Couverture souple. Revue. 24 x 31 cm. 54 pages.
Livre. Marie-Claire, Paris, 29 octobre 1937.
Office de publicité de Marie-Claire, 1939. In-4 br. à l'italienne de 24 p. retenues par un cordon. Très belle et très illustrée plaquette consacrée à la diffusion et à la vente du magazine féminin Marie-Claire. Dessins, photos, statistiques illustrées, etc. Présentation de L. Mazenod. Plaquette exécutée sous la direction de J. Selz. Photos de Bovis, Tabard, etc. E.O.
Librairie Renouard & Henri Laurens | Paris 1892 | 20 x 30.50 cm | relié
Première édition française postérieure de quelques mois à l'édition originale imprimée en Belgique. Reliure en demi chagrin noir à coins, dos à cinq nerfs orné de filets dorés comportant de petites traces de frottements, un mors fendu et restauré en tête, encadrements de doubles filets dorés sur les plats de cartonnage noir, coins émoussés, gardes et contreplats de papier à la cuve, tête dorée. Ouvrage illustré de 571 figures in et hors-texte ainsi que d'un frontispice en chromolithographie. Rares rousseurs. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
Couverture souple. Revue 24 pages.
Livre. Marie France, 27 novembre 1946.
Couverture souple. Revue 16 pages.
Livre. Marie France, 27 septembre 1945.
Couverture souple. Revue 32 pages. Une page réparée.
Livre. Marie France, 1er avril 1947.
Couverture souple. Revue 22 pages.
Livre. Marie France, 2 mars 1948.
Couverture souple. Revue 24 pages.
Livre. Marie France, 9 mars 1948.
, Kroller-Muller Museum, 2014 Paperback, 144 pagina's, NL, 270 x 220 mm, in prima staat, met illustraties in kleur en z/w. ISBN 9789073313293.
Georges-Pierre Seurat was een Frans kunstschilder en tekenaar. Het werk van Georges Seurat behoort tot het pointillisme, een schilderstijl binnen het impressionisme. Hij was samen met Paul Signac de grondlegger van het 19e-eeuwse neo-impressionisme
, Uitgeverij Lannoo 2022, 23-08-2022 Hardcover, 304 pages, ENG, 265 x 215 mm, NEW, dustjacket, gorgeous illustrations in bright colours, . ISBN 9789401485333.
Maria Sibylla Merian (1647-1717), a German-born woman later living in the Netherlands, is famous for her groundbreaking work on caterpillars, moths and butterflies. Her extraordinary story and her contributions to art and science have fascinated many scholars and nature and art lovers, and have inspired artists and writers alike. In 2017 an international conference in Amsterdam celebrated the conjunction of new scholarship and artistic works related to this pioneering naturalist and artist. This book is the result of this cross-pollination. Maria Sibylla Merian. Changing the Nature of Art and Science provides new insights into Merian's life and work, re-examines the existing canon, and explores her influence on the contemporary arts. The contributing authors variously investigate her network, her processes and products, and her impact on art and natural history. Her work is compared to that of artists and scientists who preceded and followed her, as well as to that of contemporaries, both male and female. Altogether, this richly illustrated volume presents the most recent knowledge about one of the most remarkable women of the early modern period. The book is edited by Bert van de Roemer, Florence Pieters, Hans Mulder, Kay Etheridge and Marieke van Delft, all members of the Maria Sibylla Merian Society.
La dernière partie de l'ouvrage est tout à fait neuve par rapport à d'autres ouvrages sur les grands noms de la mode:une chronologie en images qui illustre tout le parcours de Valentino en 250 croquis ,choisis parmi plus de 20.000 dessins ,les modéles les plus significatifs et représentatifs de chaque collection de 1960 à nos jours. Abbeville Press 1991
Bon état
, Erfgoedcel Leuven, 2021 Ppaerback, 60 p gina's, NL, 250 x 180 mm, goed, met afb. in kleur.
, Jaca Book, 2014 Paperback, 348 pages , ITA, 240 x 170 x 30 mm, very good condition / ottime condizioni , illustrations / photos in b/w, *** with signature of Walter Geerts***. ISBN 9788816412583.
The theme of this volume comes from the group of six tapestries preserved in the Belgica Academy in Rome, a partial re-edition of the series of 22 pieces depicting the exploits and triumph of Publio Cornelio Scipione, known as the African, the winner of Hannibal. Woven in Brussels on models by Giulio Romano, assisted by Gianfrancesco Penni, they were purchased by Francesco I and burned during the French Revolution to recover the gold and silver threads. The six pieces of the Belgica Academy, made in Brussels in the mid-sixteenth century, constitute one of the oldest re-editions, which belonged to Ippolito d'Este. The Renaissance and Baroque tapestry is an artifact that asks many questions: who gave the commission for the specific theme, Scipio the African? Who "invented" the scene program? What are the sources, ancient and modern, painted and literary, that inspired the program? For what reason, with what intentions, for which "audience" was the theme chosen? How was the "myth" that is being built around Scipio born? And what happens in the following centuries? The book reflects this multiplicity and various disciplines join hands: history of art, ancient and modern history, philology, history of literature and theater. And of cinema, since it ends with the refined Scipione by Luigi Magni, a director who died in 2013.
MANGO 2018 80 pages 17x23 8x1 4cm. 2018. bundle. 80 pages.
Très bon état
MANGO 2018 80 pages 17x23 8x1 4cm. 2018. bundle. 80 pages.
Comme neuf - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
MANGO 2018 80 pages 17x23 8x1 4cm. 2018. bundle. 80 pages.
Très bon état
Très belle peinture originale gouache et aquarelle signée par Mark Miller Grand format 35,7 x 24 cm environ sur carton de même dimensions Signé au crayon dans le dessin en bas Sujet : homme et deux femmes scène d'intérieur Dessin original exécuté pour un roman-photos intitulé "Voyage pour un meurtre" publié dans le programme TV Télé Poche n°84 (numéro du 16 août 1967 - deuxième année de parution de ce périodique pour la télévision) Annotations en marge supérieure du dessin et au verso (voir photos). Très beau dessin par un maître du genre. Mark Miller, born Marshall Dawson Miller, was an internationally renowned illustrator whose work was published in most of the world. His life and career took him from Oklahoma to Hollywood to New York and Europe. Born in Eldorado, Oklahoma on Jan. 2, 1919, Miller grew up on a cotton farm, studied art at the University of Oklahoma (where he took the name Mark) and then moved to Los Angeles where he attended the Chouinard Art Institute and later got his start as a costume designer for 20th Century Fox in Hollywood. After WW II, he moved to New York where he had a had a long career as an artist that culminated in the 1950s and 60s when he was an illustrator for the Saturday Evening Post and other leading magazines like Colliers, Good Housekeeping, McCall’s, Redbook, Cosmopolitan and many magazines throughout Europe, South America and Australia. In describing the humble beginnings of his career, Miller has said, “My choice of an art career did not have the enthusiastic support of my conservative family back in OK. From their point of view, it was clearly my duty as the eldest son to help run the family farms, and they tolerated my errant pursuit of art only in the certainty that it would become as clear to me as it was to them that I couldn’t make a living at it. (extrait du site http://millerillustrations.com/markmiller/) Les dessins originaux de Mark Miller sont rares sur le marché.
Phone number : 06 79 90 96 36
Arka 1992 Livre en anglais, polonais. In-4 reliure éditeur pleine toile grise. 29,7 cm sur 22,5. 150 pages. Bon état d’occasion.
Ex-dono en page de faux titre Bon état d’occasion
, Museum of Fine Arts,Boston 2002, 2002 Paperback, 448 pages, English, 265 x 210 x 28 mm, New, with illustrations in b/w. ISBN 9780878466283.
Originally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism.
Aufbau Taschenbuch 2018 496 pages 13 5x20 5x4 1cm. 2018. perfect. 496 pages.
Etat correct
2010 / 223 pages. Relié avec jaquette. Editions KLS.
Très bel état.
, Carlton , 2012 Paperback, 184x235mm, 224p, English edition. ISBN 9781780971599.
Aquarelle et pastel sur Canson. 40 X 31 cm.
Projet original de sac a mains.
Aquarelle et pastel sur Canson. 40 X 31 cm.
Projet original de sac a mains.