‎Spullen van de Zeeman‎

‎Eindhoven, Lecturis, 2024 Hardcover, 200 pagina's, 33 x 24 cm. NL. ISBN 9789462265288.‎

‎De zee ? bevaren en bevist, ge xploreerd, bevochten, geschilderd en bezongen, gevreesd en geliefd ? Over de zee valt er zoveel te vertellen. De auteur tracht aan de hand van meer dan 50 voorwerpen uit zijn verzameling een beeld te schetsen van deze fascinerende wereld. Maar dit boek is geen catalogue raisonn , het is geen navigatiecursus, geen handleiding voor scheepseigenaren en bovenal: geen boek over voorwerpen. Het gaat over de mensen achter deze objecten, eenvoudige mensen vaak. Vissers, zeilenmakers, avonturiers, schippers ? Mensen die hun lot verbonden hadden aan de zee. Zij ontwierpen of verfijnden veel van deze voorwerpen om hun harde leven wat te verlichten.‎

‎Catalogue des manuscrits conserv s dans la Biblioth que du Patriarcat oecum nique : Les manuscrits du monast re de la Sainte-Trinit de Chalki‎

‎, Brepols, 2019 Hardback, 2 vols, 886 pages, 216 x 280 mm, Illustrations:359 col., Language: French. ISBN 9782503574349.‎

‎Summary Le Catalogue, le second de la s rie consacr e aux manuscrits grecs conserv s au Patriarcat oecum nique Istanbul, d crit les manuscrits provenant du monast re de la Sainte-Trinit situ sur l' le de Chalki. Le premier volume contient, apr s une br ve introduction, la description des 147 manuscrits qui constituent ce fonds et se termine par les index d'usage, tr s d taill s?; le second volume est r serv aux illustrations, soit 359 planches photographiques, pour la plupart en couleur?: 307 planches pour les critures et les d cors, 43 planches pour les reliures, et 9 planches pour les petits fers de reliure. R pondant aux normes scientifiques modernes, il remplace le catalogue ant rieur d'Aemilianos Tsakopoulos (1956). Le fonds de la Sainte-Trinit est principalement constitu des manuscrits rassembl s l' poque de la refondation du monast re de la Sainte-Trinit par le futur patriarche M trophane III (1565-1572, 1578-1580) au milieu du 16e si cle et dans les d cennies qui suivirent. La physionomie d'ensemble de la collection est donc troitement li e cette double origine. D'une part il s'agit d'une biblioth que monastique, et les manuscrits ont principalement un contenu liturgique et religieux, m me si la litt rature classique n'en est pas absente. D'autre part, elle a t fond e par un futur patriarche, bibliophile de surcro t, qui a continu la prot ger et l'enrichir une fois devenu patriarche?; de ce fait, la presque totalit de manuscrits est ant rieure au 16e si cle, et on y trouve un nombre important de manuscrits anciens de belle facture, mais aussi des manuscrits contenant des textes rares ainsi que plusieurs palimpsestes. Les abondantes annotations qu'ils portent en font une source de premier ordre pour crire l'histoire du monast re de la Sainte-Trinit , qui fera l'objet d'un volume s par dans la m me s rie, et plus largement du Patriarcat et des institutions monastiques de Constantinople et de sa r gion sous l'Empire ottoman. R alis sous l' gide de Sa Saintet Bartholom e, dans le cadre d'un programme plus large sur l'histoire des biblioth ques grecques dans l'Empire ottoman financ par l'Agence nationale de la recherche, ce catalogue est l'oeuvre de quatre chercheurs de l'Institut de Recherche et d'Histoire des Textes (CNRS), Andr Binggeli, Matthieu Cassin, Marie Cronier, et Matoula Kouroupou. TABLE OF CONTENTS Volume I Lettre de Sa Saintet Bartholom e Introduction Histoire du monast re de la Sainte-Trinit et de sa biblioth que Contenu de la collection M thode de description Ouvrages, revues et articles cit s en abr g Abr viations usuelles Liste des manuscrits reproduits dans le volume II Catalogue Notices descriptives des manuscrits Sainte-Trinit 1-147 Index Incipit des pi ces in dites ou mal r pertori es Index des auteurs et des oeuvres Index des filigranes Index chronologiques (Manuscrits dat s; Manuscrits non dat s, class s par si cle; Notes chronologiques) Index des manuscrits cit s Index g n ral Volume II Lettre de Sa Saintet Bartholom e Liste des planches photographiques Planches Planches 1-307 : critures et d cors Planches 308-349 : Reliures Planches 350-358 : Fers des reliures‎

‎S lection (Chronique de la Vie artistique) 12 - Frits Van den Berghe‎

‎Anvers, ditions S lection, 1931 Faux-lin, 136 pages, 26 x 19 cm, Fran ais. Illustr avec des bois de Jozef Cantr .‎

‎ Contains 11 essays on the life and art of Van den Berghe, as well as nearly 80 pages of reproductions.‎

‎S LECTION, CHRONIQUE DE LA VIE ARTISTIQUE N 2-3, 2e s rie‎

‎Bruxelles, Selection, 1922 couverture souple illustr e, 72 pages, 24,5 x 16 cm, 52 reproductions en NB. Avec bois de Jozef Cantr et lino de G o Navez. Tr s bel tat.‎

‎num ro de la revue S lection, Chronique de la vie artistique, du 15 janvier 1922, consacr l'art du Congo et aux Arts premiers, avec notamment des articles de Blaise Cendrars et Guillaume Apollinaire. Le premier num ro de la revue belge S lection, fond e par Paul Gustave Van Hecke et Andr de Ridder, fut publi en ao t 1920 ; G. de Smet tait l'auteur de la couverture. La m me ann e, Franz Hellens cr ait Le Disque vert. "Van Hecke crivait peu lui-m me. Sans doute avait-il pondu trop de copies quand il tait journaliste. C' tait par contre un animateur hors ligne qui connaissait tout le monde et recevait fastueusement. A sa vocation de po te laquelle il croyait plus que ses amis crivains qui le prenaient volontiers pour un amateur, il joignait le talent de d couvreur d'hommes. "Co-directeur de S lection et ami fid le d'Andr de Ridder qui s' tait assur la collaboration de Georges Marlier et partageait avec lui la partie "critique d'art", P g [P. G. Van Hecke] s'occupait plus particuli rement de la partie litt raire de la revue." (Jean Milo, Vie et survie du Centaure, ditions Nationales d'art). Particip rent notamment S lection : Tristan Tzara, Robert Guiette, Paul Neuhuys, Franz Hellens, Pierre Courthion, Ribemont-Dessaignes, Pierre Morhange, Nino Frank, Marcel Lecomte, Ren Crevel, Paul van Ostayen, E.L.T. Mesens, Andr Salmon, Philippe Soupault... Comme d'autres revues belges d'avant-garde, S lection agrandit le champ de ses exp rimentations vers un espace compl mentaire : la galerie d'art.‎

‎Projet de maître-autel par André, élève de M. Questel. Planche extraite de la publication mensuelle Croquis d'architecture, Intime-club.‎

‎- Planche autographiée. 35 x 55 cm.‎

‎Vieux papier. Croquis d'architecture, Juillet 1866.‎

‎Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Exploring Iconographic Flexibility and Permeability‎

‎, Brepols, 2025 Paperback, 189 pages, Size:216 x 280 mm, Illustrations:31 b/w, 39 col., 1 maps b/w, Language: English. *new ISBN 9782503608853.‎

‎Summary Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary's genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms of both how the Virgin Mary and Saint Anne were presented and perceived, and what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations. TABLE OF CONTENTS List of Illustrations List of Contributors List of Abbreviations Representations of the Virgin Mary and Saint Anne from the Middle Ages to the Early Modern Period: Iconographic Flexibility and Permeability Andrea-Bianka Znorovszky 1. The Panel of the Virgin and Saint Anne from the Church of the Archangels in Iprari: Iconographic and Ideological Aspects Nina Chichinadze 2. The Anna Selbdritt and the Cult of the Three Maries: An Early Fourteenth-Century Wall Painting in the Medieval Kingdom of Hungary Mihnea Alexandru Mihail 3. The Pregnancies of Mary-Anne in Fifteenth- to Sixteenth-Century Franco-Flemish Manuscript Illuminations: Between Iconographic Appropriation and Iconographic Development Andrea-Bianka Znorovszky 4.'Worthy Vestment for the Sovereign Priest': Matriarchal Priesthood, Marian Allegory, and the Amiens Confraternity of Notre-Dame de Puy Elliott D. Wise 5. In Mente Dei, in Gremio Annae: The Source and the Receptacle of Marian Immaculacy in Sixteenth-Century Piacenza Fiammetta Campagnoli 6. Moving with Saint Anne: Representations of Anna Selbdritt between Central Europe and the Tyrolean Region Stefanie Paulmichl 7. Images of Saint Anne in the Ionian Islands (Fifteenth - Eighteenth Centuries) Eirini Panou 8. Arbor Anna Fructuosa. Apropos of an Image of Saint Anne and the Fruits of Redemption Let cia Martins de Andrade Conclusions Andrea-Bianka Znorovszky Appendix 1: Saint Anne - Primary Sources Appendix 2: Family Tree Appendix 3: Map Appendix 4: Short Timeline of Mariological Doctrines and Debates‎

‎caduta di Acri 1291. Raccolta delle imprese legate allo sterminio di Acri - Taddeo di Napoli, Storia della desolazione e della distruzione della citt di Acri e di tutta la Terra Santa‎

‎, Brepols, 2023 Paperback, 168 pages, Size:156 x 234 mm, Illustrations:2 tables b/w., Language: Italian. ISBN 9782503602646.‎

‎Summary La caduta di San Giovanni d'Acri nel 1291, che segna la fine degli stati crociati d'Oltremare, rappresenta un punto di svolta nella storia medievale, gi percepito come tale dai contemporanei. Sulla scia immediata dell'evento, due scritti narrano e commentano la battaglia: l'anonima Excidii Aconis gestorum collectio (composta probabilmente nel Nord della Francia) e l'Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte di Taddeo di Napoli, venata di influssi gioachimiti. Entrambi ripercorrono con impressionante vividit le vicende che hanno portato allo scontro e soprattutto la disperata resistenza della citt , mettendo in scena una molteplicit di personaggi nelle loro dinamiche di collaborazione e dissenso: i maestri degli Ordini Militari, i governanti e il patriarca, la folla dei combattenti e delle vittime inermi; dall'altra parte, i due sultani che si succedono nel corso degli eventi con il loro popolo di ?infedeli?, sinistri eppure valorosi. Lo stile adottato dall'Anonimo e da Taddeo improntato a un preziosismo al limite talvolta della comprensibilit , che rende ardua la lettura nell'originale latino. La traduzione italiana mette a disposizione in modo pi facilmente accessibile due fonti fondamentali per la storia delle crociate e della percezione di esse nella cultura del tempo. La versione latina originale dei testi qui tradotti pubblicata nella collana Corpus Christianorum, Continuatio Mediaeualis con il titolo Excidii Aconis gestorum collectio; Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte (CC CM, 202), a cura di R.B.C. Huygens (2004). I rimandi alle pagine corrispondenti dell'edizione sono forniti a margine di questa traduzione. TABLE OF CONTENTS Introduzione Bibliografia Raccolta delle imprese legate allo sterminio di Acri Taddeo di Napoli, Storia della desolazione e della distruzione della citt di Acri e di tutta la Terra Santa Appendice 1: Gli ordini militari Appendice 2: Armi e macchine d'Assedio notevoli. Il lessico della guerra medievale Indici‎

‎Chantier ouvert au public.‎

‎ Musée du Quai Branly / Panawa 2006 1 vol. relié in-8 oblong, demi-toile orange, cartonnage éditeur illustrée, non paginé, nombreuses photographies en couleurs de l'artiste plasticienne Ianna Andreadis. Très bon état.‎

‎Architecture néoclassique en Grèce‎

‎Editions de la Banque commerciale de Grèce, Athènes, 1967. In-4, reliure pleine toile éditeur grise sous rhodoïd imprimé, plat supérieur illustré, 282 pp. Avant-propos - Introduction, par J. Travlos - Planches - Liste des figures.‎

‎Avec 270 illustrations et planches en noir et blanc. --- Plus d'informations sur le site archivesdunord.com‎

‎L'ART DE L'ANCIENNE ROME.‎

‎Citadelles & Mazenod Paris 1982 Fort in-4 carré ( 320 X 255 mm ) de 640 pages, pleine toile sous jaquette illustrée en couleurs et étui maroquiné taupe. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en parfait état.‎

‎L'art de l'ancienne Rome. Collection : L'art et les grandes civilisations, 4.‎

‎Paris, Editions d'Art Lucien Mazenod, 1977. 25 x 32, 641 pp., 891 figures, 158 planches en couleurs, reliure d'édition pleine toile + jaquette, très bon état (sauf jaquette légèrement défraîchie).‎

‎Gaspar van Weerbeke. New Perspectives on his Life and Music‎

‎, Brepols, 2019 Paperback, 332 pages, Size:190 x 290 mm, Illustrations:6 b/w, 14 col., 18 tables b/w., 39 music examples, Language: English. ISBN 9782503584546.‎

‎Summary In memoriam Gerhard Croll (1927-2019) Gaspar van Weerbeke was one of the most successful Franco-Flemish musicians of the second half of the fifteenth century, holding prestigious positions in the Sforza court in Milan, the Burgundian court chapel, and the papal chapel in Rome. His compositions were widely transmitted in manuscript and print sources throughout Europe, and he was one of the best represented composers in the early Italian music prints of Ottaviano Petrucci. Despite the high esteem of his contemporaries, Gaspar has up to now played only a peripheral role in Renaissance music historiography. This book is the first collection of research articles dedicated exclusively to the life and works of Gaspar. While the basic facts of Gaspar's life have long been known, the book fleshes out the details, presenting a more differentiated and complex picture of his biography. Analysis of a wide range of Gaspar's compositional output leads to new interpretations of his approach to different genres: masses, motets, and motet cycles. His relatively small quantity of songs is revisited in light of the confusion-both then and now-over the meaning and validity of their attributions. This book seeks to promote further research on this composer and place him in his appropriate place in music history. TABLE OF CONTENTS Andrea Lindmayr-Brandl & Paul Kolb, Introduction Part I. Biographical aspects Klaus Pietschmann, Seven Reasons for Italy: Gaspar van Weerbeke's Career between Flanders, Milan, and Rome Paul A. Merkley, Weerbeke in Milan: Court and Colleagues Sean Gallagher, Belle promesse e facti nulla: A Letter to Weerbeke and the Treatment of Singers in Florence and Milan Laurence Fagnart, Gaspar Depicted? Leonardo's Portrait of a Musician Grantley McDonald, Gaspar van Weerbeke as a Member of the Burgundian Chapel Jeannette DiBernardo Jones, Gaspar van Weerbeke and France: The Poetic Witness of Guillaume Cr tin Part II. Masses and Motets Fabrice Fitch, 'Under the Radar' or 'Caught in the Crossfire'? The Music of Gaspar van Weerbeke and its Reception History Agnese Pavanello, Weerbeke's Stylistic Repertoire: New Insights from the Marian Motets Fabrice Fitch, The Cycle as Modular Composition: The Motetti missales of Gaspar van Weerbeke Wolfgang Fuhrmann, Another 'Most laudable competition'? Gaspar, Josquin, Regis, and the Virgin in Distress Paul Kolb, A New Mass and its Implications for Gaspar's Late Mass Style Andrea Lindmayr-Brandl, Petrucci's Gaspar: Sources, Editing, and Reception Part III. Secular Music David Fallows, Gaspar and Japart: The Secular Works, with Particular Reference to Basevi 2442 and a Word about Fridolin Sicher Carlo Bosi, Caught in the Web of Texts: The Chanson Family Bon vin/Bon temps and the Disputed Identity Eric Jas, La stangetta Reconsidered: Weerbeke, Isaac, and the Late Fifteenth-Century Tricinium Bibliography, General Index, Index of Works‎

‎Itinéraires marials en Rhône-Alpes‎

‎Lyon, EMCC, 1996, 24 x 25, 102 pages cousues sous couverture rempliée illustrée. Iconographie couleurs. Photographies couleurs de Damien Lepetitgaland.‎

‎Très bon état.‎

‎Tractatus contra Graecos‎

‎, Brepols, 2020 Hardback, xcv + 248 pages, Size:155 x 245 mm, Illustrations:2 col., Language: Latin. ISBN 9782503588742.‎

‎Summary Das 13. Jahrhundert stellt eine zentrale Epoche f r die Geschichte der Beziehungen Ost- und Westkirche dar. Die Eroberung Konstantinopels durch die Kreuzfahrer im Jahr 1204 und die daran anschlie ende Etablierung eines sogenannten Lateinischen Kaiserreichs (1204-1261) gilt heute sowohl in der Forschungslandschaft, als auch in den Erinnerungskulturen der Kirchen als signifikantes Ereignis auf der Bruchlinie zwischen dem lateinischen Westen und dem griechischen Osten. Den gerade erst neu gegr ndeten Mendikantenorden kam vor dem Hintergrund ihres missionarischen Ordensauftrags und wesentlich unterst tzt durch ihre fl chendeckenden Ordensstrukturen eine gewichtige Rolle innerhalb der literarisch-theologischen Kontroverse mit den Byzantinern zu. Als Meilenstein dieser Kontroverse pr sentiert die vorliegende kritische Edition das Dossier eines anonymen, in Konstantinopel t tigen Dominikaners unter dem Titel Tractatus contra Graecos (1252). Dieses Werk, das weite Verbreitung vor allem im Umkreis der (Unions-)Konzilien des 15. Jahrhunderts erfahren hat, stellt auf lateinischer Seite die erste systematische und griechisch-patristisch untermauerte Behandlung jener vier Konfliktpunkte dar, die in dieser Form von nun an standardm ig auf der Agenda der ost-westlichen Debatten standen (Filioque, Azymen, Purgatorium/Eschatologie und Primat Roms). Zudem bietet der Traktat in Form eines Appendix einen reichen Schatz an klassischen und zeitgen ssischen Quellen, die zum Teil singul re berlieferungszeugen sind. Vor diesem Hintergrund ist der Tractatus contra Graecos ein wertvolles Dokument nicht nur f r die Beziehungsgeschichte zwischen stlich und westlich gepr gter Theologie, sondern zudem ein Baustein zur Geschichte und Theologie des Dominikanerordens in der noch jungen Randprovinz "Graecia".‎

‎SOFONISBA ANGUISSOLA : Portrettist van de Renaissance‎

‎, Waanders Uitgevers, PB, 270 x 240 mm, 96 p, 70 illustraties , NL. ISBN 9789462624740.‎

‎Sofonisba Anguissola (ca. 1532-1625) is een van de meest succesvolle kunstenaars van de renaissance en wordt door haar tijdgenoten geprezen om haar talent en creativiteit. Ze wordt omschreven als 'la piu illustre Pittrice d'Europa': de beroemdste vrouwelijke schilder van Europa. Haar figuren zijn levensecht, haar stofuitdrukking is meesterlijk en haar vernieuwende composities worden door de belangrijkste hoven van Europa bewonderd. In haar eigen tijd wordt Anguissola omschreven als een wonder. Dit boek illustreert hoe vernieuwend ze was en hoe ze uitgroeide tot een van de beroemdste portretkunstenaars van de Italiaanse Renaissance. Het bevat essays van onder anderen de bekende feministische kunsthistoricus Griselda Pollock en directeur van de Spaanse koninklijke verzamelingen Leticia Ruiz Gomez, waarin uitgebreid wordt ingegaan op het leven,de carriere en de artistieke ontwikkelingen van Sofonisba Anguissola. Uiteraard rijk geillustreerd met de prachtige schilderijen van deze bijzondere vrouwelijke kunstenaar.‎

‎Opera IV. Expositio super Ysaiam‎

‎, Brepols, 2021 Hardback, lxviii + 355 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503589831.‎

‎Summary Andrew of Saint Victor was one of the most prominent biblical scholars of the twelfth century. He was a regular canon of the Parisian abbey of St Victor, which in the twelfth century had developed into a prestigious center of spiritual learning, closely connected to the nascent university in Paris. Because of his frequent use of Jewish exegetical materials, Andrew's commentaries are a rich source for the history both of biblical hermeneutics and of inter-religious dialogue during the Middle Ages. His Isaiah commentary caused outrage among medieval Christian scholars because it eschewed traditional christological interpretations, and instead offered a reading "secundum Hebraeos." Scholars have seen Andrew of St Victor as standing at the cradle of a scholarly interest in the Biblical text, which influenced scholars such as the fourteenth-century Franciscan Nicholas of Lyra, and, in the long run, reformers such as John Wycliff, Martin Luther, and John Calvin.‎

‎Dubuffet ‎

‎Basel, Editions Beyeler, 1975 Hardcover with dustjacket and acrylic sleeve, 171 pages, 31 x 27 cm. TEXT GER/FR.‎

‎ Beautifully illustrated, including many large tipped-in color plates. ‎

‎Andreas H. Bitesnich : INDIA‎

‎, teNeues, 2019 256 pagina's, 175 full page photographs, 355 x 270 x 37 mm, hardcover, Engels/Frans/Spaans/Italiaans/Deutsch , dustjacket, as good as New. ISBN 9783832794804.‎

‎A new edition of Andreas H. Bitesnich's classic portrait of India, a timeless photographic masterpiece capturing the breathtaking beauty and complexity of the world?s largest democracy. India is constantly on the move. It moves sideways, backwards, upwards, and forwards. It is a nation of both past and future, where time seems to pass by its own laws, and extraordinary tradition coexists with hyper modernity and ever-booming construction. For many, India is as much a state of mind as a country. Through this photographic journey of discovery, Andreas H. Bitesnich creates a fascinating book about India, revealing many facets of this intricate, populous country. In color, black-and-white, and sepia, his stunning photographs show Indian culture, food, faith, heritage, landmarks, cities, and wildlife, as well as its daily interactions and centuries-old monuments. The images do not shy away from the complexity and raw hardship of Indian life. With honesty and respect, Bitesnich documents the country?s ongoing struggles as much as its vibrancy and growth. We see India?s temples and mosques, its wild Indian elephants, its extraordinary architecture, and its deep spirituality. And we see its urban sprawl, its squalor, its street poverty, and suffering. The result is a photo book immersed in the Indian present and complexity, while steeped in the texture and gravitas of a bygone travel album.‎

‎Portraits : 500 years of Roman coin portraits = 500 Jahre r mische M nzbildnisse ‎

‎, Staatliche M nzsammlung M nchen, 2017, Hardcover, ix, 474 pages : colour illustrations ; 30 cm. Introduction and foreword in German and English; essays in German with abstracts in English, and one essay in English. ISBN 9783922840404.‎

‎Introduction and foreword in German and English; essays in German with abstracts in English,‎

‎L'ARCHITECTURE AUJOURD'HUI‎

‎Un ouvrage de 224 pages, format 245 x 300 mm, illustré, broché couverture couleurs rempliée, publié en 1991, Editions Terrail, bon état‎

‎Studies in Byzantine Epigraphy. Volume 1‎

‎, Brepols, 2023 Paperback, 267 pages, Size:178 x 254 mm, Illustrations:64 b/w, 47 col., Language(s):English, German, Italian. ISBN 9782503590226.‎

‎Summary The present, inaugural volume includes selected papers from the two panels dedicated to Byzantine Epigraphy held at the XXIII International Congress of Byzantine Studies in Belgrade, August 2016, and the XV International Congress of Greek and Latin Epigraphy in Vienna, August/September 2017. The papers, as indeed the events for which they were initially produced, celebrate both the progress and the promise of epigraphic research within medieval and early modern scholarship as a whole. TABLE OF CONTENTS Andreas Rhoby - Ida Toth, Byzantine Epigraphy: Whence and Whither? Arkadiy Avdokhin, Space Oddity? A Praepositus Inscribing Power and Appropriating Cityscapes in Theodosian Constantinople Christoph Begass, Der Kaiser als Schutzwall. Epigraphische und topographische Untersuchungen zum Basileios-Epigramm aus Thessaloniki (AP IX 686) und zum sp tantiken Kaiserbildnis Salvatore Cosentino, Epigrafia e societ nella Sardegna bizantina (VII-XI secolo). Alcune osservazioni Estelle Ingrand-Varenne, Incorporating a Name in an Image and an Image in a Name. Comparison between Byzantine and Latin Traditions Sophia Kalopissi-Verti, Language, Identity, and Otherness in Medieval Greece: The Epigraphic Evidence Denis Kashtanov - Maksim Korobov - Vadim Ponaryadov - Andrey Vinogradov, Greek Letters as scriptura franca: Writing in Local Languages on the Northern Periphery of the Byzantine World Emmanuel Moutafov, Word and Image in the Church of the Ascension in Nesseb?r. The Role of Inscriptions for the Reconstruction of the Iconographic Programme of 1609 Giorgos Pallis, Texts and Their Audiences: some Thoughts on the addressees of Inscriptions in Middle Byzantine Churches in Greece Mustafa H. Sayar (unter Mitarbeit von Andreas Rhoby), Die Mosaikinschrift in Dara/Anastasiupolis aus dem Jahr 514 n. Chr. Anna M. Sitz, An Epigram for the Everyman? Strategies of Commemoration at a Cappadocian Tomb Christos Stavrakos - Dimitrios Liakos, Post-Byzantine Inscriptions, Traditions and Legends: Authentic or Fabricated?‎

‎Middle and Late Byzantine Poetry: Texts and Contexts‎

‎, Brepols, 2019 Paperback, vii + 413 pages, Size:156 x 234 mm, Illustrations:1 b/w, Language: English. ISBN 9782503578866.‎

‎Summary It is only in recent years that Byzantine poetry - a long-neglected aspect of Byzantine literature - has attracted the attention of philologists, literary and cultural historians. This holds true especially for the poetry written in middle and late Byzantium.Though many collections of poems are available in modern critical editions, a considerable amount of texts still remains completely unedited or accessible only in outdated and unreliable editions. Moreover, many works of this period have never been studied thoroughly with regard to their cultural impact on society. Issues of authorship and patronage, function, literary motives, generic qualities, and manuscripts still await further study. This volume aims to take a step to fill this gap. Although it includes studies on poetry from the early tenth to the fifteenth centuries, the main focus is placed on the Komnenian and Palaeologan times. It presents editions of completely unknown texts, such as a twelfth-century cycle of epigrams on John Klimax. It includes studies on various types of poetry, including didactic, occasional, and even poetry written for liturgical purposes. By analysing these works and placing them within their literary and socio-cultural context, we can draw conclusions about the cultural tastes of the Byzantines and acquire a more nuanced picture of middle and late Byzantine poetry. TABLE OF CONTENTS Nikos Zagklas & Andreas Rhoby, Introduction Part I: Studies in the Poetry of the Middle and Late Byzantine Period Section I: Forms, Perceptions & Functions Floris Bernard, Rhythm in the Byzantine Dodecasyllable: Practices and Perceptions Nikos Zagklas, Metrical Polyeideia and Generic Innovation in the Twelfth Century: The Multimetric Cycles of Occasional Poetry Section II: Authors & Texts Maria Tomadaki, The Reception of Ancient Greek Literature in the Iambic Poems of John Geometres Przemys?aw Marciniak & Katia Warcaba, Theodore Prodromos' Katomyomachia as a Byzantine Version of Mock-Heroic Epic Andreas Rhoby, The Poetry of Theodore Balsamon: Form and Function Krystina Kubina, Manuel Philes - A Begging Poet? Requests, Letters and Problems of Genre Definition Marina Bazzani, The Art of Requesting in the Poetry of Manuel Philes Section III: Hymnography & Its Contexts Theodora Antonopoulou, Imperial Hymnography? The Canons Attributed to Emperor Constantine VII Porphyrogenitus. With the critical edition of the First Canon on St John Chrysostom Dimitrios Skrekas, Translations and Paraphrases of Liturgical Poetry in Late Byzantine Thessalonica Part II: The Editio princeps of a Completely Unknown Text Renaat Meesters and Rachele Ricceri, A Twelfth-Century Cycle of Four Poems on John Klimax: Editio princeps, Translation and Commentary Renaat Meesters, A Twelfth-Century Cycle of Four Poems on John Klimax: A Brief Analysis‎

‎HEIDI KIPPENBERG‎

‎, Arnoldsche, 2021 Paperback, 96 pages, GER, 240 x 170 mm, NEU, ca 50 ill. in farbe. ISBN 9783897906389.‎

‎Heidi Kippenberg studied ceramics under Walter Popp, the legendary teacher at the Kassel Art Academy whose avant-garde work opened up new dimensions of form and expression for ceramic vessels. She internalized the aesthetic of Popp?s vessels and simultaneously gave them her own distinctive touch. Strongly twisted, thick-walled, sometimes mounted stoneware vessels, further enlivened by thick monochrome glazes and augmented with sign-like contrasting glazed accents, characterize her oeuvre. Later she was inspired by East Asian ceramics and began to build her vessels, assembling them from slabs, giving their surfaces a lively structure, and transforming them into decorative landscapes. An oeuvre spanning more than half a century can be admired!‎

‎Licht der Campagna: Die Zeichnungen Claude Lorrains aus dem British Museum London‎

‎Hamburg, Michael Imhof Verlag, 2017 Gebunden, 288 Seiten. 28.5 x 25 cm. Deutsch. ISBN 9783731906162.‎

‎Im Mittelpunkt der Ausstellung Das Licht der Campagna steht das zeichnerische Werk eines der bedeutendsten europ ischen Landschaftsk nstler: Claude Gell e, gen. Lorrain (1604/05-1682). Es ist die erste umfassende Pr sentation in Deutschland, die sich explizit dem zeichnerischen Werk Lorrains widmet. Das vielf ltige Oeuvre des aus dem heutigen Frankreich stammenden K nstlers, der als Maler und Zeichner beinahe sein ganzes Leben lang in Rom lebte und arbeitete, weist noch heute ca. 1.200 nachweisbare Bl tter auf. Die Ausstellung zeigt 90 hochrangige Feder- und Pinselzeichnungen aus dem Department of Prints and Drawings des British Museum, London. Die sorgsam ausgew hlten Bl tter stammen gr tenteils aus den ber hmten Sammlungen des Sir Richard Payne Knight und der Herz ge von Devonshire‎

‎Andreas Vesalius: Anatomy and the World of Books‎

‎London, Reaktion Books, 2024 Hardcover, 224 pages, 22 x 14.5 cm, Illustrated. *Fine. ISBN 9781789148527.‎

‎A revisionist biography of Andreas Vesalius - the father of modern anatomy - as deeply shaped by Renaissance culture. In 1543 the young and ambitious physician Andreas Vesalius published one of the most famous books in the history of medicine, On the Fabric of the Human Body. While we often think of dissection as destroying the body, Vesalius believed that it helped him understand how to construct the human body. In this book, Sachiko Kusukawa shows how Vesalius's publication emerged from the interplay of Renaissance art, printing technology, and classical tradition. She challenges the conventional view of Vesalius as a proto-modern, anti-authoritarian father of anatomy through a more nuanced account of how Vesalius exploited cultural and technological developments to create a big and beautiful book that propelled him into imperial circles and secured his enduring fame.'Kusukawa's vivid reconstruction of the making of Vesalius's Fabrica takes us deep inside the world of anatomical demonstrations, hospital postmortems, criminal executions, university lecture halls, humanist libraries and artistic and printing workshops. She explains how Vesalius thought about books, images and bodies, and his skill at instructing Renaissance readers how to look, touch, dissect and model the human body in order to learn from it. There is no better introduction to Vesalius.' - Paula Findlen, Stanford University'In this brilliant digestion of her earlier work, Kusukawa not only reconstructs 'the making' of Andreas Vesalius's masterpiece, Fabrica (and the book's reception and afterlife), but the making of the man himself. The 'founder' of modern anatomy we see in full context, reliant on his peers, his readers and his students in the production of his masterpiece. He is also shown to be a canny negotiator with artists and printers in the making of the book's famous images. Ultimately Andreas Vesalius: Anatomy and the World of Books compels engagement with the construction of the 'truthfulness' of all scientific images, then and now. This is historical anatomy and provocation at its arresting best.' - Claudia Stein, University of Warwick‎