violoncello di tre melodie tratte dall'opera 18 composte da F. Mazas riviste da Johann Abraham Peter Schulz (1747-1800). Collana "Collection Litolff". Bel frontespizio figurato. In buone condizioni. Copertina assente. Legatura in buone condizioni. Pagine in buone condizioni con fioriture. In 4. cm. 31x24. Pp. 17.Beautiful musical score for violin and violoncello of early 20th century of three melodies from the work 18 composed by F. Mazas reviewed by Johann Abraham Peter Schulz (1747-1800). Of the series "Collection Litolff" Figurated title page. In good conditions. Cover is missing. Binding in good conditions. Pages in good conditions with foxings. In 4. cm. 31x24. Pp. 17.‎

‎LE PETIT RIEN AIR VARIE‎

‎BRAUNSCHWEIG HENRY LITOLFF VERLAG ‎

‎Edizione della fine dell'ottocento della melodia "Le petit rien Air variè" di Johann Baptist Cramer (1771-1858). In ottime condizioni. Copertina editoriale in ottime condizioni con lievi usure marginali. Legatura editorialmente assente. Pagine in buone condizioni con rare fioriture. In Folio. cm. 31x23,5. Pp. 5.Edition of late 19th century of the melody "Le petit rien Air variè" by Johann Baptist Cramer (1771-1858). In very good conditions. Editorial cover in very good conditions lightly worn in the extremities. Binding editoriarly missing. Pages in good conditions with occasional foxing. In Folio. cm. 31x23,5. Pp. 5.‎

‎LA PARODIE SONATE POUR PIANOFORTE PAR J. B. CRAMER OP. 43‎

‎LONDON OFFENBACH M. CHEZ JEAN ANDRE ‎

‎Edizione della fine dell'ottocento della melodia "La Parodie " dall'opera 43 del noto pianista e compositore di pianoforte Johann Baptiste Cramer (1771-1858) Bel frontespizio figurato. In discrete condizioni. Copertina editoriale in buone condizioni con lievi usure marginali. Dorso coperto da carta e rinforzo con il nastro adesivo alla prima pagina. Legatura editorialmente assente. Pagine in buone condizioni con fioriture. In folio. cm. 34,5x27. Pp. 15.Edition of late 19th century of the melody "La Parodie " from the opera 43 by the famous piano player and composer Johann Baptiste Cramer (1771-1858) Beautiful figurated title page. In fair conditions. Editorial cover in good conditions lightly worn in the extremities. Spien covered by paper and reinfroced with adhesive tape in the first page. Binding editoriarly lacks. Pages in good conditions with foxing. In folio. cm. 34,5x27. Pp. 15.‎

‎QUINTETT FUR PIANOFORTE 2 VIOLINEN, VIOLA UND VIOLONCELLO OP. 34‎

‎LEIPZIG C. F. PETERS ‎

‎Edizione di inizio novecento della melodia "Quintett" dall'opera 34 del compositore e pianista tedesco Johannes Brahms (1833-1897). Partitura per quintetto: pianoforte, Violoncello violino n. 1 e n. 2, viola. In discrete condizioni. Copertina editoriale in discrete condizioni con usure marginali. Legatura quasi assente. Pagine in buone condizioni con rare fioriture. In Folio. cm. 31x24. Pp. 11, 9, 11, 10, 71.Edition of early 20th century of the melody "Quintett" from the opera 34 by the german composer Johannes Brahms (1833-1897). Scores for quintett: piano, Violoncello violin n. 1 e n. 2, viola. In fair conditions. Editorial cover in fair conditions lightly worn in the extremities. Binding almost lacks. Pages in good conditions with occasional foxing. In Folio. cm. 31x24. Pp. 11, 9, 11, 10, 71.<BR><BR>‎

‎ZWEITE SONATE (A DUR) FUR PIANOFORTE UND VIOLINE VON JOHANNES BRAHMS OP. 100 ‎

‎Edizione del 1887 di questo spartito per pianoforte e violino di tre sonate dalle opere 78, 100 e 108 di Johannes Brahms (1833-1897). Il frontespizio dell'opera 78 è mancante, la partitura per violino è staccata dalla legatura, le opere 100 e 108 con frontespizio proprio. In buone condizioni. Copertina morbida con etichetta manoscritto al piatto anteriore in buone condizioni con lievi usure marginali. Legatura in buone condizioni. Pagine in buone condizioni con rare fioriture. In Folio. cm. 32,5x27. Pp. 11+7+10, 31+27+34.Edition of 1887 of this score for piano and violin of three sonates from the operas 78, 100 and 108 by Johannes Brahms (1833-1897). The title page from the opera 78 is missing, the score for violin is detached from binding, the operas 100 and 108 with its own title page. In good conditions. Editorial cover with handwritten label in the front plate in good conditions lightly worn in the extremities. Binding in good conditions. Pages in good conditions with occasional foxing. In Folio. cm. 32,5x27. Pp. 11+7+10, 31+27+34.‎

‎De Accentibus et Orthographia, Linguae Hebraicae [i.e.“Accents and Spelling of the Hebrew Language”]. - [THE FIRST EXAMPLE OF NOTATED ASHKENAZI TORAH CANTILLATION]‎

‎(Colophon:) Hagenau, Thomas Anshelm, 1518. Small folio. Bound in a recent full vellum binding with gilt lines and gilt lettering to spine. Title-page re-hinged, affecting neither printing nor woodcut. First leaves with light dampstaining to lower blank margin, far from affecting text. Last portion of leaves with small single worm-holes, mostly marginal, but touching the woodcut at the end. Neat marginal annotations. All in all a very nice copy. Magnificently printed, with three pages with the terms of the Hebrew cantillation printed in red and black, nine pages of musical scores (printed from right to left), extensive use of distinctive Hebrew type, large title-woodcut, and Anshelm's magnificent, large woodcut Printer's device at the colophon (presumably by Anshelm himself, after Dürer). 83, (5) ff. ‎

7 Images

‎Scarce first – and only edition – of this groundbreaking work in Jewish musical tradition, being the first work with printed Hebrew music - Reuchlin’s last work of Hebrew grammer, considered a masterpiece of Hebrew typography. Johannes Reuchlin (1455-1522), the important German humanist from the city of Pforzheim, might not be a famous name today, but he played a significant role in his time and was greatly admired by thinkers such as Erasmus, Münster and Melanchthon. He was known as the father of Christian Hebrew studies as well as for his controversial fight against the Dominicans and their attempt to confiscate and burn Jewish books in the early 16th century. Thus, he became a symbol of interreligious tolerance during a period of growing anti-Semitism in Germany. The “De Accentibus” contains a transcription of Hebrew cantillation for four voices. There are 9 pages of musical notes with Hebrew text for Tenor, Discantus, Altus, and Bassus, and the notes are to be read from right to left. Scholars believe the notation was provided by the eminent Christian Hebraist Johann Boschenstein (1472-1540). “In his last work of Hebrew grammar, De Accentibus... (1518), Reuchlin published the first example of notated Ashkenazi Torah cantillation, presenting thirty-four tropes set to four voices. Although this setting is often regarded as a misunderstanding of Jewish monophonic tradition, it gives us an insight to a phenomenon that goes beyond liturgical practice. This musical experiment was meant to serve Hebrew students in their learning of a long lost language among Christians. It combines Jewish and German musical traditions, but also two of Reuchlin's mystical passions: the secrets found in the Hebrew words and letters as proposed in the Kabbalah and the magical effect of harmonies and proportions of Phythagoreanism.” Adams: R:380.‎

‎LA MALADIE D'HISKIAS‎

‎ EDITION M. SENART B. ROUDANEZ ‎

‎SEPTETT FUR PIANOFORTE VON J. N. HUMMEL OP. 74 ‎

‎LEIPZIG STEINGRABER BERLAG ‎

‎Edizione della fine dell'ottocento della melodia per per due pianoforti "Septett" dall'opera 74 di Johann Nepomuk Hummel (1778-1837) compositore direttore d'orchestra e pianista austriaco. Decorazioni in copertina. In discrete condizioni. Copertina editoriale in discrete condizioni con lievi usure marginali. Piatti staccati. Legatura editorialmente assente. Pagine in buone condizioni con fioriture. In Folio. cm. 34,5x27,5. Pp. 59<BR>Edition of late 19th century of the melody for two pianos "Septett" from the opera 74 by Johann Nepomuk Hummel (1778-1837) composer director of orchestra and piano player. Decorations in the cover. In fair conditions. Editorial cover in fair conditions lightly worn in the extremities. Plates detached. Binding editoriarly lacks. Pages in good conditions with foxing. In Folio. cm. 34,5x27,5. Pp. 59<BR> ‎

‎SEPTETT VON J. N. HUMMEL OP. 74‎

‎ LEIPZIG & BERLIN ‎

‎Edizione della fine dell'ottocento della melodia per orchestra "Septett" dall'opera 74 di Johann Nepomuk Hummel (1778-1837) compositore direttore d'orchestra e pianista austriaco. <BR><BR>Sono presenti le partiture per i seguenti strumenti: flauto/oboe, Corni, viola, violoncello, contrabasso, pianoforte.<BR><BR>Decorazioni in copertina.<BR><BR>In buone condizioni.<BR><BR>Copertina editoriale in buone condizioni con lievi usure marginali. Rinforzo al dorso. Legatura editorialmente assente. Pagine in buone condizioni con fioriture. Fori alla prima pagina. Piatti quasi staccati. In Folio. cm. 31,5x24. Pp. 75.<BR>Edition of late 19th century of the melody for orchestra "Septett" from the opera 74 by Johann Nepomuk Hummel (1778-1837) composer director of orchestra and piano player. there are the score for the following instruments: flauto/oboe, Corni, viola, violoncello, contrabasso pianoforte. Decorations in the cover. In good conditions. Editorial cover in good conditions lightly worn in the extremities. Reinforcement in the spine. Binding editoriarly lacks. Pages in good conditions with foxing. Holes in the first page. Plates almost detached. In Folio. cm. 31,5x24. Pp. 75.<BR> ‎

‎GIGUE IN D MOLL FUR PIANOFORTE ‎

‎LEIPZIG STEINGRABER VERLAG ‎

‎Edizione dei primi del novecento della melodia "Gigue in d moll" dall'opera 31 del compositore organista e pianista tedesco Johann Wiljelm Hassler (1747-1822). Illustrazione in copertina. In buone condizioni. Copertina editoriale in buone condizioni con lievi usure marginali. Legatura in ottime condizioni. Pagine in ottime condizioni con rare fioriture. In folio. cm. 34x27. Pp. 11.Edition of early XXth century of the melody "Gigue in d moll" from the opera 31 by the german composer and piano player Johann Wiljelm Hassler (1747-1822). Illustration in the cover. In good conditions. Editorial cover in good conditions lightly worn in the extremities. Binding in very good conditions. Pages in very good conditions with occasional foxing. In folio. cm. 34x27. Pp. 11.‎