Editions Talant, collection "Saisons de la Photographie" - 1994 - In-4, agrafé - Sans pagination (environ 30 pages) Nombreuses reproductions photographiques en N&B hors texte
Légères traces de frottements sur la couv. - Intérieur bien frais Bon
CARLES, Michèle - BROCHARD, Gilles - Photographies de Christine FLEURENT
Reference : 18637
Ed. du Chêne - 1998 - In-4 - Reliure éditeur sous jaquette illustrée en couleurs - Très nombreuses illustrations en couleurs dans le texte et hors texte pleine page - Texte de Gilles Brochard, Recettes de Michèle Carles, Photographies de Christine Fleurent et Stylisme de Marie-France Michalon - 175 pages - Très bel exemplaire
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Paris, éd. du Chêne, ocotbre 1998, EDITION ORIGINALE, gd. in-4, cartonnage toilé noir éd., jaquette photo coul. éd., 176 pp., papier glacé, très nb. photos coul., sommaire, les grades du thé, table des recettes, bibliographie, Michèle Carles, une des soeurs Scotto, crée depuis 15 ans des recettes et collabore avec de nombreux magazines féminins. Avec Gilles Brochard, journaliste et écrivain, elle exprime dans ce livre aux photographies superbes sa passion du thé et les délicieuses alliances gastronomiques que suggèrent le darjeeling ou encore le ceylan, pour ne citer que ces deux variétés parmi tant d'autres. Langoustines aux mangues, Crème brûlée à l'earl grey, Gratin de haddock poché au thé noir lapsang souchong, les saveurs de ce précieux breuvage se déclinent dans des raffinements gustatifs sensuels. L'histoire de la petite feuille est également retracée ainsi que les rites et les cérémonies qui entourent la préparation d'un bon thé. Pour le savourer aussi bien dans l'après-midi qu'au cours du repas. Superbe iconographie. Très bon état
1940 N° 298 - in-12 broché avec sa jaquette illustrée par Simone Jean Bernard - 1940 - 244 pages - Ed. Librairie des Champs-Élysées - Le Masque collection de romans d'aventures créée et dirigée par Albert Pigasse
bon état
Paris, Léon Pichon, 1917 ; in-4, broché ; 62, (2) pp., couverture crème rempliée, imprimée en rouge et noir, 9 bois gravés.
Exemplaire N°164 des 290 sur vergé d’Arches à la cuve. Cette édition, faite sur la première chez Claude Barbin 1669, mais revue avec soin au niveau de l’orthographe et surtout de la ponctuation, est une des toute meilleures qui soient parues, de ces lettres absolument hors du commun et qui “jettent une admirable et violente lumière sur la servitude et sur les grandeurs de l’amour”. Les bois de Carlègle sont particulièrement réussis. Intérieur en très bel état, petites ombres d’insolation à la couverture.
Carmen Dragon Et Le Hollywood Bowl Addinsel Tchaikovsky Rachmaninoff Weber Beethoven Rimsky Korsakov Wildman Sibelius Liszt Brahms Bath Massenet Litolff Elgar Carmen Dragon The Hollywood Bowl Symphony Orchestra Carmen Dragon Léonar
Reference : 29961
(2009)
ISBN : 3351156422787
Ild 2009 14x12x1cm. 2009. CD.
French édition - expédié soigneusement dans une enveloppe à bulles depuis la France
, Brepols, 2024 Hardback, 700 pages, Size:156 x 234 mm, Illustrations:6 b/w, 15 col., 12 tables b/w., Language(s):English, French, German. ISBN 9782503610962.
Summary Through the word corpus, the metaphor of the body is applied to a collection of works by the same author that are transmitted together. These works not only share the same skin, the manuscript, but also function organically thanks to a complex system of paracontents. It is possible to see this system at work in the case of only a very few medieval authors throughout history, cultures and languages; the Corpus Nazianzenum and the Corpus Dionysiacum are such instances. Both Gregory of Nazianzus and Dionysius the Areopagite are super-authors, who forged their own literary identity as much as they shaped the body of their writings. This sets both corpora apart from other collections of patristic works. They are also exceptional because of the large scale and enduring character of their cultural impact in the different cultures in which the corpora were translated, commented and annotated. By confronting these two exceptional cases, it is possible to gain some new light on the intellectual and book-historical aspects of literary creation and reception in Late Antiquity and the Middle Ages. TABLE OF CONTENTS Introduction 1. Caroline Macé: Living Bodies of Texts 2. Ekkehard Mühlenberg: Das Akademievorhaben ?Dionysius Areopagita? in Göttingen 3. Bernard Coulie: Le Centre d'études sur Grégoire de Nazianze à Louvain-la-Neuve I. Origins and Evolutions of the Corpora 1. Margherita Matera: Le palimpseste Parisinus graecus 1330, le plus ancien témoin manuscrit du Corpus Dionysiacum 2. Caroline Macé: Éléments d'une histoire ancienne de la tradition des discours de Grégoire de Nazianze: les variantes arméno-latines du discours 38 3. Alessandro Capone: Alle origini delle antiche versioni latine delle Orazioni di Gregorio di Nazianzo 4. Véronique Somers: Sur les traces d'une édition byzantine des Discours de Grégoire de Nazianze ? 5. Pierre-Marie Picard: Les divisions mauristes des ?uvres poétiques de Grégoire de Nazianze, des sous-corpus évolutifs à interroger 6. Jost Gippert: Ephrem the Minor's Preface Revisited 7. Maia Matchavariani: Books for Bibliophiles: Two Ancient Collections of the Georgian Translations of Gregory of Nazianzus' Works - NCM S-1696 and NCM A-87 II. Scholia and Commentaries 1. Chiara Faraggiana: Gehören ???????????, ?????????????, ??????????? zum literarischen oder zum kodikologischen Vokabular? Überlegungen über die spätantike Exegese als Paratext 2. Joseph Church: The Ancient Lexica to the Corpus Dionysiacum 3. Thomas Schmidt: Les Commentaires de Basile le Minime aux Discours de Grégoire de Nazianze: le cas particulier du Discours 38 4. Gaëlle Rioual: Basile le Minime, commentateur de quel texte de Grégoire de Nazianze? 5. Jonathan Loopstra: Reading the Corpus Nazianzenum in Syriac by Way of the Margins 6. Emiliano Fiori: School and Scholia in the Syriac Miaphysite Tradition: The Syriacisation of Dionysius the Areopagite as a Collective Exegetical Effort 7. Sergio La Porta: Reading the Areopagite: The Armenian Scholia on the Corpus Dionysiacum and Their Use in the Medieval School Curriculum 8. Thamar Otkhmezuri: The Corpus Nazianzenum and the Corpus Dionysiacum in the Georgian Literary Tradition
, Brepols, 2021 Hardback, 661 pages, Size:156 x 234 mm, Illustrations:28 col., Language: English. ISBN 9782503589749.
Summary The Physiologus is an ancient Christian collection of astonishing stories about animals, stones, and plants that serve as positive or negative models for Christians. Written originally in Greek, the Physiologus was translated in ancient times into Latin, Armenian, Syriac, Coptic, Ethiopic, Georgian, Arabic, and Old Slavonic. Throughout its transformations and adaptations, the Physiologus has never lost its attraction. The present volume offers an introduction to the significance of the Greek text, a new examination of its manuscript tradition, and a completely revised state of the art for each of the ancient translations. Two chapters of the Physiologus, on the pelican and on the panther, are edited in Greek and in each translation. These editions are accompanied by a new English rendering of the edited texts as well as short interpretative essays concerning the two animals. The volume affords new insights into this fascinating book's diffusion, transmission, and reception over the centuries, from its composition at the beginning of the third century CE in Alexandria to the end of the Middle Ages, and across all regions of the Byzantine Empire, the Latin West, Egypt and Ethiopia, the Middle East, the Caucasus, and Slavia orthodoxa. TABLE OF CONTENTS General introduction (Caroline Macé & Jost Gippert) Appendix on the Coptic tradition (Alin Suciu) Part I: The Greek Physiologus and its translations 1. The Greek tradition 1.1. Horst Schneider (Fontes Christiani, München): Introduction to the Greek Physiologus 1.2. Caroline Macé (Akademie der Wissenschaften zu Göttingen): The oldest Greek tradition 2. The Latin tradition: Shari Boodts (Radboud Universiteit Nijmegen) & Caroline Macé 1. The Ethiopic tradition: Massimo Villa (Università degli Studi di Napoli 'L'Orientale') 2. The Syriac tradition: Sami Aydin (Uppsala University) 3. The Arabic tradition: 3.1. Sibylle Wentker (Österreichische Akademie der Wissenschaften, Wien) 3.2. Adrian Pirtea (Freie Universität Berlin) 4. The Armenian tradition: Gohar Muradyan & Aram Topchyan (Matenadaran, Erevan) 5. The Georgian tradition: Jost Gippert (Goethe-Universität Frankfurt) 6. The Old Church Slavonic tradition: Ana Stoykova (Bulgarian Academy of Sciences, Sofia) Part II: Editions of the chapters on the pelican and on the panther 1. Introduction to the editions 2. The pelican Introduction Redaction ? of the first recension: Greek ?, Latin y, Latin b, Armenian, Georgian, Syriac ? Redaction ? of the first recension: Greek ?, Latin x, Ethiopic (3 recensions), Syriac ?, Arabic (2 translations), Old Church Slavonic (2 translations) 3. The panther Introduction Redaction ? of the first recension: Greek ?, Latin y, Latin b, Armenian, Georgian, Syriac ? Redaction ? of the first recension: Greek ?, Latin x, Ethiopic (3 recensions), Syriac ?, Arabic (2 translations), Old Church Slavonic (2 translations) Bibliography Indices
ACTES SUD 2010 80 pages 17 4x1 6x25 4cm. 2010. Relié. 80 pages.
Bon état
Cambridge University Press 1980 320 pages 17 272x3 81x24 13cm. 1980. Cartonné jaquette. 320 pages.
livre en bon état jaquette défraîchie intérieur propre
KLINCKSIECK 1989 in8. 1989. Broché.
Bon état couverture un peu jaunie intérieur propre
London Macmillan and co limited 1904 In-8 Broché, couverture illustrée
Edition publiée dans la Macmillan's Popular Sixpenny Series. Ex dono; ancienne restaurations en marge de sept feuillets. Illustrations en noir de John Tenniel. 124 pp. + 2 ff. de publicité Bon 0
Jonathan Cape 2013 176 pages 15 6x2x21 6cm. 2013. Broché. 2 volume(s). 176 pages.
Comme neuf
"CARTAN, ÉLIE. - THE EINSTEIN-CARTAN THEORY (ECT) OF GRAVITATION.
Reference : 48912
(1922)
Paris, Gauthier-Villars, 1922. 4to. Bound in 2 uniform full cloth, but of slightly different sizes. Paperlabels pasted to lower part of spines. A faint stamp to titlepage and some of the issues. In ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 174. 1815,(1) pp. (Entire volume offered). Cartan's papers: pp.437-439, 593-595, 734-737, 857-60, 1104-1107.
First edition of these papers, in which Cartan intruced the concept of ""Torsion"", the main inspiration for Einstein in his searce for a unified field theory. The ECT of gravity is a modification of the General relativity Theory""The Einstein-Cartan theory, also known as the Einstein-Cartan-Sciama-Kibble theory, is a classical theory of gravitation similar to general relativity but relaxing the assumption that the affine connection has vanishing antisymmetric part (torsion tensor), so that the torsion can be coupled to the intrinsic angular momentum (spin) of matter, much in the same way in which the curvature is coupled to the energy and momentum of matter. In fact, the spin of matter in curved spacetime requires that torsion is not constrained to be zero but is a variable in the principle of stationary action. Regarding the metric and torsion tensors as independent variables gives the correct generalization of the conservation law for the total (orbital plus intrinsic) angular momentum to the presence of the gravitational field. The theory was first proposed by Élie Cartan in 1922 and expounded in the following few years. Dennis Sciama and Tom Kibble independently revisited the theory in the 1960s, and an important review was published in 1976. Albert Einstein became affiliated with the theory in 1928 during his unsuccessful attempt to match torsion to the electromagnetic field tensor as part of a unified field theory. This line of thought led him to the related but different theory of teleparallelism."" (Wikipedia).
1949 petit in-8 broché avec sa jaquette illustrée - 1949 - 256 pages - Ed. Hachette - coll. L'Enigme
bon état
1948 2 in-12 broché avec sa jaquette illustrée - 1948 - 256 pages - Ed. Hachette - coll. L'Enigme
bon état (rousseurs, petite déchirure à la jaquette)
1995 Editions Celiv - 1995 - In-4, cartonnage toilé bleu sous jaquette illustrée en couleurs de l'éditeur - Très nombreuses reproductions photographiques in-texte en couleurs
Bon état - Jaquette très légèrement frottée
Athens, Soc. for Hell. Cartography, 1989.
84 p., ills. Stiff wrs. 23x24 cm (In English & Newgreek; publ. on occasion of the symp.)
Ldn., Offices of the Royal Hist. Soc., 1956.
XXI,209 p. Cl. 22 cm (1086-1243)
Casas Marie José Castéra Nadine Cortés Céline Delmas Amélie Collectif
Reference : 500261905
(2016)
ISBN : 9782218989322
HATIER 2016 144 pages 19 5x22 8x1cm. 2016. Broché. 144 pages.
Bon état
, 5 Continents Editions, 2008 Bound, illustrated cardboard cover, oblong : 280 x 230mm., profoundly illustrated in colour and b/w. ISBN 9788874394418.
The modern and contemporary furnishing industry of Italy represents a unique paradigm, on account of its industrial design production created by the most important international architects and designers of the 20th and 21st centuries. While reams have been written about Italian architects and designers, until now no volume has ever been dedicated to those who contributed to the success of these designers. "Backstage" takes a behind-the-scenes look at the entrepreneurs who deftly invented the most important phenomenon of modern and contemporary furnishing: those who risked and invested in innovative products that have became icons of design, and those who believed in a new form of elegance. In a detailed historical analysis from the fifties to today, Stefano Casciani follows the career paths of the movers and shakers of the design world. The protagonists are also depicted in striking black-and-white portraits by the Norwegian photographer Tom Sandberg. These portraits of entrepreneurs such as Bruno Danese, Giulio Cappellini and Patrizia Moroso, tell of the individual and collective experience of constructing the image of Italian design worldwide. From the Luisa chair by Poggi to the Thinking Man's chair by Cappellini, from the Tizio lamp by Artemide to the Glo-ball by Flos, the text discusses the past and present of the various entrepreneurial histories and the development of the culture of Italian design. Finally, bio-bibliographical apparatuses complete the volume and enhance its usefulness as a reference book on design. New book.