Abell Sam Kadushin Raphael Kluge P. F. Lee Douglas B. Collectif
Reference : 500117564
(2020)
ISBN : 9782822902748
NATIONAL GEOGRA 2020 26 2x26 6x2 4cm. 2020. Broché.
Bon état
BIBLE The five books of Moses. Abel Pann. Jérusalem, the Palestine Art Publishing Co., s.d. Quarante-sept lithographies in folio, légendées en hébreu et en anglais, montées sous cache, précédées d'un f. de titre et d'un f. de préface bilingues hébreu - anglais, l'ensemble conservé dans un étui toilé portant titre et nom d'artiste imprimés. Bien que le titre annonce cent lithographies, ces quarante-sept pièces constituent tout ce qui a paru de cette extraordinaire série. Précieux exemplaire dont toutes les lithographies sont contresignées par l'artiste, l'une d'elles enrichie de plus d'une remarque marginale
coffret d'origine sali exterieurement , (restaurable) interieur parfait tres frais Consultez le site de la boutique pour y voir des photos de cet ouvrage, et une partie du catalogue :http://www.antiquites-duvert.fr
Kopenhagen, Jens Hostrup Schultz, (1846). 4to. (4) pp.
In this decree the Danish King states that the decree issued by ""Der Deutschen Bundesversammlung"" in 1845 about the abolition of the slave trade (Negerhandel), should be in force also in the German speeking part of Denmark, Herzogthum Holstein.
Kopenhagen, Jens Hostrup Schultz, (1835). 4to. 41 pp. Clean and fine.
First printing of the second Danish decree to abolish the slave trade. Denmark was the first souvereign state in the world to abandon the slave trade by a decree issued in 1792. This did not mean, that the trade was hereby stopped. When France and England in 1831 and 1833 in conventions banned the trade, the Danish king Frederik VI issued this decree of 1835 to support these conventions. The decree of 1835 contains a detailed Criminal Law for transport of slaves over the Atlantic.The decree was issued in two forms at the same time, one with only Danish text and one with Danish and German paralelltext (the version offered).
Turnhout , Brepols, 2010 Paperback, XXII+938 p., 120 b/w ill. + 100 colour ill., 210 x 270 mm. ISBN 9782503535203.
In September 2008, the seventh edition of the International Colloquium of Greek Palaeography (Madrid-Salamanca, 15-20 September 2008) celebrated the 300th anniversary of the Palaeographia graeca, the pioneer work of the Benedictine Bernard de Montfaucon that established the fundamentals of the discipline. Papers by renowned specialists in the field contributed to the methodology of study and to our knowledge of Greek manuscripts, and opened new perspectives for the study of the Greek manuscripts preserved mostly in European libraries, taking into account new methodological approaches, the possibilities of online resources, and the results of ongoing research projects. The Proceedings published here include contributions by specialists from over ten different countries, dealing with palaeographical issues such as ancient capital and lower-case lettering, writing and books in the Macedonian, Comnenian and Palaeologan periods, and Greek scribes and ateliers in the Renaissance (especially in manuscripts from the Iberian Peninsula). Many contributors also take a codicological approach and consider the material aspects of the codex, as well as other new research techniques. Finally, some papers deal with the book as object and how this relates to its content, as well as with the history of texts. The International Colloquia of Greek Palaeography are organized by the International Committee of Greek Palaeography, presided by Prof. Dieter Harlfinger. The seventh edition payed tribute to the memory of the late Jean Irigoin, who died in 2006. Languages: English, Italian, Spanish.
Broché bon état .Contenu propre .Edition bilingue . 2013.PHOTOS SUR DEMANDE
Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.
Jerusalem, Haifa, Academy, 1968, in 12 relié pleine toile de l'éditeur, 114 pages.
PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
, brepols, 2011 Hardback. 470 pages ., 3 b/w ill. 16 colour ill., 210 x 270 mm, Languages: English, Terraum orbis 8 ISBN 9782503523781.
Fra Mauro's mappamundi, drawn around 1450 in the monastery of San Michele on Murano in the lagoon of Venice, is among the most relevant compendia of knowledge of the Earth and the Cosmos of the fifteenth century. By examining literary, visual, textual and archival evidences, some long considered lost, this book places the map within the larger context of Venetian culture in the fifteenth century. It provides a detailed analysis of both its main sources (auctores veteres such as Pliny, Solinus, Ptolemy, and novi, like Albert the Great, Thomas Aquinas, Marco Polo and Niccolo de? Conti) as well as of the composite networks of contemporary knowledge (scholasticism, humanism, monastic culture, as well as more technical skills such as marine cartography and mercantile practices), investigating the way they combine in the epistemological unity of the imago mundi. More a work on intellectual history than cartography, the book constructs a complex set of frameworks within which to situate Fra Mauro?s monumental effort. These range from the cultural history of the reception of the world map from the fifteenth to the nineteenth centuries to the analysis of the material conditions under which map-makers such as Fra Mauro worked; from the history of ideas, especially of natural philosophy to the links between world representations and travel literature. It also addresses the Venetian reception of Ptolemy?s Geography, the interactions between Venetian art, theology and cosmography and the complexities of the Venetian vernacular. The books develops a multi-tiered approach, in which different elements of the rich cultural context in which this world map was created, interact with each other, each casting a new light on the encyclopaedic work being analyzed.
J. Debrett Full Leather London 1785
Very good 3 volumes 8vo, VII, XLVIII, 399, 413, (2, publ. cat.), 434 pages, (4, publ. cat.). Bindings worn, loss of leather on volume one. Important compilation with a discourse by Charles Jenkinson (1727-1808).
Foreign languages publishing house 1941 in8. 1941. Cartonné.
Bon état cependant couverture et tranche défraîchies ternies intérieur propre jauni
T. Tusting Cocking, F.I..C. Broché 24 Pages en format petit -8 - The british drug houses LTD Livre personnalisé
Très Bon État
Londres - 1903 - 1 page in4 (format 26 x 38 cm + coupons restants) - encadrement brun et texte noir sur fond blanc -
Bon état -
Bristol, Bristol Classical Press, 1995.
97 p. Paperback. (Introduction, text & notes)
Bristol, Bristol Classical Press, 1995.
97 p. Paperback. (Introduction, text & notes)
CBS. 1981. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Paroles dans la pochette. Photo du chanteur du groupe sur la couverture et photo du groupe dans la pochette et au dos. Accrocs sur la couverture, le dos et dans la pochette.. . . . Classification : 410-33 Tours
Classification : 410-33 Tours
NATHAN 2012 96 pages 11 4x0 6x17 4cm. 2012. Broché. 96 pages.
Très bon état
Turnhout, Brepols, 2003 Hardback, two-volume catalogue, 564 p., 390 b/w ill. 43 colour ill., 210 x 280 mm. ISBN 9781872501383.
This two-volume catalogue covers the entire collection of post-antique Italian sculpture in the Detroit Institute of Arts, ranging from early medieval to the early twentieth century. The collection of post-antique Italian sculpture in the Detroit Institute of Arts is considered among the three finest and most comprehensive outside Europe; however, this large and distinguished collection, whose formation began a century ago, has never been published in its entirety as a museum catalogue. Ranging from early medieval, pre-Romanesque stone carvings of the eighth and ninth centuries to works created more than a millennium later, the collection numbers over 350 pieces of Italian sculpture in wood, stone, terracotta, stucco, porcelain and bronze. More than half of the collection consists of sculpture from the fifteenth and sixteenth centuries (or the Early, High and Late Italian Renaissance), and approximately one-fifth dates from the thirteenth and fourteenth centuries (roughly, Italian Gothic sculpture). Although the remainder is more or less equally balanced in number between the eighth to the twelfth centuries, and those pieces from the seventeenth to the early twentieth centuries, the latter group of Italian baroque to nineteenth-century sculpture contains some of the most important and most recently acquired Italian works of art in the collection. New book.
London, 1713, in 12 relié pleine basane racinée, dos lisse orné, 355 pages ; frontispice et titre-gravé ; rousseurs ; reliure très frottée, plat supérieur détaché.
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Phone number : 04 77 32 63 69
Utrecht 1859 C. Van der Post Jr. Hardcover
Hardcover, 24 x 14 cm, 2900 blz., Nederlands, 9 volumes, staat: Zeer Goed. De taalgids tijdschrift tot uitbreiding van de kennis der Nederlandsche taal : eerste jaargang: 1859: 318 blz; tweede jaargang: 1860: 320 blz; derde jaargang: 1861: 328 blz; vierde jaargang: 1862: 332 blz; vijfde jaargang: 1863: 305 blz; zesde jaargang: 1864: 319 blz; zevende jaargang: 1865: 325 blz; achtste jaargang: 1866: 324 blz; negende jaargang:1867: 329 blz. Uniforme half-lederen binding met gouden belettering op de ruggen. mooi geheel.
Phone number : +32(0)496 80 81 92
, Provinciebestuur Oost-Vlaanderen, 1996, softcover , geillustreerde kartonomslag met flappen, 140 x 210mm., 72pp., zeer mooie en uitgebreide kleurillustratie. ISBN 90 74311 19 9.
De Sint-Antoniuskerk in Sint-Niklaas is in ons land een van de betere voorbeelden van een goed bewaarde, sobere barokkerk, waarvan het interieur vooral bij concertliefhebbers gekend is als een uitgelezen decor met een prachtige akoestiek. Komen aan bod: de bouwgeschiedenis van kerk en klooster, de kunstwerken, zoals de barokmeubilering en het beeldhouw- en snijwerk. Ook de rijke collectie edelsmeedwerk wordt onder de loep genomen. Nieuw.
, Brussel, Paleis der Academien, 2009, Paperback, soft cover, original editor's jacket, 17.9x25.9 cm., 434 pp., index Auctorum Operumque, Index Personarum et Locorum.
Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Corpus Catalogorum Belgii, vol. VII.
Turnhout, Brepols, Hardback, original editor's jacket, english, VIII+271 pp., 279 b/w ill., 225 x 305 mm. ISBN 9781905375509.
The Print Collection of the Royal Library of Belgium (HMPCRLB 2). This book presents resents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time.
København, Gyldendal, 1926-27. Velbevaret hldrbd. med rygforgyldning. XIV,(2),726,(2) pp. Rent friisk eksemplar. Har tilhørt Palle Lauring med hans stempel på titelbladet.
London,10 Ph of Palace of Westminster with sl.cr. tissue guards. French captions. 24x31c. white emb. cvr BUT gutta-percha perfect binding completely failed and all pages detached. else good
debroché comme tous les exemplaires,colle ? Remise de 20% pour toutes commandes supérieures à 200 €