Brookings Institution Press 1981 235 pages 15 24x1 778x22 606cm. 1981. Broché. 235 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
Leipzig, Johann Ambrosius Barth, 1897. No wrappers. In: ""Annalen der Physik und Chemie, Neue Folge"", Bd. 61, No 7. Titlepager to vol. 61. Pp. 417-640 a. 1 folded plate. (Entire issue offered). Kaufmann's paper: pp. 544-552, textillustrations. A stamp to upper corner of titlepage. Clean and fine.
First printing of this landmark paper in particle physics, in which Kaufmann found that the cathode are negatively charged particles, that certain properties of the cathode rays are independent of the nature of the gas that they traverse, and determining the ratio e/m. (charge/mass)""To define the 'birth of an era' is perhaps best left for parlor games. Let me write of the BIRTH OF PARTICLE PHYSICS nevertheless, define it to take place in April 1897, and appoint Kaufmann and Thomson as keepers of the gate. Their respective experimental arrangements...are of comparable quality, their experimental results equally good.""(Pais ""Inward Bound"", p. 84.).""In 1897 three physicists, Weichert, Kaufmann, and Thomson, in independent experiments, found that cathode rays are indeed negatively charged particles having the peculiar property that the ratio of the mass and the charge of these particles is in the order of 1000 times smaller than for the lightest ion, the ion of the hydrogen. The term 'electron', which had previously been used to denote the 'elementary charge' , was soon adopted as the name of the new particle. The electron was the first of the later so-called 'elementary particles' to be discovered."" (Siegmund Brandt ""The Harvest of a Century"" No. 4 (p.16 ff.).
Madras, The Theosophist Office, Benares and London, 1909. Orig. full cloth. Gilt lettering to spine. Frontispiece. XV,719 pp., many textillustr. and plates. 1 folded map.
First English edition of this classic travel account of Tibet.
Turnhout, Brepols, 2003 Hardback, XLVIII+558 p., 155 x 230 mm. ISBN 9782503514383.
Robert de Gretham's Mirror is a collection of sixty sermons for Sundays and feast-days throughout the liturgical year. Originally composed in Anglo-Norman (c. 1250-1300), and later translated into Middle English, the texts was dedicated to 'Aline', a lady of high status whose literary tastes ran more towards romaunces & gestes than prayer books. In an attempt to remedy the situation, Gretham proposed that Aline read the Mirror instead. In it, Gretham argued, she would surely find material more profitable for the soul than stories of 'Tristrem [or] Gy of Warrewyk'. The question is this: did Aline find 'better' stories among the tales included in the Mirror? Through an analysis of Gretham's clerical discourse, Blumreich argues that the sermon exempla intended for Aline's spiritual improvement assert different, but not particularly better, virtues than what she might have gleaned from a romance, especially when these moral tales are considered from a feminist perspective. New.
, Brepols - Harvey Miller, 2011 Hardback 400 pages ., 180 x 265 mm, Languages: English, ISBN 9781905375868.
In 1622, Rubens designed his second tapestry series, The Story of Constantine, for which he executed twelve oil sketches, all of which are currently preserved in public and private collections in America and Europe. Tapestries produced after the lost cartoons, which were in turn painted after the oil sketches, were woven in the tapestry factories in the faubourgs of Saint Marcel and Saint Germain in Paris. Based on new archival research and a critical examination of the literature on the Constantine series, this book firmly embeds the genesis, and iconographical and stylistic features of the set in its specific artistic, manufactural, and commercial matrix, and thus develops the first truly inclusive approach to Rubens's Story of Constantine. Analysis of the entrepreneurial strategy of Marc Comans and Francois de la Planche, directors of the factory in the faubourg of Saint Marcel, the correspondence between Rubens and Peiresc, the provenance of the twelve oil sketches, and the iconographical programme reveals that the series was not commissioned by the French king Louis XIII, as has long been believed, but by Comans and de la Planche. A close reading of Rubens?s primary literary source, Caesar Baronius?s Annales Ecclesiastici, shows that the artist must have intended the twelve scenes to hang in a sequence different from the generally accepted one, though seventeenth-century buyers and viewers could have seen and interpreted the Constantine series quite differently, as their view was distorted by the jumble of Constantinian legends and motifs that had lodged in the cultural memory of Latin Christianity. Finally, the book explores the area of tension between the set?s austere monumentality and highly sophisticated aesthetic, which was rooted in Rubens?s profound knowledge of classical and Renaissance art and in his earlier forays into the free and creative application of these sources, contemporary French and Brussels tapestry sets, and the pictorial and decorative qualities, possibilities and challenges inherent in the medium itself
DISCO MANIA. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Nombreuses photos au dos de la pochette.. . . . Classification : 410-33 Tours
Classification : 410-33 Tours
Turnhout, Brepols, 2007 Paperback, original editor's jacket, english, 22x28 cm., VIII+428 pp., 342 b/w illustrations. ISBN 9782503513669.
Architectura Moderna ARCHMOD 5. This study focuses on change and continuity within the architecture of the Southern and Northern Low Countries from 1530 to 1700. Instead of looking at both regions separately and stressing the stylistic differences between the classicist North and the baroque South, the book establishes a new, common history of architecture for both parts of the Low Countries during the 17th century. Their reception of Antiquity in the guise of the Italian Renaissance, first introduced in Court circles in the early 16th century, constituted the common heritage on which they built after the political separation. The book also reassesses the position of Netherlandish architecture in the international debate on the Renaissance north of the Alps.
Turnhout, Brepols, 2007 Paperback, VIII+428 p., 342 b/w ill., 220 x 280 mm. ISBN 9782503513669.
This study focuses on change and continuity within the architecture of the Southern and Northern Low Countries from 1530 to 1700. Instead of looking at both regions separately and stressing the stylistic differences between the classicist North and the baroque South, the book establishes a new, common history of architecture for both parts of the Low Countries during the 17th century. Their reception of Antiquity in the guise of the Italian Renaissance, first introduced in Court circles in the early 16th century, constituted the common heritage on which they built after the political separation. The book also reassesses the position of Netherlandish architecture in the international debate on the Renaissance north of the Alps. New.
Princeton University Press 2026 262 pages in8. 2026. Cartonné jaquette. 262 pages.
Bon état avec sa jaquette intérieur propre bonne tenue
Leipzig und Heidelberg, C.F. Winter'sche Verlagshandlung, 1858. 8vo. Later hcloth. Spine with gilt lettering. In: ""Annalen der Chemie und Pharmacie. hrsg. von Friedrich Wöhler, justus Liebig und hermann Kopp"", Band CVI. With both titlepages. (8),392 pp. a. 1 litographed plate (shaved in outer margin, ut not belonging to Kekule's paper). (Entire volume offered). Kekule's paper: pp. 129-159. Internally clean.
First appearance of this milestone paper in organic chemistry in which he demonstrated the mutual linking together of carbon atoms, developed the idea of affinity units, later called ""valence bonds"", and thus making it possible to explain the formation of organic compounds containing large numbers of carbon atoms. This was ""the final step in the development of modern structural formulas for organic compounds..."" (Leicester & Klickstein, p. 417)""It was not till 1858 that a satisfactory theory of molecular constitution was advanced, simultaneously and independently, by thwo young chemists, Friedrich August Kekulé and Archibald Scott Couper. The theory of molecular constitution put foreward....by Couper and Kekulé rested on two main postulates, the quadriivalency of carbon,....and the capacity of the carbon atom for mutual linking or combining together to form a carbon ""chain"". By this hypothesis of the mutual linking together of carbon atoms - which waslater confirmed by experiment - it was possible to explain the formation of organic compounds containing a large number of carbon atoms. On the foundation of their postulates two postulates, moreover, (they) showed how the molecular constitution or mutual linking together of the atoms of a compound could be represented diagrammatically and the relstions between different compounds made readily intelligible. In his classic paper ""On a New Chemical Theory"" (the paper offered here in its first appearance) advanced beyond Kekulé by representing the constitutions of the compounds by means of GRAPHIC FORMULA in which, as at the present day, the valencies pf the atoms are represented by lines....his formulae are similar to those at present in use...""(Findlay pp. 34 ff)""The theory of Kekulé and Couper gave the chemists the means of solving the problems of chemical constitution"" and by means of the graphic or constitutional formulae it became possible to represent the molecular constitution of known compounds and to foresee the possible existence of isomeric compounds.""(Findlay).Parkinson ""Breakthroughs"" 1858 C. - Ostwald's Klassiker No. 183. - Leicester & Klickstein ""A Source Book in Chemistry"", pp. 417-425. - Exhibition of First Editions of Epochal Achievements in the History of Science, Berkeley 1934. No 57.
, Texas, The San Antonio Museum Association, 1985, Softcover with relief-impression, illustrated dustjacket, inner platters : map, frontispice in color, 215 x 275mm., 132pp., beautiful b/w illustration.
Bilingual edition Eng/Sp. In good condition.
"KELLER, FERDINAND - THE ""APPEARANCE"" OF PFAHLBAUTEN (THE STAKE BUILDINGS) IN SWITZERLAND.
Reference : 48328
(1854)
Zürich, Meyer und Zeller, (1854-) 1879. 4to. Contemporary halfcalf. Gilt spine, gilt letterinf. Fronthinge weakening. 1. Bericht (title without year): pp. (66-) 100 - 2.: pp. (110-) 155 - 3.: X,(73-) 116 - 4.: 34,(2) pp. - 5.: (4),(131-) 188 pp. - 6.: VIII,(245-) 320 pp. - 7.: (2),(4),69,(2),XII,(2) pp. - 8.: VIII,58 pp. and 85 lithographed plates, each with numerous illustr., 2 views (complete). Siebenter berich has 2 titlepages, the first: ""Résultat des Recherches exécutées dans les Lacs de la Suisse Occidentale depuis l'année 1866 decrit par V. Gross, F.-A. Forel et Edm. de Fellenberg"". The second: ""Pfahlbauten. Siebenter Bericht. Von Ferdinand Keller"". A few minor brownspots, internally clean.The work was published in ""Mittheilungen der antiquarischen Gesellschaft in Zürich"", Bde IX,,XII,,XIII,,XIV,.XV,,XIX, a. XX. The work has successively belong to three well-known Danish archaeologist: Georg Sarauw, Axel Steensberg and J. Troels-Smith with their names on front free endpaper.Troels-Smith is internatonally known as one of the pioneers in Pollen Analysis, especially with his work ""Pollenanalytische Untersuchungen zu einigen Schweizerischen Pfahlbauproblemen"" founded on his excavations on the ""Pfahlbauten"".
First edition of this pioneer work in Swiss archaeology, exposing in a long series of reports his finds in the Swiss lakes (the Swiss lake Dwellings), - describing the Swiss ""Urbevölkerung"" with their Stake Buildings and the rich finds around these in the Swiss lakes.
HarperOne 1978 528 pages 13 5x20 1x3 9cm. 1978. Broché. 528 pages.
Bon état intérieur propre bonne tenue
Les peintres russes du XIXe siècle, Léningrad, 1991. In-4, reliure pleine toile éditeur sous jaquette illustrée en couleurs, 239 pp. Vasily Sourikov (texte en russe) - Planches - Sumary (en anglais) - List of Illustrations (en russe et en anglais).
Nombreuses illustrations en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
KEMENY, Zoltan - Introduction de Michel RAGON - Translated from the French by Hakon Chevalier, Ins Deutsche übersetzt von Hans Jacob
Reference : 120369
Editions du Griffon, Neuchatel - 1960 - In-4, cartonné sous jaquette illustrée de l'éditeur - 101 pages - Très nombreuses illustrations et reproductions photographiques en couleurs et en N&B in et hors texte - Ouvrage trilingue allemand, anglais et français
Bon état - Menus frottements sur la jaquette - Bords des pages très légèrement jauni
Leuven, Instituut voor Naamkunde, 1991 Originele uitgeversomslag, 24x16 cm., 92 pp., geillustreerd in z/w. ISBN 9068313746.
Toponymica. Bijdragen en bouwstoffen uitgegeven door het Instituut voor Naamkunde te Leuven, IX, 5.
Leuven, Instituut voor Naamkunde / Onomastica Neerlandica / Uitgeverij Peeters, 2002 Originele uitgeversomslag, 24x16 cm., 190 pp., geillustreerd in z/w. ISBN 9075465041.
Toponymica. Bijdragen en bouwstoffen uitgegeven door het Instituut voor Naamkunde te Leuven, IX, 9.
WW Norton & Co 1993 272 pages 16x3 3x23 11cm. 1993. Cartonné jaquette. 272 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
Collins 1992 464 pages 11 2x3 2x16 8cm. 1992. Broché. 464 pages.
Bon état
Deventer, HAEF Publishers, 2008 Gebonden in Iris-linnen en Khepera-papier, harde omslag, 17x24,5 cm. gedrukt op 115 grams Go Mat, ca. 324 pp., 20 z/w foto's, 16 kleurenfoto's. ISBN 9789073566019.
Met legenda, bibliografie van Geert van Daal en personenregister. De catalogus wordt ingeleid door een aantal artikelen van Geert van Daal als verzamelaar, van Jan Storm van Leeuwen als boekbandkenner, van Henk ten Bohmer als, ten tijde van het schrijven van het boek, voorzitter van Stichting Boekbehoud, en van Leo Kerssemakers als bezorger van het werk. Vijftien hoofdstukken worden ingeleid door begeleidende artikelen van Kerssemakers waarin wordt verwezen naar belangrijke en opvallende banden. Waar van toepassing zijn anekdotes opgenomen van Van Daal over de aanschaf van diverse banden, hierdoor krijgt de lezer een goed beeld over hoe het daarbij soms kan verkeren. Wie met de namen van auteurs in het hoofd tenslotte snel naar een bepaald werk wil zoeken kan dit doen aan de hand van een uitgebreid personenregister achterin het boek. De titel van het boek geeft aan dat het boekbinden centraal staat. Toch is deze beschrijvende catalogus voor iedereen die belangstelling heeft voor de vele aspecten van het boekenwezen van grote waarde, of het nu een boekbinder is, een drukker, een (sier)papiermaker, een grafisch vormgever, of een antiquaar. Een grote bron van vakkennis ligt in de beschreven werken opgeslagen en kan aan de hand van deze catalogus makkelijk worden ontsloten. Gepubliceerd door Stichting Handboekbinden,
Paris ACR édition 2003, grd in-4, 312 pages. photographies en couleurs de Michel Lebrun. Cartonnage brique éditeur sous jaquette et coffret d'éditeur. Très bel état.(CXV)-(2600 gr.).
Au Sans Pareil Paris 1926. Nouvelle illustrée d'images hors-texte par Nathalie GONTCHAROVA. (192mmx145). N° 1118 sur vélin d'Annonay des Frères Montgolfier. Couverture rempliée fanée mais bon état.
, , 1978 Paperback, 269pp. English 270 pagina's HES & DE GRAAF Publishers ISBN 9789061944911.
New. 9789061944911
KHADER (A cha Ben Abed-Ben), BALANDA (Elisabeth) et URIBE ECHEVERRIA (Uribe) [Dir.]
Reference : 67538
, Ars Latina, 2002 Couverture rigide lin sous jaquette ill., 547 pages, nombreuses illustrations, 35 x 25 cm. *comme neuf. ISBN 9782910260101.
Image de pierre. La Tunisie en mosa que. ISBN 10: 2910260100 / ISBN 13: 9782910260101
Hatier Litterature generale 2026 320 pages 13 8x18 8x2 2cm. 2026. Broché. 320 pages.
Bon état