‎Froso Eftimiadi‎

‎Arted, Editions d'Art, Paris, 1977. In-4, reliure pleine toile éditeur sous jaquette illustrée, 95 pp. La métamorphose de l'Antique en moderne. - Une quête d'harmonie, Ionel Jianou - Telle est Froso Eftimiadi, tel est sonœuvre, Manolis Menegakis - Chronologie - Liste des expositions - Planches commentées par F. de Amador, Alfred H. Barr, M. Calligas... ...‎

‎Avec 47 planches en noir et blanc.Envoi A.S. de Froso Eftimiadi et de Ionel Jianou. --- Plus d'informations sur le site archivesdunord.com‎

‎HENRY MOORE‎

‎Arted, Éditions d'Art, 1 volume cartonné de format 28 x 22 cm, jaquette, 224 pages, nombreuses photographies en noir et blanc, très bon état. Frais de port en supplément.‎

9 Images

‎Envoi en colissimo : + 10,70 euros‎

‎LADIS SCHWARTZ,‎

‎Paris, ARTED, 1977 Relie, toile marron sous jaquette illustree n/b, 240 x 305mm., 96pp., illustration n/b. ISBN 2850670456.‎

‎Preface - Einleitung Dr. Siegfried Salzmann. Edition bilingue Fr/All.‎

‎La sculpture et les sculpteurs- de la préhistoire à nos jours et dans le monde entier‎

‎Fernand Nathan. 1966. In-8. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 158 pages. Quelques rousseurs. Papier légèrement jauni. Ex ouvrage de bibliothèque: Quelques tampons, notes à l'encre hors texte, etiquettes...etc. Couverture jauni. 242 reproductions en noir et blanc, in et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎"Collection ""Petite histoire, art et science"". Classification Dewey : 730-Arts plastiques. Sculpture"‎

‎RODIN .‎

‎ARTED. 1970. In-8. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. 118 pages - 1er plat illustré en noir et blanc - nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Préface de C.Goldscheider . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Rodin‎

‎Editions d'art 1970 in12. 1970. Broché. 127 pages. Bon Etat intérieur propre‎

‎Rodin. Préface de C. Goldscheider.‎

‎ 1981 1 P., Arted, Editions d'art, "Les Grands sculpteurs', 1981, gd in-12 carré broché de 126 pp. ‎

‎Nombreuses illustrations en noir, in et hors-texte. ‎

‎Vittorio Tavernari. Préface de C. Goldsheider. Maquette de Lionel Scanteye‎

‎Arted - éditions d’Art, coll. « Les Grands Scupteurs » 1974 In-4. Reliure éditeur pleine toile rouille, jaquette illustrée en noir & blanc, 67 pp. suivies de 79 reproductions en noir et blanc, chronologie, liste des expositions, bibliographie. Petites déchirures en pie et en tête de jaquette.‎

‎Exemplaire enrichi d’un envoi de l’artiste et de l’auteur. Bon état d’occasion ‎

‎BOURDELLE‎

‎ARTED, EDITIONS D'ART. 1970. In-8. Broché. Etat d'usage, Couv. convenable, Dos frotté, Intérieur frais. 124 pages - Nombreuses photos en noir et blanc in et hors texte - 1 page desolidarisée. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Bourdelle‎

‎Editions d'art. 1970. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 200 pages augmentées de nombreuses photos en noir et blanc,hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Emile-Antoine Bourdelle - Collection les grands sculpteurs.‎

‎Arted éditions d'art. 1970. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 124 pages - nombreuses illustrations en noir et blanc dans et hors texte - rousseurs sur le second plat.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Collection les grands sculpteurs. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎RODIN.‎

‎D ART.. 15 AVRIL 1967. In-4. Relié toilé. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 115 pages de texte + 87 pages d'illustrations en noir et blanc.. Avec Jaquette. . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ANDRAS BECK‎

‎Arted 1978, in-4° relié, cartonnage éditeur toilé brique, titres dorés 1èr plat et dos sous jaquette illustrée, 50 pages et 70 reproductions hors texte. Evoi de l'auteur. Très bon exemplaire‎

‎Andras Beck. Préface de Jean Cassou. Introduction de Bernard Dorival.‎

‎ Paris, AtarArted, Editions d’Art 1978, 310x245mm, 50pages, reliure d'éditeur sous jaquette. Inscriptions manuscrites sur la page de garde supérieure, autrement bel exemplaire. ‎

‎ photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎INTRODUCTION À LA SCULPTURE DE BRANCUSI ‎

‎ Paris: Arted Editions D'art, 1982- Broché In-8. 95pp,ill.ht‎

‎soulignures aux premieres pages,dans l'état; Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

‎La sculpture et les sculpteurs-de la prehistoire a nos jours et dans le monde entier - Petite histoire - art et science‎

‎Nathan. Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 158 pages. Annotation sur la page de garde. Premier plat illustré en couleurs. Nombreuses photos en noir et blanc, dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎242 reproductions. Maquette de Lionel Scanteye. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Froso Eftimiadi. Maquette de Lionel Scanteye.‎

‎Paris: Arted, 1977 in-4, 96 pages, illustrations. Chronologie, liste des expositions. Reliure toile, jaquette, bon état. Monographie sur la sculpteur grecque Froso Eftimiadi.‎

‎Froso Eftimiadi. Maquette de Lionel Scanteye. (Paris: Arted, 1977). [M.C.: Grèce, beaux arts, art contemporain, sculpture]‎

‎PRE-COLUMBIAN ART OF MEXICO (Art précolombien du Mexique)‎

‎ 1980 Abbeville Press, new-York, 1980, first edition. Un volume in 4° relié toile toile rouge de l'éditeur avec jaquette illustrée. 128 pages, nombreuses illustrations couleurs. Un accroc à la jaquette, bon état intérieur.‎

‎ Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎JOHANN GEORG PINSEL‎

‎Un ouvrage de 173 pages, format 240 x 280 mm, illustré, broché couverture couleurs rempliée, publié en 2012, Louvre Editions, bon état‎

‎Un sculpteur baroque en Ukraine au XVIIIe siècle‎

‎Tributes to Paul Binski. Medieval Gothic: Art, Architecture & Ideas‎

‎, Brepols - Harvey Miller, 2021 Hardback, 436 pages, Size:210 x 275 mm, Illustrations:22 b/w, 132 col., Language: English. ISBN 9781912554744.‎

‎Summary This volume is published in honour of Paul Binski, whose scholarship and teaching have done so much to illuminate the material and intellectual worlds of Gothic art and architecture. Remarkable for its material scope and philosophical depth, Paul's work has had a powerful influence on the current state of the field: this is reflected here in thirty-four essays on buildings, works of art and ideas in a wide range of historical and geographical contexts, from Iberia to Scandinavia and Italy to Ireland. Consistently fresh in their scholarship, these essays combine to make an important contribution to medieval art history. In doing so they reflect the admiration and affection which Paul inspires in his students and colleagues. With contributions by: Gabriel Byng, Meredith Cohen, Emily Guerry, James Hillson, Ethan Matt Kavaler, Tom Nickson, Zo Opa?i?, Claudia Bolgia, Jean-Marie Guillou t, Justin E. A. Kroesen, Julian Luxford, Robert Mills, John Munns, Matthew M. Reeve, Laura Slater, Beth Williamson, Jessica Berenbeim, Spike Bucklow, Marcia Kupfer, Jean-Pascal Pouzet, Miri Rubin, Kathryn M. Rudy, Roc o S nchez Ameijeiras, Lucy Wrapson, Patrick Zutshi, Mary Carruthers, Jill Caskey, Lucy Donkin, Kate Heard, Robert Maniura, Alexander Marr, M. A. Michael, Conrad Rudolph, Betsy Sears. TABLE OF CONTENTS Part One: Gothic Architecture 1. Gabriel Byng - The 'Great Rebuilding' of the Late Middle Ages: Revising the longue dur e History of the Gothic Parish Church 2. Meredith Cohen - 'The Forest through the Trees': The Pier as a Seed Plan at the Lady Chapel of Saint-Germain des Pr s 3. Emily Guerry - A Gothic Throne for the King of Kings: A Re-evaluation of the Design, Date, and Function of the Sainte-Chapelle Tribune 4. James Hillson - Linearity and the Gothic Style: Architectural Conception in England and France, 1200-1400 5. Ethan Matt Kavaler - Diamonds are Forever: Cell Vaults and the Beginnings of History 6. Tom Nickson - Describing Architecture in Thirteenth-Century Spain 7. Zo Opa?i? - Cui bono? The Founding and Funding of Medieval Religious Institutions under Charles IV Part Two: Gothic Sculpture and its Environment 8. Claudia Bolgia - The 'Tabernacles' War' II, c.1400: New Light on the Competition between Icons and Relics in Late Medieval Rome 9. Jean-Marie Guillou t - Epigraphic One-Upmanship: Remarks about Text-Image Relationship in Fifteenth Century Monumental Sculpture 10. Justin E. A. Kroesen - Gotland Wonder: Unique High Medieval Interior Ensembles on a Baltic Island 11. Julian Luxford - John and Johanna Ormond's Grave 12. Robert Mills - Wild Forms: The Art of East Anglian Wodewoses 13. John Munns - The Thirteenth-Century Pyx Cover at Wells Cathedral 14. Matthew M. Reeve - Fragments from Wisdom's House: The Lady chapel Juxta Claustrum at Wells Cathedral 15. Laura Slater - Musical Wit and Courtly Connections at Cogges 16. Beth Williamson - The Kilcorban Madonna: Joy and Potential in an Irish Wooden Virgin and Child Part Three: Gothic Painting, Manuscripts and Poetics 17. Jessica Berenbeim - Recapitulation: A Medieval Table of Contents 18. Spike Bucklow - The Economics of Blue and Gold 19. Marcia Kupfer - A Hill of Foreskins: Circumcision in the Alba Bible 20. Jean-Pascal Pouzet - Notes towards a Poetics of Western Medieval Manuscript Form - with an Application to Illuminated Manuscripts in Cambridge University Library 21. Miri Rubin - Ecclesia and Synagoga in Time 22. Kathryn M. Rudy - The Bolton/Blackburn Hours (York Minster Add. Ms. 2): A New Solution to its Text-Image Disjunctions using a Structural Model 23. Roc o S nchez Ameijeiras - If the Sea Were Made of Ink: A Word on Medieval Visual Poetry 24. Lucy Wrapson - A Royal Portrait? Uncovering the Identity of Saints on the Latemedieval Screen at North Tuddenham, Norfolk 25. Patrick Zutshi - The Veronica Images Painted by Matteo Giovannetti for Pope Urban V (1369) Part Four: Gothic Art and Ideas 26. Mary Carruthers - Becoming Like an Angel: The Concept of Sublimis in Monastic Contemplation and in Alchemy 27. Jill Caskey - Treasure, Taxonomy, and Transformation in the Inventories of San Nicola, Bari 28. Lucy Donkin - Mining Mount Tabor: the Schauinsland Window at the Minster of Freiburg im Breisgau 29. Kate Heard - The Ecclesiastical Textiles of Humphrey, Duke of Gloucester 30. Robert Maniura - Why Study Miraculous Images? 31. Alexander Marr - Working by Wit Alone: Aspects of Ingenuity in D rer 32. M. A. Michael - Inventing Gothic Painting: Creating Fine Art 33. Conrad Rudolph - The Evidence of the Training of Tour Guides in the Middle Ages 34. Betsy Sears - Gothic Logic: Panofsky's Unwritten Book on 'The Gothic Style' Index of Buildings, Works of Art, Manuscripts, and Medieval Authors‎

‎E.manet‎

‎Dimanche 1955 in4. 1955. Broché.‎

‎Bon Etat plusieurs taches rousseurs couverture‎

‎Emerging Naturalism: Contexts and Narratives in European Sculpture 1140-1220‎

‎, Brepols - Harvey Miller, 2020 Hardcover, 436 pages, 156 b/w ill. + 18 colour ill., 220 x 280 mm, Languages: English. ISBN 9782503574486.‎

‎For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140?1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe. Gerardo Boto Varela teaches art history at the Universitat de Girona (Spain), is leader of the international research group Templa, and scientific editor of the journal Codex Aquilarensis. Revista de Arte Medieval. His research concentrates on spatial, pictorial, and liturgical aspects of Spanish ecclesiastical architecture from the tenth to thirteenth centuries, as well as on dynastic tombs and memorial culture in Medieval Iberia. Marta Serrano Coll teaches art history at the Universitat Rovira i Virgili in Tarragona (Spain) and specializes in Medieval architecture and sculpture, particularly in Catalonia. Her research interests include the display of power through artworks and royal patronage in the Iberian Peninsula during the Middle Ages. In addition, she has published in the field of Romanesque sculpture and hagiographical studies. John McNeill teaches at Oxford University?s Department of Continuing Education, and is Honorary Secretary of the British Archaeological Association, for whom he has edited and contributed to volumes on Anjou, King?s Lynn and the Fens, the medieval cloister, and English medieval chantries. He was instrumental in establishing a biennial International Romanesque Conference Series and has a particular interest in the design of medieval monastic precincts. Table of Contents Emerging Naturalism and a New Medieval Morphology ? Herbert L. Kessler I.Shaping Late Romanesque Sculpture. Balance and Perspective The Attainment of a Compelling Naturalism in Sculpture c. 1200 ? Gerardo Boto Varela What is So-Called Late Romanesque Sculpture? ? Xavier Barral i Altet II. Late Romanesque / Early Gothic Sculpture in European Cathedrals (1140?1220) The Role of Burgundy in the Development of the First Column-Statues ? Marcello Angheben Late Romanesque Sculpture and the Cathedrals of South-Western France ? Quitterie Cazes An Enigma Put Aside. The Origin and Interpretation of a Decontextualized Capital from Saint Trophime at Arles ? Juan Antonio Ola eta Around and After 1200. Old and New Concepts of Monumental Sculpture in the German Territories of the Holy Roman Empire ? Claudia R ckert Sculpture and Liturgy: Monuments and Art Histories of Southern Italy (c. 1150?1250 and Beyond) ? Elisabetta Scirocco Old Testament Sacrifice and Thirteenth-Century Tithe: Cain and Abel in the Architectural Sculpture of the Holy Roman Empire ? Stephanie Luther Late Romanesque Sculpture in England. How Far Can the Evidence Take Us? ? John McNeill The Gothic Last Judgment Portal c. 1210. Visual Strategies and Communicative Function ? Bruno Boerner Aesthetics and the Imitation of Antiquity in Early Gothic Sculpture ? Laurence Terrier Aliferis III. Sculptural Visualisations in the Cathedrals of the Iberian Kingdoms (1160?1220) The Reception of Burgundian Models in the Second Half of the Twelfth Century and the Naturalist Redefinition of Romanesque Sculpture in Castile ? Marta Poza Yag e Master Mateo and the Cathedral of Santiago at the End of the Twelfth Century ? Ram n Yzquierdo Peir Late Romanesque Sculpture in the Kingdoms of Leon and Castile: Continuity or Change? ? Jos Luis Hernando Garrido & Antonio Ledesma Romanesque Sculpture in Portuguese Cathedrals: Models, Continuity and Adaptation ? Carla Varela Fernandes & Paulo Almeida Fernandes The Meaning of the Romanesque Sculpture in the C mara Santa at the Cathedral of Oviedo ? C sar Garc a de Castro Vald s Images and Stories: The Transformation of Space in the Cathedrals of the Ebro Valley ? Esther Lozano L pez The Vault Corbels in the Cloister of Tarragona Cathedral: Shaping a New Pictorial Corporeality that Goes Beyond the Late Romanesque ? Gerardo Boto Varela & Marta Serrano Coll‎

‎Une exposition de sculptures dans le parc d'Ar Milin'. Jardin des arts et les entrepreneurs mécènes‎

‎Juan Consultants 2007 in8. 2007. Cartonné. Illustrations de Lionel Tarchala‎

‎Etat de Neuf‎

‎Genèse d'une sculpture. 10 années de création. Préf. de Claude Louis-Combet.‎

‎Besançon, ed. Bernard Jobin, 1983, gr. in-8vo, 157 p. rich. ill., envoi ms. signé de Jobin, sur la deuxième f., reliure en toile originale, jaquette en velin ill. + plastique.‎

‎Cet exemplaire porte le num. 1018, d'une série num. de 251 à 2000, accompagnés d'une jaquette en lithographie. ‎

‎Louis Jobin, statuaire‎

‎Montréal Beauchemin 1968 In-8 illustré, 147p. Couverture illustrée (Arthur Lismer). ‎

‎:: Edition originale. Monographie consacrée au sculpteur québécois Louis Jobin (1845-1928). :: Broché. Bon état. ‎