Antwerpen, De Nederlandsche Boekhandel 1957 xlvii + 351pp.+ enkele illustraties buiten tekst, met uitgebreide bibliografie (32pp.), 25cm., originele omslag, goede staat, B89479
Brussel, Paleis der Academiën 1974 259pp. waarvan 55pp. partituren, met muziekvoorbeelden in tekst en enkele illustraties buiten tekst, in de reeks "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten" nr.26 (Jg.36), gebroch., met geïll. stofwikkel, 26cm., mooie staat, M85820
Bruxelles, Editions Lumière, A. Manteau, 1962. 15 x 21, 102 pp., nombreuses illustrations en couleurs, broché, bon état.
Bruxelles, Editions De Visscher, 1954. 12 x 17, 245 pp., broché, bon état (traces d'adhésif sur les pages de garde)
illustrations de Luc Delfosse.
Liège, Bruxelles, Librairie Polythechnique, Decq & Duhent, 1876, 1 vol. in-8 br. de IX - 276 pp.
Au sommaire : Historique de la coopérative, sa raison d'être, son développement progressif - Des associations coopératives en Belgique, loi sur les sociétés coopératives - Des associations coopératives de crédit ou banques populaires - Des associations coopératives de consommation - Des associations coopératives de production - Des associations coopératives d'alimentation - Conclusion.Importants annexes.Des rousseurs sinon bon exemplaire.
Anvers, Publicité Andry, 1932. 23 x 27, 32 pp., broché, bon état (couverture légèrement défraîchie).
"1961. Verviers (Belgique) Temps Mêlés 1961 - Broché 12 cm x 16 cm 23 pages - Texte de André Bosmans envoi de l'auteur à Michel Decaudin - Non coupé carte postale jointe « de la part d'André Bosmans » avec ill. de Magritte très bon état"
"Verviers Vinche éditeur s.d. (circa 1960 ?) - Broché couv. rempliée bien complet de la jaquette 15 5 cm x 23 cm 56 pages - Poèmes de André Bouchoms - Petite déchirure sur la jaquette sinon très bon état"
1 page in4 - En tête de "Gringoire" - bon état - On joint un envoi autographe signé sur le faux-titre de "Sensualité" -
Il le remercie de le citer avec tant de gentillesse "dans Chantecler et dans Paris Presse" - Il n'arrive pas à trouver Paris Presse en kiosque - "Est-il donc si confidentiel?" - Il aimerait recevoir 6 numéros du Paris Presse du 16 juillet, date à laquelle a paru son article - Réouverture jeudi 11 avril 2024 - Nous traiterons vos commandes à ce moment là -
Premier volume, Odes, publiées dans les Primevères, Bruylant-Christophe & Cie libraires-éditeurs, 1876. Relié.
, Brepols - Harvey Miller 2019, 2019 Hardcover,232 pages ., 3 b/w ill. + 136 colour ill., 220 x 280 mm , English, , . ISBN 9781912554225.
The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. Undressing Rubens looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today.
Auguste Picard 1939 In-4 broché 28,2 cm sur 22,7. 105 pages. Couverture passée et poussiéreuse, plis de lecture au dos, intérieur très propre. Bon état d’occasion.
XVI pl. hors texte. XV fig. dans le texte. Bibliographie, index alpha. table des planches, table des gravures Bon état d’occasion
Liège, Wahle, 1983 [published date: 1983] Hardcover. grand in-8°,, 230 pages, nombreuses illustrations en couleurs et n&b, toilE, jaquette illustree.- ISBN 2870110510
Excellent etat. [GD8-1][GD8-8]
Bruxelles, La Belle Edition, 1919. in-16, n.p., rel. demi-toile à coins d'ep., couv. cons., dos lisse, t. et fil. dor.
Bel exemplaire. [DV-SM]
Bruxelles, Labor (« Archives du Futur »), 1986. in-8, 202 p., broché, couverture illustrée.
Très bel exemplaire. [109B-9]
Bruxelles, La Belle Edition, 1919. 11 x 18, sans pagination, broché, non coupé, bon état.
Utrecht, Dietsche stemmen 1916 34pp. + portret, 26cm., stempeltje, luttele roestvlekjes, B72975
Wezembeek-Oppem, Les pères Passionistes 1951 99pp.+ 10pp.ills.hors-texte, br.orig.
Bruxelles, Boycott gallery, 1991 cartonnage illustre de l'editeur, 332 pages Illustrated.couleur.
Daniel Colin was born in 1963 and was primarily influenced creatively by the 1980s growing up. The 1980s were a tumultuous period culturally, and were marked by growing global capitalism, global mass media, significant discrepancies in wealth, alongside a distinctive sense of music and fashion, epitomised by electronic pop music and hip hop. Artists growing up during this time were heavily influenced by this cultural atmosphere. The 1980s were a significant decade politically, marked by the African Famine and the end of the Cold War, which was signified by the fall of the Berlin Wall in 1989. Neo Geo and The Pictures Generation became leading art movements during the decade, alongside Neo-Expressionism which became well-known in Germany, France and Italy (where it was known as Transavanguardia). Artists such as Anselm Kiefer, J rg Immendorf, Enzo Cucchi, Francesco Clemente and Julian Schnabel were leading artists of the era, alongside Jean-Michel Basquiat, Keith Haring and Kenny Scharf, who established the street art and graffiti movements.
Brugge, Die Keure 2013 xiii + 397pp., 25cm., gecart. uitgeversband, in de "Reeks van het Belgische Genootschap voor arbeids- en socialezekerheidsrecht" volume 6, zeer goede staat, ISBN 978-90-4861-611-4, J115291
Gent, Siffer 1898 242pp.geïllustreerd met 6 platen buiten tekst, 23cm., orig. omslag (rug hersteld), goede staat, zeldzaam, B89174
Bruxelles, CGER, 1986. 21 x 21, 287 pp., très nombreuses illustrations en couleurs et en N/B, broché, très bon état.
, Ludion , 2013 Hardcover, 247 pages, English, 290 x 250 x 25 mm, good condition, with photographs in colour, . ISBN 9789461300867.
In this fascinating collection of photographs, the Belgian artist Ives Maes explores the architecture of world expos. He sets the faded glory of these sites against the ambitious and utopian project, full of promise, represented by the first world exhibition. Maes shows how time has taken its toll on these architectural monuments and pavilions, now decayed, abandoned, or torn from their original context. In this comprehensive book, Maes?s photographs are set alongside images of the Great Exhibition in London (1851) through to the most recent expo in Shanghai (2010). The images are accompanied by essays from Anna Jackson, Elena Filipovic and Catherine L. Futter on the history of world fairs, the role of photography and the sculptural character of Maes?s photographic work
, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte .FR edition neuf. ISBN 9789464666908.
Ouvre poustouflante de Hans Memling, le Primitif flamand Bruges Hans Memling (vers 1435-1494), artiste cl parmi les Primitifs flamands, est inextricablement li la ville de Bruges. Le Retable des deux saints Jean et la Ch sse de sainte Ursule, qu'il a r alis s pour l'h pital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce ma tre du xve si cle sont encore expos s Bruges, au Mus e H pital Saint-Jean et au Mus e Groeninge, o l'on peut toujours les admirer. Cet ouvrage pr sente les peintures poustouflantes de Memling et les d crit dans leurs moindres d tails. Il offre une occasion unique de mieux conna tre ou de red couvrir l'ensemble de son oeuvre. Anna Koopstra, conservatrice de la peinture flamande ancienne Musea Brugge, explique, dans des textes accessibles tous, la puissance de l'imagination de Memling, sa ma trise technique et le contexte culturel dans lequel le peintre a v cu et travaill .
, Hannibal Books, 2024 HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN 9789464666892.
Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked.