Flammarion 2026 224 pages 14 5x21 9x1 9cm. 2026. Broché. 224 pages.
Bon état
New York - Tokyo, John Weatherhill 1988, 265x185mm, VIII- 170pages, editor's binding with jacket. First edition. Book in very good condition.
86 colour photographs, 162 b/w figures, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Chicago, The University of Chicago Press, 1946. 1 volume in-8, VIII-126 pp., broché, couverture imprimée, bon état général.
1919 London: Frederick Warne, 1920. First Edition.. Hardcover. Very Good/No Jacket. Archibald Thornburn and Others. second issue 1 Volume, illustrated throughout. , 242 accurately colored illustrations by Archibald Thornburn. Pectoral inside covers front and back. Red leather over boards with gold lettering and design on the front and on the spine with black line stamped illustrations on the spine. No dust jacket. Text and illustrations are bright and clean, binding also, , No Dust Jacket. Text and illustrations are bright and clean, binding is secure, light speckling to all page edges.
Remise de 20% pour toutes commandes supérieures à 200 €
[Published by Japan Society for the Promotion of Science] - TAKAHASHI, Shinji [ Shinji Takahashi, M.D. (1912–1985) ]
Reference : 43474
(1957)
1 vol. in-8 cartonnage éditeur sous jaquette illustrée, Published by Japan Society for the Promotion of Science, Tokyo, March 1957, 164 pp.
Very good copy (as new). We join a letter by Shinji Takahashi, with a small photographic portrait, and the record written by a French physician (Prof. Joseph Duhamel.) Prof. Takahashi (Professor at the Nagoya University School of Medicine), was a world class specialist in radiography. In this book, Prof. Takahshi described in detail the principle of producing a cross-sectional image based on the reconstruction from a sinogram (called “rotatogram” or “rotation radiogram”). This book shows that Prof. Takahashi had understood the principles of present-day "computed tomography" (CT), long before its official development in the early 70s (by Godfrey Hounsfield, who was awarded the Nobel Prize for this invention)
"TALBOT, (WILLIAM HENRY FOX). - THE INVENTION OF INSTANT PHOTOGRAPHY.
Reference : 49876
(1851)
(Paris, Bachelier, 1851). 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 33, No 22. Pp. (589-) 632 (entire issue offered). Talbot's paper: pp. 623-627.
First printing of the paper in which Talbot describes how he worked out the method of instant photography. He patented it in 1852 and 1858. ""The beginning of high speed photography might be considered to be William Henry Fox Talbot's experiment in 1851. He attached a page of the London Times newspaper to a wheel, which was rotated in front of his wet plate camera in a darkened room. As the wheel rotated, Talbot exposed a few square inches of the newspaper page for about 1/2000th of a second, using spark illumination from Leyden jars. This experiment resulted in a readable image.""
École française de rome 1997 304 pages 12 8x19 8x3 2cm. 1997. Cartonné. 304 pages.
Très bon état de conse!srvation intérieur propre bonne tenue
Stationery Office Book. 1983. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. London, Her Majesty's Stationery Office, 1983, reliure éditeur, in 8 oblong, 309 pp. de dessins et fiches techniques. Texte en langue anglaise.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
CE-011 - Lieu d'édition : London Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
ALBIN MICHEL. 1997. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 81 pages. . . . Classification Dewey : 141-Spiritualisme
Collection Spiritualités vivantes- N°43 Classification Dewey : 141-Spiritualisme
Thames & Hudson Ltd 2026 160 pages 13 462x2 286x19 812cm. 2026. Broché. 160 pages.
Bon état
Marseille, La Belle Bleue, 2009 Relie, couvert. illustr., 247pp, 30x24.5cm, oblong, nombr. ills en n/b, neuf. ISBN 9782917970065.
Inventaire de l?architecture liee aux toitures a travers les epoques et les pays. L?ouvrage retrace egalement l?evolution actuelle de l?architecture en faisant un parallele avec les couvre-chefs dont la finalite est aussi bien la protection que l?esthetique.
CPE 2026 240 pages in4. 2026. Broché. 240 pages.
Bon Etat bonne tenue intérieur propre
TAUSCHER Maria-Theresa ( Stichteres van de Karmelieten van het goddelijk Hart van Jezus - Karmel te Sittard)
Reference : R12931
Seuil 1999 27 18x35 56x1 27cm. 1999. Broché. Finaud un jeune renard affamé en plein hiver rencontre un vieux renard redoutable. Après avoir tenté de lui tenir tête il doit s'enfuir dans la neige déclenchant une aventure où il devra faire face aux dangers et défis de la nature
Bon état
TAYLOR John H. Catalogue d'exposition, the British Museum, Londres, 4 novembre 2010-6 mars 2011.
Reference : 14466
Londres, 2010 British Museum 320 p., 240 illustrations couleur, broché. 28 x 28
Neuf
O'Brien Press Ltd 2026 224 pages 13x2 2x19 4cm. 2026. Broché. 224 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
, London, Merrell, 2002, Bound, brown cloth, illustrated dustjacket, picture - frontispice and frontispice in color, 245 x 290mm., profusely illustrated in colour and b/w.
Giorgio de Chirico (1888?? 1978) was one of the most innovative and controversial artists of the twentieth century. His early success in Paris and subsequent lionization by the Surrealists were followed by decades of negative criticism. While his enigmatic Metaphysical paintings, with their dreamlike imagery of deserted city squares filled with mysterious shadows, stopped clocks, and sleeping statues, had a powerful impact on modern art, de Chirico himself abandoned modernism in the 1920s for a return to the painting techniques of the old masters. A key to understanding de Chirico?? s oeuvre is an early series of paintings he made in 1912?? 13 of the mythical Greek princess Ariadne. De Chirico increasing engagement with Paris?? s avant-garde art scene can be traced in the series, as well as the coalescence of his own painting style. In later years, the artist would return to the Ariadne theme again and again in his vast series of Piazza d?? Italia paintings, which in their repetition and minute variations border on the obsessive. For all this claims to the contrary, de Chirico remained profoundly modern, his serial approach to painting foreshadowing the work of such artists as Andy Warhol. In eight essays the authors explore the importance of the Ariadne series in the context of the Paris art world before World War I and in later developments in de Chirico?? s career. An unpublished text by Max Ernst and an interview with Gerard Tempest, who was tutored by de Chirico for two years in the late 1940s, shed new light on the artist and his working methods. Illustrated with some 180 paintings, drawings, sculptures, and documentary photographs, this book provides an unparalleled range of primary research materials and the best overall account of de Chirico?? s career.Published on the occasion of the special exhibition Giorgio de Chirico and the Myth of Ariadne, that opened at the Philadelphia Museum of Art November 3, 2002 and ran through January 5, 2003. Book is in excellent condition.
Editions Philippe Picquier Broché 1990 In-8 (14.5 x 21 cm), broché avec rabats, 63 pages ; 4ème plat défraîchi, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Los Angeles, The Curtiss Book Company. 1913, in-8vo, 1 leaf (half-title) + 149 p. + 4 p. publ. ads, publisher’s clothbound. First inner hinge loosening.
3d edition, includes the prefaces to the 1st and 2nd editions. Transcribed by Harriette Augusta Curtiss F. O. 15 and F. Homer Curtiss, B. S., M. D., F. O. 15, Secretary of the Order.
Phone number : 41 (0)26 3223808
Cambr., CUP, 1954.
X,244 p. Cl. 22 cm