ANDRE Anne-Marie, LEPETITGALAND Damien & al.
Reference : ARCHIRELIG200623
(1996)
ISBN : 9782908291096
Lyon, EMCC, 1996, 24 x 25, 102 pages cousues sous couverture rempliée illustrée. Iconographie couleurs. Photographies couleurs de Damien Lepetitgaland.
Très bon état.
, Brepols, 2020 Hardback, xcv + 248 pages, Size:155 x 245 mm, Illustrations:2 col., Language: Latin. ISBN 9782503588742.
Summary Das 13. Jahrhundert stellt eine zentrale Epoche für die Geschichte der Beziehungen Ost- und Westkirche dar. Die Eroberung Konstantinopels durch die Kreuzfahrer im Jahr 1204 und die daran anschließende Etablierung eines sogenannten Lateinischen Kaiserreichs (1204-1261) gilt heute sowohl in der Forschungslandschaft, als auch in den Erinnerungskulturen der Kirchen als signifikantes Ereignis auf der Bruchlinie zwischen dem lateinischen Westen und dem griechischen Osten. Den gerade erst neu gegründeten Mendikantenorden kam vor dem Hintergrund ihres missionarischen Ordensauftrags und wesentlich unterstützt durch ihre flächendeckenden Ordensstrukturen eine gewichtige Rolle innerhalb der literarisch-theologischen Kontroverse mit den Byzantinern zu. Als Meilenstein dieser Kontroverse präsentiert die vorliegende kritische Edition das Dossier eines anonymen, in Konstantinopel tätigen Dominikaners unter dem Titel Tractatus contra Graecos (1252). Dieses Werk, das weite Verbreitung vor allem im Umkreis der (Unions-)Konzilien des 15. Jahrhunderts erfahren hat, stellt auf lateinischer Seite die erste systematische und griechisch-patristisch untermauerte Behandlung jener vier Konfliktpunkte dar, die in dieser Form von nun an standardmäßig auf der Agenda der ost-westlichen Debatten standen (Filioque, Azymen, Purgatorium/Eschatologie und Primat Roms). Zudem bietet der Traktat in Form eines Appendix einen reichen Schatz an klassischen und zeitgenössischen Quellen, die zum Teil singuläre Überlieferungszeugen sind. Vor diesem Hintergrund ist der Tractatus contra Graecos ein wertvolles Dokument nicht nur für die Beziehungsgeschichte zwischen östlich und westlich geprägter Theologie, sondern zudem ein Baustein zur Geschichte und Theologie des Dominikanerordens in der noch jungen Randprovinz "Graecia".
, Waanders Uitgevers, PB, 270 x 240 mm, 96 p, 70 illustraties , NL. ISBN 9789462624740.
Sofonisba Anguissola (ca. 1532-1625) is een van de meest succesvolle kunstenaars van de renaissance en wordt door haar tijdgenoten geprezen om haar talent en creativiteit. Ze wordt omschreven als 'la piu illustre Pittrice d'Europa': de beroemdste vrouwelijke schilder van Europa. Haar figuren zijn levensecht, haar stofuitdrukking is meesterlijk en haar vernieuwende composities worden door de belangrijkste hoven van Europa bewonderd. In haar eigen tijd wordt Anguissola omschreven als een wonder. Dit boek illustreert hoe vernieuwend ze was en hoe ze uitgroeide tot een van de beroemdste portretkunstenaars van de Italiaanse Renaissance. Het bevat essays van onder anderen de bekende feministische kunsthistoricus Griselda Pollock en directeur van de Spaanse koninklijke verzamelingen Leticia Ruiz Gomez, waarin uitgebreid wordt ingegaan op het leven,de carriere en de artistieke ontwikkelingen van Sofonisba Anguissola. Uiteraard rijk geillustreerd met de prachtige schilderijen van deze bijzondere vrouwelijke kunstenaar.
, Brepols, 2021 Hardback, lxviii + 355 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503589831.
Summary Andrew of Saint Victor was one of the most prominent biblical scholars of the twelfth century. He was a regular canon of the Parisian abbey of St Victor, which in the twelfth century had developed into a prestigious center of spiritual learning, closely connected to the nascent university in Paris. Because of his frequent use of Jewish exegetical materials, Andrew's commentaries are a rich source for the history both of biblical hermeneutics and of inter-religious dialogue during the Middle Ages. His Isaiah commentary caused outrage among medieval Christian scholars because it eschewed traditional christological interpretations, and instead offered a reading "secundum Hebraeos." Scholars have seen Andrew of St Victor as standing at the cradle of a scholarly interest in the Biblical text, which influenced scholars such as the fourteenth-century Franciscan Nicholas of Lyra, and, in the long run, reformers such as John Wycliff, Martin Luther, and John Calvin.
Basel, Editions Beyeler, 1975 Hardcover with dustjacket and acrylic sleeve, 171 pages, 31 x 27 cm. TEXT GER/FR.
Beautifully illustrated, including many large tipped-in color plates.
, teNeues, 2019 256 pagina's, 175 full page photographs, 355 x 270 x 37 mm, hardcover, Engels/Frans/Spaans/Italiaans/Deutsch , dustjacket, as good as New. ISBN 9783832794804.
A new edition of Andreas H. Bitesnich's classic portrait of India, a timeless photographic masterpiece capturing the breathtaking beauty and complexity of the world?s largest democracy. India is constantly on the move. It moves sideways, backwards, upwards, and forwards. It is a nation of both past and future, where time seems to pass by its own laws, and extraordinary tradition coexists with hyper modernity and ever-booming construction. For many, India is as much a state of mind as a country. Through this photographic journey of discovery, Andreas H. Bitesnich creates a fascinating book about India, revealing many facets of this intricate, populous country. In color, black-and-white, and sepia, his stunning photographs show Indian culture, food, faith, heritage, landmarks, cities, and wildlife, as well as its daily interactions and centuries-old monuments. The images do not shy away from the complexity and raw hardship of Indian life. With honesty and respect, Bitesnich documents the country?s ongoing struggles as much as its vibrancy and growth. We see India?s temples and mosques, its wild Indian elephants, its extraordinary architecture, and its deep spirituality. And we see its urban sprawl, its squalor, its street poverty, and suffering. The result is a photo book immersed in the Indian present and complexity, while steeped in the texture and gravitas of a bygone travel album.
, Staatliche Münzsammlung München, 2017, Hardcover, ix, 474 pages : colour illustrations ; 30 cm. Introduction and foreword in German and English; essays in German with abstracts in English, and one essay in English. ISBN 9783922840404.
Introduction and foreword in German and English; essays in German with abstracts in English,
Un ouvrage de 224 pages, format 245 x 300 mm, illustré, broché couverture couleurs rempliée, publié en 1991, Editions Terrail, bon état
Phone number : 04 74 33 45 19
, Brepols, 2023 Paperback, 267 pages, Size:178 x 254 mm, Illustrations:64 b/w, 47 col., Language(s):English, German, Italian. ISBN 9782503590226.
Summary The present, inaugural volume includes selected papers from the two panels dedicated to Byzantine Epigraphy held at the XXIII International Congress of Byzantine Studies in Belgrade, August 2016, and the XV International Congress of Greek and Latin Epigraphy in Vienna, August/September 2017. The papers, as indeed the events for which they were initially produced, celebrate both the progress and the promise of epigraphic research within medieval and early modern scholarship as a whole. TABLE OF CONTENTS Andreas Rhoby - Ida Toth, Byzantine Epigraphy: Whence and Whither? Arkadiy Avdokhin, Space Oddity? A Praepositus Inscribing Power and Appropriating Cityscapes in Theodosian Constantinople Christoph Begass, Der Kaiser als Schutzwall. Epigraphische und topographische Untersuchungen zum Basileios-Epigramm aus Thessaloniki (AP IX 686) und zum spätantiken Kaiserbildnis Salvatore Cosentino, Epigrafia e società nella Sardegna bizantina (VII-XI secolo). Alcune osservazioni Estelle Ingrand-Varenne, Incorporating a Name in an Image and an Image in a Name. Comparison between Byzantine and Latin Traditions Sophia Kalopissi-Verti, Language, Identity, and Otherness in Medieval Greece: The Epigraphic Evidence Denis Kashtanov - Maksim Korobov - Vadim Ponaryadov - Andrey Vinogradov, Greek Letters as scriptura franca: Writing in Local Languages on the Northern Periphery of the Byzantine World Emmanuel Moutafov, Word and Image in the Church of the Ascension in Nesseb?r. The Role of Inscriptions for the Reconstruction of the Iconographic Programme of 1609 Giorgos Pallis, Texts and Their Audiences: some Thoughts on the addressees of Inscriptions in Middle Byzantine Churches in Greece Mustafa H. Sayar (unter Mitarbeit von Andreas Rhoby), Die Mosaikinschrift in Dara/Anastasiupolis aus dem Jahr 514 n. Chr. Anna M. Sitz, An Epigram for the Everyman? Strategies of Commemoration at a Cappadocian Tomb Christos Stavrakos - Dimitrios Liakos, Post-Byzantine Inscriptions, Traditions and Legends: Authentic or Fabricated?
, Brepols, 2019 Paperback, vii + 413 pages, Size:156 x 234 mm, Illustrations:1 b/w, Language: English. ISBN 9782503578866.
Summary It is only in recent years that Byzantine poetry - a long-neglected aspect of Byzantine literature - has attracted the attention of philologists, literary and cultural historians. This holds true especially for the poetry written in middle and late Byzantium.Though many collections of poems are available in modern critical editions, a considerable amount of texts still remains completely unedited or accessible only in outdated and unreliable editions. Moreover, many works of this period have never been studied thoroughly with regard to their cultural impact on society. Issues of authorship and patronage, function, literary motives, generic qualities, and manuscripts still await further study. This volume aims to take a step to fill this gap. Although it includes studies on poetry from the early tenth to the fifteenth centuries, the main focus is placed on the Komnenian and Palaeologan times. It presents editions of completely unknown texts, such as a twelfth-century cycle of epigrams on John Klimax. It includes studies on various types of poetry, including didactic, occasional, and even poetry written for liturgical purposes. By analysing these works and placing them within their literary and socio-cultural context, we can draw conclusions about the cultural tastes of the Byzantines and acquire a more nuanced picture of middle and late Byzantine poetry. TABLE OF CONTENTS Nikos Zagklas & Andreas Rhoby, Introduction Part I: Studies in the Poetry of the Middle and Late Byzantine Period Section I: Forms, Perceptions & Functions Floris Bernard, Rhythm in the Byzantine Dodecasyllable: Practices and Perceptions Nikos Zagklas, Metrical Polyeideia and Generic Innovation in the Twelfth Century: The Multimetric Cycles of Occasional Poetry Section II: Authors & Texts Maria Tomadaki, The Reception of Ancient Greek Literature in the Iambic Poems of John Geometres Przemys?aw Marciniak & Katia Warcaba, Theodore Prodromos' Katomyomachia as a Byzantine Version of Mock-Heroic Epic Andreas Rhoby, The Poetry of Theodore Balsamon: Form and Function Krystina Kubina, Manuel Philes - A Begging Poet? Requests, Letters and Problems of Genre Definition Marina Bazzani, The Art of Requesting in the Poetry of Manuel Philes Section III: Hymnography & Its Contexts Theodora Antonopoulou, Imperial Hymnography? The Canons Attributed to Emperor Constantine VII Porphyrogenitus. With the critical edition of the First Canon on St John Chrysostom Dimitrios Skrekas, Translations and Paraphrases of Liturgical Poetry in Late Byzantine Thessalonica Part II: The Editio princeps of a Completely Unknown Text Renaat Meesters and Rachele Ricceri, A Twelfth-Century Cycle of Four Poems on John Klimax: Editio princeps, Translation and Commentary Renaat Meesters, A Twelfth-Century Cycle of Four Poems on John Klimax: A Brief Analysis
, Arnoldsche, 2021 Paperback, 96 pages, GER, 240 x 170 mm, NEU, ca 50 ill. in farbe. ISBN 9783897906389.
Heidi Kippenberg studied ceramics under Walter Popp, the legendary teacher at the Kassel Art Academy whose avant-garde work opened up new dimensions of form and expression for ceramic vessels. She internalized the aesthetic of Popp?s vessels and simultaneously gave them her own distinctive touch. Strongly twisted, thick-walled, sometimes mounted stoneware vessels, further enlivened by thick monochrome glazes and augmented with sign-like contrasting glazed accents, characterize her oeuvre. Later she was inspired by East Asian ceramics and began to build her vessels, assembling them from slabs, giving their surfaces a lively structure, and transforming them into decorative landscapes. An oeuvre spanning more than half a century can be admired!
Hamburg, Michael Imhof Verlag, 2017 Gebunden, 288 Seiten. 28.5 x 25 cm. Deutsch. ISBN 9783731906162.
Im Mittelpunkt der Ausstellung Das Licht der Campagna steht das zeichnerische Werk eines der bedeutendsten europäischen Landschaftskünstler: Claude Gellée, gen. Lorrain (1604/05-1682). Es ist die erste umfassende Präsentation in Deutschland, die sich explizit dem zeichnerischen Werk Lorrains widmet. Das vielfältige Oeuvre des aus dem heutigen Frankreich stammenden Künstlers, der als Maler und Zeichner beinahe sein ganzes Leben lang in Rom lebte und arbeitete, weist noch heute ca. 1.200 nachweisbare Blätter auf. Die Ausstellung zeigt 90 hochrangige Feder- und Pinselzeichnungen aus dem Department of Prints and Drawings des British Museum, London. Die sorgsam ausgewählten Blätter stammen größtenteils aus den berühmten Sammlungen des Sir Richard Payne Knight und der Herzöge von Devonshire
London, Reaktion Books, 2024 Hardcover, 224 pages, 22 x 14.5 cm, Illustrated. *Fine. ISBN 9781789148527.
A revisionist biography of Andreas Vesalius - the father of modern anatomy - as deeply shaped by Renaissance culture. In 1543 the young and ambitious physician Andreas Vesalius published one of the most famous books in the history of medicine, On the Fabric of the Human Body. While we often think of dissection as destroying the body, Vesalius believed that it helped him understand how to construct the human body. In this book, Sachiko Kusukawa shows how Vesalius's publication emerged from the interplay of Renaissance art, printing technology, and classical tradition. She challenges the conventional view of Vesalius as a proto-modern, anti-authoritarian father of anatomy through a more nuanced account of how Vesalius exploited cultural and technological developments to create a big and beautiful book that propelled him into imperial circles and secured his enduring fame.'Kusukawa's vivid reconstruction of the making of Vesalius's Fabrica takes us deep inside the world of anatomical demonstrations, hospital postmortems, criminal executions, university lecture halls, humanist libraries and artistic and printing workshops. She explains how Vesalius thought about books, images and bodies, and his skill at instructing Renaissance readers how to look, touch, dissect and model the human body in order to learn from it. There is no better introduction to Vesalius.' - Paula Findlen, Stanford University'In this brilliant digestion of her earlier work, Kusukawa not only reconstructs 'the making' of Andreas Vesalius's masterpiece, Fabrica (and the book's reception and afterlife), but the making of the man himself. The 'founder' of modern anatomy we see in full context, reliant on his peers, his readers and his students in the production of his masterpiece. He is also shown to be a canny negotiator with artists and printers in the making of the book's famous images. Ultimately Andreas Vesalius: Anatomy and the World of Books compels engagement with the construction of the 'truthfulness' of all scientific images, then and now. This is historical anatomy and provocation at its arresting best.' - Claudia Stein, University of Warwick
OFFICE DU LIVRE. 1968. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages. Premier plat illustré en couleurs. Nombreuses photos et illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Actes Sud 2010 Cartonnage rigide glacé illustré éditeur - 117 pages Bon état 698 g
Paris, Architecture d'aujourd Paris, Architecture d'aujourd'hui, 1960. Grand in-4 broché, couverture illustrée de CXXII + 123 pages; Nombreuses publicités et illustrations, schémas ou plans. Numéro réalisé avec Alexandre PERSITZ en collaboration avec Danièlle VALEIX. Infime défaut au bas du dos.
Bon exemplaire. Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Paris, Firmin-Didot et Cie, 1929 Deux tomes, 110 + 128 feuilles. Numeroté 893. 34 x 26 cm. Français. état bien. .
Les eaux-fortes Authentiques de Rembrandt (2 vol.)
ZODIAQUE. 1977. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages. Premier plat illustré en couleurs. Nombreuses photos héliogravées noir et blanc hors texte. Nombreuses cartes.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Antwerpen , Anvers Fonds Mercator, 1985 Hardcover, 328 pages, Texte en Francais, 340 x 260 x 40 mm, dans un manteau solide ,illustrations en couleur / n/b , Nouveau condition ! jaquette illustreé, . ISBN 9789061531456.
Le «maniérisme» fait référence au style issu du style Renaissance au XVIe siècle, qui à son tour a précédé le baroque. Le maniérisme est né en Toscane, sous l'impulsion de Michel-Angelo. Rome prend le relais et devient le centre de la nouvelle école, mais Venise lui donne sa sublime sophistication. Avec la Réforme et le Caravagisme apparaît le «troisième» maniérisme si fécond pour les Pays-Bas. Le but de cet ouvrage est de définir les trois maniérismes tels qu'ils se sont développés au XVIe siècle dans un vaste contexte européen: l'Italie, Fontainebleau, la Cour de Bavière et la Cour de Prague, aux Pays-Bas. En particulier, la dernière période de ce style est discutée, qui coïncide avec la division entre le Nord et le Sud. Une étude approfondie, illuminée de nombreux chefs-d'?uvre en couleur.
DAUPELEY GOUVERNEUR. 1935. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 20 Pages. Quelques photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
- Une planche autographiée. 35 x 55 cm. Légèrement défraîchie.
Vieux papier. Croquis d'architecture, Mai 1866.
H. LAURENS / LES VILLES D'ART CELEBRES. 1911. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 184 pages Premier plat illustré en vert. Nombreuses photos et illustrations en noir et blanc dans le texte. Tampons de bibliothèque.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Actes Sud 2000 in8. 2000. Broché. 397 pages. envois en suivi pour la france et l'etranger Très Bon Etat
Andreini Laura, Flora Nicola, Postiglione Gennaro
Reference : R200111099
(2001)
ISBN : 2742728295
Actes sud / motta. 2001. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 376 pages augmentées de nombreuses illustrations en couleur dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
EDITIONS TEL. 1954. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 83pages. Jaquette illustrée en couleurs, abîmée. Nombreuses photos et illustrations héliogravées en noir et blanc, dans et hors texte.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture