‎B.last . de naschok van het abstracte = le contrecoup de l'art abstrait.‎

‎, Pandora, 2016 Hardcover, 130 pages, Illustrated. 200 mm x 270 mm, nieuw. NL / FR. ISBN 9789053254165.‎

‎B.last De tentoonstelling B.LAST brengt een eeuw Belgische abstractie bekeken vanuit de ziel, zonder het kunsthistorische pad te volgen. Het is een passioneel parcours zonder gebondenheid, spelend met een bevrijdende gedachte waarmee de eerste avant-gardegroepen overtuigend het begrip abstractie kneden.L'exposition B.LAST pr sente un si cle d'art abstrait belge, vu travers l' me, sans suivre la route de l'histoire de l'art. Il s'agit d'un medley artistique qui introduit une pens e lib ratoire qui, chez les premiers groupes d'avant- garde, a permis d'asseoir solidement la notion de l'art abstrait. Pierre Alechinsky, Jozef Peeters, Georges Van Tongerloo, Victor Servranckx, Bram Bogaert, Luc Peire, Ilse d?Hollander et Raoul De Keyser.‎

‎Frankreich. Die Entwicklung der neuen Ideen nach Konstruktion und Form.‎

‎Wien, Schroll, 1930. 4°. 132 Seiten. Mit zahlreichen Illustr. im Text. Orig.-Leinenband mit illustriertem Schutzumschlag.‎

‎Band 3 aus der Seirie «Neues Bauen in der Welt», herausgegeben von Joseph Gantner. – Der Schutzumschlag knitterfaltig, berieben und mit Fehlstellen. Die Vorsätze gebräunt.‎

‎"Merveilles des Palais Italiens (Collection ""Réalités"")"‎

‎Hachette. 1968. In-Folio. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 302 pages. Nombreuses photos et illustrations en noir et blanc et en couleurs, dans et hors texte. Jaquette passable.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎"Collection ""Réalités"". Classification Dewey : 720-Architecture"‎

‎Merveilles des palais italiens ‎

‎ 1968 Paris HACHETTE Réalités 1968, Reliure toilée éditeur, 300 pages tres illustréesen noie et couleurs. Bon état. ‎

‎Projet d'une église pour la ville de Rambouillet. Projet de M. Gion extrait de la publication mensuelle Croquis d'architecture, Intime-club.‎

‎- Planche autographiée. 35 x 55 cm.‎

‎Vieux papier. Croquis d'architecture, Octobre 1866.‎

‎Projets de tombeau à J. Court, peintre d'histoire. Planche extraite de la publication mensuelle Croquis d'architecture, Intime-club.‎

‎- Planche autographiée. 35 x 55 cm.‎

‎Vieux papier. Croquis d'architecture, Décembre 1866.‎

‎Gli incrociatori della seconda guerra mondiale‎

‎ 1974 Ermanno Albertelli editore - 1974 - Fort in-4, cartonnage toilé bleu sous jaquette illustré en N&B de l'éditeur - 519 p. - Très riche iconographie in et hors texte en N&B - Ouvrage en italien‎

‎Bon état - Jaquette sous couverture plastifiée transparente ‎

‎Now we have seen. Women and Art in 1970s Italy ‎

‎Milano, Silvana, 2024 Hardback with photo, 128 pages, 27.5 x 21 cm. 59 illustrations. English text. New. ISBN 9788836656646.‎

‎This edited volume examines the relationship between women and art in 1970s Italy. Drawing inspiration from a phrase in the Manifesto di Rivolta Femminile (1970) - "we have been looking for 4000 years: now we have seen!" - it investigates how women artists became increasingly aware of a need to accelerate the pace of change, as declared through the verbs "to look" and "to see" - verbs that connote a shift from the passive to the active.‎

‎I generi letterari in Properzio: modelli e fortuna. Proceedings of the Twenty-Second International Conference on Propertius, Assisi - Spello, 24-27 May 2018‎

‎, Brepols, 2020 Paperback, 408 pages, Size:156 x 234 mm, Languages: Italian, Spanish. ISBN 9782503589268.‎

‎Summary Tra Omero e Virgilio, passando attraverso la tragedia, l'epos enniano, l'epigramma e il registro epigrafico, la tradizione etiologica e didascalica e la formularit giuridica, la silloge properziana guadagna grazie a questo XXII Convegno una nuova primazia nel macrotesto augusteo. La sua poetica appare meno rettilinea, ma pi dialogante, alla ricerca di una via per uscire dalla gabbia dello stereotipo erotico: e se non cos 'difficile' come in passato risulta la sua adesione alle direttive augustee, pi ricca appare la strumentazione posta in atto da Properzio per nutrire la propria vocazione, per cercare una strada autonoma: far risuonare nella propria la voce virgiliana ma con un mutato orientamento, una nuova discorsivit . Del resto, dobbiamo prepararci a pensare in termini rinnovati o perlomeno pi definiti lo stesso personaggio Properzio: un Sesto Properzio finanzia in et augustea o giulio-claudia la costruzione in Assisi di un teatro probabilmente legato alla Domus Musae. Cos , la prosopografia properziana si profila strettamente intrecciata alla storia della letteratura di et imperiale, e pu gettare luce anche sui possibili consumatori di poesia elegiaca. TABLE OF CONTENTS Premessa Properzio in Assisi e a Roma (Giorgio Bonamente) Tra genere letterario e ideologia politica: tradizioni e riletture storiche in Properzio 4, 6 (Roberto Cristofoli) Ad coniugem suum, da Properzio a Ovidio (Rosalba Dimundo) Properzio e l'epos virgiliano. Dall'annuncio al ricordo (Paolo Fedeli) Varcare i confini? 'Palinsesti didascalici' nel terzo libro delle Elegie di Properzio (Luciano Landolfi) L'epos latino arcaico e Properzio (Paolo Mastandrea) Influssi della tragedia attica sull'elegia di Properzio (Maria Pia Pattoni) Propercio y la poes a etiol gica: del servitium amoris al servitium patriae (Arturo R. lvarez Hern ndez) Scribenda mihi lex in amore novo: il linguaggio del diritto in Properzio (Paola Pinotti) Properzio e l'epigrafia (Giovanni Polara) Il 'tempo della bellezza' e la legge della forza: l'epos omerico in Properzio (Gianpiero Rosati) Aristofane e 'le aristofaniche fantasie' nel corpus elegiaco di Properzio: porte sbattute, muraglie celesti, morti che rivivono (Carlo Santini) L'arte nella poesia di Properzio (Andrew Wallace-Hadrill) Considerazioni conclusive (Gianluigi Baldo)‎

‎Luoghi, ambienti, immagini: il paesaggio in Properzio. Proceedings of the Twenty-Third International Conference on Propertius, Assisi - Trevi, 27-29 May 2021‎

‎, Brepols, 2023 Paperback, 392 pages, Size:156 x 234 mm, Illustrations:10 b/w, 15 col., Language: Italian. ISBN 9782503605814.‎

‎Summary With an investigation into the landscapes and environments - real, topical, imaginary, recalled and traversed by Propertius' elegies - the contributors focus on the poet's complex relationship not only with the images of the literary tradition and with those of artistic culture, but also with the images Rome, Italy and the Mediterranean offered him in his days. This results in the outlines of an original ?imaginary' in which the power of personal creation has given Assisi, Rome and the Empire a form going beyond the limits of time and space. TABLE OF CONTENTS Premessa e saluti Giorgio de Chirico, il latino e la poetica della lingua morta. Arte e letteratura (Paolo Baldacci) Properzio nella canzone d'autore (Eleonora Cavallini) Cogor ... e tabula pictos ediscere mundos (Prop. 4,3,37). Scenari properziani di guerra nell'immaginario femminile (Rosalba Dimundo) Properzio e il paesaggio di Roma, dalle origini alla citt augustea (Paolo Fedeli) Properzio, il paesaggio del sogno (Luciano Landolfi) Omnia vertuntur: ruinae e vestigia di citt nel periodo Giulio-Claudio (Massimiliano Papini) Properzio e la campagna che non c' . Sul tema del paesaggio agricolo nelle elegie properziane (Raffaele Perrelli) Il paesaggio delle laudes Italiae (Paola Pinotti) Vertumno e il paesaggio: dall'antichit a Josif Brodskij e a Sebastiano Vassalli (Diego Poli) Gli Etruschi, l'ambiente e il Vertumno di Properzio (Francesco Roncalli) Il paesaggio del mito (Gianpiero Rosati) Il paesaggio amministrativo della Valle Umbra nell'et di Properzio (Simone Sisani) Il paesaggio dell'Oltretomba (Fabio Stok) Considerazioni conclusive. Le elegie di Properzio ovvero storie dalla donna-mondo (Andrea Cucchiarelli)‎

‎Giorgio de Chirico: il ritratto : figura e forma‎

‎, Maretti, 2013 Softcover, 191 pag. ENG / ITA, 280 x 235 x 15 mm, as New, illustrated in colour / b/w. ISBN 9788889965337.‎

‎Nel suo lungo e complesso viaggio artistico, Giorgio de Chirico ha rappresentato, in modo solo apparentemente paradossale, sia il pittore della scomparsa del volto umano nei volumi ovali e lisci dei manichini, che il pittore dell'autoritratto, ripetuto innumerevoli volte in una serie di variazioni sul tema. I suoi autoritratti legati al mascheramento, al doppio, all'epigrafica comunicazione di messaggi, hanno, infatti, attraversato il secolo scorso scandendone il gusto e le visioni, fino al dialogo con la grande pittura del passato. Cos nell'opera di de Chirico il volto scomparir e riapparir , sar parafrasato dai suoi doppi marmorei e dai suoi simulacri da atelier di sartoria e da palestra, ritrover il passaggio del tempo sul volto dell'artista e si trasformer nella ripresa al di l del tempo di volti gi dipinti, da secoli dissolti nella polvere e condensati nella memoria fluida e immobile della pittura. Tutto questo ha tuttavia una costante comune: quell'aspetto spettrale delle persone e delle cose che, secondo de Chirico, solo l'artista metafisico col dono della profezia capace di cogliere.‎

‎PEINTURE FLAMANDE ‎

‎, Officine Grafiche Ricordi, 1962 Hardcover, 12 planches, Francais, 345 x 245 mm, Illustrations, Prima condition! 1962 !.‎

‎Jan van Eyck "Guovanni Arnolfini" R. van der Weyden "La nativit " Petrus Christus "Saint Eloi et les deux fianc s" T. ou D. Bouts "vierge l'enfant" G rard David "repos pendant la fuite en Egypte" Hans Memling "annonciation de la vierge" H. van der Goes "l'adoration des bergers" Justus van Gent "la communion des ap tres" Hieronymus Bosch "Le jardin des d lices" Peter Bruegel "Au pays de Cocagne" P.P. Rubens "Paysage avec un arc-en-ciel Anton van Dyck "Piet "‎

‎Pablo Picasso. 347 immagini erotiche‎

‎, Mazzotta /, 1982 Hardcover with dusjacket, 138 pages, 22x21cm Illustrated with 347 images, Italian Text. In FINE condition!!. ISBN 8820205076.‎

‎Galleria Bergamini, Studio Marconi, Galleria Seno‎

‎Ecole du personnel Soignant Fribourg. / Krankenpflegeschule Freiburg.‎

‎Fribourg, Studio ARP (J-M. Giossi-B. Maillard), s. d., vers 2008, in-4to, p. n. n., env. 46 p., richement ill. de photographies couleurs de J.-M. Giossi et B. Maillard, cartonnage original.‎

‎Architectes: Jean-Luc Grobéty, Pascal Clozza, Hervé Romanens. ‎

‎Giotto.- Les fresques de la Chapelle Serovegni de Padova. Architecture des couleurs et des formes.‎

‎Paris, New York, Guillaud Ed., 1987, in-4to, 308 p. richement ill. en couleur, reliure en toile originale avec jaquette.‎

‎I bronzi di Riace. Restauro come conoscenza‎

‎Roma, Artemide, 2002 3 volumes in case, 484 pages, 27.5 x 21 cm. Italian. Volume 3 has a creased spine. ISBN 9788886291736.‎

‎I bronzi di Riace. Restauro come conoscenza‎

‎Triumphal Entries and Festivals in Early Modern Scotland. Performing Spaces‎

‎, Brepols, 2020 Hardback, 349 pages, Size:178 x 254 mm, Illustrations:45 b/w, 23 col., Language: English. ISBN 9782503585413.‎

‎Summary This book offers unprecedented insights into the richness of Scottish culture in the early modern period, studying triumphal entries - that is, processional civic welcomes offered to royal guests - staged in Edinburgh in the period between 1500 and the Wars of the Three Kingdoms. Based on a comprehensive and imaginative analysis of the written and archival sources available for these events, it also brings renewed attention to the country's artistic, architectural, and literary traditions. The analysis of comparable events staged in England and continental Europe - in France, the Italian peninsula, and the Low Countries - helps frame Scotland's distinctiveness within a network of international connections. The book explores how the urban space of early modern Edinburgh was employed with changing fortunes to address potentially explosive power dynamics, expressed by civic and royal, secular and religious (pre and post Reformation), Scottish and post-1603 pan-British worldviews. Scottish triumphal culture is presented as profoundly embedded in the urban context within which it is set, rich in politicised rituals of negotiation and mutual acknowledgement, and visually vibrant through temporary structures, decorations, pageants, and costumed performers. This book offers a well-rounded answer to the still relevant question of Scottish identity, and how identity and power - individual, communal, national, royal - can be performed through active engagement with civic space. TABLE OF CONTENTS Acknowledgements List of Illustrations Chapter I. Introduction to Edinburgh as a Ceremonial City Chapter II. The Outdoors: Wilderness and Taming Nature Extramural Nature and Edinburgh's Surroundings Triumphal Entries: Nature and the Outdoors Burgh's Rights: The Otherness of Outside Space Addressing Local and International Views of Scottish Nature The Triumphal Route: The Role of Nature Wild Men and Highlanders in Scottish Ceremonies Extramural Sites and the Use of Chivalric Language Chapter III. The West Port: The Meeting of Royal and Civic Identities The West Port Triumphal Entries: Gateways and Urban Borders Burgh's Rights: Defence and Identity The Triumphal Route: Approaching the West Port Absent Royal Residences: The Castle and Holyrood Palace Ceremonies of Negotiation and Gift-Giving Thresholds, Fabric, and Spaces of Portable Royalty Chapter IV. The Overbow: Discovering and Creating History The Overbow The Triumphal Route: A Tour through History Romanitas in Scottish Triumphal Entries Representing an Alternative Past The Legitimizing Power of Shared History Chapter V. Butter Tron: Representing a Mercantile Community The Butter Tron Triumphal Entries: Representing Local Economy Burgh's Rights: Producing and Trading The Triumphal Route: Visiting a Productive Community The Burgh as Organiser and Host Inhabiting the Productive Space; Identity during Triumphal Entries Spectators: Inclusion and Exclusion Chapter VI. Tolbooth, St Giles Kirk, and the Market Cross: Displaying and Defending Government and Authority The Tolbooth, St Giles Kirk, and the Market Cross Triumphal Entries: The Role of Core Buildings Burgh's Rights: Secular and Religious Self-Determination Tolbooth and Representations of Virtuous Judgement St Giles Kirk and Religious Identities The Triumphal Route: Addressing Stability and Change Market Cross: Concord, Abundance, and Merriment Chapter VII. The Salt Tron: Some Iconographic Considerations The Salt Tron The Triumphal Route: Selecting Iconographies The European Dimension of Scottish Triumphal Language Triumphal Entries and Courtly Ceremonies Triumphal Language in the Context of Scotland's Artistic Production Chapter VIII. The Netherbow: Expectations and Outcomes The Netherbow Farewells and Predictions at the Exit Gateway The Triumphal Route: Visiting Extramural Communities Non-Royal Processions and the Urban Spaces Welcoming Monarchs in Edinburgh after 1633 Index of Stewart Triumphal Entries Index of Triumphal Stations in Edinburgh General Index‎

‎Past as Present. Essays on Roman History in Honour of Guido Clemente‎

‎, Brepols, 2020 Paperback, 810 pages, Size:156 x 234 mm, Illustrations:24 b/w, 1 maps b/w, Languages: English, Italian, Spanish. ISBN 9782503585246.‎

‎Summary This volume in honour of Guido Clemente collects essays by nearly 40 established and younger scholars from all over the world, who want to express their gratitude for prof. Clemente's direct or indirect teaching. While the essays included in the volume cover domains ranging from methodology and (the history of) historiography, over archaeology and epigraphy, to politics and religion, they all resort under the main theme of 'the past as present'. This main theme is inspired by a prominent feature of Guido Clemente's scholarly work: the awareness that from the last centuries of the Roman Republic up until Late Antiquity, a sense of the past 'as present' marked the rhythm of everyday life and provided the key to understanding ongoing societal change. TABLE OF CONTENTS Preface List of illustrations List of abbreviations Un profilo di Guido Clemente (Giovanni Alberto Cecconi) Bibliografia di Guido Clemente (Nicola Barbagli) Historiography and Methodology Il perdono degli Alessandrini: fortuna di un episodio di clemenza imperiale (Nicola Barbagli) Da Rufino a Orosio: la battaglia al Fiume Freddo e l'eclissi della storiografia classica (Giorgio Bonamente) The Present in the Past and the Past in the Present (Averil Cameron) Il diritto, il mito e la rappresentazione simbolica nell'ermeneutica di Bachofen (Luigi Capogrossi) Monarchia delle origini e regnum in Cicerone: tra passato e presente (Chiara Carsana) Die keltische Ethnographie zwischen Poseidonios und Ammian (Maria Cesa) Der Beitrag der Sch ler Mommsens zur Erforschung der Geschichte der Stadt Rom (Werner Eck) Mussolini: Ancient Rome on the Sea (Daniele Foraboschi) The Darkening of the West: A Note (Ramsay MacMullen) 'Fine' della schiavit antica: considerazioni inattuali a margine di un'ancora aperta discussione (Mario Mazza) Hermann Strasburger (1909-1985) (Barbara Scardigli) Cassiodorus' Historiographical Plan (Giuseppe Zecchini) Archaeology and Epigraphy Les gaiet s de la cohorte (Jean-Michel David) The Economy of the Monastery of L rins (c. 400-c. 460) (Matheus Figuinha) Composite Constantine (Paolo Liverani) A proposito di alcune indagini recenti sulla fiscalit dell'Impero romano tra Principato e tarda antichit (Elio Lo Cascio) Gaio, Livio e la funzione esplicativa della storia (Digesto, I. 2. 1) (Dario Mantovani) Food, Popinae, and the Emperor: Some Considerations on the Early-Imperial Policies on the Sale of Food (Annalisa Marzano) Servi, liberti, colliberti, ancillae nella Sardegna romana: nota su possibili continuit , eredit e trasformazioni (Attilio Mastino & Maria Bastiana Cocco) Per la storia edilizia di Roma nel IV secolo. Qualche contributo epigrafico (Silvia Orlandi) La quaestio consolare del 138 a.C. per la strage della Sila (Bernardo Santalucia) Rivisitazione di un'epigrafe tardoantica di Canusium (Marina Silvestrini) Note topografiche sulla rivolta dei mercenari di Cartagine in Sardegna (240-237 a.C.) (Raimondo Zucca) Las transformaciones del Senado en la antig edad tard a (Hugo Zurutuza) Politics and Religion Late-Republican Theatre: A Source for Public Opinion (Andrea Angius) Debt-bondage, Fides, and Justice: Republican Liberty and the Notion of Economic Independence in the First Century BC (Valentina Arena) Episodi di guerra e lotte di potere in Italia nel III secolo d.C.: storia degli eventi alla vigilia dell'ordinamento provinciale (c. 235-285) (Giovanni Alberto Cecconi) Iside e i vota publica nel IV secolo d.C. (Filippo Coarelli) Reflections on the Foundation of Aelia Capitolina (Hannah M. Cotton Paltiel & Avner Eckner) L'ultima rivolta ebraica e l'esercito romano tardoantico (Ariel S. Lewin) The Bishop of Rome and the Ostrogothic Kings (Rita Lizzi Testa) Privato consilio (Augusto, RG 1,1): una nota (Arnaldo Marcone) Comment identifier un lieu de culte ? (John Scheid) Saliae virgines: un lemma di Festo e i rilievi trionfali Medinaceli (Mario Torelli) The Impact of the Kerygma on the Diaspora Communities: Political Aspects (Lucio Troiani) Tiberius, the Legacy of Augustus, and the Shadow of the Republic: 'Accession Debate' and Beyond (Alexander Yakobson)‎

‎Making of the Affetti. Torquato Tasso?s Jerusalem Delivered from the Carracci to Tiepolo‎

‎, Brepols - Harvey Miller, 2022 Hardback, 284 pages, Size:220 x 280 mm, Illustrations:8 b/w, 55 col., Language: English. ISBN 9781912554102.‎

‎Summary Armida reaches out to Rinaldo armed with a long knife. She hates him, she wants to kill him. Cupid restrains her arm, but the left hand of the sorceress already lies on that of the sleeping hero, a touch that leads her to fall in love. The blue and the red divide the scene. Two contrary passions--narrated by Torquato Tasso, depicted by Nicolas Poussin--are depicted across the canvas. Tasso's Jerusalem Delivered is by definition the poem of the affetti, and on this account it drew the undivided attention of painters, musicians, playwriters and choreographers throughout Europe from the moment of its publication in 1581 onward. Going beyond the narrated action, painters in particular focused on the complex dynamics of passion that Tasso's masterpiece conveys in literary images, and through new pictorial devices reconfigured the notion of profane affetti in opposition to the affectum devotionis of the sacred texts.? This volume investigates the exchange between the poetic word and the most stimulating works that have interacted with it. Condensed within visual formulas, a variety of themes emerge such as the blurring of the lines between male and female identity, between love and war; the confrontations and exchanges between different cultures through violence, religious conversion, and the assimilation of one another; the modern hero divided between the worldly, affective arena of the court and a locus amoenus where he could be sheltered from the assault of passions. Ultimately, the book examines the political implications of art in relation to court rituals and to all those practices through which power is built and strengthened. Examining the images that permeate poetry and the poetic devices that have found their way into painting, Careri identifies and examines a fundamental moment of reconfiguration in the visual history of passions. Through the paintings of great artists such as Poussin, Tintoretto, Guercino, Tiepolo, and the Carracci, he explores the "affective" revolution at the origin of the contemporary world.‎

‎LE MOYEN-AGE‎

‎Un ouvrage de 36 pages, format 240 x 305 mm, illustré, relié cartonnage couleurs, publié en 2006, Editions Place des Victoires, très bon état‎

‎Découverte du Moyen-Age à travers l'histoire, l'architecture, l'art et la vie quotidienne‎

‎Contending Representations II: Entangled Republican Spaces in Early Modern Venice‎

‎, Brepols, 2024 Hardback, 192 pages, Size:216 x 280 mm, Illustrations:86 col., Language: English. ISBN 9782503605197.‎

‎Summary The volume addresses the issue of political celebration in early modern Venice. Dealing with processional orders and iconographic programs, historiographical narratives and urbanistic canons, stylistic features and diplomatic accounts, the interdisciplinary contributions gathered in these pages aim to question the performative effectiveness and the social consistency of the so called 'myth' of Venice: a system of symbols, beliefs and meanings offering a self-portrait of the ruling elite, the Venetian patriciate. In order to do so, the volume calls for a spatial turn in Venetian studies, blurring the boundaries between institutionalized and unofficial ceremonial spaces and considering their ongoing interaction in representing the rule of the Serenissima. The twelve chapters move from Palazzo Ducale to the Venetian streets and from the city of Venice to its dominions, thus widening considerably the range of social and political actors and audiences involved in the analysis. Such multifocal perspective allows us to challenge the very idea of a single 'myth' of Venice. TABLE OF CONTENTS Introduction 1. Giovanni Florio and Alessandro Metlica, Universit degli Studi di Padova: Ritual and Popular Politics in the Republic of Venice 2. Giorgio Tagliaferro, Warwick University: The Meeting of Sebastiano Ziani withAlexander III in the Great Council Hall: Staging, Viewing, and Understanding the Body Politic in Late Sixteenth-Century Venice 3. Monique O'Connell, Wake Forest University: Representative Spaces of Republicanism: Constitutional Thinking, Virtue Politics, and Venice's Great Council Hall in Early Modern Europe 4. Massimo Rospocher, Istituto Storico Italo-Germanico di Trento: 'Una parola in piazza fa pi male che dieci libri in un gabinetto': The Square as Political Space in Sixteenth Century Venice 5. Iseabail Rowe, European University Institute: 'From the Clocke to the Shore': Thomas Coryat's 'Streets' of Piazza San Marco 6. Evelyn Korsch, Universit t Erfurt: A Republic Becomes Divine: The Sacred Role of Topography in Venetian Civic Ritual 7. Umberto Cecchinato: Beyond the Ceremonial City: Music, Public Revelries, and Urban Spaces in Everyday Renaissance Venice 8. Marco Bellabarba, Universit di Trento: Power, Friendship, and Protection: Venetian Rectors in Verona Between the Sixteenth and the Seventeenth Centuries 9. Erika Carminati, Indipendent scholar: Celebrations of Venetian Terraferma's Rettori: From the Good Fama to its Subversion in the Public Ritual Sphere 10. Alfredo Viggiano, Universit degli Studi di Padova: The Good Use of 'People' in Fifteenth-Century Venice: Reflections over a Controversial Term 11. Matteo Casini, University of Massachusetts: Venice Beyond Venice: The Foreign Approach to Venetian Rituals, 1400-1600s List of Abbreviations Bibliography Notes on Contributors‎

‎The Spirit, the World and the Trinity: Origen's and Augustine's Understanding of the Gospel of John‎

‎, Brepols, 2021 Paperback, 276 pages, Size:156 x 234 mm, Language: English. ISBN 9782503589916.‎

‎Summary How come that ancient Christian authors elaborated a theology of the Holy Spirit? This innovative study tackles this question by analysing how the exegesis of the Gospel of John shaped the Trinitarian and soteriological agency of the Holy Spirit in the theologies of two of the most important Christian authors of all times: Origen and Augustine. Overall, it proposes a re-evaluation of some of the most debated doctrines of the two authors such as subordinationism in Origen and the understanding of Gods essence in Augustine, showing that the Johannine Father-Son-Spirit relation and the dichotomy between God and the world represent the foundation on which Origen and Augustine built their pneumatologies. The heuristic comparison proposed in this book is focused on the three large themes towards which Origen and Augustine represent opposite approaches: the understanding of the immanent Trinity, the dualism between God and the world, and the proper role of the Holy Spirit. On the one hand, Origen puts forward a paradigm of participation to explain the oneness and threeness of God, and of transformation to explain human participation in God. On the other, Augustine refers to God's self-relation through a paradigm of identity, and to salvation of humankind as an act of separation of the wicked world from the saved. These two trinitarian and soteriological constructions are shaped by a different understanding of the Gospel of John: while Origen's theology mostly smooths the gospel's dualism between God and the world by interpreting God's salvific act as a gradual spiritualisation of the world, Augustine tends to accentuate the Gospel's dichotomies by radicalising the Johannine dualism.‎

‎Cheminées de tous les temps et de tous les pays‎

‎Guy le prat éditeur Paris non daté vers 1960‎

‎Bon état Ouvrage toilé vert, exemplaire contenant de nombreux documents photographiques in et hort-texte, en noir et en couleur de differents styles de cheminées de plusieurs époques et plusieurs pays avec leur historique, 163 pages, format: 28 x 22 cm, poids: 1.075kg - largeur/hauteur :x cm - poid : g - nombre de pages : p. - langue : ‎

‎UN VIAGGIO LUNGO UN SECOLO. Disegni di architettura. (en français)‎

‎1988 / 301 pages. Relié avec jaquette. Editions Alinea.‎

‎Bel état malgré de légers frottements d'usage en tête et pied de dos de jaquette. Intérieur très frais. ‎

‎La terre cuite l'architecture en terre cuite de 1200 à1940 in-4,relié avec jaquette illustrée,197pp,bibliographie en annexe‎

‎ Pierre Mardaga 1979‎

‎Bon état petit travail de restauration à la jaquette‎