Brussel, UitgeverMinisterie van de Vlaamse Gemeenschap, Departement LIN, AROHM, Afdeling Monumenten en Landschappen en Vlaams Instituut voor het Onroerend Erfgoed, 2007 Softcover, 117 pagina's, 20.6 x 14.9 cm. ISBN 9789075230246.
Anvers -Antwerpen, De Distel / Maeyens, Original publishers paper-covered boards, 67 pages, Illustrated. 22x15cm *Tres bon etat!!.
Mesure et proportion cours de propotion a l'usage du dessin de la figure humaine avec de nombreuses reproductions des canons les plus importants
, Brepols, 2023 Paperback, 528 pages, Size:178 x 254 mm, Illustrations:1 col., 1 tables b/w., Language: English. ISBN 9782503600338.
Summary The volume deals with the issue of translation automatisms in early vernacular texts predating 1650. It introduces the novel concept of ?translation clusters', first defined in machine translation theory, but equally considering a wider array of situations that involve ?translation units', ?language automatisms', ?culturemes', and ?formulaic borrowings' in vernacular texts. Contrary to contemporary languages, where translation units, clusters, and automatisms appear frequently due to the influence of standard language varieties or dialects, the vernacular idioms of the Middle Ages and Early Modern period are often pluricentric. Consequently, automatisms are limited to specific cases where diachronic, diatopic, diastratic, and diaphasic variants align similarly in two otherwise different translations. This is a crucial topic for philology, as it can explain accidents that ecdotic methods tend to mistake for variant readings of a single ?redactio'. The volume aims to determine the organic interplay between three primary situations in which common coincidences between translations or texts occur. Firstly the volume explores the shared elements resulting from the transfer of textual units between multiple translations or adaptations (quotations, corrections, formulas). Secondly chapters study the shared elements arising from the existence of a common source text (translation clusters, based on translation units); and lastly, the volume questions the fixed, inherent, and unchangeable aspects of the target language (language automatisms, often coinciding with translation units). The chapters of this volume focus on numerous vernacular languages and a multitude of case studies, with a particular emphasis on biblical translation?a cornerstone of contemporary translation studies. The chapter format encourages diverse perspectives to push the boundaries of philology, translation studies, and ?vernacular theologies?.
, ABRAMS 1996, 1996 Hardcover, 239 pages, English, 290 x 250 mm, very richly illustrated with coloured illustrations, , Fine copy. ISBN 9780810933941.
This is a complete catalog of the 259 golden artifacts excavated by Heinrich Schliemann when he identified the site of Troy in the late 19h century. Once housed in the Berlin Museum, this fabulous treasure was taken by the Soviets when they reached Berlin in 1945, and eventually consigned to the Pushkin State Museum of Fine Arts. The text contains a biography of Schliemann, the history of the archaeological dig, and a historic and descriptive commentary on each object, including finely wrought golden bowls, jewelry, figurines, hammer-axes, and crystal lenses. Introduction by Irina Antonova. Translated from the Russian by Christina Sever and Mila Bonnichsen.
, Gemeentekrediet, 1990 softcover originele geillustreerde uitgeversomslag, 21x28cm, 64pp, geillustreerd z/w. ISBN 9789051300543.
MAISON QUANTIN / BIBLIOTHEQUE DE L'ENSEIGNEMENT DES BEAUX ARTS. 1888. In-8. Broché. Etat d'usage, Couv. légèrement passée, Mors fendus, Non coupé. 304 pages. Premier plat illustré en bleu. Nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Paris, Telleri, 1998, 159 p., rich. ill., cartonnage original, ill.
Phone number : 41 (0)26 3223808
, Etude du Texte et des Miniatures par. Paris, Bruxelles, New York: , 1929 Booklets filled covers, 262 pp. (8) XX coloured plates & 102 plates. Complete set in 2 vols. Folio.
Printed in 900 copies sur papier V lin Fort Exemplaire No. 859.
, BREPOLS, 2001 softcover 328 pages., 207 b/w ill., 210 x 297 mm, Languages: English. Fine copy. ISBN 9782503511443.
These are the revised papers delivered at the Antwerp Van Dyck colloquium, 1999, dealing with aspects of biographical evidence, technique, style and iconography within the wider framework of Van Dyck?s life and work. The Van Dyck year 1999 and the various exhibitions organized in Antwerp on that particular occasion enabled both the Wetenschappelijk Onderzoeksgemeenschap Vlaamse Renaissance- en Barokkunst and the Rubenianum to organize an international colloquium in the painter?s birthplace, from 17 to 19 May, 1999. The main aim of this event was to get a clearer picture of the actual state of research on the various aspects of an artistic personality that is fascinating in so many ways. It was a great pleasure to find so many scholars prepared to present their conclusions and ideas in the form of specific case studies. They discussed aspects of biographical evidence, technique, style and iconography within the wider framework of the painter?s life and work. They also shed new light on Van Dyck?s personality, influence and fame. The here published acts of the Antwerp Van Dyck colloquium contain the revised and updated texts of twenty lecture. "Auch in formaler Hinsicht hat Hans Vlieghe den Band mit der im Umkreis des Antwerpener Rubenianums ublichen Sorgfalt herausgegeben. Brepols Publishers, der in Publikationen zur flamischen Kunst seit Jahren Massstabe setzende Verlag, hat das seine dazugetan, ein in Lay-out und Abbildungsqualitat Forschung zur flamischen Kunst sicher sein durfte." (U. Heinen in Sehepunkte, 3 (2003), nr. 1, 15.01.2003)
, Yale University, 1998 Hardcover with dusjacket, 339 PAGES ILL. ENGLISH TEXT. ISBN 9780300070385.
This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700, the years between the separation of the Southern from Northern provinces and the end of Spanish rule. Eminent Flemish art historian Hans Vlieghe examines the development of Flemish and specifically Antwerp painting, the activity and influence of Rubens and such other leading masters as Van Dyck and Jordaens, the Antwerp tradition of specialization among painters, and the sculpture and architecture of this period. He also describes the socioeconomic and political conditions that facilitated the rise, evolution, and expansion of Flemish art, focusing particularly on the Counter Reformation, which stimulated construction and decoration of new churches according to rules set out by the Council of Trent. In the first half of the seventeenth century, Antwerp painting rapidly became one of the highlights of Baroque art. This was clearly linked to the activity of Rubens, who was immensely important not only for the astonishing stylistic quality of his work and for his enormous influence on several generations of painters, but also for his workshop practice modeled on the Italian method and his ability to familiarize others with Italian Renaissance and Early Baroque art. Yet Rubens's work can only be understood fully in the context of the Antwerp tradition. Vlieghe organizes the book around the pictorial categories of Antwerp's specialists--monumental history, cabinet history, portrait, genre, landscape and architectural, still life, animal and hunting scenes--and discusses the contributions of well known and lesser known artists to each type of painting.
, Bruxelles, Arcade, 1972, 2 volumes dans une cassette, relie en toile rouge au imprint dore sur le dos, jacquettes illustrees, 180 x 270mm., pp. 1 - 334 + 335 - 367 et 251 planches en b/n.
Monographies du Nationaal centrum voor de plastische kunsten van de XVIe en XVIIe eeuw IV. Premier tirage: 1000 exemplaires. Etat tres bon.
Augsburg, bey Matthäus Riegers sel. Söhnen, 1779, kl. in-8vo, 92 S. + 2 Bl. (Inhalt) + 15 gef. Kupfertafeln, vereinzelt etwas fleckig, Ex-Libris (Rudolf) Otto Bertschinger (1882-1942), (Friedrich Teubel sc. - 1884 -1965), Original-Pappband d. Zeit, berieben.
Phone number : 41 (0)26 3223808
Harlingen, A. Land 1905 40 platen losbladig in portefeuille van uitgever (gecart., bruinlinnen rug, wat slijtage aan randen en hoeken, met drie sluitlinten) & bijlage met 63pp. tekst (gebrocheerd), 35x31cm., goede staat, gewicht: 1.5kg., los bijgevoegd: prospectus (6pp.), V116548
Vézelay, François Vogade, 1992. 24 x 30, 148 illustrations en N/B, 7 illustrations en couleurs, 1 carte, 1 plan, broché, très bon état.
"Introduction de Louis Hautecoeur; Photographies d'Auguste Allemand."
1965. In-4 cartonnage ill. Introduction de Louis Hautecoeur. "Historique" en français, en anglais et en allemand. Nombreuses photos en noir. Très bon état.
, Adam Biro,, 2000 hardcover, Couverture reliee sous jaquette 312 pages, Illustrated, .In-4. 28,5 x 23,5 x 4 cm, Iconographie en couleurs et en noir, hors et dans le texte. ISBN 9782876602588.
Les sculptures des Baoul de C te-d'Ivoire sont depuis longtemps reconnues en Europe et aux Etats-Unis parmi les plus importantes des oeuvres artistiques africaines.Susan Vogel qui a partag la vie des artistes depuis plus de 25 ans nous livre une analyse des relations toites qui existent entre l'art et la vie quotidienne des Baoul s
Aachen, 1987 391pp., with 91 bl/w illustrations, 21cm., softcover, text in German, Doctoral dissertation (Von der Philosophischen Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen zur Erlangung des akademischen Grades eines Doktors der Philosophie genehmigte Dissertation), stamp at verso of title page, text is clean and bright, good condition, S109528
In 8 broché, couverture rempliée, faux-titre, frontispice en couleurs, titre, XI-119 pages, illustrations hors-texte en couleurs, certaines dépliantes de jean RIGAUD, Librairie Aristide QUILLET Paris 1953. Edition numérotée sur Vélin Très bon état
Fribourg office du livre Fribourg office du livre 1965. In-8 oblong, couverture illustrée de 192 pages. Nombreuses photos et plan. Bon état
Architecture universelle. Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
OFFICE DU LIVRE. VERS 1965. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages - nombreuses photos en noir et blanc hors texte - quelques plans en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Texte par Ulya Vogt Goknil - Photos par Eduard Widmer - Préface par Jurgen Joedicke . Classification Dewey : 720-Architecture
VOGT-GOKNIL ULYA / WIDMER ED.(texte et photos de)
Reference : R320093867
ISBN : 2826401254
OFFICE DU LIVRE. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages augmentées de nombreuses illustrations et Plans en noir et blanc dans et hors texte -. . . . Classification Dewey : 720-Architecture
PREFACE PAR JURGEN JOEDICKE Classification Dewey : 720-Architecture
Paris, Chêne, 1975 ; in-4, cartonnage entoilé, jaquette en couleurs. Nombreuses reproductions en noir et en couleurs, cartes.
Excellent état.
Paris, Chêne 1975, 310x250mm, 251pages, reliure d'éditeur sous jaquette. Bel exemplaire.
photos couleurs et n/b, richement illustré, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Chêne, coll. « Les hauts lieux de l’architecture » 1975 In-4 relié. 251 pages. Jaquette en bon état. Très bon état d’occasion.
Très bon état d’occasion
Alger Chêne 1975 grand in 4 (30,5x24,5) 1 volume reliure toilée verte de l'éditeur, jaquette illustrée remplée, 251 pages, avec de nombreuses photographies en noir et blanc, et en couleurs, photographies par Henri Stierlin et Eduard Widmer. Collection "Les hauts lieux de l'architecture". Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Très bon Couverture rigide