Tournai, P.A.C. Hainaut Occidental 1990 206pp.avec 44 illustrations, br.orig., 22cm., 2 cachets sur la feuille de garde blanche, sinon en bon état, B79069
Non Renseigné. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 55 pages. Couverture rempliée. 1ère de couverture illustrée en noir et blanc. Nombreuses illustartions et photographies en noir et balnc et couleurs, dans le texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Ticaret Matbaacilik S.A.S.. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages. Illustré de nombreuses photos en couleur.. . . . Classification Dewey : 720-Architecture
45 photos couleur. Classification Dewey : 720-Architecture
, Reimer verlag 1999, 1999 Hardcover, 559 seiten, Deutsche sprache, 285 x 235 mm, in sehr guten zustand,. ISBN 9783496012047.
Oviedo, Real Insttuto de Estudios Asturianos 1995 Livre en espagnol. In-4 broché 27 cm sur 21. 205 pages, couverture illustrée. Ouvrage illustré. Très bon état d’occasion.
Sommaire, notes, bibliographie. Très bon état d’occasion
Paris, éditions du Regard, 2004. In-4, reliure de l'éditeur, photographies.
Bel exemplaire. [11695]
Alvarez Lucrecia, Paredes Cristina, Zamora F.
Reference : RO20222915
ISBN : 1596372435
Fitway Publishing. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 415 pages augmentées de nombreuses illustrations en noir et blanc dans le texte et de nombreuses photos en couleurs dans et hors texte. Texte trilingue en français, anglais et espagnol.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
ELECTA MONITEUR. 1987. In-4. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 191 pages illustrées en noir/blanc et couleur - texte sur deux colonnes - en francais et anglais. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
In-4 cartonné avec jaquette, UFRJ / Minc - IPHAN, 1999, 360 pp. Jaquette un peu frottée avec petite déchirure, petite trace de choc sur le haut du dos, très bon état par ailleurs. Richement illustré. Tome 2 seul, peu courant. Poids 2 kg. Envoi Colissimo. rais d'envoi 12,50 euros sur la France, 21,20 UE et Suisse, entre 27 et 53 euros pour le reste du monde, à spécifier selon zone. Possibilité de remise en mains propres sur Paris, n'hésitez pas à me contacter avant de passer commande.
, HarperCollins Publishers 2006, 2006 Paperback, 224 pages, English, 250 x 190 mm, fine copy, lots of illustrations, . ISBN 9780007236060.
If you have ever wanted to learn to paint, but lacked the confidence to start, then Watercolour for the Absolute Beginner is the book for you. With more than 70 simple step-by-step demonstrations and the teaching expertise of three well-known professional artists, this book will teach event the most hesitant of beginners the skills and techniques needed to start painting.
Nouvelle édition revue et augmentée, in 4 pleine toile rouge de l’éditeur. Belle plaque dorée animée avec titre sur le premier plat de A.Souze. Titre et fers dorés en long au dos. Faux-titre, titre, 400 pages, texte sur 2 colonnes, illustrations hors-texte et dans le texte ? une carte de France en fin de volume sous serpente. Alfred Mame et fils 1892 rousseurs, en début et fin de volume .Cartonnage frais. Beau premier plat
C. Delagrave | Paris 1896 | 11.50 x 18.50 cm | relié
Nouvelle édition. Ouvrage orné de figures. Rousseurs. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
, Brepols - Harvey Miller, 2023 Hardback, 448 pages, Size:220 x 285 mm, Illustrations:60 b/w, 268 col., Language(s):English, Italian, Latin. ISBN 9781912554577.
Summary This volume comprises 207 drawings, about half of which are in the Royal Library at Windsor Castle and the rest in the Department of Greece and Rome in the British Museum and numerous public or private collections in the UK and abroad. They depict a wide variety of ancient statues of gods and humans, standing, seated or supine, large and small, whole and fragmentary, mainly of marble but also of bronze, as well as statuettes in marble and alabaster, figurines in bronze and terracotta, both Roman and Etruscan, military trophy groups and phallic sculptures. Also represented are herms, a sizeable series of portrait busts and heads, miniature busts in semi-precious stones and figurative appliqu s. Some are wellknown pieces, from the Barberini, Giustiniani, Medici and Pamphilj collections in Rome, but many are unusual and otherwise unrecorded. The drawings were largely commissioned in the 1630s and 1640s from artists such as Pietro Testa and Vincenzo Leonardi, with smaller groups thereafter, the last in the mid-1680s. The assemblage was probably initially intended by Cassiano for publication as a series of prints for the benefit of antiquarian scholars and artists, complementing the larger quantity of drawings of bas-reliefs which Cassiano had begun to assemble from the early 1620s onwards (published in Part A.III) and constituting the core of the Paper Museum in Cassiano's narrower definition of it in 1654 as 'everything good in marbles and bronze which can provide some information about antiquity'.
, Thames & Hudson Ltd, 1997 Paperback, 219 pages, ENG, 305 x 235 x 16 mm, as good as new, illustrated in colour. ISBN 9780500279878.
Cindy Sherman is one of the leading American artists of our time, creating staged and manipulated photographs that draw upon popular culture and art history to explore female identity. By visually examining the ways in which gender is dressed, made up and culturally enforced, Sherman has for many become an icon of feminism and postmodernism. Provocative and engaging, the visceral physicality of her photographs is the key to their dramatic power. In this retrospective, essayists Amada Cruz, Elizabeth A.T. Smith and Amelia Jones offer key insights from several distinct vantage points, positioning Sherman's work within the trajectory of feminist art history as well as revealing her influence on the art of the last twenty years. More than 270 images show the breadth of Sherman?s body of work, from the Untitled Film Stills of the 1970s to series such as Centrefolds, Fashion, Disasters, Fairy Tales and History Portraits, as well as photographs influenced by surreal artists. Also included are intriguing excerpts from Sherman?s notebooks, selections from her contact sheets and numerous Polaroid studies, all of which shed light on the artist's process. Cindy Sherman: Retrospective is an essential reference and guide to the work and ideas of this extraordinary artist
, Rebo Productions, 1996 Hardcover, 440 pages/pagina's, ENG / NL / FR, 310 x 240 mm, stofomslag, in prima staat, met illustraties / foto's in kleur / z/w. ISBN 9789036611145.
DE BESTE FOTO'S UIT DE 20E EEUW geeft een fotografisch verslag van de periode tussen 1918 en 1990. Hier ziet u de helden, heldinnen, schurken en 'gewone' mensen uit deze periode, vastgelegd zoals de camera ze zag. Hier ziet u hun grote en kleine verdiensten, hun mislukkingen en hun dagelijkse beslommeringen. Hier ziet u opnamen van 1000 momenten 'geschiedenis'.
, Brepols - Harvey Miller, 2022 Hardback, 376 pages, Size:240 x 240 mm, Illustrations:136 col., Language: English. ISBN 9781912554942.
Summary A carefully-integrated group of studies begins with the so-called ?Chertsey? ceramic tiles, depicting combat between King Richard the Lionheart and Saladin. Found at Chertsey Abbey not far outside London and admired since the nineteenth century, we present here a new reconstruction of both the tiles and their previously-undeciphered Latin texts. The reconstruction demonstrates not only that the theme of the entire mosaic is the Crusades, but also that the overall appearance of the tiles, when laid as a floor, draws from the composition and iconography of imported Islamic and Byzantine silks. Essays illuminate specific material contexts that similarly witness western Europe's, and particularly England's, engagement with the material culture of the eastern Mediterranean, including ceramics, textiles, relics and reliquaries, metalwork, coins, sculpture, and ivories. TABLE OF CONTENTS CONTRIBUTORS FOREWORD by Michael Wood DIRECTOR'S FOREWORD by Meredith Fluke PREFACE by Amanda Luyster We who were Occidentals have now become Orientals CATALOGUE ESSAYS Amanda Luyster The Chertsey Tiles: Reassembling Fragments of Meaning Suleiman A. Mourad A Clash of Civilizations? Diverse Motivations, Multiple Actors, and the Hidden Richness of Muslim Historical Sources David Nicolle The Crusades: A Short History Euan Roger So Much National Magnificence and National History: The Foundation, Structure, and Fall of Chertsey Abbey Richard A. Leson Epic Sensibilities in French Art of the Crusader Period Cynthia Hahn Re-creating the Holy Land at Home: Relics from the East in England Elizabeth Dosp?l Williams The Mobility of Fabric: Textiles in and around Medieval Eurasia Eva R. HoFFman Crusaders in Jerusalem: Frankish Encounters with Idols, Holy Monuments, and Portable Objects Sarah M. Gu rin Oliphants and Elephants: African Ivory in England Scott Redford A Cupbearer Crosses Cultures: Figural Ceramic Traditions of the Eastern Mediterranean Paroma Chatterjee Citizens and Invaders: Encounters with Sculpture in Constantinople during the Fourth Crusaded OBJECTS IN FOCUS Andrea Myers Achi Black Fighters on a Late Antique Textile Sean Gilsdorf St. Menas Pilgrim Flask Nina Masin-Moyer Brooch/Amulet with Inscribed Arabic Seal Nina Masin-Moyer Enkolpion Reliquary Cross Nina Masin-Moyer Chess Piece with King or Vizier Alicia Walker So-called Crusader's Bowl A. L. McClanan Architectural Fragment with Griffin Nina Masin-Moyer Amphora with Confronted Hybrid Figures Meredith Fluke Section of a Cassone Panel with Beasts in Roundels Grace P. Morrissey Lusterware Bowl with Figure Eurydice S. Georganteli Gold Penny of Henry III Nina Masin-Moyer Gemellion with the Arms of the Latin Kingdom of Jerusalem Students From Boston College The Morgan Picture Bible WORKS CITED INDEX
Dallas, Meadows Museum, 2008 Bound, cloth with dustjacket, 360pp., 28.5x25.5cm., ills. in col. and b/w., new. ISBN 9780856676512.
The twenty-six panels of the altarpiece of the cathedral of Ciudad Rodrigo (Castile) rank among the most beautiful and ambitious works by two of Castile?s gifted late medieval painters, Fernando Gallego and the virtually unknown Master Bartolome. Accompanying a major new exhibition of their work, this extensively illustrated volume includes full catalog entries for each of the panels, as well as a collection of essays exploring both their cultural and artistic significance. Ranging in subject matter from the physical life and composition of the altarpiece itself, to Fernando Gallego, the Hispano-Flemish tradition in Spain and millennialism in late fifteenth-century Castile, these essays highlight individual techniques and workshop practices in the context of the cosmopolitan communities of a gothic city.
, Snoeck Publishers , 2024 softcover, 96 pages, illustr , 25x19cm. . ISBN 9789461619174.
Dans le paysage de la c ramique des ann es 1950, l'oeuvre de Mado Jolain (1921-2019) s duit par sa modernit et les jeux formels qu'elle a multipli s. La c ramiste manifeste tr s t t une pr f rence pour les volumes simples, architectur s et travaill s de telle sorte que l'articulation subtile de l'ombre et de la lumi re puisse s'y panouir. Au d but des ann es 40, Mado Jolain s'initie la c ramique l' cole nationale des arts d coratifs de Paris et fr quente parall lement les ateliers de dessin et de scu
, Brepols, 2024 Paperback, 433 pages, Size:156 x 234 mm, Language: French. ISBN 9782503609294.
Summary Franciscain d'origine ombrienne, Matthieu d'Aquasparta (v. 1240-1302) est ma tre en th ologie l'universit de Paris au moment de la censure de 1277. Il rejoint ensuite la Curie pontificale en 1279. Dot de talents politiques certains, il est bri vement ministre g n ral de l'ordre franciscain avant d' tre cr cardinal par Nicolas IV en 1288. Il obtient la charge de grand p nitencier et devient un soutien fid le de Boniface VIII. Depuis le d but du XXe si cle, la pens e du th ologien avait surtout fait l'objet d' tudes construites partir de l' dition progressive de ses Questions disput es. Cet ouvrage propose une biographie compl te de Matthieu d'Aquasparta au prisme de ses textes universitaires gr ce l'analyse de sa biblioth que personnelle, de ses manuscrits de travail, l gu s aux couvent d'Assise et de Todi et de ses Quodlibets, encore in dits. TABLE OF CONTENTS INTRODUCTION CHAPITRE PREMIER. LES ORIGINES ITALIENNES CHAPITRE II. LE CURSUS TUDIANT EN THEOLOGIE CHAPITRE III. LA BIBLIOTHEQUE DU FRANCISCAIN CHAPITRE IV. MAITRE EN THEOLOGIE A PARIS EN 1277 CHAPITRE V. MATTHIEU D'AQUASPARTA FACE AUX DISSENSIONS DOCTRINALES CHAPITRE VI. L'ENSEIGNEMENT LA CURIE PONTIFICALE CHAPITRE VII. UN FRANCISCAIN AU SERVICE DE LA PAPAUTE CHAPITRE VIII. TRANSMISSION DES TEXTES ET HERITAGE CONCLUSION ANNEXES SOURCES BIBLIOGRAPHIE INDEX
San Francisco, Heian / Dohosha, 1979 Hardcover. Fine in Very Good dustjacket. 248 pages and 200 of which are color plates. In-folio, 43x30cm. ISBN 0893460176.
Textiles of the Andes Catalog of Amano Collection
Paris Perrin 2006 In-4 (32 x 25 cm.) 190 pp. couverture cartonnée, jacquette imprimée.
Histoire et photographies des résidences diplomatiques de France à Alger, Ankara, Athènes, Belgrade, Berne, Bruxelles, Bucarest, Le Caire, Londres, Ouagadougou, Pékin, Séoul, Stockholm, Tachkent, Téhéran et Varsovie. Très bel exemplaire de cette publication recherchée. Libraire membre du S.L.A.M. (Syndicat national de la Librairie Ancienne et Moderne) et de la L.I.L.A. (Ligue Internationale de la Librairie Ancienne). N'hésitez pas à prendre contact par mail pour des photographies et des détails supplémentaires, pour des recherches ou des estimations de livres anciens et rares.
Genève, Halles Sud, 1987 ; in-4, broché, 95 p. Nombreuses reproductions , figures, plans, en noir et couleurs. Bibliographie.
Neuf
New York, Rizzoli International Publications, 1992, in-4to, 360 p., fully illustr. with photogr. in colors, orig. clothbound with orig. illustr. jacket.
Phone number : 41 (0)26 3223808
Adyar - G. & J. Niclaus Paris 1939 DANS L'OMBRE DES CATHEDRALES. Étude sur l'ésotérisme architectural et décoratif de Notre-Dame de Paris dans ses rapports avec le symbolisme hermétique, les doctrines secrètes, L'Astrologie, la Magie et l'Alchimie.In-8 ( 250 X 165 mm ) de 302 pages, broché sous couverture imprimée et jaquette. 6 planches photographiques en noir hors texte. EDITION ORIGINALE, exemplaire de remise en vente avec les papillons Niclaus. Jaquette et couverture tachées, bon exemplaire.