, SBA Stadsbibliotheek Antwerpen/AMCV , 1994 Paperback, 296 pag. NL; 295 x 210 mm, in prima staat, ill. in kleur / z/w.
Archief en Museum voor het Vlaamse Cultuurleven
[Presses de l'Université de Paris-Sorbonne] - HEERS, Jacques
Reference : 62653
(1988)
Textes réunis par Jacques Heers, 1 vol. grand in-8 br., Cultures et Civilisations Médiévales, Presses de l'Université de Paris-Sorbonne, s.d. [ circa 1988 ], 340 pp.
Bon état
Tilburg, Stichting Desiderata, 2021 Geillustreerde kartonomslag, 48 pagina's, 11 x 19 cm. ISBN 1553177423.
Met illustraties van Thomas Rowlandson en Charles Williams.
284 PAGES FORMAT 11,5 CM X 17,5 CM-(13F)
AUBIER-MONTAIGNE COUVERTURE SOUPLE ETAT NEUF
, Boom, 1978 Paperback, 137 pagina's, 20 x 12 cm, Nederlandstalige tekst. *goede staat, rug licht beschadigd .
Hegel: Het wetenschappelijke kennen
Editions Montaigne Dos carré collé 1978 In-12 (11,5 x 17,5 cm), dos carré collé, 284 pages ; pliures au premier plat, quelques traces et marques de frottement sur les plats et le dos, papier bruni, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Berlin, Verlag Ernst Wasmuth-A. G., 1928; 11 fasc. 322 x 242 mm., 310 pp., 771 ill., f. de titre, pp. III-X (Inhaltsverzeichnis), qqs ff. de publicité, broché ou agrafé, couverture illustrée, n° 12 : couverture tachée, dos en état correct, bon exemplaire.Mit Beiträgen über die Städte Dresden, Dantzig, Heidelberg, Berlin, Bremen, Brescia, Amsterdam, Stockholm, Paris, Rom...
Berlin, Verlag Ernst Wasmuth-A. G., 1927; 12 fasc. 322 x 242 mm., 200 pp., ill., qqs ff. de publicité, agrafé, n° 12 : couverture tachée, dos en état correct, bon exemplaire.
Luzern, Xav. Meyer, 1811. Aquatinta von Franz Hegi nach Aug. Schmid. Bildgrösse: 45 x 58 cm.
Appenzeller Nr. 77, III Etat. – In vergoldetem Holzrahmen.
Winterthur, Ziegler, 1925, gr. in-8°, 60 S., illustriert + 8 Tafeln + 2 gr. Pläne, / + 2 Bl. mit Bildniss SA. (Anton Largiadèr: Friedrich Hegi 1878-1930) illustrierte Original-Broschüre.
Phone number : 41 (0)26 3223808
, TeNeues, 2024 HB, 300 x 235 mm, 208 p, 180 illustrations in color ; EN-GE edition, . ISBN 9783961715619.
"Black isn't a colour"? In the world of coveted fashion brands, it certainly is, and one of the most crucial at that. That's why authors Heide Christiansen and Martin Fraas have dedicated the second installment of their Fashion, Styles & Stories series to the theme of black. In The Black Book: Fashion, Styles & Stories, they showcase how expressive and powerful this colour can be in the context of fashion. Black caresses, exudes elegance, and simultaneously embodies rebellion. The black sheath dress harmoniously coexists with the black biker jacket, demonstrating the versatility of this colour. Through captivating fashion photographs straight from the runways of top designers, Christiansen and Fraas explore various shades of the black look, providing readers with intriguing background stories. They present black as the underlying theme in haute couture, high fashion, and street style. Diversity and inspiration take centre stage in this coffee table book. Exploring The Black Book becomes a true delight and a must for any fashion enthusiast. However, The Black Book: Fashion, Styles & Stories is not only a treat for fashion aficionados. Anyone seeking an exceptionally beautiful coffee table book should take a closer look. Because 'Black' captivates with a particularly high-quality visual and tactile experience. This is a book not only to be looked at with pleasure but also to be held, a jewel in any home. For those in search of a uniquely fresh fashion book that creatively engages with current brands and has the potential to become a classic, The Black Book: Fashion, Styles & Stories is a must-read.
, TeNeues, 2024 HB, 300 x 235 mm, 208 p, 180 illustrations in color, EN-GE edition. ISBN 9783961715626.
The Pink Book: Fashion, Styles & Stories is a dedicated series that comprehensively explores one of the most important themes in the fashion industry: colours. As the title suggests, this book focuses on all shades of pink, from vibrant fuchsia to delicate rose. The two authors, Heide Christiansen and Martin Fraas, showcase the power and allure that pink embodies through captivating runway shots. These dynamic fashion photographs were captured at major haute couture shows by renowned designers and brands like Dior, Chanel, and Gucci, or emerged as street style photography from the bustling life of a metropolis. Christiansen and Fraas not only provide impressive visuals but also narrate intriguing backstories. The significance of the colour pink becomes the central theme around which an entire world of images and stories is constructed. Any fashion enthusiast will be thrilled by this unique coffee table book. It serves as an inspiration for those passionate about fashion brands, high fashion, and the runways of the fashion industry. With its luxurious presentation and exquisite tactile quality, The Pink Book: Fashion, Styles & Stories almost becomes a fashion item itself. It is suitable as an upscale gift or a standout piece for any home library.
Brockhaus & Avenarius 1843 édition bilingue français et allemand. In-4, reliure demi-basane brune, dos à 5 nerfs, caissons ornés de fleurons dorés, 18 livraisons, 43 pp., 128 planches hors texte. Mouillures, rousseurs soutenues sur les pages de texte, coins de pied frottés, sinon bel exemplaire avec des planches de grande qualité.
Une grammaire des styles du Moyen Âge très documentée. Bon état d’occasion
Ludwigsburg, Avedition, 2000, lg. in-4to, 268 p., ill., orig. hardbd.
Phone number : 41 (0)26 3223808
, Zoo Producties, 2009 Paperback, 157 pagina's, omslag met flappen, illustraties in kleur en z/w, 17 x 12 cm, Nederlandstalige tekst. Prima staat. ISBN 9789074009669.
Nederlands Archief Grafisch Ontwerpers: Archief Karel Suyling-Citro n
, Brepols - Harvey Miller, 2026 Hardback, Pages: 192, Size:210 x 275 mm, Illustrations:8 b/w, 64 col., Language: English. ISBN 9781915487056.
Summary For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception. TABLE OF CONTENTS Heidi C. Gearhart, Preface: Honoring Elizabeth Sears Achim Timmermann, Publications by Elizabeth Sears I. Thinking: Categories and Definitions in Medieval Art History Paul Binksi, The Name of the Rose Paroma Chatterjee, The Trouble with Antithesis Robert A. Maxwell, Negotiating 'Fausses oeuvres' Kirk Ambrose, A Divergent Centaur on the Font at Bro Helmut Puff, Speaking (of) Furniture: The 'Wrangelschrank' (1566) Achim Timmermann, 'You Will Offer a Ship of Silver': A Brief History of Medieval Votive Ships II. Seeing: Reading Medieval Manuscripts Lucy Freeman Sandler, A Flying Book in the Bedford Hours Elina Gertsman, Abstractive Image in Medieval Jewish Art Elizabeth C. Teviotdale, Time in the Stammheim Missal Beatrice Kitzinger, Crafting (and) Godesscalc's Colophon Ulrich Rehm, Seeing/Reading: Illuminators in Connection and Conflict with an Initial Letter in the Dover Bible Kathryn A. Smith, Vanities and Verities: Reading Nebuchadnezzar's Dream in the Welles-Ros Bible Jacqueline Jung, The Pleasures and Perils of Women's Agency in the 'B chlein von der geistlichen Gemahelschaft' Megan McNamee, Writing Weaving in Nuremberg, c. 1500 III. Writing: Historiographical Studies William Diebold, Bernward's Hildesheim through the Ages: The Ottonians and Their Art in Gardner's 'Art through the Ages, 1926-2020' Kathryn Brush, Between Manhattan and Ann Arbor: Arthur Kingsley Porter and Fiske Kimball on Colonial America David Ganz, The Grand Master of our Order: Ludwig Traube, Mommsen and Warburg Kevin Korsyn, Musical-Poetic Images in Schubert: David Lewin and Anthony Newcomb on Musical Meaning in 'Auf dem Flusse'
Taschen 2002 collection Icons. 2002. Cet ouvrage de la série Icons de Taschen photographié par Deidi von Schaewen et édité par Angelika Taschen présente une collection de photographies en couleur d'environnements visionnaires et de créations excentriques à travers le monde. Il explore des lieux et des œuvres nés de l'obsession et de l'imagination allant de l'Europe à l'Asie et l'Afrique avec un accent sur le caractère insolite et merveilleux de ces espaces
Bom estado
Antwerpen , De Vries , Gebonden, 176pp. 27.5x22cm., ills. in kleur en z/w., nieuw. ISBN 9789061943891.
Frits Lensvelt was een veelzijdig ontwerper. Na zijn opleiding aan de Central School of Arts and Crafts in Londen, die hij in 1907 afrondde, begon hij zijn professionele loopbaan als illustrator en vormgever van boeken. Nog datzelfde jaar kon hij echter ook als decorontwerper aan de slag. Nadat hij het toneel in 1921 definitief de rug had toegekeerd, werkte hij - met de kennis die hij in het theater had opgedaan - achtereenvolgens ook als ontwerper van lampen (1926-1941) en binnenhuisarchitect (1929-1936). Het vormgeven van boeken is hij - met tussenpozen - zijn hele loopbaan blijven doen. Frits Lensvelt heeft in de periode 1908 - 1921 met zijn gestileerde, sobere en functionele decors een grote reputatie opgebouwd. In een tijd waarin ook het theater een overgang maakte van 'afbeelding' naar 'verbeelding',werd hij beschouwd als een van de allerbesten. Zijn naam ontbreekt dan ook in geen enkele publicatie over Nederlandse theatergeschiedenis. Wat daarbij altijd onderbelicht is gebleven, is dat Lensvelt, als eerste in Nederland, het belang van een optimale belichting erkende. Lensvelts verdiensten op het gebied van boekverzorging, interieurverlichting en binnenhuisarchitectuur zijn altijd onderbelicht gebleven. Ten onrechte. In deze publicatie wordt aan alle facetten van Lensvelts kunstenaarschap recht gedaan.
, Delius Klasing (ACC), 2019 Hardcovers, 612 pages, ENG edition, 300 colored illustrations, 2 Volumes !, NEW !, dimensions : 305 x 245 mm ; + 235 x 155 mm, both sealed with plastic for dust protection. ISBN 9783667116413.
A lavishly illustrated two-volume history of the world-class Porsche 919 Hybrid proto-type racing car which made its competitive debut in 2014 and marked the return of Porsche to top-tier racing. This book explores all aspects of the creation and performance of this spectacular racing car, the first Class -1 sports prototype Porche produced after the RS Spyder, which raced until 2010. Volume I documents the history of the car, exploring the drama, successes, and setbacks that Porsche encountered. The text is by Heike Hientzsch, who was herself part of the LMP1 team. She takes the reader into the pits and behind the scenes of the Porsche racing department in Weissach, and interviews top race car drivers like Mark Webber and Timo Bernhard. Volume 2 features insider photographs by J rgen Tap, who accompanied the Porsche team with his own team of photographers. It is an illustrated chronology of this exciting epoch of racing history, and transports the reader on a fascinating journey around the world in the company of the Porsche 919 Hybrid.
, Phaidon Press, 2023 Hardcover, 352 pages, ENG.,305 x 240 x 35 mm, NEW, illustrated in colour / b/w. ISBN 9781838666071.
A visual biography of Aino and Alvar Aalto, who designed some of the most iconic objects of the twentieth century. Aino and Alvar Aalto together founded Artek and created some of the most celebrated objects and buildings of the twentieth century. Through letters, documents, drawings, and family photographs, Alvar and Aino's grandson tells the stories of their life together, in Finland and abroad, drawing on many of the never-before-published letters they sent to each other and to family, friends, and colleagues, until Aino's death in 1949. The first monograph to specifically examine and celebrate the life and work of Aino and Alvar as a shared endeavour, this personal and intimate look at the unconventional lives of one of the most influential design couples of the twentieth century has been warmly and accessibly written by Aino and Alvar's grandson, who has drawn on the family's largely unpublished archive, including personal letters, snapshots, and sketches.
, Finnish Glass Museum, 2013 hardcover, 400 pages very richly illustrated with coloured illustrations, text Finnish-English. 28x23cm *New. ISBN 9789525571523.
This richly illustrated 400-page work, "Tapio Wirkkala A Poet in Glass and Silver," provides a comprehensive presentation of Tapio Wirkkala's art glass and silver
Heidelberg, Carl Winter 1909 151pp., with 20 illustrations in text, 30cm., Doctoral Dissertation (Von der Architekturabteilung der Grossherzoglich Badischen Technischen Hochschule Fridericiana in Karlsruhe zur Erlangung der Würde eines Doktor-Ingenieurs genehmigte Dissertation), bound in hardcover, stamp at verso of title page, text is clean and bright, G112413
Presse und Informationsamt des Landes Berlin. 1981. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages. Illustré de nombreuses photos en noir et blanc.. . . . Classification Dewey : 720-Architecture
Architecture en Allemagne. Classification Dewey : 720-Architecture
, , 2025 Hardcover, 104 pages, 30.5 x 25 cm, German text. New. ISBN 9783829610377.
27 Jahre nach einer Ausstellung im Metropolitan Museum of Art, New York, die sich Anselm Kiefers Arbeiten auf Papier widmete, erscheint jetzt dieses Buch zu einer Ausstellung im Nolde Museum, Seeb ll, mit einer bedeutenden Auswahl der Wasserfarben aus mehreren Jahrzehnten. Eine Bilderwelt erschlie t sich aus den Anf ngen des K nstlers, auf seinem Weg in die Gegenwart, lange bevor sein Weltruhm feststand. Die dargestellten Motive befassen sich mit der j ngsten deutschen Geschichte, Liedern, Sagen und Mythen, Literatur aus der Romantik, philosophischen Grundproblemen, die Kiefer in Heideggers Sein und Zeit oder in Blochs Das Prinzip Hoffnung studierte. ber allen Zwiegespr chen steht der Dialog, den Kiefer mit der alten und neuen Poesie bis heute f hrt. Anl sslich der Verleihung des Friedenspreises des Deutschen Buchhandel an Anselm Kiefer 2008 spricht der K nstler davon, dass ?die Gedichte die Welt sind?. Heiner Bastian, Herausgeber dieses Buchs, hat sich den Werken Kiefers schon fr h gewidmet und gilt als einer seiner profunden Interpreten. Peter-Klaus Schuster, Kunsthistoriker, Ausstellungskurator und Museumsleiter, war von 1999 bis 2008 Generaldirektor der Staatlichen Museen zu Berlin und zugleich Direktor der Nationalgalerie. Christian Ring ist seit 2013 Direktor der Stiftung Seeb ll Ada und Emil Nolde.
, Ratingen, Melina - Verlag, 1996., Gebunden, Original - Schutzumschlag illustriert koloriert, 23,5x29cm, 198pp, geillustreerd in kleur en z/w