‎IN HET HOOFD VAN CHAREL CAMBR , Charel Cambr ‎

‎, Oogachtend, 2020 HB, 270 x 210 mm, 192 pages, NL edition. ISBN 9789492672421.‎

‎In het het hoofd van Charel Cambr heerst nooit rust. Het borrelt er continu, het is een bruisend labo vol maffe humor, dynamische beelden en dwaze invallen. Zijn virtuoze hand pent die idee n dan schijnbaar moeiteloos neer, super-effici nt, levendig, vibrerend, zot. Het tekenplezier spat van het papier. Daarenboven koppelt Charel Cambr zijn humor, talent en geniale lijnvoering aan een onge venaard werkvermogen. Er wordt veel gelachen en geluld, maar als het over werk gaat is het motto "Niet zeveren, maar doen". Dit boek bevat slechts een fractie van de gigantische productie van de laureaat van de Bronzen Adhemar 2020. Nooit was een overzichtsboek zo onvolledig en toch zo rijk gevuld... Laat u verrassen door deze inkijk in een uniek tekenbrein!‎

‎LA MAISON AUTONOME.‎

‎ Editions Alternatives et Parallèles, 1978, N° 3-4 de la revue, in 8 broché, 220 pages. Bon état. ‎

‎Chapitres: Chauffage, électricité, alimentation, des exemples. ‎

‎Charif Benhelima Semites, the Album + artist book‎

‎be, MER. Paper Kunsthalle, 2012 Set of 2 hardback Volumes, 255x205mm, 176p, 180 colour illustrations. ISBN 9789490693305.‎

‎Charif Benhelima (1967, Brussel) is een kunstenaar met Belgische, Sefardische en Arabische roots. Zijn hele oeuvre is een fotografisch onderzoek naar identiteit en naar het gevoel een buitenstaander te zijn. Naast het onderwerp is ook de reflectie over het medium een belangrijk gegeven in de artistieke praktijk van de kunstenaar. Voor de reeks 'Semites' (2005) koos Charif Benhelima de polaroidcamera als werkinstrument. De polaroid levert een 1-op-1-beeld af: het moment kristalliseert zich zonder omwegen in een foto. Deze foto is meteen het eindresultaat. 'Semites' omvat 135 polaroidfoto's van bestaande afbeeldingen (m.a.w. reproducties via de polaroidcamera), waarin de flits van de polaroidcamera duidelijk zichtbaar is. De reflectie van dit licht schijnt over het oorspronkelijke beeld en wordt zichtbaar op het uiteindelijke resultaat, het polaroidbeeld. 'In New York werd ik tot mijn verbazing geconfronteerd met het feit dat mijn naam, Benhelima, van Joodse afkomst is en dat heeft het werk "Semites" beinvloed. Met de Polaroid 600 als hulpmiddel en door het in vraag stellen van de begrippen identiteit en werkelijkheid ontwikkelde ik wat ikzelf een fake documentary work noem. Door op een paneel afbeeldingen van Joodse, Arabische, Sefardisch Joodse portretten en portretten van mezelf door elkaar te hangen creeer ik een persoonlijk document, een collage van afbeeldingen van strijdige identiteiten die tegenstrijdig verwarrend zijn. Om nog meer desorientatie te creeren heb ik licht aan de portretten toegevoegd, wat in plaats van het uiterlijk van mensen te benadrukken en te belichten eerder de details van hun gezicht vervaagt. Hierdoor wordt er een verband gelegd met de vage herinneringen die we hebben aan onze kindertijd. Ook de herinneringen die ik heb aan mijn ouders zijn eerder vaag.' (Vrij naar van An Van Dienderen in gesprek met Charif Benhelima). Exclusief voor deze tentoonstelling in Be-Part, Platform voor actuele kunst, werd de volledige reeks van 135 polaroidfoto's omgezet in cibachromeprints, die hun plaats krijgen in een imposante 'muur', a wall under construction. Charif Benhelima (? 1967, Brussels) is an artist with Belgian, Jewish-Sefardic and Arabic roots. It is only during a visit in New York that Benhelima realizes his name also implies a Jewish background. His whole oeuvre thereafter is a photographic quest in search of identity and the sense of being an outsider. For his series 'Semites' (2005), presented in a limited signed book, Charif Benhelima chose the polaroidcamera 600 as a working instrument, enabling him to question issues of identity and reality that result in what can be called a fake documentary work. 'The Semites: The Album' comprises 90 (2 x 45) polaroid pictures of already existing images: they are reproductions received via the polaroidcamera, in which the flash of the camera is clearly visible. The reflection of this light shines on top of the original image and becomes visible through over-exposure on the final result. Benhelima's polaroids deliver a one-on-one image: the moment crystallizes itself without detours in the photo. The photo instantly becomes the final result of the research. In this way, the polaroid image is even more desorienting. Details of the faces become blurry instead of sharp and well delineated. Benhelima thus creates a link with vague memories we have of our parents during the time we were children. Apart from Charif's search of identity and sense of belonging, reflection on photography is an equally important basis of the artist's artistic practice. During the exhibition in BE-Part Waregem devoted to 'Semites', Charif juxtaposed 135 images of Jewish, Arabic and Sefardic portraits and portraits of himself on a panel. The result is a personal document ‎

‎IMPERIAL CHINA‎

‎1992 / 164 pages. Broché. Editions Penguin.‎

‎Very Good Condition / Très bon état.‎

‎ Vers de nouveaux rivages: L'avant-garde russe dans la collection Costakis‎

‎, Gallimard 2008, 2008 Softcover, 221 pages, Francais, 285 x 230 mm, Tres belle exemplaire, beaucoup illustrations, . ISBN 9782070123490.‎

‎ARLES. Son histoire, ses monuments, ses musées.‎

‎Bloud Et Cie, Editeurs - "Bibliothèque Régionaliste" Paris 1914 In-4 carré ( 255 X 200 mm ) de 226 pages, broché. 8 illustrations dans le texte, 51 reproductions en héliogravure hors-texte, 6 fac-similés. Très bel exemplaire.‎

‎DETOURNEMENT DE DEMEURES.‎

‎1976 / Non paginé environ 100 pages. Broché. Editions Chêne.‎

‎Trés bon état.‎

‎Fleurs du Mal, Illustr es par la peinture symboliste et d cadente‎

‎, Diane de Selliers, 2005 Hardcover, slipcase, 185 peintures, aquarelles, lithographies, pastels, dessins, 472 pages, 19 26 cm.FR text. *Etat neuf. ISBN 2903656320.‎

‎Les Fleurs du Mal, on les lira diff remment dans l' dition qu'en vient d'assurer Diane de Selliers. En regard de chaque po me figure une peuvre peinte, dessin e, lithographi e ou aquarell e 185 au total , relevant quelques exceptions pr s des courants d cadents et symbolistes. Elles clairent, prolongent les vers du po te, leur font cho, leur donnent visage, leur conf rent des incarnations spectrales et spleen tiques ; elles ne sont jamais redondantes avec eux., Les artistes figurant dans cet ouvrage Les Belges F licien Rops, L on Spilliaert, James Ensor, Jean Delville ; les Autrichiens Alfred Kubin et Gustave Klimt ; le Norv gien Edvard Munch ; les Fran ais Odilon Redon et Gustave Moreau, mais aussi Delacroix, Courbet, C zanne, Baudelaire, de Faure, Rodin, Gauguin, Victor Hugo, Bonnard, Carri re, Fantin-Latour, de Feure, Toulouse-Lautrec, Manet ; les Allemands Carlos Schwabe, Arnold B cklin, Max Klinger ; ainsi que des artistes anglais, polonais et russes. Figurent galement quelques ?uvres du g nie de l?expression plastique noire et brutale, l'Espagnol Francisco de Goya.‎

‎Le Musee D'Albi‎

‎ Albi: Syndicat d"Initiative (1951) IN4 broche,44p.,tres illustre,22 x 27.5cm. ‎

‎bon état Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

‎Le Musée d'Albi - 1. Le Palais de la Berbie - 2. Toulouse-Lautrec - 3. L'Art contemporain On joint : La cathédrale d'Albi‎

‎ ALBI, Syndicat d'Initiative - 1951 - In-4 - Broché - Couverture illustrée - Illustrations NB dans le texte et HT, 1 planche en couleurs - 42 pages - Bon exemplaire On joint : "La cathédrale d'Albi" - ALBI, Syndicat d'initiative - In-4 - Broché - Illustrations NB dans le texte et planches HT - Textes en français, anglais et espagnol - Non paginé (environ 16 pages) - Bon exemplaire ‎

‎ - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎l'architecture dans le Nord de la France avec une préface détaillée, quelques illustrations du développement historique et 56 illustrations d'architecture contemporaine. EDAR Strasbourg Edition d'Architecture, d'Industrie et d'Economie Rurale SARL Strasbourg sd‎

‎in4 broché sous jaquette illustrée nb, 48 pp. Les 11 premières pages (texte) imprimée recto verso, les suivantes (photos) sur le recto uniquement. - ARCHITECTURE - NORD - WATTRELOS - HEM - ROUBAIX - TOURCOING - LILLE - MOUVAUX - BELGIQUE - PARIS - BOIS GRENIER - FLIXECOURT - FLANDRES - PAS-DE-CALAIS ‎

‎plats et première page très légèrement grisés. une petite corne au deuxième plat sinon très bel exemplaire‎

‎John Brett : Pre-Raphaelite Landscape Painter ‎

‎, Yale University Press, 2010 Hardcover, 276 pages, ENG. edition, 290 x 250 x 25 mm, In Very Good Condition, illustrated dustjacket, with illustrations in color / b/w. ISBN 9780300165753.‎

‎Drawing on a wealth of unpublished sketchbooks, journals, and writings, this essential guide to John Brett (1831?1902) investigates the painter who was seen as the leader of the Pre-Raphaelite landscape school. In addition to exploring the familiar early works, including The Val d'Aosta and Stonebreaker, it provides rich information on his later, less-known coastal and marine paintings. Brett?s turbulent friendship with John Ruskin is discussed, as are his relations with his beloved sister, Rosa, and his partner Mary, with whom he had seven children. His fervent interest in astronomy, his love of the sea, and his lifelong pursuit of wealth and recognition are all examined in this reassessment, which concludes with a catalogue raisonn of his works, prepared by his descendent Charles Brett.‎

‎Monuments of Egypt: The Napoleonic Edition‎

‎, Princeton Architectural Press, 1997 Hardcover, 640 pages, 2.33 x 12.98 x 9.81 inches, English text, 2 volumes in slipcase ISBN 9780910413213.‎

‎This work is itself a monument of Egypt. It consists chiefly of 419 copper engravings of Egypt's monuments made by and for Napoleon's ill-fated Egyptian campaign (1798-1801) in superb reproductions. Included are 30 color plates and 79 double plates. In addition there is a concordance of plates, a map prepared from the larger maps made for the topographical atlas, informative notes and two fascinating, instructive essays by the editors. Gillispie, a professor of the history of science at Princeton, offers a detailed historical introduction about the invasion and its scholarly auxiliaries (150 scientists and artist of various sorts who accompanied the invading forces)... Dewachter, of the College de France, describes the Egyptian ruins that Napoleon and the auxiliaries shipped back to France...The most enduring and the most important monument to the expedition is the original masterpiece compiled by its scholars, The Description of Egypt, of which the book being reviewed may be considered about one-quarter. Magnificent. -- Frank Geitlein, Smithsonian‎

‎ANGOUMOIS ROMAN ‎

‎ 1722 Reliure éditeur sans la jaquette - 17 x 22 - 259 pp - année 1961 - Collection La Nuit des Temps n°14 - Editions Zodiaque - illustrations ‎

‎Josef Albers Life and Work‎

‎, Thame and Hudson, 2018 Hardcover with dusjacket,. ISBN 9780500519103.‎

‎While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output.‎

‎ontstaan van soorten : door natuuurlijke selectie ofwel het bewaard blijven van rassen die in het voordeel zijn in de strijd om het bestaan‎

‎, Atlas Contact, Uitgeverij, 2009 Hardcover, 575 pagina's, NL, 260 x 240 x 45 mm, stofomslag, in Nieuwstaat, talrijke illustraties in kleur / z/w,. ISBN 9789045013312.‎

‎Het ontstaan van soorten, het bekendste werk van Charles Darwin, verscheen op 24 november 1859 en heeft tot op de dag van vandaag veel opschudding veroorzaakt. Darwin beschrijft nauwkeurig de werking van de natuurlijke selectie, de basis voor het ontstaan van soorten. De evolutietheorie die hieruit is voortgekomen, is en blijft een van de meest revolutionaire visies op mens en natuur uit de wereldgeschiedenis. Dit maakt Het ontstaan van soorten een van de belangrijkste teksten van de moderne tijd.‎

‎Manuel d'art byzantin de Charles DIEHL - 2e édition revue et augmentée, suivie de 2 index ‎

‎ 1926 Picard, A. Picard, 1926 - T./ II seul - in-8° - Illustrations Nb en texte - Pagibation continue pour les 2 tomes, 481 à 946 - Propre‎

‎ - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎PALERME ET SYRACUSE.‎

‎H. LAURENS / LES VILLES D'ART CELEBRES. 1907. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 164 pages Premier plat illustré en rose. Nombreuses photos, carte, plans et illustrations en noir et blanc dans le texte. Ouvrage partiellement débroché, cahiers partiellement détachés. Tampons de bibliothèque.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎RAVENNE‎

‎H. LAURENS / LES VILLES D'ART CELEBRES. 1903. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 134 pages Premier plat illustré en rose. Nombreuses photos et illustrations en noir et blanc dans le texte. Tampons de bibliothèque.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Belgisch Centrum Van Het Beeldverhaal‎

‎, Renaissance Du Livre La 2001, 2001 Hardcover, 224 pagina's, Nederlands, 305 x 250 mm, boek in goede staat, met talloze foto's en illustraties in kleur ISBN 9782804604493.‎

‎Met de publicatie van dit boek wil Dexia Bank de inspanningen voortzetten die het tussen 1985 en 1995 heeft geleverd met de reeks Musea Nostra, door een nieuwe verzameling albums over de musea van onze gewesten op stapel te zetten.‎

‎sanctuaire d'Al a Ath na T g e au 4e si cle [Fouilles de l' Ecole franaise d' Athenes]‎

‎Paris, Paul Geuthner, 1924 Folio, 145 pages, texte + 41 illustrations, 38 x 28 cm. Fran ais. Bel tat.‎

‎Le sanctuaire d'Al a Ath na T g e au 4e si cle‎

‎New Commentary on the Old English 'Prose Solomon and Saturn' and 'Adrian and Ritheus' Dialogues‎

‎, Brepols, 2024 Hardback, 435 pages, Size:156 x 234 mm, Illustrations:8 tables b/w., Language: English. ISBN 9782503603278.‎

‎Summary Who was not born, was buried in his mother's womb, and was baptized after death? Who first spoke with a dog? Why don't stones bear fruit? Who first said the word 'God'? Why is the sea salty? Who built the first monastery? Who was the first doctor? How many species of fish are there? What is the heaviest thing to bear on earth? What creatures are sometimes male and sometimes female? The Old English dialogues The Prose Solomon and Saturn and Adrian and Ritheus, critically edited in 1982 by J. E. Cross and Thomas D. Hill, provide the answers to a trove of curious medieval 'wisdom questions' such as these, drawing on a remarkable range of biblical, apocryphal, patristic, and encyclopaedic lore. This volume (which reprints the texts and translations of the two dialogues from Cross and Hill's edition) both updates and massively supplements the commentary by Cross and Hill, contributing extensive new sources and analogues (many from unpublished medieval Latin question-and-answer texts) and comprehensively reviews the secondary scholarship on the ancient and medieval texts and traditions that inform these Old English sapiential dialogues. It also provides an extended survey of the late antique and early medieval genres of 'curiosity' and 'wisdom' dialogues and florilegia, including their dissemination and influence as well as their social and educational functions. TABLE OF CONTENTS Introduction Sourcing Wisdom: Commentary as Dialogue Organizing Wisdom: The Compilatory Structure of the Prose Solomon and Saturn (SS) and Adrian and Ritheus (AR) Transmitting Wisdom: Encyclopaedic Notes, Dialogues, and Florilegia Disputing Wisdom: Medieval Lore Masters and Modern Scholars List of Texts I. Latin Curiosity Dialogues II. Latin Wisdom Dialogues III. Latin Commonplace Dialogues ad Florilegia IV. Latin Hybrid Dialogues and Florilegia V. Vernacular Dialogues VI. Greek Dialogues VII. Slavonic Dialogues VIII. Encyclopaedic Notes Commentary I. The Prose Solomon and Saturn including Items Shared with Adrian and Ritheus II. Items Unique to Adrian and Ritheus Works Cited Indices I. Biblical and Apocryphal Citations II. Manuscripts III. Primary Sources IV. Subjects‎

‎EAMES: BEAUTIFUL DETAILS‎

‎, Ammo Books, 2012 Hardcover, 410 pages, ENG, 430 x 310 x 55 mm, NEW !, Full Page illustrations in colour / b/w, XX Large Edition, for protection in a strong wooden case ! . ISBN 9781934429747.‎

‎"Eames: Beautiful Details" celebrates the seamlessness and fluidity in which Charles and Ray Eames operated as both a husband-and-wife team and as designers unrestricted by traditionally profesionally boundaries. Select details of their life and work, from their refined designs to to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles's immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually created the Eameses' life and work by taking the viewer through a delightful joruney, focusing on their "beautiful details." The packaging design of the "Eames: Beautiful Details" slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser-known, designs for children, simply called, "the toy." It also pays homage to the patterns they used on their well-loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid-century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller. Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre-fab construction, using off-the-shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory-like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense.‎

‎Entretien avec les étudiants des écoles d'architecture ‎

‎Paris Editions de Minuit 1957 Collection les forces vives - In8 carré - pleine toile jaune de l'éditeur sous jaquette illustrée , petits défauts à la jaquette - non paginé , illustrations en noir et blanc .‎

5 Images

‎Bon Assez bon ‎

‎Picasso: His Recent Drawings 1966-1968 ‎

‎London, Pall Mall Press, 1969 Linnen binding with coloured printing with transparent dustjacket with silkscreened title, 254 pages, many illustrations, 30 x 25.5 cm. English text. ISBN 269026185.‎

‎Picasso: His Recent Drawings 1966-1968 ‎