‎ARCHITECTURE UNIVERSELLE. INDE. BOUDDHIQUE, HINDOUE ET JAÏNA.‎

‎OFFICE DU LIVRE. 1968. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages. Premier plat illustré en couleurs. Nombreuses photos et illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Dominique Perraut‎

‎Actes Sud 2010 Cartonnage rigide glacé illustré éditeur - 117 pages Bon état 698 g‎

4 Images

‎L'ARCHITECTURE D'AUJOURD'HUI. NUMERO SPECIAL 89. ARCHITECTURE CONTEMPORAINE DANS LE MONDE‎

‎ Paris, Architecture d'aujourd Paris, Architecture d'aujourd'hui, 1960. Grand in-4 broché, couverture illustrée de CXXII + 123 pages; Nombreuses publicités et illustrations, schémas ou plans. Numéro réalisé avec Alexandre PERSITZ en collaboration avec Danièlle VALEIX. Infime défaut au bas du dos. ‎

‎Bon exemplaire. Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎eaux-fortes Authentiques de Rembrandt (2 vol.) La vie et l'oeuvre du ma tre.-La technique des pi ces principales. Catalogue chronologique des eaux-fortes authentiques et des tats de la main de Rembrandt.‎

‎Paris, Firmin-Didot et Cie, 1929 Deux tomes, 110 + 128 feuilles. Numerot 893. 34 x 26 cm. Fran ais. tat bien. .‎

‎Les eaux-fortes Authentiques de Rembrandt (2 vol.)‎

‎ITINERAIRES ROMANS EN ROUSSILLON.‎

‎ZODIAQUE. 1977. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages. Premier plat illustré en couleurs. Nombreuses photos héliogravées noir et blanc hors texte. Nombreuses cartes.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Mythologie et Mani risme aux Pays-Bas, 1570-1630 : peinture, dessins‎

‎Antwerpen , Anvers Fonds Mercator, 1985 Hardcover, 328 pages, Texte en Francais, 340 x 260 x 40 mm, dans un manteau solide ,illustrations en couleur / n/b , Nouveau condition ! jaquette illustre , . ISBN 9789061531456.‎

‎Le mani risme fait r f rence au style issu du style Renaissance au XVIe si cle, qui son tour a pr c d le baroque. Le mani risme est n en Toscane, sous l'impulsion de Michel-Angelo. Rome prend le relais et devient le centre de la nouvelle cole, mais Venise lui donne sa sublime sophistication. Avec la R forme et le Caravagisme appara t le troisi me mani risme si f cond pour les Pays-Bas. Le but de cet ouvrage est de d finir les trois mani rismes tels qu'ils se sont d velopp s au XVIe si cle dans un vaste contexte europ en: l'Italie, Fontainebleau, la Cour de Bavi re et la Cour de Prague, aux Pays-Bas. En particulier, la derni re p riode de ce style est discut e, qui co ncide avec la division entre le Nord et le Sud. Une tude approfondie, illumin e de nombreux chefs-d'?uvre en couleur.‎

‎DOCUMENTS INEDITS SUR L'HISTOIRE DU CHATEAU ET DES JARDINS DE CHANTELOUP - EXTRAIT DU BULLETIN DE LA SOCIETE DE L'HISTOIRE DE L'ART FRANCAIS‎

‎DAUPELEY GOUVERNEUR. 1935. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 20 Pages. Quelques photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Une salle de billard (projet). Planche extraite de la publication mensuelle Croquis d'architecture, Intime-club.‎

‎- Une planche autographiée. 35 x 55 cm. Légèrement défraîchie.‎

‎Vieux papier. Croquis d'architecture, Mai 1866.‎

‎AVIGNON ET LE COMTAT-VENAISSIN.‎

‎H. LAURENS / LES VILLES D'ART CELEBRES. 1911. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 184 pages Premier plat illustré en vert. Nombreuses photos et illustrations en noir et blanc dans le texte. Tampons de bibliothèque.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Cafés et restaurants ( 400 architectures)‎

‎Actes Sud 2000 in8. 2000. Broché. 397 pages. envois en suivi pour la france et l'etranger Très Bon Etat‎

‎Maisons de créateurs : Intérieurs italiens 1990-1999‎

‎Actes sud / motta. 2001. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 376 pages augmentées de nombreuses illustrations en couleur dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎VERSAILLES AUX LUMIERES.‎

‎EDITIONS TEL. 1954. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 83pages. Jaquette illustrée en couleurs, abîmée. Nombreuses photos et illustrations héliogravées en noir et blanc, dans et hors texte.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Europe. Myth and Reality‎

‎, Editalia Roma 1989, 1989 Hardcover, 272 pages, English, 320 x 250 mm, book in perfect condition, in a cassette, much illustrations, mostly in b/w. ISBN 9788870602012.‎

‎VERSAILLES. Le château, les jardins, les trianons, le musée, la ville.‎

‎H. LAURENS / LES VILLES D'ART CELEBRES. 1904. In-4. Broché. A relier, Livré sans Couverture, Dos abîmé, Intérieur frais. 203 pages. Nombreuses photos en noir et blanc dans et hors texte. Manque le premier plat et le dos. Cahiers détachés. Tampons de bibliothèque.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎L'aéroport Charles-de-Gaulle. Le Module d'échanges. [ exemplaire dédicacé ]‎

‎1 vol. in-folio relié pleine toile éditeur sous jaquette illustrée, coll. Les Cahiers de Projets, Aéroports de Paris, 1994, 125 pp.‎

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‎Exceptionnel exemplaire, dédicacé par l'architecte Paul Andreu (1938-2018) au grand mathématicien et philosophe français René Thom. Honoré par la Médaille Fields en 1958, le mathématicien français René Thom (1923 - 2002) est le célèbre fondateur de la théorie des catastrophes. Quant à l'auteur, Polytechnicien, ingénieur des Ponts et Chaussées et archtiecte, il est connu particulièrement pour les nombreux aéroports dont il a conçu les plans. Bon exemplaire.‎

‎L'OPERA DE PEKIN. Le roman d'un chantier‎

‎grand format cartonné. Jaquette. 237 pages. Illustrations couleurs. Un accroc sur la jaquette, intérieur bon. Une expédition par Mondial Relay pourra vous être proposée 2007 Chene‎

‎L'opéra de Pékin le roman d'un chantier‎

‎ 2007 Paris, éditions du Chêne,2007, 20 x 25,5 cm, Neuf, sous plastique ‎

‎. ‎

‎Paul Andreu. Métamorphoses du cercle. Monographies d’architecture.‎

‎Paris, Electa Moniteur, 1990, gr. in-8°, 175 p., richement ill. (cartes, dessins, photogr.), brochure originale illustrée.‎

‎ Image disp.‎

‎Une architecture de Johan Otto Von Spreckelsen, Paul Andreu, La grande Arche, Paris la défense.‎

‎ Broché couverture à rabats, 34X23 cm, 1989, 80 pages, nombreuses illustrations en noir et en couleurs, collection état des lieux, éditions du demi-cercle. Très bon état.‎

‎L'ART GAULOIS ‎

‎ Reliure éditeur sans la jaquette - 17 x 22 - 288 pp - année 1954 -2 ème édition - Collection La Nuit des Temps n° 4 - Editions Zodiaque - illustrations ‎

‎Confessiones : Eduardo Chillida, Andr Verroken‎

‎Heusden-Zolder, Kunstgalerij De Mijlpaal , 2007 groot formaat, losbladig; 30x40cm, 48 pagina's niet gepagineerd, losbladig) : met illustraties. Nederlands. ISBN 9789081240819.‎

‎expo te Landcommanderij Alden Biesen ‎

‎Chronicle, Crusade, and the Latin East. Essays in Honour of Susan B. Edgington‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 354 pages, Size:156 x 234 mm, Illustrations:3 b/w, 1 tables b/w. Language(s):English, Latin. ISBN 9782503586205.‎

‎Chronicle, Crusade, and the Latin East offers a collection of essays exploring three closely connected thematic areas: the narrative traditions surrounding the early crusading movement, the influence of these textual traditions on wider processes of medieval historical writing and storytelling, and the history of crusading and the Latin East. In recent years, the field of crusade studies has witnessed a significant groundswell of scholarly work, with particular emphasis on the narrative construction of crusading deeds in text and song, of the important role played by memory and memorialisation in transmitting crusading tales and promoting participation, and the nature of life in the Latin states of the East. This volume not only engages with, and offer fresh insights into, these topics, but also serves as a monument to the career of Susan B. Edgington, who has done so much to increase modern understanding of crusade narratives and the crusading past, and who has made a significant impact on the careers of many scholars. The collection of essays gathered here by established and early career historians, Edgington?s friends and students, thus furthers the study of both crusading as narrative and crusading as a lived experience.‎

‎Omnium Magistra Virtutum. Studies in Honour of Danuta Shanzer‎

‎, Brepols, 2022 Paperback, 485 pages, Size:178 x 254 mm, Illustrations:6 b/w, 1 col., Language(s):English, German. ISBN 9782503598444.‎

‎Summary Over the course of her career Danuta Shanzer has contributed multifariously to the study of late antique and medieval Latin, as scholar, teacher, conference organizer, and journal and series editor. Author of a ground-breaking commentary on Book 1 of Martianus Capella's De nuptiis Philologiae et Mercurii and co-translator (with Ian Wood) of the letters of Avitus of Vienne, she has produced important articles on a wide range of Latin authors and texts, from Augustine to Gregory of Tours. The contributors to this volume honour Shanzer's achievement with studies related to her scholarly interests. TABLE OF CONTENTS Gregory Hays, University of Virginia - Introduction Roger S.O. Tomlin, University of Oxford - Intermittent Fever: A Latin Textual Amulet from Roman London Daniel Markovi?, University of Cincinnati - Sum ipsa rhetorica: Rhetoric's Exordium in Martianus Capella Michael Winterbottom, University of Oxford - Late Antique Theories of Prose Rhythm: The Fragmenta Bobiensia, Martianus Capella, and Marius Plotius Sacerdos James J. O'Donnell, Arizona State University - Why Boethius Had to Die Benjamin Garstad, MacEwan University - 'Merito nonnulli Magno conparavere maiores': The model of Alexander the Great in Jordanes' Getica Florin Curta, University of Florida - Pseudo-Martin of Braga and the Slavs: A Re-examination of the Poem In Basilica Victoria Zimmerl-Panagl, CSEL/Universit t Salzburg - Textkritisches zu Prophetenzitaten bei Ambrosius von Mailand und ein problematisches Stemma (De fide) Andrew Cain, University of Colorado - Rufinus of Aquileia's Historia monachorum in Aegypto: Authorship, Hagiographic Aemulatio, and the Antony Legend Philip Polcar, University of Vienna - Setting up a Straw Man: Helvidius and Jerome on Mt. 1.25 Dorothea Weber, Universit t Salzburg - Zu Struktur und Datierung des Corpus der Felix-Gedichte des Paulinus von Nola Stephen M. Beall, Marquette University - Seeing is Believing: Iconic Prose in the Confessions of Saint Augustine Gillian Clark, University of Bristol - True or False? Augustine on Text and Translation Kurt Smolak, Universit t Wien - Von den Ph aken nach Amiens. Martin von Tours und der Bettler im literarischen Kontext Maurus Mount, OSB, Saint Vincent Seminary - O quotiens urguente Deo ventura fatentur: A Strange Case of Clerical Demoniac Manipulation in the Vita Sancti Martini of Paulinus of P rigueux Amy Oh, Skidmore College - Timing in Avitus's De spiritalis historiae gestis Gregory Hays, University of Virginia - Surprised by Sorrow: Avitus, Carm. 3.209-12 Ian Wood, University of Leeds - Gundobad's Return to his Homeland Edward James, University College Dublin - Materiality and the Holy in Gregory of Tours Julia Barrow, University of Leeds - Bishops as Uncles in Merovingian Gaul Lukas Dorfbauer, Universit t Salzburg/CSEL - Zu einem karolingischen Handschriftenfragment aus Mondsee: Ein unbekannter mythographischer Text und seine Verbindung zu den Scholia Bernensia sowie zu irischen Orosius-Glossen Thomas D. Hill, Cornell University - Symbolism and Typology in Bede's Passion of St. Albanus Michael W. Herren, York University and Centre for Medieval Studies, University of Toronto - Teach Yourself Greek: The Text Book Example of John Scottus Eriugena Thomas F.X. Noble, University of Notre Dame - Politics and Religion: Ideal and Reality in the Carolingian Specula Principum Robert G. Babcock, University of North Carolina at Chapel Hill - Egbert of Li ge and St. Martin, or Where did Egbert Teach? Greti Dinkova-Bruun, Pontifical Institute of Medieval Studies - Scylla and Charybdis: Classical Marine Perils in Two Verse Bibles of the Later Middle Ages Winthrop Wetherbee, Cornell University - Goliae Dialogus inter Aquam et Vinum: A New Edition Paul R. Hyams, Cornell University - St. Edmund's ?Privatae Convenciones? and the Cockfield Case of 1201 Danuta Shanzer - List of Publications‎

‎Marcel Broodthaers and Film A Second of Eternity‎

‎Leuven, Leuven University Press, 2024 Softcover, 280 pagina's, 23.5 x 15.5 cm. Illustrated. ENG text . ISBN 9789462704312.‎

‎Marcel Broodthaers, one of the key figures of the postwar avant-garde, has been recognized and extensively studied as a poet who became a visual artist in 1964. However, years before creating his first sculptural objects and installations, Broodthaers made his debut as a filmmaker in 1957 with La Clef de l?horloge, embarking on a prolific cinema practice that yielded more than fifty films shot on 35mm and 16mm. Cinema, both as a medium and principle, was crucial to his artistry. Broodthaers's writings and visual oeuvre are permeated with allusions to film, its history, and its technology. Covering both well-known titles such as Le Corbeau et le renard (1967), La Pluie (1969), and Une Seconde d? ternit (1970) as well as many lesser-known Broodthaers films, the essays in this book discuss his films as inseparable from his entire oeuvre while situating them in the larger history of experimental film. In addition, the book scrutinizes his experiments with cinepoetry and expanded cinema, as well as his interest in early cinema and his fascination with signs and inscriptions. Marcel Broodthaers and Film brings together essays by Andrew Chesher, Eric C. H. de Bruyn, Xavier Garc a Bard n, Charlotte Friling, Steven Jacobs, Bruce Jenkins, Deborah Schultz, Christophe Wall-Romana, and Raf Wollaert. Steven Jacobs is an art historian specializing in the relations between art and film. He teaches at Ghent University and the University of Antwerp. Raf Wollaert completed a PhD on the subject of Marcel Broodthaers?s cinema at the University of Antwerp in 2024.‎

‎Jan Vanriet, the music boy‎

‎Brussel, Roberto Polo Gallery, 2016 Hardback, 168 pages, 29.5 x 24 cm, EN. ISBN 9781907363108.‎

‎The Music Boy exhibition at the New Art Gallery Walsall is the artist's first in the United Kingdom. A 168-page hardback, illustrated catalogue featuring extensive essays by Andrew Graham-Dixon and Martin Herbert, as well as a foreword by Charlotte Mullins was published on the occasion. The exhibition is titled after a quadriptych of paintings depicting the artist's grandmother and his uncle playing an accordion.Jan Vanriet's work mainly concerns the memory of history and the construction of pictorial surface. As Martin Herbert writes: "Vanriet builds up his paintings in layers, and the strata of underpainting have, in his case, a polyvalent quality. In some cases they form glazes that gift the paintings with an internal glow; in others, the half-visible ghosts of earlier paintings both reaffirm the idea that something is being held back, and situate Vanriet's paintings as a carefully wrought, crafted statement that has gone through stages in order to reach a conclusive point, like a phrase honed through multiple careful edits." Jan Vanriet's mother, father and uncle participated in the Resistance movement and were deported by the Nazis. His parents met in the Mauthausen concentration camp and their stories and memories of the Second World War and its aftermath continue to permeate his paintings. Themes of love, loss, identity, destiny and disappearance pervade his work. And yet Vanriet says: "The starting point may be my family, but I see it as a universal story. I don't want the themes to be too narrow, too close to me, because they should go wider than that. If not, it is only anecdote and I have not painted well enough."‎