‎Mobilier 1900-1925‎

‎Charles MASSIN, sans date. In-4 relié, jaquette imprimée en couleurs, 83 pages, richement illustré en couleurs (meubles, objets, tissus, ornements et décoration intérieure de l'époque 1900 à 1925). Bon état.‎

‎Fleur bleue ou l'épopée du lin‎

‎Paris, Commission Linière de France, impr. Agence Ker 1962 In-4 broché 32 cm sur 24,1. 17 pages. Couverture légèrement salie, intérieur frais. État correct d’occasion.‎

‎Exemplaire “La commission Linière de France est heureuse de vous offrir, en tirage à part, numéroté, la collection des quinze images que le dessinateur Jean EFFEL a conçue pour illustrer les annonces de publicité Fleur Bleue parues dans la presse féminine.” Etat correct d’occasion ‎

‎Studies in the palaeopathology of Egypt.‎

‎Edited by Roy L. Moodie. Chicago, Illinois, University of Chicago Press, 1921 ; in-8, cartonnage d’éditeur de percaline vert foncé, titre doré au dos, XX, 372 pp., photographie assis en frontispice et 71 planches hors-texte dont 8 en couleurs.‎

‎Edition originale qui regroupe tous les articles publiés par Ruffer sur ses recherches histologiques et pathologiques sur les momies égyptiennes, de 1909 à 1920, publiés dans différentes revues savantes ; cet ensemble forme la plus importante contribution sur ce sujet (Garrisson-Morton 2314). Né à Lyon en 1859 et mort au large de Salonique, Sir Ruffer est considéré comme le fondateur de la paléopathologie ; après des études à Oxford, il fit sa médecine à Londres et fut reçu docteur en médecine en 1889. Elève de Pasteur et Metchnikoff à l’Institut, il mena des travaux de recherche fructueux sur les infections, la diphtérie, les amibes, la mise au point d’un vaccin antidiphtérique, etc. C’est en 1896 qu’il fut nommé professeur de bactériologie à l’école de médecine du Caire ; et en 1907 qu’il va commencer à s’intéresser à l’état sanitaire des momies. Les deux coins inférieurs sont légèrement mâchés, sinon bel exemplaire dans l’ensemble, pour cet ouvrage fondamental. ‎

‎Associated Regional Chronologies for the Ancient Near East and the Eastern Mediterranean. Tigridian Region‎

‎, Brepols, 2019 Paperback, xii + 448 pages, Size:210 x 297 mm, Illustrations:119 b/w, 36 tables b/w., Language: English. ISBN 9782503534978.‎

‎Summary The fifth volume of the ARCANE series presents an up-to-date and richly illustrated synthesis of the archaeology of the 3rd millennium BC in the Upper Tigris region of Northern Iraq and South-eastern Turkey, the first to fully include the results of international rescue excavations carried out in both countries in the second half of the 20th century in the framework of dam projects. Written by well-known experts, it revises all aspects of the material culture and history, and proposes a new periodisation and terminology for the region. It thus poses a sound basis for the evaluation of the recently revived archaeological research in Iraqi Kurdistan. Together with the other volumes of the ARCANE series, it will represent an indispensable reference for students as well as for scholars of the Ancient Near East, in particular for those interested in the Early Bronze Age and in inter-regional connections. TABLE OF CONTENTS Foreword - ELENA ROVA Introduction - ELENA ROVA Stratigraphy - STEVE RENETTE Pottery - MONICA ARRIVABENI The Pottery Sequence from Assur and Its Integration in the Tigridian Pottery Culture - CLAUDIA BEUGER Architecture and Settlement Trends - DOROTA ?AWECKA Metal - ?UKASZ RUTKOWSKI Figurines and Small Finds - MONICA TONUSSI Lithics - JUDITH THOMALSKY Burials and Funerary Practices - STEFANO VALENTINI Glyptic - HOLLY PITTMAN Radiocarbon Dates and Periodisation for the Tigridian Region - ELISABETTA BOARETTO AND ELENA ROVA History and Philology - MASSIMO MAIOCCHI Conclusions - ELENA ROVA General Bibliography Index of Geographical Names‎

‎Magnification and Miniaturization in Religious Communications in Antiquity and Modernity. Materialities and Meanings‎

‎, Brepols, 2023 Paperback, xiv + 230 pages, Size:216 x 280 mm, Illustrations:47 b/w, 72 col., 3 maps b/w, 1 maps color, Language: English. ISBN 9782503604794.‎

‎Summary Human agents might not be the measure of all things. Nonetheless, human bodies, and their bodily dimensions, often are, with size impacting on the ways in which we conceive of, interact with, and relate to the world around us. The scaling up or down of features ? magnification and miniaturization ? is particularly evident in the creation of anthropogenic items intended for use in religious ritual, and here sizing can be employed as a deliberate strategy to encourage shock and awe, admiration and deterrence, among spectators. Taking as its starting point the concept of 'materialities and meanings', this volume explores how human perceptions and understanding of magnified and miniaturized forms and structures are shaped and changed, both synchronically and diachronically, by our understanding of the human body and its size, and the impact that this has in our relationship with the wider world in the context of ritual practices. The chapters collected here consider a range of questions, from a discussion on the essentials of magnification or miniaturization to an exploration of the impact of such strategies on humans and their wider socio-political ramifications. Together, these chapters contribute to a unique discussion that offers new insights into 'materialities and meanings', the creation of items for ritual, and the ways in which they influence human perception and understanding. TABLE OF CONTENTS List of Illustrations Abbreviations 1. Magnification and Miniaturization in Religious Communication in Antiquity and Modernity: Materialities and Meanings Elisabeth Begemann, Diana Pavel, Georgia Petridou, Rubina Raja, Anna-Katharina Rieger, and J rg R pke Miniaturization 2. Look Closely and You Will See: The Banqueting Tesserae from Palmyra and Small-Scale Iconography Rubina Raja 3. The Material Record of Micro-Shares: An Archaeological Case Study on Sanctuary Transactions in Ancient Sicily Natascha Sojc 4. What Do Tiny Objects Want? A Case Study with Miniature Pottery from Pompeii Anna-Katharina Rieger 5. Are the Same Objects Desirable for People and for Gods? Material and Dimensional Interchangeability Elisabeth Trinkl Monumentalization 6. Scaling Altars in the Etruscan Funerary Sphere Diana Pavel 7. Urban Monumentality and Religion J rg R pke 8. Perceptions of Changing Religious Landscapes in Augustan Rome Devmini Malka Wijeratne 9. The King and the Population as Protagonists of the Oath: Intermediatory Semantics in Ancient Near Eastern Treaties Elena Malagoli Domestic Space 10. Small, Versatile, Numinous: Pagan-Mythological Statuettes at the End of Antiquity Ine Jacobs 11. The Dancing Deity: Diminishing the Goddess Libertas on the Palatine Elisabeth Begemann 12. Di Penates: From Small Objects to Anthropomorphic Gods Peter Scherrer The Fragmented and the Augmented Body 13. The Eyes Have It: Materialities, Monumentality, and Meanings in Eye-shaped Modern Greek tamata and Ancient Greek anathemata Georgia Petridou 14. A Triangle of Mary: Relating Religious Artefacts to Non-Religious Lorry Drivers Manuel Moser Index‎

‎Radiography and Painting‎

‎, Brepols, 2023 Hardback, 2 vols, xviii + 567 pages, Size:240 x 340 mm, Illustrations:76 b/w, 272 col., 5 tables b/w., Language: English. ISBN 9782503554549.‎

‎Radiography is a technique that has been employed in the study of paintings for more than a century. The history of this method of analysis indicates that its development has been modest since the 1960s, as its use has been limited to reductive approaches that take into account no more than the immediately intelligible signs. By systematically considering the physical mechanisms involved in the creation of an image, this volume seeks to demonstrate that we can access new fields of radiological analysis by identifying two categories of 'signs': those that may be obvious but whose meaning is misleading, and those which are not immediately comprehensible. This study has been primarily based on a thorough and essential reviewing of current literature concerning the materials and processes used for the making of paintings. The semiological analysis is based on the understanding of the physical phenomena occurring in the formation of the image, and on correlations between the radiographic images of a painting and the information stemming from its observation, other scientific results, and the restoration reports. Furthermore, a number of experiments were conducted to consolidate certain assumptions regarding image-formation mechanisms. Ultimately, this book hopes to show how data resulting from radiographic analysis can be seen and set in a broader context of information on a specific work or a group of works, in order to enrich our knowledge of art history, history of technology, and conservation as well as restoration. La radiographie est une technique appliqu e aux peintures depuis pr s d'un si cle. L'histoire de cette technique d'analyse montre que son d veloppement s'est trouv limit depuis les ann es 1960 en raison d'une approche uniquement bas e sur la prise en compte de signes imm diatement suggestifs. Or ce mode d'analyse ne permet pas d'expliquer l'ensemble des images observ es sur une radiographie de peinture. En consid rant de mani re syst matique le m canisme de formation de l'image, ce travail souhaite d montrer que l'on peut acc der de nouveaux champs de l'analyse radiologique en identifiant deux autres cat gories de signes: les signes suggestifs mais dont la signification est trompeuse et les signes non imm diatement intelligibles. Cette analyse a t possible gr ce une revue de la litt rature la plus compl te possible sur les mat riaux constitutifs et les proc d s employ s pour la r alisation des peintures. L'analyse s miologique est bas e sur la compr hension des ph nom nes physiques en jeu dans la formation de l'image et sur des corr lations entre les images observ es et les informations provenant de l'observation, d'autres examens r alis s sur l'oeuvre ou encore de rapports de restauration. De plus une exp rimentation a t conduite pour conforter certaines hypoth ses de m canisme de formation de l'image. Enfin, les donn es issues de la radiographie peuvent tre replac es dans un contexte plus large de donn es ou informations connues sur une ?uvre ou groupe d'oeuvres pour enrichir nos connaissances en histoire de l'art, histoire des techniques et conservation-restauration. TABLE OF CONTENTS VOLUME ONE - TEXT Preface Acknowledgements Introduction Chapter I. A history of the radiography of paintings Chapter II. The paint layer Chapter III. The preparatory phases Chapter IV. Supports Chapter V. Damage and Restorations Chapter VI. Contribution of radiography to the history of art, the history of painting practices and conservation Conclusion Annex 1: List of the x-rays done by Alan Borroughs during his stay in Paris in 1926 Bibliography Index VOLUME TWO - ILLUSTRATIONS ‎

‎Au fil de l’Inde - La route des arts textiles‎

‎Seuil 2003 In-4 cartonné sous jaquette illustrée, 253 pp,nombreuses illustrations en couleurs.‎

‎Au fil de l'Inde propose une découverte des routes textiles dans l'Inde d'aujourd'hui, à la recherche de techniques ancestrales dans les villages reculés où les étoffes les plus variées prennent forme et couleurs, s'enrichissent de symboles, de broderies, de peintures végétales. Un univers où toutes les techniques d'embellissement cohabitent, où la beauté niche au cœur même des ateliers dans lesquels se tisse jour après jour avec ferveur la trame du futur. Outil mis à la disposition des créateurs et des amateurs de textile, cet ouvrage qui présente un éventail des différents types de tissage, de teinture et de décors des étoffes, s'il transporte le lecteur du domaine de la réalité et de la matière au domaine du mythe et du rituel, ne lui en offre pas moins les avantages d'un guide d'actualité. Rassemblant un carnet d'adresses de centaines d'artisans des diverses régions de l'Inde, une série de cartes précises, il sera aussi un précieux compagnon de voyage pour les aventuriers du textile Très bon état d’occasion ‎

‎Ottoman Embroidery‎

‎V & A Publications 2001 In-4 pleine toile éditeur. Livre en Anglais. Jaquette comme neuve. 144 pages. Bon état d’occasion. Poids sans emballage : 1060 grammes.‎

‎ Bon état d’occasion ‎

‎JOUER et COMPOSER avec des PIECES de TISSUS‎

‎Une plaquette de 72 pages, format 145 x 205 mm, illustrée, brochée couverture couleurs, publiée en 1975, Editions J.Jacobs, bon état‎

‎Guide pratique‎

‎Histoire du costume en France. ‎

‎Paris HACHETTE 1924 1 Paris, Hachette, 1948, in-8, broché, couverture illustrée en couleurs, 64 pages. ‎

‎Excellent survol des époques et des siècles, des costumes barbares et gallo-romains aux costumes du second empire. Nombreuses illustrations en noir. Fines usures, petites déchirures à la couverture et petits manques au dos. ‎

‎Histoire du costume en France. ‎

‎Paris HACHETTE 1924 1 P., Hachette, 1941, in-8, br., couverture illustrée en noir et blanc, 64 pp. ‎

‎Excellent survol des époques et des siècles, des costumes barbares et gallo-romains aux costumes du second empire. Nombreuses illustrations en noir. Us. à la couv., plis, déch. et pet. taches. ‎

‎Manuel d'archéologie française depuis les temps mérovingiens jusqu'à la Renaissance. I. Architecture religieuse. - II. Architecture civile et militaire. - III. Le costume.‎

‎ Paris, Alphonse Picard, 1902-1916. 3 forts vol. in-8, rel. de l'ép. demi-maroquin brun à coins (T. 1), demi-maroquin brun (T. 2 et 3, couv. et. dos cons.), dos à nerfs, titre doré, tête dorée, XX-816, XV-856 et XXIX-614 pp., très nb. ill. en n/b. in et h.-t., bibliographie, index, tables. ‎

‎ Dos et coins du T. 1 frottés, dos des T. 2 et 3 lég. insolés avec qq. petites épidermures, 3 pl. du T. 1 détachées, bon ex. par ailleurs. - Frais de port : -France 10,8 € -U.E. 13 € -Monde (z B : 23 €) (z C : 43 €) ‎

‎New Approaches to the Materiality of Text in the Ancient Mediterranean. From Monuments and Buildings to Small Portable Objects‎

‎, Brepols, 2023 Paperback, 262 pages, Size:216 x 280 mm, Illustrations:119 b/w, 18 col., 1 maps b/w, Language: English. ISBN 9782503601564.‎

‎Summary In recent years, the study of epigraphy and ancient writings has undergone a 'material turn', as scholars have increasingly looked beyond just the contents of written sources to also focus on their broader material and visual contexts as a way of exploring the layers of different meanings that can attach to written evidence. Taking this interdisciplinary approach as its starting point, this volume draws together contributions from specialists in different fields in order to analyze text-bearing objects and monuments from across the ancient Mediterranean world. From texts inscribed on large stone monuments and buildings, clay, or metal tablets, to writings on papyrus and parchment rolls, jewellery, vases, coins, and textiles, writing on different materials had manifold possibilities. The case studies gathered here examine novel approaches to the creation and display of inscribed objects, as well as to the ways in which such items were approached and perceived by people during a chronological period ranging from the Late Bronze Age to Late Antiquity. In doing so, the volume sheds new light not only on the interplay between ancient texts, text-bearers, and viewers within their wider spatial and physical contexts, but also on the possibilities opened by exploring the material aspects of writing through interdisciplinary approaches. TABLE OF CONTENTS List of Illustrations List of Abbreviations 1. Introduction. The Material Turn in the Study of Ancient Texts Erica Angliker and Ilaria Bultrighini I. Texts on Portable Objects - Tablets, Vases, Ostraca, and the Inscribing Hand 2. A Comparative Approach to Methods of Inscribing Clay Tablets. Interaction and Innovation in Cyprus and Ugarit Philippa M. Steele and Philip J. Boyes 3. The Brygos Painter's Miswritten Signature on the Lancastre pelike Gilberto Da Silva Francisco 4. A Lesson in a Desert Quarry. A Material Approach to a School Ostracon Julia Lougovaya II. Texts on Portable Objects - Coins, Rolls, Codices, and the Authoritativeness of Texts 5. Inspecto nummo?The Materiality of Coin Imagery and Inscriptions in the Roman World Dario Calomino 6. What is a Book? The Ideology of Materiality in Ancient Greek and Roman Writing Technology Nicola Reggiani III. Texts on Monuments and Buildings - Spaces and Contexts of Ancient Inscriptions 7. Women in Trouble, and the Habit of Objectifying a Text in the So-Called Confession Inscriptions Irene Salvo 8. Epigraphy and the Power of Precedence in Asia Minor Naomi Carless Unwin IV. Texts that Move Through Media - Body and Text 9. Inscribed Materialities. Greek Curse Tablets Jessica Lamont 10. Formulating Faith on Objects and Buildings. The 'Light, Life' Formula in Late Antiquity Sean V. Leatherbury 11. 'And the Word Was Made flesh'. Greek and Aramaic Inscriptions as Substitutes for the Physical Presence of Benefactors in Eastern Christian Sanctuaries Pawe? Nowakowski V. Texts that Move through Media - Greek Literary and Inscriptional Epigram 12. Elegy, Epigram, and the Complementarity of Text and Monument Joseph W. Day 13. From Courtesans, to Goddesses. The Materialization of Ritual Practice in Nossis's Votive Epigrams Sherry (Chiayi) Lee 14. Strategies of Ocular and Imaginary Deixis in Greek Epigrams Federica Scicolone 15. Afterword Michael Squire Index‎

‎Crewel embroidery‎

‎ 1962 Jaquette en très mauvais état.‎

‎ Très bon état d’occasion ‎

‎Des tissus et des hommes. Damas vers 1700.‎

‎damas IFPO 2005 in8 broché 358 pages - avec l'errata‎

‎Très bon ‎

‎Painters and Sitters in Early-Seventeenth Century Rome. Portraits of the Soul‎

‎, Brepols, 2023 Hardback, 336 pages, Size:220 x 280 mm, Illustrations:6 b/w, 146 col., Language: English. ISBN 9782503590837.‎

‎Summary Significant innovations in portraiture occurred during the transitional period from the end of the sixteenth-century to the early seventeenth-century in Rome. Portraits by Annibale Carracci, Valentin de Boulogne, Anthony van Dyck, Simon Vouet and Gianlorenzo Bernini display a loosening of formality and a trend towards movement. These artists produced a portrait type that was more inclusive of the viewer, more communicative, more revealing of a private face. The portraits in this study were less likely to celebrate achievements, family or social standing, titles, rank or station. Instead they portray individuals who exist apart from their professional personae. They reveal unique and characteristic traits of their subjects captured at a particular moment in time. They used subtle affetti, painting technique and colour to express mood and atmosphere and evoke the presence of the sitter. The sitters include poets, courtiers, buffoons and the artists themselves, and each composition is attentive to the thoughts, emotions and imaginative life of the individuals. TABLE OF CONTENTS Acknowledgements List of Illustrations Introduction The image breathes Rhetorical devices in portraiture The ?motions of the mind?: painting the soul From the Renaissance to the Baroque Chapter One A portrait ?most rarely done full face? of a learned prelate Early seicento portraiture in Rome Venice and colorito Caravaggio and Annibale: ?the new baroque illusionism? The ?proximity and close association of the Monsignore and Annibale? Domenichino and Agucchi Agucchi's imprese: textual expressions of identity Erminia and the Shepherds Venere Dormiente - The Sleeping Venus The portrait of Giovanni Battista Agucchi Annibale Carracci as portraitist Annibale's illness Domenichino and portrait painting Del Mezzo: yearning for the middle Il Trattato della Pittura A portrait by Annibale Carracci or Domenichino? Chapter Two Painting as silent poetry: portraits of Giambattista Marino From decorum to modernit Ut pictura poesis Dicerie Sacre La Galeria Rome: ?with trembling feet, I leave behind myself? Early Roman portraits Caravaggio's portrait: ?another me . . . in two divided? Paris: the portrait by Frans Pourbus ?is very dear to me? Marino's triumphant return to Rome: ?music always, and always poetry, morning and evening? Ottavio Leoni's portraits of writers Maffeo Barberini's circle of poets portraits of the soul ?There are thousands of portraits of me in Rome?: Simon Vouet's lost portrait The ?speaking portrait? in Rome Virginio Cesarini: Fenice degl'ingegni Portrait of a buffoon Chapter Three The upside-down world The parasite The buffoon portrait in the Renaissance: the ?good-natured fool? The sixteenth century: ?the princely tables are cluttered with buffoons? Gabriele Paleotti: ?deformity not deformedly rendered? The seventeenth century: the individual in buffoon portraits Hairy Harry, Mad Peter, and Tiny Amon: court mascots and servants in an urban Arcadia Giangiovetta and the dwarf of the duke of Cr qui Raffaello Menicucci: the buffoon count of Monte San Savino Celeberrimus in utroque Orbe Terrarum: the printed portraits of Raffaello Menicucci Valentin de Boulogne Il Cassero: Rocca del Conte Valentin, il Babuino and Menicucci Tristano Martinelli: from buffoon to actor Bernardino Ricci: Il Tedeschino The ?self? portrait: the life makes the age Chapter Four Artist as virtuoso ?Done with the aid of a mirror? Narcissus: ?as he drank, he chanced to spy the image of his face? The reflection of the Creator Why paint self-portraits? Annibale Carracci's Self-portrait on an Easel Artemisia Gentileschi: ?the soul of this woman? Simon Vouet: absolute absorption Gian Lorenzo Bernini: showing that which does not exist Vel zquez in Rome: brushwork and the blur The expressive power of the brush Conclusion ?Here I am? Appendix I Appendix II Appendix II Bibliography Abbreviations Primary and Secondary Sources Photographic Credits Notes Index Key Subjects and Concepts‎

‎Fabrique de Soies à Coudre "Au Ver à Soie"‎

‎ Paris sans date, vers Paris sans date, vers 1940. Catalogue de 292 échantillons de soies supérieures pour machine et cordonnets anglais pour boutonnière des établissement L Boucher à Paris, créés en 1820 et toujours existants. Très bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Périple au pays des indiennes. Cochenille, garance et vitriol.‎

‎Chézard-Saint-Martin, Editions de La Chatière, 2002. In-4°, 127p. Reliure cartonnée illustrée d'éditeur.‎

‎Un des ouvrages les plus complets sur le commerce du tissus imprimé en pays neuchâtelois. Abondante iconographie en noir et en couleurs. Inscription en page de garde, sinon en parfaite condition. Exemplaire enrichi d'un envoi autographe signé de l'auteur. Epuisé et recherché.‎

‎Rapports des Délégations Ouvrières à l'Exposition Universelle de 1867. ‎

‎ Mame 1867 1 in-folio Paris, imprimerie Mame, 1867, in-folio, en feuilles, sous couverture de papier rose, titre imprimé en noir, 27 pp. ‎

‎Présentation de la galerie du vêtement et d'une quinzaine de confectionneurs (Versini, Morlent, Frank, Godchau, Lacroix...), accompagnée de grav. de mode. Déch. et manq. à la couv. ‎

‎Atlas des Planches d'Armures, brefs, dessins et mises en cartes, faisant suite au Traité de la Fabrication des Tissus, par P. Falcot, dessinateur. ‎

‎ A Elbeuf (sur Seine), chez l'Auteur, à Mulhouse, chez J.P. Risler, Libraire, 1852, 1 volume de 220x280x20 mm environ, complet de 89 planches+ pl. de titre, demi basane bleu marine, dos à 5 nerfs portant titres dorés, gardes marbrées. Mors internes en partie fendus, frottements sur le cuir et le cartonnage, coupes et coiffes émoussées, intérieur bon état.‎

4 Images

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Le XIXe siècle français.‎

‎ 1961 Paris, Hachette (Collection "Connaissance des Arts"), 1957, in 4°, cartonnage illustré en couleurs de l'éditeur, 231 pages ; très importante iconographie, en noir et en couleurs. ‎

‎ ...................... Photos sur demande .......................... ‎

‎Le XVIIe siècle français.‎

‎ 1961 Paris, Hachette (Collection "Connaissance des Arts"), 1959, in 4°, cartonnage illustré en couleurs de l'éditeur, 231 pages ; très importante iconographie, en noir et en couleurs. ‎

‎ ...................... Photos sur demande .......................... ‎

‎Le XVIIIe siècle français.‎

‎ 1961 Paris, Hachette (Collection "Connaissance des Arts"), 1956, in 4°, cartonnage illustré en couleurs de l'éditeur, 232 pages ; très importante iconographie, en noir et en couleurs. ‎

‎ ...................... Photos sur demande .......................... ‎

‎Pygmées ? Peintures sur écorce battue des Mbuti (Haut-Zaire)‎

‎Paris, Musée Dapper 1991 168pp., avec de nombreuses illustrations (la plupart en couleurs), 30cm., reliure cart. d'éditeur, jaquette, publication à l'occasion de l'exposition au Musée Dapper (30 mai - 29 septembre 1991), bon état, C96753‎

‎Fil à fil. Lin, coton, laine, soie‎

‎Du Chêne 1997 Relié. Bon état d’occasion.‎

‎ Bon état d’occasion ‎