Presses de l'École Nationale des Ponts et Chaussées, coll. L'Oeuvre de J. R. Perronet, 1987. Fac-similé de l'édition originale de 1788. In-folio, relié plein simili, 340 pages. Nombreuses figures in et hors textes. Léger accroc en pied. Intérieur frais. Bon exemplaire
J.S. Dijkstra, N.J. Habraken, P.K.A. Pennink, L. Wijers (redactie), Kees Nieuwenhuijzen (vormgeving)
Reference : 63218
, G. van Saane Lectura Architectonica Hilversum 1964, Oorspronkelijk uitgevers omslag, .
Forum voor architectuur en daarmee verbonden kunsten. Jaargang XVIII - Nr. 5/6 labyrint met grammofoonplaat compleet.
ARTHAUD. 1950. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 87 pages. Premier plat illustré en couleurs. Nombreuses photos héliogravées en noir et blanc et légendées.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, WBOOKS 1994, 1994 Softcover, 80 pagina's, Nederlands, 250 x 220 mm, boek in prima staat, met anekdote's, illustraties en foto's in kleur en z/w, . ISBN 9789040096952.
Het Vrouwenhuis is een particulier museum in het hart van de hoofdstad van Overijssel, knus gelegen onder de Peperbus. Stichteres Aleida Greve (1670-1742) bepaalde in haar testament dat haar woning aan de Grote Aa (Melkmarkt) na haar overlijden in 1742 geschikt werd gemaakt voor de huisvesting van alleenstaande, bejaarde vrouwen die lid waren van de hervormde kerk. De begane grond van het Vrouwenhuis is sinds 1987 een museum dat op afspraak open is voor publiek. Je loopt er door bijzondere interieurs uit drie eeuwen, van 1680 tot 1980, van rijk tot eenvoudig. Het museum biedt verschillende rondleidingen aan voor zowel kleine als grote groepen. Daarnaast ben je hier voor lezingen over verschillende onderwerpen uit de geschiedenis van het Vrouwenhuis aan het goede adres. Een leuk uitstapje voor jong en oud, man en vrouw. Nieuwsgierig naar dit bijzondere (Oude) Vrouwenhuis? Maak dan een afspraak voor je groepje ! Ook verliefd worden op het Vrouwenhuis ? Lees dan dit. Of bekijk de plaatjes met praatjes bij Uitgelicht op deze website of op Instagram . Er is ook nog een oud filmpje uit 2004 bij RTV Oost. En een heel oud filmpje over Zwolle in 1925 met het oudste bewegende beeld van het Vrouwenhuis op 6 minuten via weblogzwolle. Het Vrouwenhuis is vanaf 2 juni tot en met 8 augustus 2020 weer open voor publiek maar onder strikte voorwaarden en op zeer bescheiden schaal. Daarna gaat het sluiten tot 2022 wegens een grote restauratie. Alleen bestellingen uit de museumwinkel kunnen op afspraak worden opgehaald.
Sequoia, Paris-Bruxelles, 1965. In-8, relié, 243 pages, nombreuses illustrations, cartes n&b et couleurs. Dos partiellement cassé, couverture légèrement pliée, quelques rousseurs sur la tranche. Intérieur agréable. Exemplaire satisfaisant.
, EDITORE NACIONAL, 1970 Hardcover, 305 paginas, Spanish, 320 x 275 mm, in Casete, Illustraziones,.
, Brepols, 2020 Paperback, 360 pages, Size:156 x 234 mm, Illustrations:87 b/w, 5 col., 11 tables b/w., Language: English. ISBN 9782503585659.
Summary The goal of this book is to discuss the theoretical challenges posed by the study of social and political inequality of local societies in Western Europe during the Early Middle Ages. Traditional approaches have defined rural communities as passive bodies, poor and unstable in the framework of a self-sufficient economy. In the last few decades, social approaches both in medieval history and archaeology have neglected the opportunity to re-evaluate the role of peasantry and other subaltern groups, even where new written and material evidence has challenged traditional assumptions. Conversely, scholars focussing on elites and aristocracies have promoted powerful research agenda. As a consequence of the 2007-2008 recession, the social sciences began to be interested in social and economic inequality, opening up new avenues for a reassessment of social history. The early medieval period has been identified by numerous scholars as a key arena for the analysis of political complexity and social inequality in long-term perspective. The study of local societies has become one of the most fruitful areas for innovative research in medieval archaeology and history, using approaches related to micro-history. This book, dedicated to Chris Wickham, is formed of fourteen papers centred on early medieval local communities drawing on both written and material records, which identify complex frameworks of social inequality at the local scale. TABLE OF CONTENTS Preface Juan Antonio Quir s Castillo, Equal and Unequal Societies in Early Medieval Europe. An Introduction State Formation and Socio-Political Complexity Julio Escalona, Towards an Archaeology of State Formation in North-Western Iberia Robin A. Beck, Maize, Mounds, and Cosmos. Durable Inequality in the Mississippian World (AD 1000-1250) Economic Specialization, Elite Demand and Social Inequality Sauro Gelichi, Pottery as Inequality? Systems of Production and Distribution in North Italian Societies During the Early Middle Ages Francesca Grassi, Social Complexity in Peripheral Areas in the Light of Pottery Production Between Sixth and Tenth Centuries (Alava, Basque Country, Spain) Edith Peytreman, Indications of an Estate Economy from a Renewed Analysis of Sites of Rural Settlements Catarina Tente, Social Complexity in Local Communities During the Tenth Century in Central-Northern Portugal. Negotiation and Opposition Richard Hodges, The Primitivism of the Early Medieval Peasant in Italy? 'Small World' and Social Inequalities Jean-Pierre Devroey and Nicolas Schroeder, Land, Oxen, and Brooches. Local Societies, Inequality, and Large Estates in the Early Medieval Ardennes (c. 850-c. 900) Igor Santos Salazar, Fiscal lands, Rural Communities and the Abbey of Nonantola. Social Inequality in Ninth-Century Emilia (Italy) Fabio Saggioro, Rural Communities and Landscapes in Northern Italy (Ninth-Twelfth Centuries AD) I aki Mart n Viso, Unequal Small Worlds. Social Dynamics in Tenth-Century Leonese Villages Alvaro Carvajal Castro, Collective Action and Local Leaderships in Early Medieval North-Western Iberia. Ninth-Eleventh Centuries Juan Antonio Quir s Castillo, Village Formation, Social Memories and the Archaeology of Rural Communities in North-Western Iberia Carlos Tejerizo-Garc a, The Archaeology of the Peasant Mode of Production. Peasant-Based Societies in Central and Northern Iberia During the Early Middle Ages Chris Wickham, Conclusion
, Brepols - Fidem, 2022 Paperback, 315 pages, Size:165 x 240 mm, Illustrations:1 tables b/w., Language(s):Spanish, Latin. ISBN 9782503599786.
Summary La ins lita victoria de la Santa Liga sobre la flota turca en la batalla de Lepanto (1571) inspir la puesta en marcha de la maquinaria propagand stica imperial, destinada a ensalzar el reinado de Felipe II y las virtudes de Juan de Austria como general de la armada cristiana. Esto ofrec a un marco id neo para el desarrollo de toda clase de poes a encomi stica, donde el g nero pico hab a ocupado un lugar destacado desde antiguo. El vigoroso aliento po tico de Lepanto lleg a Santiago de Guatemala, donde el poeta y gram tico madrile o Francisco de Pedrosa compuso una epopeya titulada Austriaca siue Naumachia, que ha permanecido in dita hasta nuestros d as. Este volumen consta de dos partes. La parte I contiene el estudio introductorio de la obra, donde se ofrecen, en primer lugar, los datos biogr ficos de Pedrosa. Seguidamente se examinan las caracter sticas y los diversos procedimientos compositivos de la Austriaca, donde lo cl sico y lo moderno, la pica y la historia, lo pagano y lo cristiano confluyen en un juego incesante. Tambi n se abordan algunas cuestiones problem ticas como la dataci n de algunos de los paratextos del manuscrito y los indicios que apuntan al estado in fieri de la versi n que se ha conservado de esta epopeya. La parte II consta de la edici n cr tica del poema y de estos escritos que lo acompa an: dos versiones -una en lat n y otra en castellano- de una carta prologal, los poemas laudatorios y una carta de fray Mart n de la Cueva dirigida a Pedrosa. TABLE OF CONTENTS PARTE I. ESTUDIO INTRODUCTORIO 1) Apuntes para una biograf a de Francisco de Pedrosa 2) La Austriaca sive Naumachia: aproximaciones 3) La Austriaca siue Naumachia como poema pico 4) Criterios de edici n 5) Bibliograf a Parte II. EDICI N CR TICA
, Brepols, 2020 Hardback, 708 pages, Size:155 x 245 mm, Illustrations:4 col., Languages: Latin, Spanish. ISBN 9782503580869.
Summary Todos los autores citados escribieron en al-Andalus, esto es, en la Hispania sometida a la dominaci n rabe. Su obra es muy interesante por estar sujeta a tendencias ntag nicas. Por un lado, constituye una respuesta, incluso exacerbada, a los retos que plantaeaba a la comunidad cristiana andalus la brillant sima cultura de la C rdoba califal, dando cauce literario a un conflicto religioso que acab de manera sangrienta en la era de los m rtires voluntarios. Por otro, supone un intento, a veces tambi n llevado al l mite, por mantenerse firme frente a las exigencias de los reinos cristianos, extremando la postura en cuestiones teol gicas: as surgi la herej a adopcionista. En ese mundo, hostil por ambos lados, la literatura moz rabe se caracteriza por su tradicionalismo a ultranza, que se traduce en un respeto y fidelidad inquebrantables a las formas y contenidos de un mundo ideal ya periclitado (el reino visigodo). TABLE OF CONTENTS PR LOGO INTRODUCCI N Cap tulo primero: La Sociedad Mozarabe 1. La nobleza 2. La Iglesia 3. El funcionariado 4. Las profesiones liberales 5. La nueva burgues a 6. El pueblo llano 7. Los esclavos Cap tulo segunda: Las Tribulaciones de la Minor a 1. La presion religiosa 2. La presion social 3. La presion politica Cap tulo tercero: La Pol mica religiosa 1. Esperaindeo y el Islam 2. La doctrina antimusulmana de Eulogio de C rdoba 3. El Indiculus luminosus de lbaro 4. Otra breve exposici n de la doctrina musulmana 5. Vidas legendarias de Mahoma Cap tulo cuarto: La Lengua de los Mozrabes Cap tulo quinto: La Citas b blicas BIBLIOGRAF A EVANTHII EPISTVLA Introducci n 1. Vida y obra 2. Transmisi n manuscrita y ediciones Textus CIXILIANIS VITA ILDEPHONSI Introducci n 1. Problemas de autor a 2. Vida y obras de Cixil n 3. El Cixil n ap crifo 4. Transmisi n manuscrita y ediciones Textus PETRI ET FELICIS EPISTVLAE Introducci n Textus Petrus, Epistula Felix, Epistula ELIPANDI OPERA Introducci n 1. La herej a de Migecio 2. El adopcionismo 3. ltimos ecos del adopcionismo 4. Transmisi n manuscrita y ediciones Textus Epistola I Epistola II Epistola III Epistola IV Epistola V Epistola VI Epistola VII ASCARICI ET TVSEREDI EPISTVLAE Introducci n 1. Vida y obra 2. Transmisi n manuscrita y ediciones Textus Ascaricus, Epistula Tuseredus, Rescriptum INDICVLVS DE ADVENTV ENOCH ET ELIAE Introducci n Textus CONCILIVM CORDVBENSE Introducci n 1. Los "casianos", disc pulos de Migecio 2. Transmisi n manuscrita y ediciones Textus ALBARI OPERA Introducci n 1. Vida 2. Hafs ibn Albar al-Quti 3. Obras 4. Transmisi n manuscrita y ediciones 5. Las apostillas Textus Epistola I Epistola II Epistola III Epistola IV Epistola V Epistola VI Epistola VII Epistola VIII Epistola IX Epistola X Epistola XI Epistola XII Epistola XIII Epistola XIV Epistola XV Epistola XVI Epistola XVII Epistola XVIII Epistola XIX Epistola XX Indiculus luminosus Confessio Vita uel passio Eulogii Versi
, Brepols, 2020 Hardback, 768 pages, Size:155 x 245 mm, Languages: Latin, Spanish. ISBN 9782503589312.
Summary Todos los autores citados escribieron en al-Andalus, esto es, en la Hispania sometida a la dominaci n rabe. Su obra es muy interesante por estar sujeta a tendencias ntag nicas. Por un lado, constituye una respuesta, incluso exacerbada, a los retos que plantaeaba a la comunidad cristiana andalus la brillant sima cultura de la C rdoba califal, dando cauce literario a un conflicto religioso que acab de manera sangrienta en la era de los m rtires voluntarios. Por otro, supone un intento, a veces tambi n llevado al l mite, por mantenerse firme frente a las exigencias de los reinos cristianos, extremando la postura en cuestiones teol gicas: as surgi la herej a adopcionista. En ese mundo, hostil por ambos lados, la literatura moz rabe se caracteriza por su tradicionalismo a ultranza, que se traduce en un respeto y fidelidad inquebrantables a las formas y contenidos de un mundo ideal ya periclitado (el reino visigodo). TABLE OF CONTENTS EVLOGII OPERA Introducci n 1. Vida 2. Obra 3. Transmisi n manuscrita y ediciones 4. Criterios de edici n 5. La pasi n de Aurelio, Sabigot n y companeros (Mem. II, 10, 755-1370) 6. La Vita Mahometis (Ap. 18, 311-377) Textus Memoriale sanctorum Epistula Rescriptum Albari Liber primus, Praefatio Liber primus Liber secundus Liber tertius Documentum martyrii Epistulae praeuiae Textus Liber apologeticus Epistula I Epistula II Epistula III SAMSONIS OPERA Introducci n 1. Vida 2. Obras 3. Transmisi n manuscrita y ediciones Textus Apologeticum contra perfidos Praefatio Liber primus, Capitula Liber primus Liber secundus, Praefatio Liber secundus, Capitula Liber secundus De gradibus consanguinitatis tractatulus Carmina LEOVIGILDI LIBER DE HABITV CLERICORVM Introducci n 1. Vida y obra 2. Transmisi n manuscrita y ediciones Textus CYPRIANI ET ALIORVM CARMINA Introducci n 1. Vida y obra 2. Transmisi n manuscrita y ediciones Textus QVAESTIONES DE TRINITATE Introducci n Textus INVENTARIVM LIBRORVM Introducci n Textus TVLTVM SCEPTRVM Introducci n Textus CHRONICA PSEVDO-ISIDORIANA Introducci n 1. La Cr nica pseudoisidoriana y al-Razi 2. Una cr nica moz rabe perdida 3. Fecha de la Cr nica Pseudo-Isidoriana 4. La traducci n y el traductor 5. Caracter sticas de la Cr nica pseudoisidoriana 6. Transmisi n manuscrita y ediciones Textus CALENDARIVM Introducci n 1. Problemas de autor a 2. El obispo Recemundo 3. Caracter sticas del Calendario 4. El Calendario de Vic 5. Los 'anw' y la traducci n al lat n de las estrellas en los dos Calendarios. El l xico 6. Transmisi n manuscrita y ediciones Textus EPIGRAPHIA MVZARABICA Introducci n I. Inscriptiones Hispaniae musulmanae A. Inscriptiones Cordubae B. Inscriptiones prouinciae Cordubensis C. Inscriptiones Granatae et prouinicae Granatensis D. Inscriptiones Malacae et prouinicae Malacitanae E. Inscriptiones prouinicae Badajocensis F. Inscriptiones Toleti et prouinicae Toletanae G. Inscriptiones Portucaliae H. Inscriptiones originis incertae II. Inscriptiones Hispaniae christianae III. Subscriptiones codicum, scribarum preces vel possessorum notae INDICES Index locorum S. Scripturae Index fontium
New York, Museum of Modern Art, 1958. 8°. 128 Seiten. Mit zahrleichen Abbildungen, davon 16 ganzseitige farbig. Orig. Pappband mit Schutzumschlag.
"1967. Barcelona Ediciones Poligrafa 1967 - Cartonné bien complet de la jaquette 26 cm x 29 cm 219 pages 132 ills noir & blanc et couleur in et hors-texte - Texte en espagnol anglais français et allemand de Juan Perucho photos de Leopoldo Pomes - Deux déchirures sur la jaquette sans manque sinon très bon état de l'ouvrage"
, Tim Van Laere Books 2009, 2009 Hardcover, 37 pagina's/pages, Nederlands/English, 260 x 210 mm, goede staat/fine condition, met illustraties .
Juan Usl Oceja (born 1954) is a Spanish contemporary painter. His work varies between abstraction and figurative representation. In 2002, he received the Premio Nacional de Artes Pl sticas, a national arts prize awarded by the Ministerio de Cultura of Spain.[1] He works both in New York City and in Saro in Cantabria.[2]
Nantes, chez l'auteur, Augustin-Jean Malassis, Despilly, 1783. 1783 2 vol. in-4° (264 x 206 mm.) de : I. XII pp. (Faux-titre, Titre, Dédicace au Marquis de Castries, Extraits des Registres de l'Académie Royale des Sciences, Privilège, Préface du Traducteur) ; 396 pp. ; 14 pp. (Table des matières) ; 5 planches dépliantes in-fine ; II. [1] f. (Titre) ; 364 pp. ; 20 pp. (Table des matières) ; 9 planches dépliantes in-fine ; Soit 14 planches au total. Cartonnage éditeur de papier bleu, exemplaire à toutes marges, non rogné. (Annotations d'époque ou calculs en marges au crayon, défauts d'usage à la couvertures, quelques feuillets un peu roussis, rares taches ou salissures).
Première édition française de cette importante contribution aux sciences nautiques, due au géomètre et officier de marine Jorge Juan Y Santacilla, édition originale datant de 1771, à Madrid. Il participa notamment à la célèbre expédition franco-espagnole au Pérou en 1735 pour mesurer l'arc du méridien proche de l'Equateur. Il fonda quelques années plus tard l'observatoire astronomique de Cadiz. "La combinaison de l'érudition et de l'expérience permit à Juan, dans son Examen maritimo, de fournir une base solide pour l'amélioration des sciences maritimes, de réfuter des théories empiriques en matière de navigation, et d'établir des principes fondamentaux d'architecture navale. L'ouvrage est une application estimable de la mécanique à la science navale." (DSB). La présente édition française est enrichie d'importantes additions dues à son traducteur, l'hydrographe français Pierre Lévêque (1746-1814). (World Cat ne référence que cinq exemplaires dans les bibliothèques à travers le monde : deux en France, deux en Suisse et un en Allemagne). Exemplaire désirable, à toutes marges. 2 vols. 4to. I. 5 folding plates. II. 9 folding plates. Publisher covers blue paper. First French edition of this important contribution to naval science by Spanish geometrician and naval officer, Jorge Juan Y Santacilla, originally published in Spanish at Madrid in 1771. Among other notable accomplishments the author participated in the famous joint French-Spanish expedition to Peru in 1735 to measure an arc of the meridian near the equator, founded the astronomical observatory at Cadiz, and established the Friendly Literary Society, the forerunner of the Royal Society of Sciences of Madrid. "His combination of theoretical learning and practical experience enabled Juan, in his Examen maritimo, to provide a considerable base for the improvement of naval science, to refute several empirical theories of navigation, and to establish the fundamental principles of naval architecture. The book is a valuable application of mechanics to naval science." (DSB) The French edition contains significant additions by the translator, French hydrographer, Pierre Lévêque [1746-1814].
Phone number : 06 81 35 73 35
, Brepols, 2019 Paperback, 346 pages, Size:216 x 280 mm, Illustrations:86 b/w, 185 col., Language: English. ISBN 9782503584508.
Summary This second volume of the series offers a broad range of subject matter from an equally broad range of regions. Michael Shenkar compares a particular type of deity from the Parthian West (Palmyra, Hatra) with the colossal image of a divinity from Akchakhan-kala in ancient Choresmia (part of modern-day Uzbekistan). Careful iconographic analysis of a sealing showing the god Mithra, found at Kafir Qala near Samarkand, allows Fabrizio Sinisi to suggest a Kushan origin for the seal that made the impression. Several contributions on Sogdiana concern its archaeology and early history (Bi Bo on Kangju and Sogdiana); the iconography of one of the major wall painting cycles at Panjikent (Matteo Compareti) as well as the city's temples and deities worshipped (Markus Mode). By drawing on archaeological, ethnological and historical data, S ren Stark offers an extensive discussion of mountain pastoralism and seasonal occupation in northern Tajikistan, north of the Zerafshan River in what were borderlands for Sogdiana. Rounding out the first part of this volume is Suzanne G. Valentine's publication of a Bactrian camel clay sculpture, excavated in the Sui-Tang capital of Xi'an, its saddlebags decorated with an unusual motif. The second and last part is guest-edited by John Clarke, convener of a Buddhist conference in 2010. This section contains updated or new papers by some of the participants-Naman P. Ahuja on Buddhist imagery in Bengal; Amy Heller on the impact of Kashmiri art on Guge and Ladakh; Deborah Klimburg-Salter on Buddhist pilgrimage sites in Afghanistan; and Michael Willis on sculpture from Sarnath in the British Museum-along with that of Chiara Bellini on the restoration of the Alchi Sumtsek and the dating of the Ladakhi temple. TABLE OF CONTENTS On Central Asian Art and Archaeology Michael SHENKAR - "The Chorasmian Gad: On the "Colossal" Figure from Akchakhan-kala" Fabrizio SINISI - "A Kushan Investiture Scene with Mithra on a Seal Impression from Kafir Qala, Samarkand" BI Bo - "Recent Archaeological Discoveries Regarding Kangju and Sogdiana" Matteo COMPARETI - "Simurgh or Farr? On the Representation of Fantastic Creatures in the Sogdian 'Rustam Cycle' at Panjikent" Markus MODE - "In the Heart of the City: On Sogdian Temples and Deities at Panjikent" ? ? On Buddhist Sculpture: Papers from a Symposium held at the Victoria and Albert Museum, London, November 8 and 9, 2010, and Papers Inspired by the Symposium John CLARKE (Guest Editor) - "Introduction" Naman P. AHUJA - "A Buddhist Interpretation of Small Finds in the Early Historic Period" Michael WILLIS - "Markham Kittoe and Sculpture from Sarnath in the British Museum" Deborah KLIMBURG-SALTER - "Buddhist Pilgrimage to India: Bamiyan, Kapisa -Kabul, and Mes Aynak" Amy HELLER - "Tracing the Impact of Kashmiri Art in Guge and Ladakh, Eleventh to Thirteenth Centuries" Chiara BELLINI - "Some Other Pieces of the Puzzle: The Restoration of the Alchi Sumtsek by Tashi Namgyal and Other Considerations on the Dating of the Ladakhi Temple" On Far Eastern Art and Archaeology Bonnie CHENG - "The Underground Silk Road - Pictorial Affinities in Fifth-century Cave Temples and Tombs" Heather D. CLYDESDALE - "Buried Towers: Artistic Innovation on China's Frontier" Suzanne G. VALENSTEIN with Annette L. JULIANO and Judith A. LERNER - "Hellenism in Sui-Tang Chang'an: Dionysiac Imagery on Mortuary Camels" Young-pil KWON - "Note on Border Patterns Dividing the Earthly and Heavenly Realms in Goguryeo Tomb Paintings"
, Thames & Hudson , 2016 Hardback, 29x24.5mm, 360p, 206 colour illustrations, English edition . ISBN 9780500239520.
Nearly 200 American prints, representing more than 100 artists, and dating from the colonial era to the present day, are brought together in this unprecedented volume from the National Gallery of Art to commemorate its collection and recent acquisitions. The artists featured range from Paul Revere through James McNeil Whistler, Mary Cassatt, Winslow Homer, Louise Nevelson, Romare Bearden, Andy Warhol, Robert Rauschenberg, Chuck Close, and Kara Walker. The works date from essentially every period in American history, so major art and historical themes running through the collection are readily visible. Lending context, twelve contributing authors discuss the varied themes in American art. Biographies of the artists and a glossary of printmaking terms are also featured. Since its founding in 1941, the National Gallery of Art has assiduously collected American prints with the help of many generous donors. The Gallery?s American print collection has grown from nearly 1,900 prints in 1950 to more than 22,500 prints today. The collection was recently transformed by the acquisition of an extraordinary group of 5,200 American prints brought together by Reba and Dave Williams.
, DK Publishing (Dorling Kindersley) 2006, 2006 Hardcover, 440 pages, ENG, 310 x 260 mm, book is in very fine order, with hundreds of images / photo's, in colour, everything you ever wanted to decorate your house with, is in this book !. ISBN 9780756623494.
This comprehensive resource for collectors is a complete visual guide to the history of the decorative arts from furniture and ceramics to glass, silver and metalware, and textiles.
Princeton, American school of classical studies at athens, 1961 Blue cloth binding, 255 pages, 54 pages of illustrations, 30.5 x 23 cm. EN. ISBN 9780876612071.
Nearly 3,000 specimens of lamps of Roman character are catalogued in this volume that covers the period from the 1st century B. C. to the 8th century A. D. The lamps are not easy to classify because the appearance of the clay used is not an infallible guide to the place of manufacture and the molds used to create the shapes were used widely around the Mediterranean. Terracotta lamps were probably made for local consumption in most cities of Greece; only a few centers, notably Athens and Corinth, developed an export trade capable of competing with local manufacturers. Since lamps from Athens do appear at other sites, the presentation of a well-dated sample of these finds provides useful reference material for scholars working at other sites.
Brussels, , Arcade Press, 1977., 2 volumes, hardcover with imprint on back and illustrated dustjacket, 185 x 265 mm., second volume contains 294 illustrations in black and white. ( illustrated with 294 images of the pages, many full-page reproductions.
fine condition / Definitive Raisonnated Catalogue of teh work of Rubens in 27 parts. Based on the material assembled by Ludwig Burchard. Each part written by a well - known scholar.
Juerg Judin (Ed.), texts by Juerg Judin, Pamela Kort, Michael Peppiatt
Reference : 59794
, Hatje Cantz, 2020, Hardcover, 176 pages , 29,2 x 27,9cm, ge llustreerd, English text. FINE! ISBN 9783775743525.
Ever since his spectacular exhibition at the Romanian Pavilion at the 56th Venice Biennial in 2015 at the latest ,Adrian Ghenie has been known to a broader art audience as one of the most interesting and idiosyncratic painters of his generation. His works?painted in oil, etched, troweled, or thrown?have already found their way to the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. On the art market they are close on the heels of auction records. Still, neither Gehnie?s subjects nor his technique accommodate general taste: the most important source of his collage-like compositions is the history of the ?century of humiliation,? as Ghenie calls the twentieth century?its criminals and victims. These are joined by positive heroes such as van Gogh and Darwin, along with self-portraits.
[publisher: Bruxelles, Palais des Beaux-Arts,] Bruxelles, Palais des Beaux-Arts, 1977. in-4. 217 pages, nombreuses photographies en noir et couleurs, broche, couverture illustree en couleurs.
Very fine copy - Très bel exemplaire. [RB-1]
Flammarion 1977 In-4 cartonné 26,5 cm sur 19. 287 pages. Nombreuses illustrations en couleurs et noir et blanc dont certaines hors-texte. Jaquette défraîchie avec légères déchirures. Cartonnage éditeur en bon état et intérieur frais. Jaquette en état moyen. Bon état d’occasion.
Bon état d’occasion
Aurillac, sd , gr in8br, 124pp , 24 illustrations Langue: Français
in-8° broché, 104 pages, comme neuf, collection Mémoire des Lieux ISBN : 978-2-913826-95-3
Du panorama de 180 degrés à qui regarde de la falaise de Loubressac, ses Quatre Rivières qui se rejoignent en confluent, ses 16 villages aux tuiles ocres et brunes en cercle autour de la forteresse de Castelnau, ses 40 clochers sortant comme des flèches du versant ombragé des collines dAuvergne, le paysage, surtout à lautomne et par soleil couchant, sirradie dune teinte pourpre et or, apaisant les soucis du jour et préparant aux rêves du soir.Pour lavoir admiré pendant plus dun demi-siècle et en avoir cherché lhistoire, Jacques Juillet a pensé devoir écrire ce quil a appris, afin que ses descendants par le sang et par lesprit, partagent sa gratitude envers ce Pays des Quatre Rivières. Beaucoup connaissent ses expériences de diplomate, de préfet, de maire et savent quaprès avoir parcouru la France, lEurope, lAfrique et lAmérique du Canada au Chili, nulle part il na trouvé plus beau que ce Pays des Quatre Rivières ou il a choisi de vivre le reste de son âge - Libraire professionnel envoi rapide et soigné
in-8° broché, 80 pages, comme neuf, collection Mémoire des Lieux ISBN : 2-913826-63-2
Il y a un demi-siècle le château de Saint-Séré des vicomtes de Turenne est devenu les Tours-Saint-Laurent de Jean Lurçat. Son histoire est désormais un diptyque dont le deuxième volet est l'uvre du maître rénovateur de la tapisserie française.Cette édition faisant suite à celle de 1970 comporte des compléments et un témoignage de Jacques Juillet, ancien ministre plénipotentiaire, préfet de région honoraire, en souvenir de son proche voisin et de l'ami disparu - Libraire professionnel envoi rapide et soigné