S.E.V.P.E.N., 1964, XVIII-466 p., in-8 br., "Ministère des Affaires Culturelles / Direction des Archives de France - Archives Nationales", préface d'André Chamson, illustré de 21 plans, cartes et dessins, bon état
F. Desventes Dijon 1756 In-12 ( 170 X 100 mm ) de XLIV-187-( 6 ) pages, plein veau fauve marbré de l'époque, dos à nerfs orné de caissons et fleurons dorés, tranches brique. Edition originale et unique édition de cet ouvrage, divisé en deux parties, concernant les cheminées et les moyens dans lesquels elles peuvent être améliorées, surtout pour corriger les cheminées fumeuses. Le traité est complété au début d'une "Dissertation sur les Cheminées des Anciens". Dans la deuxième partie, les moyens de corriger les cheminées sont empruntés à différents auteurs et architectes comme Albert Léon, Cardan, Delorme, Serlio, Savot, etc. L'illustration se compose d'un frontispice représentant la rose des 16 principaux vents ( vents cardinaux, vents collatéraux et vents troisièmes ), et de 20 planches rempliées, offrant des modèles et des dispositions de cheminées. Coiffes arasées, coins émoussés, bon exemplaire très pur et solidement relié.
Paris, Léonce Laget, 1980, (1756). 112 x 169 mm, (2) ff., XLIV-187-(9) pp., 1 frontispice et 20 planches dépliantes. Reliure toile d'éditeur, ex-libris collé sur le contreplat, trace de mouillure sur la couverture sans gravité, bon état. Réimpression fac-similé tirée à 500 exemplaires.
Deutscher Kunstverlag, 1972, in-4to, 387 p. ill., Original-Leinenband mit Umschlag.
Sächsische Baugeschichte des 18. Jhds. Vom Bedeutensten Architekten in Sachsen.
Phone number : 41 (0)26 3223808
EDITIONS PATRICIA CARLIER MONTELIMAR. 1991. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages augmentées de nombreuses illustrations en noir et blanc dans et/ou hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
München, Callwey 1964, in-8vo, 436 S. ill., Original-Leinenband, OU.
Image disp.
Phone number : 41 (0)26 3223808
New York, E.P. Dutton, 1933, in-8°, XIV + 278 p. + 1 white leaf, ill. with 62 halftone illustrations and 3 sketches by the author, original clothbound, with dust jacket, (DJ worn and small losses, with the orig.-jacket very scarce.
First English edition of this book of true adventure, recreating the legendary glamor, and exotic romance of the Far East. In this book Hedin tells the dramatic story of his colorful and stirring travels to Jehol, ancient city of China, the summer residence of the great Manchu Emperors, and known as the Fontainebleau of China. With an index of persons and places. Image disp.
Phone number : 41 (0)26 3223808
, MENGES 2001, 2001 Hardcover, 259 pages, Texte en Francais, 320 x 280 mm, bon etat !. ISBN 9782856204214.
Carrefour entre l'Orient et l'Occident dans l'Antiquit , son r le et son influence culturelle sont tr s importants. Ce pass est encore pr sent par un foisonnement de sites arch ologiques et de monuments historiques, sources de d couvertes pour les arch ologues.
, Wallace collection, 1999 Softcover, 166 pages, English, Illustrated, fine condition. ISBN 9780900785641.
Monograph of Van Dyke at the Wallace Collection. Various color photos, drawings, and engravings. Slight curl to binding. Light rubbing, shelf wear to rear wraps.
, SBA Stadsbibliotheek Antwerpen/AMCV , 1994 Paperback, 296 pag. NL; 295 x 210 mm, in prima staat, ill. in kleur / z/w.
Archief en Museum voor het Vlaamse Cultuurleven
[Presses de l'Université de Paris-Sorbonne] - HEERS, Jacques
Reference : 62653
(1988)
Textes réunis par Jacques Heers, 1 vol. grand in-8 br., Cultures et Civilisations Médiévales, Presses de l'Université de Paris-Sorbonne, s.d. [ circa 1988 ], 340 pp.
Bon état
Tilburg, Stichting Desiderata, 2021 Geillustreerde kartonomslag, 48 pagina's, 11 x 19 cm. ISBN 1553177423.
Met illustraties van Thomas Rowlandson en Charles Williams.
284 PAGES FORMAT 11,5 CM X 17,5 CM-(13F)
AUBIER-MONTAIGNE COUVERTURE SOUPLE ETAT NEUF
, Boom, 1978 Paperback, 137 pagina's, 20 x 12 cm, Nederlandstalige tekst. *goede staat, rug licht beschadigd .
Hegel: Het wetenschappelijke kennen
Editions Montaigne Dos carré collé 1978 In-12 (11,5 x 17,5 cm), dos carré collé, 284 pages ; pliures au premier plat, quelques traces et marques de frottement sur les plats et le dos, papier bruni, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Berlin, Verlag Ernst Wasmuth-A. G., 1928; 11 fasc. 322 x 242 mm., 310 pp., 771 ill., f. de titre, pp. III-X (Inhaltsverzeichnis), qqs ff. de publicité, broché ou agrafé, couverture illustrée, n° 12 : couverture tachée, dos en état correct, bon exemplaire.Mit Beiträgen über die Städte Dresden, Dantzig, Heidelberg, Berlin, Bremen, Brescia, Amsterdam, Stockholm, Paris, Rom...
Berlin, Verlag Ernst Wasmuth-A. G., 1927; 12 fasc. 322 x 242 mm., 200 pp., ill., qqs ff. de publicité, agrafé, n° 12 : couverture tachée, dos en état correct, bon exemplaire.
Luzern, Xav. Meyer, 1811. Aquatinta von Franz Hegi nach Aug. Schmid. Bildgrösse: 45 x 58 cm.
Appenzeller Nr. 77, III Etat. – In vergoldetem Holzrahmen.
Winterthur, Ziegler, 1925, gr. in-8°, 60 S., illustriert + 8 Tafeln + 2 gr. Pläne, / + 2 Bl. mit Bildniss SA. (Anton Largiadèr: Friedrich Hegi 1878-1930) illustrierte Original-Broschüre.
Phone number : 41 (0)26 3223808
, TeNeues, 2024 HB, 300 x 235 mm, 208 p, 180 illustrations in color ; EN-GE edition, . ISBN 9783961715619.
"Black isn't a colour"? In the world of coveted fashion brands, it certainly is, and one of the most crucial at that. That's why authors Heide Christiansen and Martin Fraas have dedicated the second installment of their Fashion, Styles & Stories series to the theme of black. In The Black Book: Fashion, Styles & Stories, they showcase how expressive and powerful this colour can be in the context of fashion. Black caresses, exudes elegance, and simultaneously embodies rebellion. The black sheath dress harmoniously coexists with the black biker jacket, demonstrating the versatility of this colour. Through captivating fashion photographs straight from the runways of top designers, Christiansen and Fraas explore various shades of the black look, providing readers with intriguing background stories. They present black as the underlying theme in haute couture, high fashion, and street style. Diversity and inspiration take centre stage in this coffee table book. Exploring The Black Book becomes a true delight and a must for any fashion enthusiast. However, The Black Book: Fashion, Styles & Stories is not only a treat for fashion aficionados. Anyone seeking an exceptionally beautiful coffee table book should take a closer look. Because 'Black' captivates with a particularly high-quality visual and tactile experience. This is a book not only to be looked at with pleasure but also to be held, a jewel in any home. For those in search of a uniquely fresh fashion book that creatively engages with current brands and has the potential to become a classic, The Black Book: Fashion, Styles & Stories is a must-read.
, TeNeues, 2024 HB, 300 x 235 mm, 208 p, 180 illustrations in color, EN-GE edition. ISBN 9783961715626.
The Pink Book: Fashion, Styles & Stories is a dedicated series that comprehensively explores one of the most important themes in the fashion industry: colours. As the title suggests, this book focuses on all shades of pink, from vibrant fuchsia to delicate rose. The two authors, Heide Christiansen and Martin Fraas, showcase the power and allure that pink embodies through captivating runway shots. These dynamic fashion photographs were captured at major haute couture shows by renowned designers and brands like Dior, Chanel, and Gucci, or emerged as street style photography from the bustling life of a metropolis. Christiansen and Fraas not only provide impressive visuals but also narrate intriguing backstories. The significance of the colour pink becomes the central theme around which an entire world of images and stories is constructed. Any fashion enthusiast will be thrilled by this unique coffee table book. It serves as an inspiration for those passionate about fashion brands, high fashion, and the runways of the fashion industry. With its luxurious presentation and exquisite tactile quality, The Pink Book: Fashion, Styles & Stories almost becomes a fashion item itself. It is suitable as an upscale gift or a standout piece for any home library.
Brockhaus & Avenarius 1843 édition bilingue français et allemand. In-4, reliure demi-basane brune, dos à 5 nerfs, caissons ornés de fleurons dorés, 18 livraisons, 43 pp., 128 planches hors texte. Mouillures, rousseurs soutenues sur les pages de texte, coins de pied frottés, sinon bel exemplaire avec des planches de grande qualité.
Une grammaire des styles du Moyen Âge très documentée. Bon état d’occasion
Ludwigsburg, Avedition, 2000, lg. in-4to, 268 p., ill., orig. hardbd.
Phone number : 41 (0)26 3223808
, Zoo Producties, 2009 Paperback, 157 pagina's, omslag met flappen, illustraties in kleur en z/w, 17 x 12 cm, Nederlandstalige tekst. Prima staat. ISBN 9789074009669.
Nederlands Archief Grafisch Ontwerpers: Archief Karel Suyling-Citro n
, Brepols - Harvey Miller, 2026 Hardback, Pages: 192, Size:210 x 275 mm, Illustrations:8 b/w, 64 col., Language: English. ISBN 9781915487056.
Summary For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception. TABLE OF CONTENTS Heidi C. Gearhart, Preface: Honoring Elizabeth Sears Achim Timmermann, Publications by Elizabeth Sears I. Thinking: Categories and Definitions in Medieval Art History Paul Binksi, The Name of the Rose Paroma Chatterjee, The Trouble with Antithesis Robert A. Maxwell, Negotiating 'Fausses oeuvres' Kirk Ambrose, A Divergent Centaur on the Font at Bro Helmut Puff, Speaking (of) Furniture: The 'Wrangelschrank' (1566) Achim Timmermann, 'You Will Offer a Ship of Silver': A Brief History of Medieval Votive Ships II. Seeing: Reading Medieval Manuscripts Lucy Freeman Sandler, A Flying Book in the Bedford Hours Elina Gertsman, Abstractive Image in Medieval Jewish Art Elizabeth C. Teviotdale, Time in the Stammheim Missal Beatrice Kitzinger, Crafting (and) Godesscalc's Colophon Ulrich Rehm, Seeing/Reading: Illuminators in Connection and Conflict with an Initial Letter in the Dover Bible Kathryn A. Smith, Vanities and Verities: Reading Nebuchadnezzar's Dream in the Welles-Ros Bible Jacqueline Jung, The Pleasures and Perils of Women's Agency in the 'B chlein von der geistlichen Gemahelschaft' Megan McNamee, Writing Weaving in Nuremberg, c. 1500 III. Writing: Historiographical Studies William Diebold, Bernward's Hildesheim through the Ages: The Ottonians and Their Art in Gardner's 'Art through the Ages, 1926-2020' Kathryn Brush, Between Manhattan and Ann Arbor: Arthur Kingsley Porter and Fiske Kimball on Colonial America David Ganz, The Grand Master of our Order: Ludwig Traube, Mommsen and Warburg Kevin Korsyn, Musical-Poetic Images in Schubert: David Lewin and Anthony Newcomb on Musical Meaning in 'Auf dem Flusse'