‎New Horizons in Trecento Italian Art‎

‎, Brepols, 2021 Hardback, 320 pages, Size:216 x 280 mm, Illustrations:200 col., Language: English. ISBN 9782503586182.‎

‎Summary The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion, contributing to a new understanding of how art was made and experienced in this nodal century. These papers were originally presented at the Andrew Ladis Trecento Conference held at the Museum of Fine Arts in Houston in November of 2018. TABLE OF CONTENTS Some Reflections - Judith Steinhoff Introduction - Bryan C. Keene and Karl Whittington I. Matter and Material Stone, Paint, Flesh: Fictive Porphyry Exteriors in a Group of Multipart Panel Paintings from Angevin Naples - Sarah K. Kozlowski The Altar as Stage: Visual and Material Conditions of the Dramatized Nativity - Patricia Simons Jacopo, Niccol , and Paintings in Books for Santa Maria degli Angeli - George R. Bent II. Narrative and Response Painted Wood Caskets for Saints in Trecento Venice - Ana Munk The Reliquary of the Column of the Flagellation: A Case for Narrative Reliquaries - Claire Jensen Fragmented Narrative in the Chapter House of San Francesco in Pistoia - Laura Leeker Seeing and Sensing Compassion: Giotto's Naturalism in the Arena Chapel and Pietro d'Abano's Theory of Sympathetic Response - Theresa Flanigan III. Prototypes: Local and Global Locating the Duomo of Milan in the European Trecento - Erik Gustafson The Ilkhanid-Italian Relationship during the Trecento: Medieval Persian Prototypes for Brunelleschi's Dome in Florence - Lorenzo Vigotti IV. Art and Identity A Tribute to Dante: The Giottesque Portrait in the Palazzo del Podest in Florence - Sonia Chiodo Visual Representation of Women's Legal Duties in Medieval Siena - Elena Brizio V. Time and Knowledge Towards a New Reading of the Fifteenth-Century Astrological Cycle at the Palazzo della Ragione in Padua - Anna Majeski Giotto and Time - Luca Palozzi Diagramming Triumph in Trecento Painting: Augustine and Thomas from Page to Wall - Karl Whittington VI. Local Sanctities Art of an Emblematic King: Robert I of Naples as King of Jerusalem in the Fourteenth Century - Cathleen A. Fleck The Lignum Crucis and the Veneration of the Cross in the contado of Siena: Unmasking Some Neglected Images in the Cathedral of Massa Marittima - Sandra Cardarelli The Bodies and Blood of Christ and the Virgin at Santa Maria Novella, Florence - Amber McAlister VII. The Trecento in the Present Rising from the Rubble of World War II: The High Altarpiece of Impruneta - Cathleen Hoeniger Engaging with the Trecento - Caroline Campbell Afterword - William Underwood Eiland‎

‎Cultic Graffiti in the Late Antique Mediterranean and Beyond‎

‎, Brepols, 2021 Paperback, xx + 192 pages, Size:216 x 280 mm, Illustrations:108 b/w, 21 col., Language: English. ISBN 9782503593111.‎

‎Summary Graffiti, scratched or drawn on the walls of religious shrines, provide unique unmediated evidence of how ordinary men and women, many of them pilgrims, invoked and sought the help of God and the saints in Late Antiquity. The papers in this volume document and discuss cultic graffiti across the entire late antique Mediterranean, and into Nubia and Arabia. The principal focus is the Christian world, but there are also papers that look back to pre-Christian practice, and into the world of early Islam. Presenting evidence that is often unfamiliar, this is an important volume for anyone interested in the History and Archaeology of Late Antiquity. In examining cultic practice, we are almost always compelled to view the actions of devotees through texts written by the ecclesiastical elite, often with a clear hagiographical agenda in mind - cultic graffiti are evidence produced by the protagonists themsleves. TABLE OF CONTENTS List of Illustrations Abbreviations Introduction - ANTONIO E. FELLE AND BRYAN WARD-PERKINS Graffiti in Religious Spaces in First-Century Pompeii: Lararia, Neighborhood Shrines, and Graffiti in the Early Roman Empire - REBECCA BENEFIEL Contextualizing Christian Pilgrim Graffiti in the Late Antique Holy Land - MARLENA WHITING Jewish Devotional Graffiti and dipinti in the Holy Land - LEAH DI SEGNI 'Slave of the Apostle Philip': Byzantine Graffiti from Hierapolis of Phrygia (Turkey) - FRANCESCO GUIZZI Late Antique Christian Graffiti: The Case of Rome (Third to Fifth Century CE) - ANTONIO E. FELLE At the Origins of European Pilgrimage: The Devotional Graffiti of the Anglo-Saxons in Rome (Seventh-Ninth Centuries) - CARLO CARLETTI Inscribing Space in Christian Egypt - JACQUES VAN DER VLIET Graffiti from Christian Egypt and the Cult of the Saints: A Case Study from Dayr Ab? ?innis - ALAIN DELATTRE Pilgrims and Seafarers: A Survey of Travellers' Graffiti from the Aegean Islands - PAWE? NOWAKOWSKI Associational Religion in Late Antiquity? Professional Groups, Factions, and Confraternities in Christian Cultic Graffiti - EFTHYMIOS RIZOS Religious Graffiti from Early Islam in Arabia and the Near East - FR D RIC IMBERT Cultic Graffiti in Christian Nubia (Sixth to Fifteenth Century) - ADAM ?AJTAR Inscriptions, Graffiti, Graffiti Devotionis Causa: Some Concluding Notes and Reflections - ANTONIO E. FELLE Graffiti and Religion: Some Concluding Remarks and Perspectives - BRYAN WARD-PERKINS‎

‎Essai historique sur Moulineaux et le château de Robert-le-diable suivi d'une notice sur le fief de la Vacherie-sous-Moulineaux‎

‎ Rouen, Imprimerie Gaignard, 1896. In-8, 218 pp., broché, couverture originale imprimée, non coupé (petits manques ou déchirures, quelques taches). ‎

6 Images

‎Édition originale imprimée sur papier vergé. Un des 100 exemplaires numérotés signé par l'auteur. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Les églises gothiques‎

‎, Paris, Bloud & Cie. s.d.[début 20°s.], 64pp.avec ill.‎

‎En passant par la Lorraine‎

‎Librairie Fischbacher 1925 In-8 broché 20 cm sur 15. 150 pages. Complet de ses 10 illustrations hors-texte en noir et blanc. Couverture avec quelques accrocs ainsi qu’un légèr manque au dos, sans gravité. Intérieur frais. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Images. Cinquante-quatre photographies, recueillies et présentées par Jean Brérault‎

‎ 1932 Paris, A. Calavas, Librairie des Arts décoratifs, sd [1932]. 33,5 x 26 cm, 2 ff. n. ch. (titre et préface) - 54 planches de photographies en noir tirées en héliogravure - 4 ff. n. ch. (table des planches), en feuilles sous chemise rigide de demi-toile écru à rubans, titre en creux au premier plat et imprimé au dos, rhodoïd.‎

6 Images

‎Edition originale rare. Ces photographies ont été choisies dans un but pédagogique, elles sont à sujet scientifique (portait d'Albert Einstein, astronomie...), architectural (effet de nuit à Notre-Dame, Tombouctou, tombeau de l'empereur Minh Mang à Hué, village Habé au Soudan...), paysagier (la Seine aux Andelys, le Mont-Blanc, gorges du Seldja en Tunisie...), industriel (locomotive, la chaîne aux usines Citroën...) et ethnologique (jeune fille Man Tien au Tonkin, jeune fille Djennenké au Soudan, femme Peulhe, ceuillette des noix de coco au Togo...). Photographies de Génia Reinberg, Marius Gravot, Georges Tairraz, Chevojon, Frédéric Boissonas, Paul E. Guillot... Petite tache à la page de titre et une autre au portefeuille, sinon un très bel exemplaire. ‎

‎Theatro Municipal de Rio de Janeiro‎

‎Rio de Janeiro, Salamandra Consultoria Editotial S/A 1987 Fac-similé de l’édition de 1913 publié à l’occasion des 78 ans de la fondation du Théâtre Municipal de Rio de Janeiro. Texte en portugais et en français. In-4 Reliure de l’éditeur pleine toile verte, report du titre et médaillons dorés sur le premier plat de couverture, 136 pp., nombreuses illustrations en noir et blanc. Exemplaire en très bon état.‎

‎ Très bon état d’occasion ‎

‎Berglandschaft.‎

‎ca. 1940. Farbige Lithografie auf starkem Papier. Bildgrösse: 26 x 32 cm. Blattgrösse: 41 x 48 cm.‎

‎Unten rechts mit Bleistift signiert. Zudem mit Vermerk mit Bleistift "Mit guten Wünschen".‎

‎Landschaft mit Felswand und Bäumen, Gebirge im Hintergrund.‎

‎ca. 1940. Farbige Lithografie auf starkem Papier. Bildgrösse: 26 x 32 cm. Blattgrösse: 41 x 48 cm.‎

‎Unten rechts mit Bleistift signiert.‎

‎Spaziergang im Wald.‎

‎ca. 1940. Lithografie auf starkem Papier. Bildgrösse: 21 x 27 cm. Blattgrösse: 31 x 36 cm.‎

‎Unten rechts mit Bleistift signiert.‎

‎Bibliothèque de travail N° 1002 : Maisons en terre : hier et aujourd’hui.‎

‎Couverture souple. Brochure de 48 pages.‎

‎Périodique. I.C.E.M, Novembre 1988.‎

‎Bibliothèque de travail N° 1084. Sainte-Foy-de-Conques, église de pèlerinage. Le musée Zadkine des Arques - Le musée de plein air de Cuzals.‎

‎Couverture souple. Brochure de 48 pages.‎

‎Périodique. Par Pierre Péguin. Institut Coopératif de l'Ecole Moderne, Janvier 1997.‎

‎Bibliothèque de travail N° 1084. Sainte-Foy-de-Conques, église de pèlerinage. Le musée Zadkine des Arques - Le musée de plein air de Cuzals.‎

‎Couverture souple. Brochure de 48 pages.‎

‎Périodique. Par Pierre Péguin. Institut Coopératif de l'Ecole Moderne, Janvier 1997.‎

‎Bibliothèque de travail N° 569. La cathédrale de Reims.‎

‎Couverture souple. Brochure de 40 pages.‎

‎Périodique. Par Fernand Deléam, avec la collaboration des commissions pédagogiques de l'I.C.E.M. Institut Coopératif de l'Ecole Moderne, 1963.‎

‎Bibliothèque de travail N° 825. A travers les ruines d'une abbaye : Jumièges.‎

‎Couverture souple. Brochure de 40 pages.‎

‎Périodique. Par Roger Denjean, avec la collaboration des commissions pédagogiques de l'I.C.E.M. Institut Coopératif de l'Ecole Moderne, 1er mai 1976.‎

‎Bibliothèque de travail N° 868. L'abbaye de Conques.‎

‎Couverture souple. Brochure de 40 pages.‎

‎Périodique. Par Michel Girval et Aimé Leclerc, avec la collaboration des commissions pédagogiques de l'I.C.E.M. Institut Coopératif de l'Ecole Moderne, 20 novembre 1978.‎

‎Bibliothèque de travail junior N° 18 : La Maison de la Radio à Paris.‎

‎Couverture souple. Brochure de 32 pages.‎

‎Livre. Par Louise Marin. Institut Coopératif de l'Ecole Moderne, 1967.‎

‎Egon Schiele - Jenny Saville‎

‎, Kunsthaus Zurich, 2014 Hardcover with dusjacket, 160 pages, Illustrated.** fine!! ENGLISH EDITION. ISBN 9783775738514.‎

‎The main body of work by painter Egon Schiele (1890 1918), who died at an early age, was produced within barely a decade. His famous nudes unwaver ingly probed the existential core of human experi ence. The paintings of Jenny Saville (* 1970 in Cam bridge) are no less intense in terms of their physicality and confrontational stance. This catalogue brings to gether the works of these two artists for the first time. Revealed is the stylistic and thematic proximity of the body-landscapes and portraits by the two young stars despite the decades separating their work and their varying use of the brush. The paint ings and drawings of both artists lend the human body an insistent corporeality, which is rendered in every detail. In Schiele s self-portraits, usually small-format works, the pose, the accentuated view from below, and gestural style give the images a visual impact equal to the forceful punch of Saville s giant formats.‎

‎Sailor and a Woman Embracing Peter Paul Rubens (1577 - 1640) and modern painting‎

‎Antwerp, Phoebus Focus XV, 2020 Paperback, 79 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in English ISBN 9789463883382.‎

‎Phoebus Focus 15 - A Sailor and a Woman Embracing Peter Paul Rubens (1577-1640) and modern painting ‎

‎zeeman en een vrouw in omhelzing Peter Paul Rubens (1577-1640) en de moderne schilderkunst‎

‎Antwerp, Phoebus Focus XV, 2020 Paperback, 79 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL. ISBN 9789463883375.‎

‎Phoebus Focus 15 - Een zeeman en een vrouw in omhelzing Peter Paul Rubens (1577-1640) en de moderne schilderkunst‎

‎ ARCHITECTURE RURALE FRANCAISE BOURGOGNE‎

‎A DIE , état neuf , 1999 , 325 p , photos , shémas , plans ,collection architecture rurale française , 29 x 22 cm‎

‎Réedition de berger-levrault‎

‎Habsburg Tapestries Studies in Western Tapestry ‎

‎, Brepols - Harvey Miller, 2015 Hardcover with dusjacket, 374 pages., 21 b/w ill. + 150 colour ill., 245 x 297 mm, Languages: English . ISBN 9782503516707.‎

‎The Flemish tapestries collected by the Habsburg rulers of the Low Countries are among the most beautiful art works of the Renaissance period. This book places these important tapestries in their historical and cultural context. Part I of the book examines the relationship between the Habsburgs and the tapestry industry in the Low Countries, the roles of the artists who designed the tapestries, the weavers who made them, and of the tapissiers, the court officials who looked after the royal tapestry collections. This is followed by four chapters which document and survey the collections formed by the Habsburg rulers of the Low Countries: Margaret of Austria, the Emperor Charles V, Mary of Hungary and Philip II of Spain. Part II of the book is a detailed catalogue of thirteen of the most important surviving Habsburg sets. These include such important tapestries as the Honours, the Hunts of Maximilian, the Armorials of Charles V, the Seven Deadly Sins, the History of Vertumnus and Pomona and the Apocalypse. Every tapestry of each set is given detailed analysis and all are reproduced in full colour in over 100 colour plates. An extensive Appendix gives many of the original documents concerning the tapestries as well as the most important surviving Habsburg tapestry inventories from the period.‎

‎Renzo Piano Building Workshop. Oeuvres complètes volume 1.‎

‎London: Phaidon, 1993 in-4, 240 pages, illustrations. Bibliographie, index. Rel. d'éd., jaquette, bon état.‎

‎Renzo Piano Building Workshop. Oeuvres complètes volume 1. (London: Phaidon, 1993). [M.C.: architecture]‎

‎Shingu‎

‎Cercle d’Art 2005 In-4, pleine toile grise, sous jaquette illustrée, photographies pleines pages en couleurs, 199 pp. En anglais et en français. Très bon état ‎

‎Photographies de Susumu Shingu. Traduction de Françoise Etienne, Sylviane Lamoine, Ann B. Cary et Yasuko Shingu. Très bon état d’occasion ‎

‎Die Fassadenskulpturen der Kathedrale von Fidenza‎

‎Bonn, 1994 201pp. + 9 bl/w ills., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, S109287‎