‎Moerzeke van Edward Pas.‎

‎, De Nederlanden, 1985 Gebonden, Hardcover,111 pagina's. 22x30cm. met prachtige illustraties. ISBN 9065830553.‎

‎Edward Pas werd in 1904 te Londerzeel (Belgie??) geboren en hij stierf in 1980 te Moerzeke aan de Schelde, waar hij in 1923 onderwijzer was geworden en sinds zijn huwelijk in 1930 was komen wonen. "Meester" Pas is zo'n typische Vlaamse zondagsschilder, een streekgebonden kunstenaar van het Scheldelandschap in de vier seizoenen en vooral van zijn Moerzeke. Dit aan hem gewijde liber amicorum bevat een korte lyrische inleiding van de schrijfgrage Anton van Wilderode, een met foto's gei??llustreerde biografie, en negental summiere "getuigenissen", vier gedichten (twee van Christina Guirlande en twee van Anton van Wilderode). Maar het pie?ce de re?sistance wordt gevormd door de "Wandeling door Moerzeke met Edward Pas": een honderdtal reproducties (waarvan 16 in kleur) naar de schilderijen van de bescheiden, traditionele Edward Pas. Wie dit boek bekijkt, kent voortaan de stille poe??zie van Moerzeke. Nederland kan hier leren, hoe Vlaanderen zijn cultuurpatrimonium koestert. ? NBD Biblion‎

‎Quais et Ponts de Paris in-4,relié avec jaquette,238 pages, abondamment illustré.‎

‎ Editions du Moniteur 1982‎

‎Bon état‎

‎Ardenne de Maringer. Le peintre des gens d'Ardenne, sa vie, son oeuvre.‎

‎Bruxelles, Didier Hatier, 1990 Couverture souple, 160 pages, 120 reproductions en couleurs, 31 x 23 cm. *bel tat. ISBN 2870887271.‎

‎Omer Marchal ne se lassait jamais de raconter l'Ardenne. La rencontre de sa plume avec le pinceau de Lucien Maringer, qui ne cessa de la peindre durant 50 ans et dont il fut l'ami et le confident, nous donne de la vie des Ardennais des g n rations 1930-1980 des images qu'il tait urgent de fixer pour la post rit . C'est chose faite gr ce aux photos de Stanilas Marchal, qui a d busqu jusque dans les greniers, pour nous les pr senter ici en tout couleur, les tableaux du peintre, d sormais promis l'immortalit , qui y cachaient leur beaut . L'ouvrage, fruit d'une longue qu te de l' crivain dans l'oeuvre et la vie du peintre, constitue en m me temps un excellent portrait biographique de Lucien Marigner, le peintre imagier de l'Ardenne qui refusait absolument d' tre appel na f. ‎

‎Lorraine vivante. Hommage à Jean Lanher‎

‎PUN - Presses Universitaires de Nancy 1993 In-8 broché 24 cm sur 16. 481 pages. Couverture légèrement défraîchie. Intérieur frais. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎LE PALAIS-BOURBON DES ORIGINES A NOS JOURS.‎

‎DESFOSSES. 1949. In-12. Broché. Etat d'usage, Tâchée, Coiffe en tête abîmée, Intérieur frais. 112 pages. Quelques photos en couleur monochrome dans et hors texte. Dos renforcé à l'intérieur.. . . . Classification Dewey : 720-Architecture‎

‎Préface du Président Edouard Herriot. Classification Dewey : 720-Architecture‎

‎Maisons du Viêt Nam‎

‎Editions Alternatives 2001 In-4 relié 29 cm sur 21,4. 92 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Amphora. Rogier Vandeweghe Ceramics 1957-1975‎

‎, Arnoldsche Art Publishers, 2019 Hardcover, 192 pages, 29 x 22 cm, ca. 200 ills., Hardcover, English / French / Dutch. ISBN 9783897905573.‎

‎Rogier Vandeweghe established himself as an independent potter in Sint Andries, near Bruges, after leaving the ceramic workshop Per Ignem, which he had founded with his brother Laurent in 1947. Under the name Amphora, from 1960 on his quickly expanding workshop produced entirely hand-thrown vessels. His modern forms ? with glazes developed in-house and experimental firing techniques ? rapidly earned the workshop an international reputation. Participation in major contemporary exhibitions led to numerous awards and acquisitions by leading ceramic museums across Europe. In 1975 all production ceased, and the workshop faded into obscurity. The present publication is a tribute to Rogier Vandeweghe and his wife,Myranna Pyck, for their unwavering commitment and their continuous quest for high-quality modern beauty in their ceramics. MARC HEIREMANS is a renowned expert on Murano glass and ceramics. He is a member of the Royal Chamber of Antiquarians of Belgium and of the Belgium Chamber of Art Experts. Heiremans is also author of various Arnoldsche publications on Murano Glass and the volume Art Ceramics. Pioneers in Flanders 1938?1978. Rogier Vandeweghe etablierte sich als selbstst ndiger Keramiker in Sint Andries, in der N he von Br gge, nachdem er die 1947 mit seinem Bruder Laurent gegr ndete Keramikwerkstatt Per Ignem verlassen hatte. Die schnell wachsende Werkstatt mit dem Namen Amphora produzierte ab 1960 ausschlie lich handgedrehte Gef e. Moderne Formen mit selbst entwickelten Glasuren ? in experimentellem Brennverfahren gefertigt ? machten die Werkstatt international bekannt. Die Teilnahme an wichtigen zeitgen ssischen Ausstellungen f hrte zu zahlreichen Auszeichnungen und Ank ufen durch f hrende Keramikmuseen in ganz Europa. 1975 wurde die Produktion eingestellt und die Werkstatt geriet in Vergessenheit. Die vorliegende Publikation ist eine Hommage an Rogier Vandeweghe und seine Frau Myranna Pyck f r ihr unerm dliches Engagement und ihr st ndiges Streben nach hochwertiger, moderner Sch nheit in ihren Keramiken. ‎

‎Lieve De Pelsmaeker. 1936-1984. Sculptress / Ceramist.‎

‎Antwerp, private edition Marc Heiremans, 2015 Hardcover 112pp., 25.5x17.5cm., richly illustr. in col., new.‎

‎Lieve De Pelsmaeker is allicht voor velen een onbekende naam. Hoewel in de kunstwereld het cynische gezegde gangbaar is dat een goede kunstenaar een dode kunstenaar is, mag men om bekend te blijven niet te vroeg sterven. Dit overkwam Lieve de Pelsmaeker. Nochtans heeft ze een rol gespeeld in de geschiedenis van de kunst die het medium keramiek als een volwaardige sculpturale expressievorm beschouwt. Met daarenboven een avant-gardistische dimensie. Vanaf 1964 was ze aanwezig in collectieve tentoonstellingen die men ? ook vandaag nog ? gerust internationaal mag noemen. Ze begon begin in de jaren zestig als materiekunstenaar die de natuurlijke dimensie van het keramische ten volle liet zien via abstracte vormen. Sculpturen die de organische verwantschap toonden met de lavastenen. Een vulkaan is immers een natuurlijke oven die met een bijzonder snelle dynamiek nieuw gesteente creeert. Dit in tegenstelling tot het feit dat we gewoon zijn te veronderstellen dat stenen ouderdom hebben. Lieve De Pelsmaeker herschiep dit proces in haar oven. Ze was daarin toen vernieuwend maar niet uniek. Dit laatste was ze wel wanneer ze een combinatie maakte tussen keramiek en assemblagekunst. Ze gebruikte hiervoor afgedankte stukken van de elektriciteitsindustrie zoals stopcontacten, zekeringen, toppen die draden in de goede richting hielpen leiden enz? Nog experimenteler werd ze toen ze haar keramische muziekinstrumenten maakte. Ze gaf hieraan de naam ?sonomobielen?. Deze waren niet louter functioneel, maar konden ook als volwaardige sculpturen doorgaan. Sonomobielen zijn objecten in keramiek die, zoals hun naam het zegt, bewegen en geluiden voortbrengen. De voortgebrachte klanken, al dan niet in concertverband, doen denken aan de eenvoudige muziek van primitieve culturen. Anderzijds verwijzen deze klanken naar de geluiden uit de kinderjaren, wanneer men plezier vond in het horen van een rammelaar en het ratelen van speelkaarten tegen de spaken van het eerste fietsje. Het werk van Lieve De Pelsmaeker moet door verschillende zintuigen simultaan ervaren worden, zonder de totaliteit te laten verloren gaan, zoniet wordt het zinloos. Een buisje is niet zomaar een buisje, het is een hoorn, een luidspreker, een klankkast, maar ook een sierlijke vorm, gemaakt uit korrelige tastbare materie. Je kan zien, voelen en horen. Kortom, het is een ruimtelijke ervaring, die aanzet tot mijmeren, zodat de artistieke manifestatie innerlijk voortgezet wordt. De toeschouwer-bespeler geniet van een meerdimensionale ervaring: visueel, tactiel en auditief. De toeschouwer blijft niet meer louter contemplatief, maar hij wordt opgenomen in de totaliteit van het artistiek gebeuren: de happening rond het object. Logos, een werkgroep voor geengageerde avant-gardemuziek is er ooit (1975) in geslaagd een ?sonomobilofonie? te componeren en uit te voeren. Het geheel kan een interessant experiment in de elektronische muziek genoemd worden. Deze toepasbaarheid doet geen afbreuk aan de sculpturale waarde van het werk van De Pelsmaeker . ‎

‎Maisons de skopelos précis d'architecture vernaculaire préface de Jack Lang in-4,relié avec jaquette ,abondamment illustré.‎

‎ Editions Reprotime S.A sans date‎

‎Très bon état‎

‎Marc Held 10 ans de recherche . Musée des Arts décoraifs - Château des ducs de Bretagne -10 novembre 1973 - 7 janvier 1974‎

‎Nantes, Musée des Arts décoraifs de Nantes 1973 In-8 24 x 21 cm. Broché, couverture noire, non paginé 106 pp., illustrations et reproductions en noir & blanc, plans, bibliographie. Exemplaire en très bon état.‎

‎ Très bon état d’occasion ‎

‎SAMBA DIA L'ecole Du Centre De La Terre‎

‎, Norma Editions, 2024 HardbackDimensions 250 x 205 mm, Illustrations 120 col.ill., 80 Pages, Language(s) Fr. edition. ISBN 9782376661009.‎

‎Marc Held, designer et architecte, est surtout connu par certaines oeuvres embl matiques: le fauteuil Culbuto ou Utopia, la fameuse maison en acier Corten Gif-sur-Yvette. Engag pour l' cologie d s les ann es 60, Marc Held va faire deux rencontres essentielles. Ren Dumont en 1967, auteur du fameux L'afrique noire est mal partie puis, en 1979, le grand Hassan Fathy avec qui il passera une semaine inoubliable en Corse.‎

‎qu te tib taine de la sagesse. Praj ?ra?mi (1518-1584) et l?attitude impartiale (ris med)‎

‎, Brepols, 2023 Paperback, 724 pages, Size:156 x 234 mm, Illustrations:30 b/w, 35 col., 18 tables b/w., Language: French. ISBN 9782503603377.‎

‎Summary Praj ?ra?mi (1518-1584), ou Lumi re de Sagesse , est le nom de plume sanskrit d'un auteur tib tain qui v cut durant une p riode de crise politico-religieuse situ e entre la pleine assimilation du bouddhisme indien par les Tib tains et l'instauration du r gime des Dala -Lamas. Dans ce contexte d'instabilit , Praj ?ra?mi se distingua par une formation clectique exceptionnelle et un enseignement qui, centr sur l'id e de sagesse - ou gnose -, chercha montrer l'unit des diff rentes traditions du bouddhisme au Tibet. Ses grands textes sont pr sent s et traduits dans cet ouvrage, notamment l'Ambroisie de l' tude, de la r flexion et de la m ditation, et la Lampe qui illumine les deux v rit s, qui traite de la philosophie de la voie du milieu (Madhyamaka). Sa biographie, ainsi que l' tude de son oeuvre et de son h ritage, r v lent une filiation entre les renouveaux de l' cole des Anciens (Rnying ma pa) durant la r unification du Tibet sous le Ve Dala -Lama (xviie s.), la nouvelle r v lation de 'Jigs med gling pa (xviiie s.), et la floraison du mouvement impartial (ris med, xixe si cle) avec la collection transsectaire du Tr sor des instructions spirituelles. Il se dessine ici une qu te tib taine de la sagesse qui, conjuguant l'histoire des traditions, le discours philosophique, le yoga et la contemplation, visait une libert int rieure con ue au-del de tout parti pris, intention unique de tous les enseignements du Bouddha, ou, selon sa propre lign e de la Grande Perfection (Rdzogs chen), sph re de la lib ration . TABLE OF CONTENTS Introduction Partie I. L'homme Portrait et sources Ma tres spirituels et cheminement Activit s et transmission Partie II. L'?uvre L'?uvre de Praj ?ra?mi L'unification du bouddhisme au tibet selon les tapes du d veloppement de la sagesse : l'ambroisie de l' tude, de la r flexion et de la m ditation La sagesse du milieu: la lampe qui illumine les deux v rit s, suivie d'instructions sur la contemplation L'aspiration aux vertus et la sagesse de tous les v hicules du bouddhisme : les souhaits des s?tras et des mantras Partie III. L'h ritage La filiation de 'Phyong Rgyas Dpal Ri Les renouveaux de l' cole ancienne aux XVIIe s. Et XVIIIe s La floraison du mouvement impartial (ris med) au XIXe s. Conclusion Annexes Bibliographie‎

‎Sculpture De Berrocal‎

‎, Brussels, La Connaisance,, 1973 Hardcover with dusjacket 142 pages, Illustrated. b/n. bon etat. ‎

‎Paul De Vylder beeldprojecten 1980 -1994‎

‎Brugge, Stichting Kunstboek, 1996 Paperback, 210x148mm, 151 pages , English/ Dutch (NL) edition. ISBN 9789074377386.‎

‎New York City at Night : A Tour Of The City That Never Sleeps‎

‎, Thunder Bay Press, 2010 Hardcover, 144 pages, ENG, 290 x 250 x 20 mm, dustjacket, in a perfect condition, illustrated in fabulous colours of a fabulous city !. ISBN 9781607101130.‎

‎With its dramatically lit skyscrapers, twinkling bridges, neon lights, and yellow cabs streaking down Broadway, it's no wonder that New York is the city that never sleeps! From the awesome golden sunsets over the Hudson River to the pale yellow sunrise breaking over the East River, you'll see the world's most popular city illuminated like never before. New York City at Night is a stunning blend of aerial photographs of the city's iconic skyline and most famous landmarks as seen through the lens of world-famous aerial photographer Evan Joseph. During the daytime, the Empire State Building is a large-shouldered, gray giant on the horizon; but at nighttime, this 120-story Art Deco gem is enchanting. See this landmark building all lit up, and enjoy sparkling views from the deck of its Observatory and beyond. A tourist book to break the mold! New York City at Night offers a dramatic new perspective of the world's favorite destination.‎

‎Dominique‎

‎Paris Les Editions de l'Amateur 2008 Pleine toile noire jaquette illustrée. Édition originale. (103651) ‎

‎ Neuf sous blister ‎

‎Belle Gravure De Hotel à Paris rue Bauffremont FLAMANT architecte Moniteur Des Architectes 1878 Pl 20‎

‎LEMERCIER IMPR 1878 35.5/ 27.5 Année 1878 planche n°20 du Moniteur des Architectes - bon état - dim extérieures 36.50cm x 27.5 cm - cadre blanc de quelques cm -‎

‎Bon Pas de jaquette ‎

‎Inheritance, Social Networks, Adaptation. Bronze and Early Iron Age Societies North of the Western Carpathians‎

‎, Brepols, 2025 Hardback, 820 pages, Size:210 x 297 mm, Illustrations:124 b/w, 277 col., 46 tables b/w., 2 tables col., Language: English. *new ISBN 9782503616773.‎

‎Summary How did societies change between the Early Bronze Age and the Early Iron Age? And what was the impetus that led to these changes - social contacts and innovation, intergenerational contacts, or perhaps simply adaptation? Taking these questions as its starting point, this richly detailed volume explores four different regions of southern Poland to compare and contrast the mechanisms that drove socio-cultural change in the region between the second and the first half of the first millennium BC. Drawing on standardized sets of archaeological data, the chapters gathered here examine the interplay of different factors influencing cultural change across five key parameters: environment; settlement patterns; settlement organization; economy; and material culture. The result is a beautifully illustrated volume that offers important insights into Central and Eastern European prehistory, made accessible for an English-speaking audience. TABLE OF CONTENTS Introduction, Marcin S. Przybyla, Karol Dziegielewski Part 1. Analysis of Source Data 1.1. Geographical Location of the Study Region and Test Areas, Karol Dziegielewski, Marta Korczynska-Cappenberg 1.2. Timeline 1.2.1. Bronze and Early Iron Ages Around the Western Carpathians: Civilizational Transformations in Central Europe in the 2nd and 1st Millennia BC, Jan Chochorowski, Karol Dziegielewski, Marcin S. Przybyla 1.2.2. Periodisation of the Bronze and Early Iron Ages on the Upper Vistula River, Karol Dziegielewski 1.2.3. Periodisation of the Bronze and Early Iron Ages in the Dunajec Valley, Marta Korczynska-Cappenberg, Marcin S. Przybyla 1.3. Transformations of Natural Environment 1.3.1. Environmental Changes in the Bronze and Early Iron Ages in Loess Areas of the Upper Vistula Basin (Test Area 1), Michal Wasilewski, Anna Gawlik 1.3.2. Environmental Changes in the Bronze and Early Iron Ages in the Upper Vistula Valley near Krak w (Test Area 2), Karol Dziegielewski, Dorota Nalepka, Maria Litynska-Zajac 1.3.3. Environmental Changes in the Bronze and Early Iron Ages in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Katarzyna Korzen, Magdalena Moskal-del Hoyo, Maria Litynska-Zajac 1.3.4. Environmental Changes in the Bronze and Early Iron Ages in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Katarzyna Korzen, Magdalena Moskal-del Hoyo 1.4. Settlement Network 1.4.1. Methodology of Fuzzy Logic Mapping, Geostatistical Analyses and Cartographical issues, Marta Korczynska-Cappenberg, Klaus Cappenberg 1.4.2. Settlement Network in the Bronze and Early Iron Ages in Loess Areas of the Upper Vistula Basin (Test Area 1), Anna Gawlik 1.4.3. Settlement Network in the Bronze and Early Iron Ages in the Upper Vistula Valley near Krak w (Test Area 2), Michal Mazur, Karol Dziegielewski 1.4.4. Settlement Network in the Bronze and Early Iron Ages in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg 1.4.5. Settlement Network in the Bronze and Early Iron Ages in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Joanna A. Markiewicz 1.5. Settlement Structure and Organisation 1.5.1. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Upper Vistula Basin (Test Areas 1 and 2), Karol Dziegielewski, Anna Gawlik, Michal Mazur 1.5.2. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Tobias L. Kienlin 1.5.3. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla 1.6. Subsistence Economy 1.6.1. Late Bronze Age and Early Iron Age Farming and Animal Husbandry in the Loess Areas of the Upper Vistula Basin (Test Area 1), Krystyna Wasylikowa, Magdalena Moskal-del Hoyo, Dalia Pokutta, Anna Gawlik 1.6.2. Bronze Age and Early Iron Age Farming and Animal Husbandry in the Upper Vistula Valley near Krak w (Test Area 2), Karol Dziegielewski, Maria Litynska-Zajac, Ulana Gocman, Michal Mazur 1.6.3. Bronze Age and Early Iron Age Farming in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Maria Litynska-Zajac, Magdalena Moskal-del Hoyo, Katarzyna Cywa 1.6.4. Bronze Age and Early Iron Age Farming and Animal Husbandry in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Ulana Gocman, Aldona Mueller-Bieniek 1.7. Pottery Manufacture 1.7.1. Notes on the Method of Classification of Ornaments and Morphological Features of Ceramic Vessels, Marcin S. Przybyla, Karol Dziegielewski, Anna Gawlik, Marta Korczynska-Cappenberg, Michal Mazur 1.7.2. Continuation and Change in Pottery Manufacture in the Upper Vistula Basin (Test Areas 1 and 2), Karol Dziegielewski, Michal Mazur 1.7.3. Continuation and Change in Pottery Manufacture in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg 1.7.4. Continuation and Change in Pottery Manufacture in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla Part 2. Comparative Analyses 2.1. Interconnectivity: Geographic and Social Space, Marcin S. Przybyla, Marta Korczynska-Cappenberg, Klaus Cappenberg, Joanna A. Markiewicz, Karol Dziegielewski 2.2. Economy: Trends of Diachronic Changes and Local Specificity, Marta Korczynska-Cappenberg, Marcin S. Przybyla, Karol Dziegielewski, Klaus Cappenberg 2.3. Thoughts on Wealth and Social Differentiation, Consumption of Bronze, and Craft Specialisation, Karol Dziegielewski, Marcin S. Przybyla, Marta Korczynska-Cappenberg Part 3. Concluding Remarks 3.1. From Pots and Farmsteads to Demography: Exploring the Interplay of Cultural Transmission Patterns, Marcin S. Przybyla, Karol Dziegielewski Part 4. Specialist Analyses 4.1. Micromorphology and Physico-chemical Properties of Soils and Sediments from Maszkowice and Janowice Sites, Magdalena Makiel, Wojciech Szymanski, Mateusz Stolarczyk 4.2. Analysis of Animal Bone Remains from Trench 9 on Site 6 at Janowice (AZP 106-65/61), Plesna Commune, Ulana Gocman References Appendices: Lists of Bronze Age and Early Iron Age Sites Included in the Project List of Radiocarbon Dates used in the Chronometric Analysis for the Upper Vistula Area (Chapter 1.2.2)‎

‎RITES ETRANGES DANS LE MONDE .‎

‎ Editions Robert Laffont, 1974, collection "Les Enigmes de l'Univers", bibliographie, broché, 350pp. très bon état, 215x135 . (p4) ‎

‎Dédicace manuscrite de l'Auteur . ‎

‎Junggesellenmaschinen. Les machines c libataires‎

‎Venedig, Alfieri, edizioni d'arte, 1975 Couverture souple, 223 pages, 27.5 x 18 cm, Fran ais/Deutsch. *Fine condition.‎

‎Junggesellenmaschinen. Les machines c libataires‎

‎L'art de Rome.‎

‎, Soci t des Editions Meng s, 1999 Couverture reliee sous jaquette? 2 VOLS in original slipcase. 679 pages Illustrated. 28.2 x 7.9 x 33.1 cm **TRES BON ETAT. ISBN 9782856204122.‎

‎L'art de Rome 2 VOLUMES ‎

‎Egisto Macchi: The Assassination of Trotsky. Sources of the Creative Process‎

‎, Brepols, 2023 Hardback, 156 pages, Size:240 x 340 mm, Illustrations:60 col., Language: English. ISBN 9782503593517.‎

‎Summary This volume traces Egisto Macchi's creative process for the soundtrack of The Assassination of Trotsky directed by Joseph Losey (1972). Through a close reading of the sources preserved at the Egisto Macchi Collection at the Institute of Music, Fondazione Giorgio Cini, (Venice) and at the Joseph Losey Collection at the British Film Institute (London), the book sheds light on the first collaboration between Losey and Macchi, which continued in the following years for the film Mr. Klein (1976). Why did Losey choose this apparently unknown composer? How did an avant-garde composer approach the cinematic system? What kind of audio-visual experience did Macchi and Losey explore through this film? To answer these questions, the volume deals with different aspects of the creative process, combining letters, notes, drafts, sketches, and the final orchestral scores. The introductory essay presents Egisto Macchi within the context of the Roman avant-garde and the cinematic environments of the Sixties and early-Seventies. The volume is complemented by a wide selection of sources reproduced in facsimile.‎

‎TONY CRAGG, EXPO Museo d'Arte of Lugano‎

‎Milano, Silvana, 2012 Paperback with flaps, 280x220mm, 192p, 150 colour illustrations. ISBN 9788836622498.‎

‎In Spring 2012 the Museo d'Arte of Lugano will present in Villa Ciani a wide retrospective of the work of Tony Cragg (Liverpool, 1949), one of the most significant artists in the contemporary scene. Through some forty sculptures and assemblages, and a hundred drawings and etchings, the exhibition will retrace the artist's creative history from the late Seventies up to the most recent works. The exhibition in Lugano, and its accompanying catalogue, will however not be a simple presentation of the wide range of visual ideas and forms generated by the artist in the course of the years. The selection of the works on display and their sequence will also allow, together with the works on paper, to grasp the logic and the creative processes which lie at the basis of the most revolutionary shapes in contemporary sculpture. The catalogue will also include texts by Marco Franciolli and Guido Comis, as well as an interview to Tony Cragg never published before. English/ IT edition ‎

‎Renaissance Music in the Slavic World‎

‎, Brepols, 2019 Paperback, 304 pages, Size:178 x 254 mm, Illustrations:32 b/w, Languages: English, French, Italian. ISBN 9782503582429.‎

‎Summary In the essays collected in this volume, leading scholars from Croatia, the Czech Republic, and Poland, as well musicologists from Western Europe, take on the challenge of fulfilling a historiographical and cultural gap in music history by restoring the place of the countries of Central Europe that, as Milan Kundera put it succinctly, 'vanished from the map of the West'. The opportunity to consider 'other' renaissances enlarges the historiographical perspectives of Renaissance musicology, going beyond the traditional focus on the Franco-Flemish or Franco-Italian axis, and opens new scenarios on unexplored Renaissance music. What was it that happened on a cultural and musical level on the Dalmatian coast - influenced by the economic boost of a powerful Venice? The same question emerges when considering Habsburg Prague and its renewed, central role in the European political theatre, and as a reaffirmed capital that inaugurated a period of economic and cultural renaissance for the Bohemian Kingdom. How did the secularization process evolve in these territories, caught between the religion wars following the Counter-Reformation in the West, and the Turkish threat on the East? What peculiar features does the musical production of these territories reveal? The preference accorded to the expression Renaissance Music is not to be intended as a shortcut. The intention of the contributing scholars is to focus on, and to handle independently, the endogenous cultural production without considering it only as a phenomenon of importation or as the mere imitation of an existing model. In this way, borders reveal a dialectical function in the context of musical Humanism, revealing here, maybe for the first time, an authentic European dimension. The essays in this volume were undertaken within the framework of the European programme EACEA - Culture Programme 2007-2013 Aux confins de l'Humanisme musical: monde slave et culture m diterran enne, developed between 2010 and 2012 by the Centre d' tudes sup rieures de la Renaissance in Tours, the Matica Hrvastka - Ogranak Dubrovnik (Mediterranean Study Centre of Dubrovnik), the Univerzita Karlova v Praze, and the University of Palermo. TABLE OF CONTENTS On Historical, Musicological and Cultural Borders in Renaissance Central Europe - Marco Gurrieri & Vasco Zara The Tradition of Liturgical Polyphony on the Eastern Adriatic Coast - Hana Breko Kustura The Reception of Marsilio Ficino's Work in the sthetic and Political Philosophy of Nicol Vito di Gozze - Grantley McDonald Some Fragments on Renaissance Music in Dubrovnik - Ennio Stip?evi? Lambert Courtoys the Elder - Flemish in Dubrovnik - Ivana Petravi? La mauresque sur sc ne et les contacts musico-th atraux entre l'Italie et la ville de Dubrovnik au XVIe si cle - Ivano Cavallini The Jesuits for Society. The Soundscape of the Jesuits in post-Tridentine Silesia - Tomasz Je? Provenienza dei musicisti e rapporti di parentela alla corte dell'imperatore Rodolfo II d'Asburgo (1576-1612) - Michaela ? ?kov Rossi The Migration of Czech Musicians toward German Lands at the Turn of the Sixteenth-Century: The Study Case of Eusebius Bohemus - Marco Gurrieri Twin Treatises on Music: Exploring Anglo-Bohemian Connections of Kepler and Fludd and their Struggle for Modernity - Elina G. Hamilton Music in Between?: Sacred Songs in Bohemia, 1517-1618 - Erika Supria Honisch Da pacem Domine: The Desire for Peace in Rudolfinian Music - Christian Thomas Leitmeier Furor turcicus. The Turkish Threat and Musical Culture of the Czech Lands during the Sixteenth and Early Seventeenth Centuries - Jan Bat'a‎

‎Selinunte: Le metope dell'Heraion (Italian Edition) ‎

‎Modena, Franco Cosimo Panini, 1994 Cloth bound with dustjacket, 355 pages, illustr. 31 x 25.5 cm. ITAL TEXT * very fine condition ISBN 9788876864544.‎

‎Selinunte: Le metope dell'Heraion (Italian Edition) ‎