‎LUCIAN FREUD De zelfportretten‎

‎, Tijdsbeeld-Piece Mont e, 2019 Gebonden, Hardcover 260 x 230 mm, 160 pages, 130 colour illustrations Nederlandstalige uitgave . ISBN 9789490880255.‎

‎ALLE zelfportretten van Lucian Freud nu in n boek verzameld. In 1964 gaf Lucian Freud (1922-2011) zijn studenten aan het Norwich College of Art een opdracht: om naakte zelfportretten te schilderen die 'onthullend, sprekend, geloofwaardig ... echt zonder schaamte' waren. Het was een advies dat de kunstenaar zelf later ook zou volgen in zijn vele zelfportretten. Rauw, onversaagd en vaak naakt lezen Freuds zelfportretten als het ware als zijn biografie, en geven zij tegelijk inzicht in de ontwikkeling van zijn stijl als schilder. In de portetten is de kunstenaar steeds overweldigend aanwezig, of hij nu de rechtstreeks de confrontatie met de toeschouwer aangaat, of alleen aanwezig is als een schaduw of in een reflectie. Freud verkende het genre van het zelfportret op tal van onverwachte manieren. Autoriteiten op het gebied van Freuds leven en werk - kunsthistorici n mensen die hem persoonlijk hebben gekend - verkennen Freuds oeuvre en analyseren het belang van zijn zelfportretten. Een gesprek tussen kunsthistoricus Jasper Sharp en de actrice Tilda Swinton gaat in op de intensiteit waarmee Freud het menselijk lichaam bestudeerde - een intensiteit waarvan Swinton een bevoorrecht getuige was, maar die evenzeer gold wanneer Freud zijn eigen lichaam bestudeerde en op doek zette. David Dawson is een schilder en fotograaf en Freuds voormalige studio-assistent. Joseph Koerner is Victor S. Thomas hoogleraar kunst en architectuur aan de universiteit van Harvard. Jasper Sharp is adjunct-curator voor moderne en hedendaagse kunst in het Kunsthistorisches Museum in Wenen. Pulitzer Prize-winnaar en kunstcriticus Sebastian Smee is auteur van The Art of Rivalry: Four Friendships, Betrayals and Throughthroughs in Modern Art (2016). Tilda Swinton is een Oscar-winnende actrice, model en kunstenares. TENTOONSTELLINGEN Londen, Royal Academy of Arts, Londen, 27 oktober 2019-26 januari 2020 Boston, Museum of Fine Arts, 22 februari-25 mei 2020‎

‎From Sithiu to Saint-Bertin. Hagiographic Exegesis and Collective Memory in the Early Medieval Cults of Omer and Bertin‎

‎, Brepols, 2019 Hardback, xiii + 340 pages, Size:152 x 229 mm, Illustrations:3 maps b/w, Language: English. ISBN 9780888442192.‎

‎Summary Medieval historians who have explored the abbey of Sithiu (modern Saint-Omer) have often done so to explain the competition between the canons of Saint-Omer and the monks of Saint-Bertin, a rivalry deriving from their shared origins in the abbey of Sithiu. However, David Defries's book centers on the cooperative relationship that developed between the saints Omer and Bertin in the monks' collective memory. Throughout the early Middle Ages, the cults of the abbey's two patron saints shaped the life of the community at Sithiu, and the first four centuries of its development reveal how a group of monks negotiated their place in the larger Christian West, adapting Columbanian and Benedictine identities to fit the relationship they discerned between Omer and Bertin. The evolution of Sithiu's collective memory demonstrates that the methods used in most studies of early medieval collective memory produce a distorted image of the partnership. Historians overwhelmingly assume that collective memory has a narrative structure and that the texts meant to shape its evolution are "historiographic" in form. In contrast, David Defries treats Sithiu's historiography as a type of scriptural exegesis that emphasizes the allegorical levels, especially typology and tropology, of the Christian scriptural hermeneutic. Paradigm, not narration, structured early medieval Christian allegory and thus early medieval collective memory at the abbey. This argument has broad implications for the study of early medieval collective memory. The intellectual culture of Sithiu was typical of the early medieval West, and all the texts considered date between c. 740 and c. 1148, situating them in a period when writers trained in monasteries like Sithiu produced the vast majority of western European literature. From Sithiu to Saint-Bertin may thus be seen as a preliminary case study for the value of paradigmatic approaches to early medieval memory.‎

‎Delft van Vermeer‎

‎, Museum Prinsenhof Delft & Waanders, 2023 144 pagina?s, 110 illustraties in kleur, 27 x 23 cm, paperback, Nederlands. ISBN 9789462624498.‎

‎Delft was in de zeventiende eeuw een broedplaats van talent, een stad waar belangrijke innovaties plaatsvonden. Hier groeide Johannes Vermeer uit tot een schilder van wereldformaat. Helaas is er niet veel bekend over Vermeer, we weten niet eens van wie hij het vak leerde. Deze rijk ge llustreerde publicatie laat zien wat we w l weten en wat er te ontdekken valt in het Delft van Vermeer. Via sleutelfiguren in Vermeers leven krijgen we inzicht in het artistieke, intellectuele en sociale klimaat in het zeventiende-eeuwse Delft. Door in te zoomen op de wereld en de mensen rondom Vermeer krijgen we beter zicht op de meester, maar het mysterie over zijn genialiteit blijft intact.‎

‎Les architectes et leurs rapports aves les propriétaires les entrepreneurs & les tiers - Traité théorique et pratique de leurs conditions de capacité de leurs opérations de leur responsabilité de leurs honoraires de leurs droits & la propriété artistique avec analyse complète et la discussion de la Doctrine et de la jurisprudance les plus récentes en ces matières‎

‎Librairie de l'Architecture 1892 Broché - 829 pages Etat correct - Couverture taches - Dos cassé 1270 g‎

4 Images

‎Victor Horta : L'architecte de l'Art Nouveau ‎

‎, Fonds Mercator 2018, 2018 Hardcover, 240 pages, Texte en Francais, 300 x 250 mm, jaquette, Tres belle exemplaire, illustrations et foto's de couleur, . ISBN 9789462302068.‎

‎Victor Horta (1861-1947) est le c l bre cr ateur de l'architecture Art Nouveau. Apr s l'H tel Tassel, Bruxelles, en 1893, Horta a construit plus de 40 immeubles en une d cennie. Ce nouvel ouvrage expose les nombreuses influences qui se sont exerc es sur son ?uvre, ainsi que son h ritage. Les descriptions d taill es de 19 projets, dont le Pavillon Lambeaux, l'H tel Autrique, l'H tel Max Hallet et l'H pital Brugmann, sont illustr es de dessins originaux de Horta et de photographies r alis es sp cialement pour l'occasion par le photographe prim Alastair Carew-Cox, sp cialis en architecture. L'ouvrage comprend en outre de nombreuses photographies de l'H tel Solvay, une des ?uvres majeures de Horta, dont l'acc s, refus aux photographes depuis 20 ans, a t exceptionnellement accord Alastair Carew-Cox au cours de l' t 2016, en reconnaissance de la contribution significative apport e par lui et le Professeur David Dernie l' tude de Horta.‎

‎L'Abbaye de St-Wandrille. Racontée par Dom Lucien David et illustrée par Pierre Matossy.‎

‎ 1 Belle impression deux tons, bistre et vert pour la couverture, noir et rouge pour le texte composé en minuscule caroline. P., la "Rotophot", 1935, in-4° broché sous couvertures rempliées, de 32 pp. et 12 planches sous serpentes légendées. ‎

‎ Illustré de 12 aquarelles et compositions de Pierre Matossy. Tirage limité à 3560 exemplaires numérotés (dont 60 hors commerce), l'un des 3250 sur papier offset photo de Navarre. Bel exemplaire signé, à la Table des chapitres, par le frère Lucien David. ‎

‎Ipnosi turca. Un medico viaggiatore in terra ottomana (1681 - 1717)‎

‎, Brepols, 2022 Hardback, 239 pages, Size:156 x 234 mm, Language: Italian. ISBN 9782503599700.‎

‎Summary Le lettere del medico fiorentino Alessandro Pini (1653-1717) e il suo trattato De moribus Turcarum fanno emergere un'immagine avvincente del popolo egiziano e della cultura ottomana. Ci che Pini ha osservato in Egitto e nel mondo ottomano rivela una straordinaria dimensione mediterranea di commistione culturale, fatta di scambi e di incontri scaturiti dalle necessit lavorative e anche dalla semplice quotidianit . Oltre alla missione scientifica ufficiale egli doveva svolgere un'intrigante attivit spionistica per Cosimo III, Granduca di Toscana, in cui si rivel poi fallimentare. Amareggiato e osteggiato per l'insuccesso, pass poi alle dipendenze della Repubblica di Venezia e dimor per vari anni a Istanbul e in Morea, dove senza pregiudizi e con ampiezza di vedute osserv le tradizioni e i costumi dei popoli che incontrava. Decise dunque consapevolmente di scrivere l'esaltazione di un mondo che l'Occidente vedeva come il suo alter ego negativo. Sebbene fosse stato imprigionato nella sua societ di adozione, Pini rimase affascinato, forse anche ipnotizzato, da quello stesso mondo che lo aveva variamente premiato e frustrato sia nel suo lavoro ufficiale che nel suo incarico segreto. TABLE OF CONTENTS Prefazione I. Scienziato e spia ipnotizzato dai turchi Nota al contesto Alessandro Pini, medico e scienziato Livorno-Il Cairo: andata e ritorno Candire la cassia Missione segreta Francesco Redi l'interlocutore Scienziato un po' turista Luoghi santi e non solo Missione fallita Mentre il Turco era a Vienna Ritorno a Livorno Amara delusione Direzione Venezia Medico d'armata a Costantinopoli Destino infame Stregato dai turchi Grazie Antonio II. I costumi dei turchi De moribus Turcarum relatio excellentissimi domini doctoris Alexandri Pini Relazione sui costumi dei turchi dell'eccellentissimo signor dottor Alessandro Pini Educazione e comportamento Urbanistica e pubblica assistenza Abitudini Norme Feste, musica e banchetti Alimentazione Abbigliamento Arredamento e mezzi di trasporto Igiene e separazione dei sessi III. Epilogo - Apologo Fine della storia ? Il fascino dell' autopsia Bibliografia Indici Indice dei nomi Indice dei luoghi e delle cose notevoli‎

‎Le bâti ancien en Pays Nantais ‎

‎EDF/ ARIM Pays de Loire, 1982, in-4 rel. oblong (21 x 29,5), 132 p., coll. "Connaissance de l'habitat existant", nombr. ill. photos et dessins, bon état. ‎

‎Ce document s'adresse à tous ceux qui s'intéressent à la réhabilitation. Conçu comme un élément de sensibilisation, il pose des questions permettant de mieux appréhender l'héritage du passé, pour lui restituer ses qualités, tout en l'adaptant au mode de vie actuel, sans toutefois accélérer le vieillissement de la structure par l'introduction de "corps étrangers". Pour cela ce livre permet de poser les problèmes -sans etre exhaustif- apprendre à bien connaitre le bâti, les matériaux et les techniques à utiliser, conserver les possibilités qu'offre la structure ancienne, assurer l'avenir du bâtiment ...Voir le sommaire sur photos jointes. ‎

‎Reception of Biblical Figures. Essays in Method‎

‎, Brepols, 2024 Paperback, 312 pages, Size:156 x 234 mm, Illustrations:1 b/w, 8 col., Language(s):English, French. ISBN 9782503600765.‎

‎Summary This volume explores the reception of biblical figures in Judaism, Christianity and Islam, with a particular focus on Antiquity and incursions in the Middle Ages and modernity. The contributions included here offer a glimpse of the complexity of the mechanics of transmission to which these figures were subjected in extra-biblical texts, either concentrating on one author or corpus in particular, or broadening the scope across time and cultural contexts. The volume intends to shed light on how these biblical figures and their legacies appear as channels of collective memory and identity; how they became tools for authors to achieve specific goals; how they gained new and powerful authority for communities; and how they transcend traditions and cultural boundaries. As a result, the vitality and fluidity of the developments of traditions become clear and prompt caution when using modern categories. TABLE OF CONTENTS Forewords (Eleonora Serra & Philippe Therrien) Quelques notes critiques sur des concepts usuels dans les tudes s mitiques actuelles (David Hamidovi?) The Saga of Noah in Slavonic Parabiblical Writings, Iconography and Oral Tradition (The Case of The Folk Bible) (Florentina Badalanova Geller) No exorciste ? Des traditions m sopotamiennes au juda sme du Second Temple (Eleonora Serra) La figure de Melchis dech Qumr n (Dario Barberis) Moses as King and Commander in the Philonic Life of Moses, between Historiography and Exegesis (Gaetano Spampinato) Fasting, Visions and Prophecy In and Outside the Bible: The Figure of Daniel in Tertullian's De ieiunio adversus psychicos (Maria Dell'Isola) Paideia, Plato's Sophist and the Pseudo-Clementines: Simon Magus' Characterisation in the Pseudo-Clementine Homilies (Benjamin De Vos) Laissons aux h r siologues leurs cat gories . tat des lieux sur les repr sentations de Seth dans la litt rature gnostique (Philippe Therrien) The Creation of a Golem: Theurgy versus Magic in Some Ancient and Medieval Sources (Barbara Henry) A Woman Ruling over Them: The Sheba Myth and the Role of Gender in the Qur'?n and K?br N g st (Rhiannon Garth Jones) Modern Apocrypha as a Cultural Toolbox (Ma?gorzata Jankowska) Index of References‎

‎ sacerdotalisation dans les premiers crits mystiques juifs et chr tiens. Actes du colloque international tenu l'Universit de Lausanne du 26 au 28 octobre 2015‎

‎, Brepols, 2021 Paperback, 280 pages, Size:156 x 234 mm, Illustrations:1 b/w, 3 tables b/w., Language(s):French, English, Hebrew. ISBN 9782503592992.‎

‎Summary Les pr tres et les l vites restent influents plusieurs si cles apr s la chute du Temple de J rusalem en 70 de l' re chr tienne. Ils tentent m me une ou plusieurs reconfigurations de leurs fonctions dans la soci t . En m me temps, les Sages ou rabbins essaient de capter leurs pr rogatives ancestrales. Un double mouvement de sacerdotalisation et de rabbinisation est alors perceptible dans les textes rabbiniques. Qu'en est-il des premiers textes mystiques juifs dits Hekhalot ? Une telle dialectique de rejet et d'int gration est-elle perceptible ? Par comparaison, d'autres mouvements appel s plus tard chr tiens, dont certains gnostiques et d'autres groupes dans le monde perse, ont eu la m me tendance. TABLE OF CONTENTS Avant-propos (David Hamidovic, Simon C. Mimouni, Louis Painchaud) The Priestly Struggle on the Sacred Written Authority as Reflected in the Merkaba Tradition (Rachel Elior) "He Who Sits Crowned on the Throne of His Glory": Body Posture in Hekhalot Rabbati and in Rabbinic Literature (Catherine Hezser) L'ascension au ciel de Rabbi Nehounya ben ha-Qana en Hekhalot Rabbati 13-25 ( 198-259): Questions r dactionnelles et pratiques rituelles (Pierluigi Piovanelli) Les Otiyyot de-Rabbi Akiva version A, la litt rature des Hekhalot et la sacerdotalisation (Apolline Thromas) Liturgical Community, Priesthood, Qedusha and Synagogue: From Qumran to the Hekhalot Texts through Rabbinic Literature (Jos Costa) La Nouvelle J rusalem et le nouveau Temple dans la litt rature apocalyptique du juda sme antique (Lorenzo DiTommaso) Sacerdotalisation et liturgisation : L'impact de la liturgie et de la communion avec les anges sur le sacerdoce dans la Liturgie ang lique (Michael R. Jost) La Vision de Gabriel et la mystique de la merkava (David Hamidovic) Les Livres d'Herm s : des crits de la Maison de vie ? tude des liens possibles entre des Hermetica et le temple gyptien (Anna Van den Kerchove) Effectless Prophecy, Hatred between Shepherds and Elders, and Sacrifice to Beliar - The Great Despair of The Ascension of Isaiah (Markus Vinzent) Sacerdotalisation and Early Jewish Mystical Elements in the Greek Testament of Levi (Jessica van 't Westeinde) Pr tres et toit unique (EvJud 45,6-7). Maisons c lestes, sacrifice et sacerdoce dans l' vangile de Judas (Louis Painchaud) Index des sources‎

‎"Eadweard Muybridge et le panorama photographique de San Francisco 1850-1880"‎

‎"1993. Montréal Centre Canadien d'Architecture 1993 - Broché 24 5 cm x 30 cm 135 pages 34 ills photographiques dont 5 dépliantes et 1 panorama dépliant en 8 parties - Texte de David Harris avec la collaboration de Eric Sandweiss importante bibliographie - Etat neuf" ‎

‎Sterrenkijken‎

‎Antwerpen , Standaard uitgeverij, 1995 Geillustreerde kartonomslag, 288 pagina's, illustraties in kleur. ISBN 9789060913659.‎

‎Vanaf het allereerste begin van de mensheid heeft de mens omhoog gekeken, nieuwsgierig, verwonderd, bevreesd. De vrees is misschien verdwenen, de verwondering en de nieuwsgierigheid zijn gebleven. Sterrenkijken is een fascinerende alomvattende gids voor het rijk der sterren en planeten: van de eerste ster in de avond tot de pracht van de verre melkwegen. ‎

‎David Hockney. A Chronology. 40th Ed.‎

‎, TASCHEN , 2020 Hardcover, 15.6 x 21.7 cm, 1.24 kg, 512 pages , English, . ISBN 9783836582490.‎

‎A year-by-year journey through the life and work of David Hockney that follows the artist from London in the Swinging Sixties, via Californian swimming pools, to the landscapes of his native Yorkshire. Artworks and biographical text together let the reader take part in Hockney?s artistic research, inspiration, and creation.‎

‎Music in the Disruptive Era‎

‎, Brepols, 2022 Hardback, xii + 272 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language: English. ISBN 9782503600796.‎

‎Summary Music in the Disruptive Era contains fifteen essays assessing the impact of today's revolutionary digital technologies on the ways audiences and industry professionals perceive, compose, consume, research, and communicate about music. After an initial assessment of ?the Disruptive Era? in a series of six snapshots offering a summary and review of some of the technological challenges (and opportunities) confronting both music producers and consumers, a group of international scholars considers the impact of the digital era in three major areas. First, there is the revolution in data storage and retrieval, with online archives and other digital resources making an unprecedented volume and diversity of information available to scholars and researchers for the first time ? all from the convenience of a home desktop. Second, three essays assess some of the myriad ways in which composers and music industry professionals have been influenced by the potentialities and discontinuities of the current age to find creative inspiration, attract new audiences, and reimagine traditional musical idioms. Finally, on the cutting edge of the digital divide, scholarly contributors examine two of the countless new genres birthed by the advent of the latest technological innovations: specifically, the ?meme? and the ?video loop.? TABLE OF CONTENTS The Disruptive Era Cande S nchez Olmos & Eduardo Vi uela ? The End of the Amateur Music Video Dream (as We Expected It): From YouTube to TikTok Christine Hine ? Audiences and Self-Calibration in a Digital Society Corinnna Herr ? Classical Musicians on YouTube: Online Performance Practice and the Digital Divide Pedro Buil Tercero ? Disruptive Technology in the Music Industry: Format Crisis and Consumption Habits in Spain in the Digital Age Simon Nugent ? The Inception of 'Time': Film Music and Participatory Culture in the Digital Age Sources and the Digital Nico Sch ler ? Online Research Methods for Rediscovering Forgotten Composers: Using Online Databases and Archives Michael Klaper & Thomas Radecke ? The Weimar Playbill Database, 1754-1990: Scientifically Disseminating Historical Sources of Music- and Theatre-Ephemera Material Online Andreas Helles Pedersen ? On Digital Music History: A Contemplation on Digital Archives and Musical Experience Creation and Musical Performance Joseph Jackson ? Adapting Music Business to the Digital Age: Grime Music, YouTube Algorithms and New Network Cultures Violetta Kostka ? Pawe? Szyma?ski and His Transformation of Musical Conventions Pedro Ord ez Eslava ? Disrupting the duende, from the cuarto to the Web 4.0 New Genres Joana Freitas ? 'Meme Is a New Music Genre': On the Role of Production, Transformation and Circulation of Music in the Digital Culture of Internet Memes Marjolein Wellink ? The Immaterial Record Sleeve? Engaging the Listener with Spotify's 'Canvas' Video Loop Jonas Wolf ? 'Meme Music'? Forms and Formats of Hypermemetics Re-Composition Index of Names‎

‎Ptolemy's Science of the Stars in the Middle Ages‎

‎, Brepols, 2020 Hardback, x + 463 pages, Size:178 x 254 mm, Illustrations:11 b/w, 24 tables b/w., 51 geometrical diagrams, Language: English.*NEW ISBN 9782503586397.‎

‎Summary Claudius Ptolemy (c. 100-170 AD) is one of the most influential scholars of all time. While he is also the author of treatises on geography, optics and harmonics, his fame primarily stems from two works on the science of the stars, dealing with mathematical astronomy (the Almagest) and astrology (the Tetrabiblos). The Almagest and the Tetrabiblos remained the fundamental texts on the science of the stars for some 1500 years. Both were translated several times into Arabic and Latin and were heavily commented upon, glossed, discussed, and also criticised and improved upon, in the Islamic world and in Christian Europe. Yet, the reception of Ptolemy in medieval cultures is still to a large extent a terra incognita of the history of science. The Arabic and Latin versions of the Almagest and the Tetrabiblos are for the most part unavailable in modern editions, their manuscripts remain largely unexplored and, generally speaking, their history has never been systematically investigated. This volume gathers together fifteen contributions dealing with various aspects of the reception of Ptolemy's astronomy and astrology in the Islamic world and in Christian Europe up to the seventeenth century. Contributions are by Jos Bellver, Jean-Patrice Boudet, Josep Casulleras, Bojidar Dimitrov, Dirk Grupe, Paul Hullmeine, Alexander Jones, Richard L. Kremer, Y. Tzvi Langermann, H. Darrel Rutkin, Michael H. Shank, Nathan Sidoli, Carlos Steel, Johannes Thomann and Henry Zepeda. TABLE OF CONTENTS Introduction I. The Greek and Near-Eastern Traditions Alexander Jones, The Ancient Ptolemy Nathan Sidoli, Mathematical Methods in Ptolemy's Analemma Paul Hullmeine, Was there a Ninth Sphere in Ptolemy? Bojidar Dimitrov, 'Forte recte': Witnesses to the Text of Ptolemy's Tetrabiblos in Its Near Eastern Transmission II. The Arabic Tradition Johannes Thomann, The Oldest Translation of the Almagest Made for al-Ma'm?n by al-?asan ibn Quraysh: A Text Fragment in Ibn al-?al??'s Critique on al-F?r?b?'s Commentary Dirk Grupe, Th?bit ibn Qurra's Version of the Almagest and Its Reception in Arabic Astronomical Commentaries (Based on the presentation held at the Warburg Institute, London, 5 November 2015) Y. Tzvi Langermann, Revamping Ptolemy's Proof for the Sphericity of the Heavens: Three Arabic Commentaries on Almagest I.3 Jos Bellver, The Arabic Versions of J?bir b. Afla?'s al-Kit?b f? l-Hay'a Josep Casulleras, The Astrological Computations Attributed to Ptolemy and Hermes in Medieval Arabic Sources III. The Latin Tradition Henry Zepeda, Glosses on the Almagest by Campanus of Novara and Others in Paris, Biblioth que nationale de France, lat. 7256 Carlos Steel, A Discussion on Ptolemy's Authority. Henry Bate's Prologue to His Translation of Ibn Ezra's Book of the World Jean-Patrice Boudet, The Medieval Latin Versions of Pseudo-Ptolemy's Centiloquium: A Survey Michael H. Shank, Regiomontanus versus George of Trebizond on Planetary Order, Distances, and Orbs (Almagest 9.1) H. Darrel Rutkin, Optimus Malorum: Giovanni Pico della Mirandola's Complex and Highly Interested Use of Ptolemy in the Disputationes adversus astrologiam divinatricem (1496): A Preliminary Survey Richard L. Kremer, Longomontanus on Mars: The Last Ptolemaic Mathematical Astronomer Creates a Theory Indexes Index of Names and Work Titles Index of Modern Names Index of Manuscripts List of Contributors‎

‎Collaboratie en berechting van Nederlandse architecten 1940-1950‎

‎, vantilt uitgeverij, 2017 gebonden, 16 x 24 cm, rijk geillustreerd in kleur, 424 pagina's. ISBN 9789460043246.‎

‎Tijdens de Tweede Wereldoorlog werd er in Nederland weinig gebouwd, afgezien van verdedigingswerken. Daardoor wordt deze periode in veel architectuurgeschiedenissen min of meer overgeslagen. Dat betekent echter niet dat er niets gebeurde. De Duitse bezettingsmacht installeerde de Nederlandsche Kultuurkamer, die onder andere de opdracht kreeg om de architectuur op nationaalsocialistische leest te schoeien. Het ging daarbij niet alleen om de ideologische aspecten van het vak maar ook om de praktische, zodat de Bond van Nederlandse Architecten opgeheven zou kunnen worden. In het kielzog van de machtsstrijd die zich ontspon, ontstonden verschillende ideeen over een nieuwe architectuur. Bouwkunst en de Nieuwe Orde richt zich op architecten die werden aangeklaagd, en vaak veroordeeld, wegens collaboratie. Net als alle andere Nederlanders konden zij worden berecht via het Bijzonder Strafrecht. Voor ?lichtere? gevallen werd een Ereraad voor Architectuur opgericht, waarin vakgenoten het gedrag van collega?s moesten beoordelen. Hoewel dit werk van naming en shaming achteraf alom als een mislukking werd beschouwd, hebben de uitspraken grote invloed gehad op de beeldvorming over de betrokkenen. De reputaties van een hele generatie architecten werden erdoor gered of gebroken. ‎

‎World-maps for Finding the Direction and Distance to Mecca : Innovation and Tradition in Islamic Science‎

‎, Brill, 1999 Hardcover, 638 pages, ENG, 295 x 230 x 40 mm, book is in very good condition !, dustjacket is included but in bad shape, however the book is better without it, illustrated in colour / b/w . ISBN 9789004113671.‎

‎Two remarkable Iranian world-maps were discovered in 1989 and 1995. Both are made of brass and date from 17th-century Iran. Mecca is at the centre and a highly sophisticated longitude and latitude grid enables the user to determine the direction and distance to Mecca for anywhere in the world between Andalusia and China. Prior to the discovery of these maps it was thought that such cartographic grids were conceived in Europe ca. 1910. This richly-illustrated book presents an overview of the ways in which Muslims over the centuries have determined the sacred direction towards Mecca (qibla) and then describes the two world-maps in detail. The author shows that the geographical data derives from a 15th-century Central Asian source and that the mathematics underlying the grid was developed in 9th-century Baghdad.‎

‎L'Abbaye de Saint-Wandrille racontée par Dom Lucien David et illustrée par Pierre Matossy ‎

‎Impr. Rotophot, 1935, in-folio br. (28 x 38), 32 p., tirage à 3560 exemplaires numérotés, celui-ci l'un des 3250 sur papier Offset Photo des Papeteries de Navarre, 12 aquarelles et compositions de Pierre Matossy, signature de l'auteur, haut du dos fendillé et recollé, intérieur très frais, sous papier cristal, bon état. ‎

5 Images

‎Voir le sommaire sur photos jointes. ‎

‎J. Samuel White & Co., Shipbuilders : An Illustrated History of the Oldest Shipyard on the Admiralty List‎

‎, The History Press Ltd 2012, 2012 Paperback, 175 pages, English, 235 x 165 mm, book in perfect condition , with much illustrations in b/w,. ISBN 9780752466125.‎

‎J. Samuel White & Company was the oldest firm on the Admiralty List and built 252 ships for the Royal Navy alone. The yard's closure in 1966 ended 300 years of shipbuilding during which time the company had gained acclaim from mercantile and naval customers alike. Famed early on for fast Revenue cutters and naval brigs, in its final years Royal Navy destroyers earned it great distinction. Highly innovative, it developed and patented many pioneering products while other innovations included semi-diesel engines, heat exchangers, air conditioners and compressors, besides a range of marine thruster units. Not only did the company build ships and boats but it also constructed a range of marine aircraft. During the First World War, White's production accounted for 100 ships, including twenty-seven destroyers, and 201 seaplanes. Production during the Second World War added up to 317 ships, among them twenty-six destroyers and a large minelayer. Illustrated with photographs of these and many of the company's other products, this book tells the story of J. Samuel White and its subsidiary concerns, a business built on a reputation of quality which earned it the slogan: White's-built - well-built! .‎

‎Naissance d'une cite romaine‎

‎ Deux Coqs d'Or, 1978. Format 23x31 cm, cartonnage editeur, 109 pages. Petite solarisation le long du dos, une reference au stylo sur la page de garde.Bon etat.‎

‎Naissance d' une pyramide‎

‎Deux coqs d'or 1986 13x19. 1986. Broché. 79 pages. Très bon état‎

‎LES GRANDES CATHEDRALES.‎

‎MINERVA. 1992. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 94 pages - Nombreuses photos en couleurs in et hors texte dont le 1er plat.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Poetry in Motion. Languages and Lyrics in the European Middle Ages‎

‎, Brepols, 2019 Paperback, 295 pages, Size:178 x 254 mm, Illustrations:2 col., 4 tables b/w., Language: English. ISBN 9782503582221.‎

‎Summary The medieval courtly lyric, the site for the first extended literary exercises in Occitan, French, Italian and German, is one of the foundations of how we think about European literature. Since the nineteenth century it has in many accounts underpinned a system of linguistically-informed national traditions. David Murray shows in 'Poetry in Motion' how categorizing poetry under headings like 'French' or 'Italian' poetry can obscure the thinking of medieval poets and scribes about what constituted a language. Rather than existing within a series of rigidly distinct linguistic systems, Murray demonstrates that song moved in a fluid environment where linguistic boundaries could be easily crossed. Aided by its melody, metrical form or quotation in a larger text, a song could travel and elicit meaningful reactions and interactions far from 'home'. Combining literary studies with philology, manuscript studies and musicology, 'Poetry in Motion' shows the truly European reach of song in the Middle Ages. TABLE OF CONTENTS Abstract Table of Contents Acknowledgements Abbreviations Introduction Chapter 1: On the Wings of Song: The European Afterlives of Bernart de Ventadorn's 'Can vei la lauzeta mover' Chapter 2: 'Or chanson, puez aler par tout le monde' : Multilingual Lyric and Linguistic Boundaries Chapter 3: Poetry in and out of Context: Quotation and the Value of Lyric Chapter 4: Making a Language for Song: The Lyric Beyond Conclusion: Lyrics, Languages, and Poetic Community in the European Middle Ages Bibliography Index‎

‎Non est excellentior status : Vaquer la philosophie m di vale. tudes offertes en hommage Claude Lafleur‎

‎, Brepols, 2023 Hardback, 458 pages, Size:156 x 234 mm, Illustrations:3 b/w, 6 col., 26 tables b/w., Language(s):French, English. ISBN 9782503604503.‎

‎Summary Ce volume regroupe les contributions de vingt-deux chercheur.es universitaires, coll gues et ami.es de Claude Lafleur, qui ont voulu lui rendre hommage l'occasion de son d part la retraite en tant que professeur titulaire la Facult de philosophie de l'Universit Laval. La diversit des aires g ographiques et la pluralit des strates g n rationnelles auxquelles appartiennent les chercheur.es qui ont contribu ce livre t moignent loquemment de l'envergure de la sph re d'influence des productions intellectuelles de Claude Lafleur. Les textes r unis rel vent des principaux champs de recherche que leur ami et mentor a patiemment labour s au cours de sa carri re acad mique : histoire des corpus et des manuscrits; transmission des textes philosophiques et de leurs notions fondamentales, de l'Antiquit au Moyen ge; ditions critiques de textes issus des Facult s des arts et de th ologie de l'Universit de Paris aux xiiie-xive si cles; enseignement de la philosophie au xiiie si cle la lumi re des textes didascaliques; histoire des pratiques discursives dans les Facult s des arts m di vales; tude de concepts cl s de la pens e de Thomas d'Aquin; discussion m di vale sur les universaux; philosophie de l'histoire des m di vistes contemporains. Ce recueil d' tudes souhaite ainsi se faire le reflet de certains des int r ts heuristiques, des orientations m thodologiques et des th matiques historico-philosophiques que Claude Lafleur a poursuivis, explor es et tudi es dans ses propres crits, ayant toujours t convaincu qu'il n'y a pas de statut plus excellent que de vaquer la philosophie . TABLE OF CONTENTS Introduction Notice bio-bibliographique I. Histoire des corpus et des manuscrits. Transmission des textes philosophiques et de leurs notions fondamentales, de l'Antiquit au Moyen ge tudes et analyses de manuscrits Roland Hissette, Les deux mss Vat. Urb. Lat. 220 et 221 et leurs vicissitudes Olga Weijers, Commenter Aristote. Le t moignage des manuscrits Heine Hansen, Nicholas of Paris on Porphyry's Isagoge : Some Notes on the Textual Witnesses Transmission de textes et de notions Jean-Marc Narbonne et Paul-Hubert Poirier, La 'philosophie premi re' dans le Commentaire sur la M taphysique attribu Alexandre d'Aphrodise (446, 8-447, 36 Hayduck) Henry Donneaud, Th ologie : une enqu te de g n alogie s mantique dans l'Antiquit Valeria Buffon, Anima mundi ? secundum Aristotilem. L' me du monde dans les textes didascaliques artiens II. ditions critiques de textes issus des Facult s des arts et de th ologie de l'Universit de Paris aux XIIIe-XIVe si cles Anne Grondeux, Fortunes m di vales de l' loge de la grammaire selon saint J r me. tude et dition de la Sententia Hieronymi de utilitate artis grammaticae David Pich , propos de l'abstraction : des magistri artium parisiens Herv de N dellec (avec une nouvelle dition de son Quodlibet II, 5), en passant par Thomas d'Aquin et Jean Duns Scot III. L'enseignement de la philosophie au XIIIe si cle la lumi re des textes didascaliques. Histoire des pratiques discursives dans les Facult s des arts m di vales pist mologie et m thodologie : les sch mas des sciences Antoine C t , Le principium la logique de Maino de Maineri Olivier Boulnois, G n alogie de la (philosophie) morale Gilbert Dahan, Ex g se de la Bible et classification des sciences aux XIIe et XIIIe si cles Francisco Bertelloni, Sur les traditions textuelles menant la r ception de la Politique d'Aristote L'enseignement de la logique Alessandro D. Conti, Boethius's Commentary on the Categories : Some Brief Remarks on Substance and Predication Violeta Cervera Novo, Tria sunt in anima : l'importance des Cat gories dans la premi re ex g se latine de l' thique Nicomaque Ana Mar a Mora-M rquez, The Communia logice on Logic and Dialectic Gustavo Fernandez Walker, Book VIII of Aristotle's Topics and Dialectical Training at the Faculty of Arts IV. tudes thomasiennes Alain Galonnier, Le Commentum in Boethii De consolatione Philosophiae : une pseud pigraphie thomasienne en question Luca Gili et Giuseppe Pezzini, In se ipso existens. A Linguistic Analysis of a Much Misread Passage in Aquinas' Commentary on Aristotle's Perihermeneias Ruedi Imbach, Perverse exponit - Quelques observations sur les r f rences de Thomas d'Aquin Averro s V. La discussion m di vale sur les universaux et la philosophie de l'histoire des m di vistes contemporains Alain de Libera, L'objection invincible ou Les infortunes du r alisme Claude Panaccio, La diff rence comme signe dans le nominalisme d'Ockham John Marenbon, Lekta, Dicta, Complexe Significabilia : A Methodological Lesson ?‎

‎Paolo Veronese‎

‎, Brepols - Harvey Miller, 2023 Hardback, Pages: 376 pages, Size:225 x 300 mm; Illustrations:2 b/w, 357 col. Language(s):English, Italian, Latin. ISBN 9781909400986.‎

‎David Rosand's Paolo Veronese is a masterly account of the Venetian painter?s artistic achievement, demonstrating a complete command of the literature and scholarly issues, insightful interpretations of individual paintings and drawings, and a marvelously elegant prose style. Rosand?s reading of each painting judiciously considers how Veronese brought his pictorial intelligence to bear on the formal qualities of his work to create his own personal rhetoric of visual expression, one that embodies the ?dignity and nobility of painting? and resonates with viewers and readers today. Rosand?s arguments are not solely visual, however, but are buttressed by extensive quotations from scripture and textual sources. The author synthesizes decades of research and careful reflection, refining his own approaches, which have themselves stood the test of time. Careful readings of specific paintings, including the celebrated Wedding Feast at Cana, the frescoes at the Villa Barbaro, and the church of San Sebastiano, where Rosand played an integral part in the recent restoration by Save Venice Inc., are all accompanied by lavish illustrations, providing the reader the opportunity to put into practice the author?s conviction that our own responses to paintings will guide their interpretation.‎