Turnhout, Brepols, 2000 Hardback, 472 p., incl. 224 ills., 180 x 265 mm. ISBN 9780905203614.
This publication examines Ruben?s Passion of Christ as a transformation of diverse influences, and as a tribute to his deeply held religious beliefs and his determination to give his viewers the sense of witnessing a moment in history. Rubens was well placed to take advantage of the increasing demand for scenes of Christ's Passion in the Southern Netherlands at the beginning of the 17th Century. He had developed a reputation for his religious paintings in Italy, and his return to Antwerp coincided with the efforts of the Catholic Church to restore and replace altarpieces damaged by the Calvinists. The experience of Italy fostered Ruben?s interest in both the historical and the human aspects of Christ?s Passion. The influence of classical sculpture and of Titian, Michelangelo and Caravaggio is evident in the monumental quality of his compositions, but he also valued the emotional intensity of Northern masters like Rogier van der Weyden and Quentin Massys. He made many innovations in his concern for accuracy, especially in disputed subjects like the Elevation of the Cross. Ruben?s success in transforming all these diverse influences is a tribute to his deeply held religious beliefs and his determination to give his viewers the sense of witnessing a moment in history. The images that Rubens created were appropriated throughout Europe. Languages: English.
, Brussels, Arcade Press, 1977., Hardcover with imprint on back and illustrated dustjacket, 265 x 185 mm.,362 pp.
Definitive Raisonnated Catalogue of teh work of Rubens in 27 parts. Based on the material assembled by Ludwig Burchard. Each part written by a well - known scholar.
, Brussels, Arcade, 1977., Hardcover with imprint on back and illustrated dustjacket, 265 x 185 mm., 552 pp. and 294 illustrations in black and white
Definitive Raisonnated Catalogue of teh work of Rubens in 27 parts. Based on the material assembled by Ludwig Burchard. Each part written by a well - known scholar.
Her Majesty's Stationery Office, Government Bookshops, London, 1982. In-8, broché sous couverture illustrée en couleur, 176 pp. Foreword - Introduction : history of the collection - Chronology of the Duke of Wellington - Picture Frames and picture hanging at Aspley House, by Simon Jervis - Abbreviations - List and descriptions of the Wellington pictures - Explanation of ...
Nombreuses illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com
, Berlin, Gebr. Mann Verlag, 1976., Brosschiert, Original-Umschlag,13,5x20cm, 86pp, illustriert s/w. ISBN 3786141088.
Bildgedanke und kunstlerische Form. Aufsatze und Reden.
, Leiden, Stafleu, 1949., Originele uitgeversomslag geillustreerd z/w, 17x24cm, 40pp, geillustreerd in kleur en z/w.
Een reeks monografieen gewijd aan de schilderkunst der nederlanden. Paneel en doek. Serie I, n? 3.
Leiden, Stafleu 1949 40pp. waarvan 8pp. ills., gebroch., S30345
Antwerp, Borgerhoff & Lamberigts /MER, 2024 Hardcover, 216 pages, 25x18cm, Illustrated. ISBN 9789493409514.
Enrique Marty (born 1969 in Salamanca, Spain) is a contemporary Spanish artist known for his expressive and often provocative work across painting, sculpture, installation, and video. He studied at the University of Salamanca, and his artistic practice delves into themes such as the grotesque, the absurd, and the complexities of human relationships. Marty?s work is highly theatrical and often unsettling. He draws on influences from pop culture, horror cinema, and personal experience to create scenes that expose the darker side of everyday life. His art frequently blends realism with distortion, producing a surreal and emotionally charged atmosphere. He has exhibited internationally at major institutions such as the Museo Nacional Centro de Arte Reina Sof a (Madrid), MoMA PS1 (New York), and the S.M.A.K. Museum (Ghent). His works are included in many prominent public and private collections around the world. One of his notable projects is ?The Raft? (2017), a series that reimagines historical connections between Spain and the Low Countries. In this project, Marty uses painting as a narrative tool to explore shared myths and conflicts, functioning as a modern reinterpretation of history painting. In 2024, he presented the exhibition ?De Profundis? in the Cathedral of Antwerp, a site-specific project that highlights his engagement with European cultural and spiritual heritage.
2004 Rubenshuis en Rubenianum Soft cover
Langue: néerlandais. Une maison pleine d'art : Rubens en tant que collectionneur catalogue de l'exposition Broché, 300 x 240 mm, 342 pages, très bon état [Cette description peut avoir été traduite par une IA.]
Anvers, Société Royale de Zoologie, 1977. 20 x 26, 94 pp., nombreuses illustrations en N/B, broché, très bon état.
Anvers, Société royale de zoologie d'Anvers 1977 96pp., avec ills. en n/bl, 26cm., br.orig., bon état, S108258
[Sir Peter Paul Rubens] - Kwakkelstein, Michael W.
Reference : 123472
(2022)
ISBN : 9780905203805
Kwakkelstein, Michael W.: Corpus Rubenianum Ludwig Burchard Study Heads and Anatomical Studies 1. Anatomical Studies. Part XX. Turnhout: 2022. Series: Corpus Rubenianum Ludwig Burchard. 220 pages, 94 black & white illustrations. Hardback. 26 x 17cms. An examination of Rubens's study of human anatomy. The volume presents a chronology of Ruben's anatomical drawings and discusses his use of Ãcorchà models and his 'Livre a dessiner'. Followed by a catalogue of 27 drawings each illustrated and described in detail.
An examination of Rubensâs study of human anatomy. The volume presents a chronology of Rubenâs anatomical drawings and discusses his use of Ãcorchà models and his âLivre a dessinerâ. Followed by a catalogue of 27 drawings each illustrated and described in detail.
Bruxelles, 1938 32 + viii pp.+ 17 reproductions photographiques hors-texte, br.orig., dans la collection "Conférences et théatres" 5e année no.9, 25cm., S58927
Galerie Georges Petit, Paris, mai 1920 In-4, broché, 47 pp. - pl. Tableaux modernes : Artan, Bakker, Korff, Boulenger, Claus, Constable, Daubigny, Decamps, Diaz, Fromentin, Heymans, Jacque, Khnopff, Leys, Madou, Mauve, Ménard, Meunier, Gustave Moreau, Th. Rousseau, Stevens, Troyon, Vollon, Willems, ZiemŒuvre importante de Corot, Les Bergers d'ArcadieDeux tableaux, par Pierre-Paul Rubens ...
Avec 19 planches en noir sous serpente en hors texte. --- Plus d'informations sur le site archivesdunord.com
Brussel, Kryn 1927 133pp.met 34 platen, 17cm., in de reeks "Groote meesters", gecart.band, enkele stempeltjes (waarvan 3 op bladsneden), luttele roestvlekjes, goede staat, S75641
Antwerp, De Sikkel 1952 228pp.with 165 bl/w illustrations + 4 plates in colour, 29cm., softcover, illustrated dustwrapper (small tear repaired), good condition, S85463
Antwerp, De Sikkel 1952 228pp.with 165 bl/w illustrations + 4 plates in colour, 29cm., editor's hardcover in red cloth, illustrated dustwrapper, good condition, S88619
1958 Albert Skira éditeur - 1958 - 1 vol in-4, cartonnage éditeur + jaquette illustrée - 202 pages - Illustrations en couleurs contrecollées
Bon état général - Menues traces d'usure à la jaquette
A Paris, chez le Jay, Libraire, rue St Jacques au'dessus de celle des Mathurins au grand Corneille, sans date (1769)
In-8 (21 x 13,5 cm), titre encadré, X + 102 pp., veau fauve moucheté, dos lisse finement orné, pièce de titre maroquin rouge, filet or sur les coupes, tranches rouges (reliure de l'époque). Edition parue la même année que l'originale, illustrée d'un portrait gravé de Corneille en médaillon, accompagné de la devise "Je dois qu'à moi seul toute ma Renommée" et trois gravures hors texte gravées par B. L. Prévost, N. Ponce, Aug. De St Aubin, d'après les dessins de C. N. Cochin fils. La page de titre et les trois gravures sont sur papier fort. Dans l'avertissement, l'auteur fait l'éloge des artistes peintres Abbé de Marsy, Léonard de Vinci, Dufresnoy, Watelet et Rubens (Coiffe supérieure arrasée, coupes frottées, première page de garde en partie détachée, brunissure en marge des premier et dernier feuillets blancs).
, Allison & Busby, 1993., Pictorial softcover, 135 x 225mm., 289pp., b/w illustration. ISBN 0850318580.
A portrait so vivid that Rubens almost steps out of the pages. In good condition.
, Harvey Miller Publishers, 2015 Paperback, 164 p., 56 b/w ill. + 1 colour ill., 180 x 265 mm, new. ISBN 9781909400207.
This book is the result of the international study day held on 6 December 2013 to celebrate the Rubenianum 50th anniversary. In 1963 a ship landed at the port of Antwerp carrying the specialized library and photo archive of the eminent Rubens scholar Ludwig Burchard. Ever since, the Rubenianum has been able to pride itself on this important legacy and to expand it in order to become the internationally renowned study centre for sixteenth- and seventeenth century Flemish art it is today. The proceedings aim to contextualize and to bring to light the man who stood at the beginning of the Rubenianum collection. What is his role within Rubens research? What characterizes the documentation he left us? How might he have operated when compared to his peers? Who was Ludwig Burchard?
[Sir Peter Paul Rubens] - Logan, Anne-Marie., Kristin Lohse Belkin
Reference : 125778
(2025)
ISBN : 9782503599564
Logan, Anne-Marie., Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621-1640. 2 Volumes. 2025. 555 pages, 172 black & white and 342 colour illustrations. Hardback. 28 x 21.6cms.
Antwerpen, Rubenshuis 2000 140pp., met ills., 26cm., gebroch., goede staat, S108259