‎Jan Dibbets, The Photographic Work.‎

‎, Universitaire Pers Leuven, 2014 softcover,272pp. Illustrated. Fine copy.english only. 230 x 170 mm, ISBN 9789058679918.‎

‎The first monograph covering Dibbets's iconic photographic oeuvre Dutchman Jan Dibbets ( b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions?not without generating confusion and excess?it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went elsewhere. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the "pictorializing" of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.‎

‎Woven Huilen‎

‎Amsterdam, Wereldbibliotheek, 2004 Softcover, 153 pagina's, 21 x 13 x 1.5 cm, gesigneerd met opdracht. .‎

‎ma tre horloger Louis Ourry‎

‎, Erik Wauters, 2020 softcover, 78 pages, Illustrations en couleurs , Texte en Francais. ISBN 9789464072099.‎

‎Italy by Way of India. Translating Art and Devotion in the Early Modern World‎

‎, Brepols - Harvey Miller, 2022 Hardback, iv + 202 pages, Size:220 x 280 mm, Illustrations:120 col., 2 maps b/w, Language: English. ISBN 9781912554775.‎

‎Summary The return of a saint's body to its rightful resting place was an event of civic and spiritual significance retold in Medieval sources and substantiated by artistic commissions. Legends of Saint Thomas Apostle, for instance, claimed that the martyred saint had been miraculously transported from India to Italy during the thirteenth century. However, Saint Thomas's purported resting place in Ortona, Italy did not become a major stopping point on pilgrimage or exploration routes, nor did this event punctuate frescoed life cycles or become a subject for Renaissance altarpieces as one would expect. Instead, the site of the apostle's burial in Chennai, India has flourished as a terminus of religious pilgrimage, where a multifaceted visual tradition emerged, and where a vibrant local cult of 'Thomas Christians' remains to this day. An unlikely destination on the edge of the 'known' world thus became a surprising source of early modern Christian piety. By studying the art and texts associated with this little-known cult, this book disrupts assumptions about how knowledge of Asia took shape during the Renaissance and challenges art historical paradigms in which art was crafted by locals merely to be exported, collected, and consumed by curious European patrons. In so doing, Italy by Way of India proposes that we redefine the parameters of early modern visual culture to account for the ways that global mobility and the circulation of objects profoundly influence how cultures see and know each other as well as themselves. TABLE OF CONTENTS ACKNOWLEDGMENTS LIST OF ILLUSTRATIONS INTRODUCTION Translating Saints An Apostle in India CHAPTER I. SAINT THOMAS AND THE MAKING OF CHRISTIANITY IN SOUTHERN INDIA Re-situating Christianity in India Thomas, Builder of Churches The Cross and the Lotus Dar?an in the Church The Reform of Thomas Christianity in the Sixteenth and Seventeenth Centuries CHAPTER II. INDIAN CHRISTIAN ART IN THE AGE OF COLONIALISM Devotional Objects in Churches Devotional Objects for Domestic Use CHAPTER III. POSSESSING INDIA Indian Things in Italy Shopping in India Putting Saint Thomas on the Map Bringing Saint Thomas's India to Florence Experiencing Indian Objects in the Medici Collections CHAPTER IV. AN INDIAN SAINT IN ITALY The Deaths of Saint Thomas First Translation Mistranslation CONCLUSION NOTES BIBLIOGRAPHY‎

‎Die Aarauer Stadtkirche.‎

‎Aarau, Sauerländer, 1949, in-8vo, 32 S. mit 16 ganzseit. Abb., ill. farb. O.-Broschüre.‎

‎Byggnads-Kultur.‎

‎Sth.,Oslo, K., 1953. Lex8vo. 416 pp., illustr. (Nord.Kultur).‎

‎NEW YORK PLAISANCE. Number One MDCCCCVIII, an Illustrated Series of New York Places of Amusement ‎

‎New York New-York-Plaisance (Rogers & Company, Chicago and New-York) 1908 in 4 (32x23,5) 1 volume reliure toilée ornée de l'éditeur, non paginé (unpaged), avec de nombreuses illustrations, dont planches hors-texte contrecollées, avec 22 pages de publicités in fine. Contains illustrated interiors of the New Amsterdam Theatre designed by Herts & Tallant, and Murray's Restaurant in New York City designed by Henry Erkins. First Edition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Couverture rigide ‎

‎L'Art Gothique‎

‎Paris, éd. Mazenod, coll. "L'Art et les grandes civilisations", 1983 - fort in-folio, reliure éditeur pleine toile, couv. et jaquette illustrées, 628 pages, très nbses illustrations couleurs (souvent pleine page) et N&B -TBE‎

‎La cathédrale‎

‎Le grand livre du mois. 1989. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 418 pages augmentées de quelques schémas et photos en noir et blanc dans texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎L'architecture gothique‎

‎Jean paul Gisserot. Mai 2001. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 30 pages augmentées de nombreuses photos en couleurs dans texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎L'ART GOTHIQUE.‎

‎Citadelles & Mazenod Paris 1983 Fort in-4 carré ( 320 X 255 mm ) de 628 pages, pleine toile sous jaquette illustrée en couleurs et étui maroquiné taupe. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en parfait état.‎

‎DE PIERRE D'OR ET DE FEU. La création artistique au Moyen Age IVe-XIIIe siècle.‎

‎Paris Fayard 1999. In-8 broché 350pp. Petite pliure angulaire au bas du 1er plat de la couverture, quelques mots ou passages soulignés en début d'ouvrage, sinon exemplaire frais et complet. Envoi de l'Auteur sur le faux-titre. (BAL 24)‎

‎Gothic Art.‎

‎, H.N. Abrams, 1989 hardcover with dusjacket 630 pages, ENG. edition, 320 x 255 x 50 mm. ISBN 9780810906310.‎

‎Authoritative work and invaluable reference book of the Gothic era. With 935 ilustrations, including 178 in full color, foldouts, map, ground plans, elevations.‎

‎La cathédrale.‎

‎Paris, Fayard, 1989. 16 x 24, 418 pp., nombreuses figures, cartonnage souple d'édition, bon état.‎

‎La Cathédrale.‎

‎Paris, Fayard, 1989. 16 x 24, 418 pp., 160 figures, reliure souple d'édition, très bon état (1 cachet et 1 signature d'ex-particulier sur la page de faux-titre).‎

‎La cathédrale gothique‎

‎ ,Paris, Mame 1990, 79 pp., 1 vol. in 8 carré br. couverture illustrée, illustrations in et hors-texte en noir et en couleurs.‎

‎La cathédrale gothique. Collection : Art et Foi.‎

‎Paris, Mame, 1990. 22 x 23, 79 pp., quelques illustrations, en couleurs et en N/B, quelques cartes et plans, broché, bon état (1 cachet et 1 signature de l'ex-particulier).‎

‎L'EGLISE ABBATIALE DE SAINT-DENIS, TOME II, LES TOMBEAUX ROYAUX‎

‎SCOP-SADAG. 1979. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Env. 50 pages. Illustré de nombreuses photos en noir et blanc (héliogravées) et en couleur, dans et hors texte. Annotations en page de titre. Photo en noir et blanc scotchée sur le 2e plat.. . . . Classification Dewey : 720-Architecture‎

‎Coll. 'Les Belles Eglises de Paris'. Classification Dewey : 720-Architecture‎

‎NOTRE-DAME DE PARIS. Photographies de Caroline Rose ‎

‎Paris Nathan / CNMHS 1995 grand in 4 (36x28) 1 fort volume reliure de l'éditeur, jaquette illustrée en couleurs, étui assorti, 255 pages, avec de nombreuses photographies de Caroline Rose, dont hors-texte en couleurs. Alain Erlande-Brandenburg, conservateur en chef des musées d'Ecouen et Cluny. Précieux corpus documentaire. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) poids du colis: 4kgs ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎Ombres et lumières romanes.‎

‎S.l., Jean-Paul Gisserot, 2003, gd. in-4, cartonnage couv. photos coul. éd., 93 pp., papier glacé, très nb. photos coul., Table des matières, Remarquable ouvrage sur l'art roman par le conservateur général du patrinoine. Une visite dans l'architecture du Moyen-Âge. Très bon état ‎

‎Le roi, la sculpture et la mort. Gisants et tombeaux de la Basilique de Saint-Denis‎

‎Publié par les Archives Départementales de la Seine-Saint-Denis, 1975. In-4. Broché. Couverture illustrée. 78 pages de texte + XVIII pages de photos NB in fine de Charles Ciccione. Assez bon état. Nous y joignons 2 cartes de visites, contrecollées sur la page de titre, du préfet et du président du Conseil général de la Seine-Saint-Denis de l'époque. Envoi en tarif " lettre "‎

‎CATHEDRALES D'EUROPE.‎

‎Citadelles & Mazenod Paris 2011 In-4 ( 345 X 295 mm ) de 4955 pages, pleine toile sous jaquette et étui illustrés en couleurs. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en superbe état.‎

‎SENANQUE, SILVACANE, LE THORONET. Three Cistercian Sisters of Provence.‎

‎Huitième Jour, La Collection, ; 2000, in-4 broché, 71 pp, illustrations, in english. Very Good Condition. ‎

‎Le Château d'Ecouen : Musée National de La Renaissance‎

‎Paris Réunion Des Musées Nationaux / Albin Michel 1988 In Quarto Ouvrage à la fois d'histoire , d'architecture et de beaux-arts , contenant de nombreuses photographies de tapisseries , des pièces intérieurs , des plafonds des cheminées peintes , des sculptures , des armes , etc . Très beau livre à offrir . Architecture . - 110 p., 950 gr.‎

4 Images

‎Couverture rigide Comme neuf Très bon 1ère Édition‎

‎Berlinde De Bruyckere - Philippe Vandenberg. Innocence is precisely: never to avoid the worst, ‎

‎UK, Skira , 2012 Hardback, 240x280mm, 144p, 100 colour illustrations. ISBN 9788857214146.‎

‎A selection of drawings by two Belgian artists: Philippe Vandenberg, painter, and Berlinde De Bruyckere, sculptress. Philippe Vandenberg (Ghent, 1952 Brussels, 2009) was a foremost Belgian painter, whose oeuvre presented a series of radical stylistic and thematic shifts, reflecting both a personal trajectory and responses to varying socio-cultural changes. The creative basis of Berlinde De Bruyckeres drawings, sculptures and installations, is rooted in her childhood, and has been layered over with subsequent experiences and ideas. Its figurative points of departure render her work highly recognizable. Even though their oeuvres are so divergent in approach, sensibility, imagery, style, iconography, they show some strong affinity. As far as the content of their work is concerned, the two artists share parallel existential views, as well as a deep interest in the literary world, in the history of Western art, and in the traditions of religious imagery. The starting point is Berlinde De Bruyckeres intuitive selection from Philippe Vandenberg's legacy of drawings. For more than one year she leafed through his work. From the extensive amount of drawings that he left behind, she selected about 70 items and joined them to a selection from her own drawings. This book is the reflection of a meeting. It is a dialogue, not between artists who may, or may not, have known each other, but between their corpus of drawings. ‎