Disentis, Pro Helvetia / Editions Desertina, 1989. In-8, plein skyvertex avec titre doré. En belle condition. Abondante iconographie en noir et en couleurs.
Au sommaire: Sites et structures de l'habitat - Les places fortes - La maison et la ferme - Le village - La ville - La ville éclatée.
JF Editions, Genève, 2014. Grand In-4, relié, 131 pages, toilure lin d'éditeur, sans jaquette, bilingue français-anglais. A l'état de neuf. Nombreuses photos en couleurs ainsi que des plans et coupes des objets concernés.
16 projets de rénovation d'immeubles anciens, parmi lesquels l'Hôtel de la Poste à Sierre (et sa magnifique véranda), le Palais de Justice à Sion, l'Ecole primaire de Vollèges ou encore la construction de la passerelle sur le Rhône du Bois de Finges.
Fribourg, Saint-Paul 2014, 325x245mm, 138pages, cartonnage de l’éditeur.
photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
1968 Paris, CRU, 1968, 206x145mm, 192p., broché sous couverture imprimée.Préface de Gabriel Marcel, illustrations photographiques et plans. Bel exemplaire.(103602)
Phone number : +33 1 48 01 02 37
Genève, Slatkine 1983, 305x220mm, 161pages, reliure d'éditeur. Très bel exemplaire.
219 planches en n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
, David Zwirner , 2018 Hardcover with dusjacket, 490 pages 253 x 334 x 67 . ISBN 9781941701614.
The Luc Tuymans Catalogue Raisonne of Paintings is presently being prepared. The publication will illustrate and document approximately 500 paintings by the artist from 1975 to the present day. Each work will be accompanied by detailed information about its origin, provenance, exhibition history, and a bibliography, in addition to extensive supporting material. ?This first volume in a catalogue raisonne of Tuymans's paintings surveys nearly 200 works that were vital to his artistic development. The years 1978 to 1994 witnessed the maturation of his signature method of painting from preexisting imagery-such as magazine images, Polaroids, and television footage-as well as his first solo exhibition. This publication is a testament to Tuymans's persistent assertion of the relevance and importance of painting-a conviction that he maintains even in today's digital world, when his work continues to be a touchstone for artists and scholarS
, David Zwirner , 2019 Hardcover with dusjacket, 456 pages 253 x 334 x 67 . fine ISBN 9781941701959.
The third volume of a catalogue raisonn of Luc Tuymans?s paintings, surveying nearly two hundred works, charts the artist?s investigation into painting?s relationship to history and technology. Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The Internet, in particular, is central to these works as well as the screen?leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist?s continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans?s recent paintings. This volume includes an editor?s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans?s persistent assertion of the relevance and importance of painting?a conviction that he maintains even in today?s digital world, when his work continues to be a touchstone for artists and scholars.
, David Zwirner , 2019 Hardcover with dusjacket, 456 pages 253 x 334 x 67 . fine ISBN 9781941701959.
The second volume of a catalogue raisonn of Luc Tuymans's paintings, Over the course of four decades, Belgian painter Luc Tuymans has created his own distinctive vernacular, a new visual vocabulary. The second volume in a catalogue raisonn of Tuymans?s paintings surveys nearly two hundred works, including some of his most iconic canvases. Between the years 1995 and 2006, Tuymans?s work trended toward ideas of national and collective memory. In 1996, the artist created a group of ten paintings entitled The Heritage, for which he transformed familiar images of American life, such as Mount Rushmore, baseball caps, and the United States flag, into unsettling visions, addressing the country?s perceived vulnerability, both physical and psychological, following the 1995 Oklahoma City bombing. Paintings from Mwana Kitoko: Beautiful White Man, his seminal body of work that was first shown at David Zwirner, New York, in 2000, after which he expanded the series for his presentation for the Belgian Pavilion at the Venice Biennale in 2001, depict imagery derived from the fraught history of Belgian colonial rule of the Democratic Republic of the Congo. Also included is one of Tuymans?s best-known paintings, The Secretary of State (2005), a powerful yet seemingly vulnerable portrayal of Condoleezza Rice, which conjures the long history of racial and sexual prejudice in the United States, not as something that has been overcome, but as an active force shaping our reality. This volume includes an editor?s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans?s persistent assertion of the relevance and importance of painting? a conviction that he maintains even in today?s digital world, when his work continues to be a touchstone for artists and scholars.
Luzern, Buchdruckerei Keller 1912, 290x225mm, 59Seiten, Halbperkalin mi Eckbeschlägen. Schönes Exemplar.
Text- und ganzseitigen Abbildungen, XIII Kunstblätter s/w, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
, Fonds Lucien De Roeck, 2011 Gebonden, Hardcover met stofomslag compleet.50 pag. volblad illustraties. ISBN 9782960104226.
tekenkunst de Roeck, Lucien Plaatwerk. Prentenboek. Fotoboek
Bruxelles, 1851. Large folio. Contemp. blank clothbacked boards. (6) pp. and 7 lithographede plates (1 in chromolithography: La caserne du Petit Chateau, Vue prise du Boulevard exterieur).
Köln, Benedikt Taschen, 1995; in-4 softcover, 176 pp, illustrations. In english-french & german. Cover in good condition, inside very good.
Köln, Benedikt Taschen, 1995; in-4 softcover, 176 pp, illustrations. In english-french & german. Ex-dono (writing) on 1st page. Cover in good condition, inside very good.
Taschen Taschen, 1994. In-4 broché, couverture illustrée et à rabats de 176 pages. Très belles photos couleurs. Parfait état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Lausanne, Imp. centrale S.A., 1937, in-folio, 22 gravures sur bois dans des pochettes illustr. et avec une ff. de texte, envoi signé par l'artiste en 1937, non relié en feuilles dans la brochure originale. (coiffe de la couverture lég. froissée).
L'ensemble se trouve souvent incomplète. Les églises montrent: St. François, Begnins, Bursins, St. Prex, St. Sulpice, Les Bioux, Bretonnieres, Romainmotier (2 grav.), Coppet, Orbe, Grandson, Ressudens, Payerne, Curtilles, Thierrens, St. Saphorin, Lutry, Belmont, Pully, St. Francois et Coppet.
Phone number : 41 (0)26 3223808
1977 Koln, Rheinland-verlag, 1977, 21 x 30 cm, 136 pp , état neuf, couverture illustrée en N et B ,
Arbeitsheft : 23.
M. E. DENTU / M. PIERRE PETIT. NON DATE. In-Folio. Relié demi-cuir. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 480 pages. Dos cuir marron à 4 nerfs. Titres dorés. Toile marron sur les plats. Nombreuses gravures en noir et blanc dans et hors texte. Texte sur 3 colonnes. Epidermures.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
A. Dumas, Paris 1924. In 8°, broché, 189 pages. Nombreuses planches hors textes et dépliantes en appendice. Épidermures sur couverture et premières pages. Intérieur très bon. Dos satisfaisant mais bénéficierait d'une reliure. Bon exemplaire
H. DE J. THOMAS, S.A.. NON DATE. In-12. Broché. Etat passable, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Premier plat illustré en couleurs. 48 pages de photos noir et blanc. Quelques pages de texte en espagnol, français et anglais.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
1888 TOURS, L. Pélicat - 1888 - In-8 - broché - VII-134 pages, dont table des planches au nombre de 7 dont 2 grandes dépliantes (usure à 1 planche) - Ex-libris Gwenc'han Le Scouezec - Bon exemplaire - envoi rapide et soigné
- Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148
"... M. Griaule J. Nougayrol R. Bloch P. Lévy J. Daniélou J. David-Weil A. Chastel"
Reference : 14254
(1953)
"1953. Paris Éditions des Musées Nationaux Musée Guimet 1953 - 2 vol. brochés 15 5 cm x 22 cm 106 pages+ XLVII planches Illustrés - Textes de J. Nougayrol R. Bloch P. Lévy J. Daniélou J. David-Weil A. Chastel M. Griaule ... - Quelques passages soulignés au stylo état correct"
HACHETTE. 1957. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 107 pages. Jaquette illustrée en couleurs, abîmée (réparation de déchirures au ruban adhésif). Nombreuses photos en noir et blanc héliogravées, par Célestin Louis le Goff.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Envoi des auteurs et du photographe sur la page de faux-titres. Classification Dewey : 720-Architecture
IMP. CLERC. Non daté. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. Plaquette de 24 pages. Quelques planches de photos en noir et blanc. Nombreux passages soulignés dans lae texte, au crayon à papier. Dos fendu.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
H. LAURENS. 1957. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 140 pages. Couverutre contrepliée illustrée en couleurs. Nombreuses héliogravures en noir et blanc dans et hors texte. Un plan en noir et blanc.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Brepols - Harvey Miller, 1996 paperback. 90 pages ., 8 ill., 160 x 240 mm, Languages: English, Fine copy. Including an index. ISBN 9782503360768.
This study aims at providing a comprehensive overview of the scholarship on medieval stained glass windows.<br>This study provides an up-to-date overview of the scholarship on a single source material, stained glass. Included are an extensive bibliography, and brief chapters on the nature and development of this medium, the technique of making a window in the middle ages, post-medieval reception and documentation, and the historical significance of windows. Most examples are chosen from English or French sites, though the reference material is comprehensive; for instance, the bibliography includes all the catalogues published by thirteen countries in the Corpus Vitrearum series. The author guides the reader to recent literature on medieval attitudes to glass as a window material, the encoding of exegetical and theological systems, the structuring of narrative, and the function of windows as luminous altar-pieces or as memorials. Researchers are invited to cull from windows information concerning technology, latinity, piety, heraldry and genealogy, dress, and attitudes to class and gender. In order to understand the present condition of windows, brief accounts are given of iconoclasm, early restoration practices, and patterns of collecting. There are nine black and white illustrations that serve to clarify technical details; one of them, illustrating the paint layers in a group of twelfth century heads, was drawn especially for this book. The author, Madeline H. Caviness, is Mary Richardson Professor and Professor of Art History at Tufts University, and served as President of the International Board of the Corpus Vitrearum from 1987 to 1995. Her last book, The Sumptuous Arts at the Royal Abbeys in Reims and Braine (1990), was awarded the Haskins Medal of the Medieval Academy of America for 1993.<br>Review<br>"There is no one more qualified to present an overview of current scholarship in the field of stained glass studies than Madeline H. Caviness. (...) the present volume is a welcome addition to anyone's library of reference tools and pedagogical resources." (H. M. Sonne, in: The Medieval Review, 99.01.07)