‎Mus e Fin-de-Si cle Museum. Museumgids.‎

‎, Hazan , 2013 Softcover, 157 pagina's, Nederlands, 315 x 245 mm, in prima staat, met illustraties in kleur en z/w. ISBN 9782754107495.‎

‎voorbeelden van : Ensor ; Spilliaert ; Knopff ; Horta ; van de Velde ; Gauguin ; Rodin etc‎

‎Aemulatio Italorum. La r ception culturelle des gravures de Mantegna dans l?art germanique au temps d?Albrecht D rer‎

‎, Brepols, 2023 Paperback, 336 pages, Size:210 x 270 mm, Illustrations:0 b/w, 151 col., Language: French. ISBN 9782503604985.‎

‎Summary la Renaissance, si le medium de la gravure permet d sormais aux artistes de rivaliser entre eux distance, d s la fin du xve si cle, la diffusion des mod les grav s par l'atelier du prestigieux peintre de cour des marquis de Mantoue, Andrea Mantegna, a suscit sur le territoire germanique une v ritable mulation d'ordre culturelle, dans laquelle la question du rapport l'identit occupe une place fondamentale. D s lors, dans les images, deux paradigmes se dessinent : d'une part le Welsch, qui d signe ce qui est romain, de style l'antique, et, plus g n ralement, italien ; d'autre part le Deutsch, qui renvoie une tradition artistique et aux coutumes typiquement germaniques. Inscrite dans la probl matique des transferts culturels, cette tude analyse, dans une approche r solument pluridisciplinaire, les diff rentes transformations iconographiques, formelles et stylistiques dont les motifs emprunt s aux estampes de Mantegna ont fait l'objet ainsi que l'appareil rh torique qui accompagne ces transformations pour mieux leur donner du sens (comparaison, parodie, dissimulation, etc.). De D rer Peter Vischer le Jeune Nuremberg, de l'atelier de Daniel Hopfer celui de J rg Breu l'Ancien Augsbourg, d'Hans Baldung Grien Matthias Gr newald dans la r gion rh nane et en Alsace, d'Urs Graf Hans Holbein le Jeune B le, de l'atelier d'Altdorfer implant Ratisbonne celui de Wolf Huber, situ Passau : tous les centres artistiques et humanistes de la Renaissance germanique sont abord s. TABLE OF CONTENTS Introduction I. Des milieux de cour en interaction I.1. Ambition politique et pr jug s culturels I.2. Mobilit s artistiques et transferts des savoirs II. Une strat gie du secret III. Des gravures en dialogue avec la culture humaniste III.1. De l'h ritage de Vittorino da Feltre au De pictura d'Alberti III.2. Dans le sillage d'Hom re, de Virgile et de Politien IV. Mantegna dans les collections d'estampes germaniques IV.1. Les marchands germaniques, entre Venise et l'Empire IV.2. Les humanistes IV.3. Les mod les grav s dans les ateliers d'artistes. V. Un id al hybride V.1. Peindre, dessiner, crire V.2. Le Deutsch et le Welsch: une construction germanique V.3. Germania vetus, Germania nova : le primitif et le civilis V.4. L'hybridit en crise chez Peter Fl tner VI. La r flexion anthropologique d'Albrecht D rer VI.1. L'exp rience philosophique de la fronti re VI.2. Woster serfitor, Alberto D rer VI.3. Comparatio. La Nurembergeoise et la V nitienne VI.4. L' ambiguitas du Welsch VII. D rer versus Mantegna : le topos germanique de la comp tition artistique VII.1. Un exercice de traduction VII.2. La r miniscence d'Apelle VII.3. Une comp tition pour la post rit VIII. mulation et nouvel art de peindre VIII.1. Les gravures religieuses de Mantegna et la diffusion des principes d'Alberti VIII.2. Compl ter le manifeste : la Mise au tombeau conserv e Klosterneuburg VIII.3. Un nouveau Mantegna : la Descente de croix de Hans Mielich VIII.4. Les mod les mant gnesques et la construction perspective dans l'art germanique VIII.5. La g n se d'Adam : D rer, Peter Vischer le Jeune et le Bacchus de Mantegna IX. De la transgression la d mesure: l' mulation jusqu' l'exc s IX.1. Le raccourci comme exp rience formelle et spirituelle chez Altdorfer IX.2. Motus animi : les effets dramatiques extr mes IX.3. Au-del de toute mesure: l'invention du corps extr me X. Explorer les confins de l' me : les gravures mythologiques de Mantegna et le th me de l'imagination X.1. Le Combat des dieux marins, les Bacchanales et la probl matique du fingere X.2. Le th me du songe dans La Bacchanale la cuve X.3. Mantegna affabulateur: le principe de l'illusion perceptive XI. La r ception des estampes mythologiques de Mantegna et la diffusion du N oplatonisme Nuremberg XI.1. Transf rer la lyre d'Apollon au nord des Alpes : le cercle humaniste de la Poetenschule XI.2. La gravure du Monstre marin d'Albrecht D rer : une illustration de la th orie de la vacance de l' me ? XI.3. Techn phantastik : D rer et l'approche sophistique de l'imitation XI.4. Phantasia furens : d bordement po tique et enfer imaginal XII. Pour une r ception iconoclaste des estampes mythologiques de Mantegna XII.1. Mutiler XII.2. Dissimuler XII.3. Renverser Bibliographie Textes sources Litt rature secondaire Index des noms propres‎

‎Urban Practices. Repopulating the Ancient City‎

‎, Brepols, 2020 Paperback, xii + 172 pages, Size:216 x 280 mm, Illustrations:73 b/w, 1 col., 1 tables b/w., Language: English. ISBN 9782503584614.‎

‎Summary Cities in the ancient world, much like in the modern era, were not simply a locus for population and a hub for social, cultural, and economic activity, but were themselves the products of urban practices. This volume draws together two often disparate fields - urban space and human practice - to explore the actors and actions that underpinned ancient cities and to offer unique insights into the lives of those who dwelt there. Placing particular emphasis on social practice theory, the contributions gathered together in this book seek to analyse the development of the city, especially public urban spaces, from the archaic period up to Roman Imperial times. A key focus is on infrastructure, public spaces used for politics (particularly the Forum Romanum), and the role of sanctuaries and the way in which they were shaped by cult activity. Through this unique approach, this volume is able, for the first time, to bring the inhabitants of ancient cities to the fore, and in doing so, to offer key insights into the development of spatial routines, the interaction of these routines with the material setting of a city, and the way in which cities themselves played an important role in shaping the people and practices within them. TABLE OF CONTENTS Preface Introduction - ANNETTE HAUG De-centralised Decision-Making Processes in Third-Millennium Syro-Mesopotamian City-Planning: The Example of Tell Chuera - HENRIKE BACKHAUS AND TOBIAS HELMS City and Shore: Natural Change and Human Action - STEFAN FEUSER Streetscapes and Traffic at Selinous from the Archaic City to the Punic-Hellenistic Settlement - NICOLA CHIARENZA Performing Commerce: Everyday Work and Urban Life in Roman Italy - MIKO FLOHR The Production of Diplomatic Space in Ancient Rome - HANNAH CORNWELL The forum Romanum as an Active Action Context - DUNIA FILIPPI Places of Gods and Men: Socio-Political Interactions and Ritual Practice in the Etruscan Sacred Landscape (Eighth to Fifth Centuries BC) - ROBINSON PETER KR MER The Appropriation of Space in the Sanctuary of Poseidon at Isthmia - SARAH HERZOG Hellenistic Built Space and Human Action: The Asclepieion of Cos - ASJA M LLER Indices‎

‎Works in Collaboration Frans Snijders and Other Masters. Corpus Rubenianum Ludwig Burchard, vol. 27.2‎

‎, Brepols - Harvey Miller, 2025 hardcover, dusjacket, 290 pages, Size:175 x 260 mm, Illustrations:65 b/w, 42 col., Language(s):English. *New. ISBN 9781915487582.‎

‎Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens?s studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter?s death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller ?cabinet? paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens?s possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist?s estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens?s fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens?s oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. -- Catalogue Raisonn Rubens and Snijders: An Enduring Alliance Rubens and Paul de Vos Rubens and Cornelis Saftleven‎

‎Powerful Headdresses Africa | Asia‎

‎, 5 Continents, 2010 Hardcover with dust jacket. 200 pages, 140 ills. 24 x 28,5 cm. *new. ISBN 9788874395514.‎

‎ Over the centuries, craftsmen have applied their creativity and technical skills to exploit the generous resources of Nature to marvelous effect. In this case they have employed seeds, leaves, flowers and fibers from the plant world, along with feathers, plain or iridescent shells, teeth, and fur from the animal kingdom to fashion objects of astonishing beauty, enhanced with the addition of elements in iron, copper, silver, and gold. Such materials have always provided the basis for magnificent headdresses of all varieties, including hats, caps, crowns, and headbands. In time, as the conditions of trade and pilgrimage routes improved, rare materials and manufactured products spread all over the globe, as well as new knowledge, techniques, and methods of fabrication. Each class of individual sported a distinct type of headdress: initiates and adults, hunters and warriors, religious dignitaries and healers, rulers and notables; unmarried girls, married women, and young mothers. In each case the author explains their opulence and symbolism to the reader.‎

‎Univers Songye.‎

‎, Fonds Mercator/ Mercatorfonds, 2025 Hardcover, 3 vol. / Box, 584 pages, Dimensions 320 x 250 mm, Illustrations 550 col.ill., Language(s) FR edition. Extra information; Vol. 1&2: Hb, 280 pages. + 240 pages. ; Vol.3 : Pb, 64 pages. ISBN 9789462303348.‎

‎L'Univers Songye, dit par les sp cialistes incontest s du sujet avec les contributions de dix auteurs distingu s, Le Monde des Songye est l'ouvrage ultime sur la culture, la sculpture, les masques et les pi ces en fer forg des Songye (R.D.C.). Cet ouvrage richement illustr propose une nouvelle approche de l' tude des chefs-d'oeuvre Songye, des styles des diff rentes r gions, de l'identification des ma tres de l'art Songye et de la sp cificit des masques Kifwebe‎

‎World of Songye‎

‎BE - , Fonds Mercator/ Mercatorfonds, 2025 hardcovers in slipcase, 3 vol. / Box, 584 pages, 320 x 250 mm, Illustrations 550 col.ill.,Language(s) English ed. extra information; Vol. 1 & 2: Hb, 280 pages, 240 pages; Vol. 3: Pb, 6 pages. ISBN 9789462303331.‎

‎The World of Songye. The lavishly illustrated book brings a new approach to the study of Songye masterpieces, to the styles of the various regions, to the identification of Songye master artists and to the specificity of Kifwebe masks. It analysis Songye aesthetics and symbols, the religious and magical functions and powers of the objects , the Songye representation of animals, its weapons, the history of collecting Songye artifacts on the field, its influence on modern art and develops a focus on Basquia ‎

‎Van boomstam tot altaarstuk / Du tronc d'arbre au retable = From tree trunk to altarpiece ‎

‎, prov Oost Vlaanderen, 2015 softcover, 144 pagina's, geillustreerd . FR/NL / Eng. text. ISBN 9789491776038.‎

‎Dendrochronologisch onderzoek kon de datum van de boomkap achterhalen en vaststellen dat de planken in het Lam Gods afkomstig zijn van dezelfde boom. Het onderdeel Studie onderzoekt de werkmethodes van de Van Eycks en het oorspronkelijke uitzicht van de panelen. Het laatste deel geeft verschillende kunsthistorische hypotheses over de oorspronkelijke opstelling van het veelluik in de Vijdkapel‎

‎FRISSE WIND Impressionisme van het Noorden / FRESH WIND Northern Impressionism ‎

‎, Waanders Uitgevers, 2024 Softcover, 175 pag.,280 x 230 mm, illustr. in kleur / in color. NED./ ENG.edition, NIEUW / NEW, ISBN 9789462625303.‎

‎Als een frisse wind arriveerde het impressionisme in de jaren 1860 in Frankrijk. Dit leidde tot een fundamentele stijlverandering in Noord-Europa en daarbuiten. In deze uitgave en in de reizende tentoonstelling, wordt een topselectie getoond van het Duitse, Deense en Nederlandse impressionisme. Het maakt de overeenkomsten en verschillen tussen deze landstreken duidelijk zichtbaar. Aan de hand van zes thema's komen de belangrijkste onderwerpen van het impressionisme aan bod: licht, op het land, aan zee, in de stad, de tuin en de winter. Er wordt werk getoond van onder anderen: Fritz Mackensen, Max Liebermann, Lovis Corinth en Max Slevogt (uit Duitsland), Anna en Michael Ancher, Peder Severin Kr yer en Viggo Johansen (uit Denemarken) en de Nederlanders Johan Barthold Jongkind, Anton Mauve, George Hendrik Breitner, Isaac Israels, Jan Toorop en vele anderen. Frisse Wind komt tot stand in samenwerking met het Museum Kunst der Westk ste (Alkersum/F hr) en het Nieders chsisches Landesmuseum in Hannover en is in Nederland te zien in Singer Laren. ******************************************* Like a breath of fresh air, Impressionism arrived in France in the 1860s. This led to a fundamental change in style in Northern Europe and beyond. In this edition and in the traveling exhibition, a top selection of German, Danish and Dutch Impressionism is shown. It makes the similarities and differences between these regions clearly visible. The most important subjects of Impressionism are discussed through six themes: light, on land, at the sea, in the city, the garden and winter. Work will be shown by, among others: Fritz Mackensen, Max Liebermann, Lovis Corinth and Max Slevogt (from Germany), Anna and Michael Ancher, Peder Severin Kr yer and Viggo Johansen (from Denmark) and the Dutch Johan Barthold Jongkind, Anton Mauve, George Hendrik Breitner, Isaac Israels, Jan Toorop and many others. Frisse Wind was created in collaboration with the Museum Kunst der Westk ste (Alkersum/F hr) and the Nieders chsisches Landesmuseum in Hannover and can be seen in the Netherlands in Singer Laren.‎

‎Henry van de Velde. R cit de ma vie, 1917-1957 - Texte tabli et comment par Anne Van Loo / 2 vols.‎

‎BE - , Brepols - Harvey Miller, 2023 Hardback; 2 vols. Pages:, 1152 pages,Size:178 x 254 mm, Language(s):French. + 1000 illustraties. neuf. ISBN 9782503606019.‎

‎Autobiographie d'un protagoniste de l'Art nouveau reconnu comme l'un des p res fondateurs de l'architecture moderne. Henry van de Velde nous d crit son p riple et celui de sa famille au cours de quarante ann es mouvement es de l'histoire europ enne (1917-1957), travers la Suisse o il se lie avec Kirchner et Romain Rolland, les Pays-Bas o il projette un mus e pour la famille Kr ller-M ller, et la Belgique o il est appel en 1926 pour diriger un nouvel Institut des Arts d coratifs destin r it rer Bruxelles l'exp rience de son cole de Weimar, devanci re du Bauhaus. En d pit des pol miques attis es par Victor Horta, son cole s'ouvre en 1927 dans l?ancienne abbaye de La Cambre. Elle rassemble un corps enseignant d? lite dont la p dagogie, centr e sur la pratique en atelier, influe de mani re durable sur la production du pays et b n ficie d?une reconnaissance internationale avec les pavillons de la Belgique aux Expositions de Paris 1937 et de New York 1939. Parall lement, il difie la biblioth que de l'Universit de Gand (1933-1940), avec son silo livres , et devient conseiller artistique aupr s des Chemins de Fer belges et des Malles Ostende Douvres. Ce r le, il l'exerce aussi aupr s du minist re des Travaux publics avant d'accepter une mission analogue, en 1940, au Commissariat G n ral la Restauration du Pays, plac sous l?autorit de l'administration militaire allemande. Apr s-guerre, d prim par des enqu tes qui se soldent par un non-lieu, il s'installe en Suisse, Ober geri, o Alfred Roth et Max Bill veillent sur lui. Il y r dige ses m moires et re oit des personnalit s comme Giedion, Neutra, Aalto ou Philip Johnson, int ress es par cet autodidacte, protagoniste de l?Art nouveau, d sormais reconnu comme l?un des p res de l?architecture moderne du XXe si cle.‎

‎Vergeten Meesters Pieter Pourbus en Brugge 1525 - 1625. ‎

‎Brugge, SNOECK, 2017 Hardback, 280x230mm, 320p, 300 colour illustrations, Dutch (NL) edition . NIEUW. ISBN 9789461614094.‎

‎Onbekend maakt onbemind: dit geldt zeker voor de Brugse meesters uit de zestiende eeuw. Ambrosius Benson, Lancelot Blondeel, Pieter Pourbus en de familie Claeissens staan in de schaduw van hun voorgangers, de Vlaamse primitieven en hun tijdgenoten uit Antwerpen. De gouden eeuw van Brugge is voorbij en de afzetmarkt veranderd. Met het roemrijke artistieke verleden als inspiratiebron ontstaat er in Brugge een geheel eigen stijl. Hoog tijd voor een focus op deze vergeten meesters! In het Brugge van de vroege zestiende eeuw heerst een stabiel economisch klimaat dat niet te vergelijken is met de hoogtijdagen uit de vijftiende eeuw. Een kleine maar rijke elite blijft kunst bestellen, maar globaal gezien neemt de vraag af, alhoewel de kwaliteit hoog blijft. Omstreeks diezelfde tijd verzamelen zich een aantal belangrijke humanisten. Erasmus noemt Brugge het 'Athene van het Noorden'. De catalogus biedt een staalkaart van de Brugse artistieke productie van 1525 tot 1625 met werken van Ambrosius Benson, Adriaen Isenbrant, Marcus Gerards, Lancelot Blondeel, Pieter Pourbus, Pieter, Antoon en Gillis Claeissens en Frans Pourbus. Bovendien wordt gefocust op de marketingkeuzes en de zoektocht naar nieuwe doelgroepen door deze kunstenaars. Ongekende topstukken worden samengebracht en bieden een krachtig beeld van inventiviteit in tijden van schaarste.‎

‎Frank Lloyd Wright: Designs for an American Landscape, 1922-1932‎

‎, Harry N. Abrams, 1996 Paperback , 207 pages, 300 x 230 mm, book in fine order, illustrations in colour and b/w, . ISBN X.‎

‎Frank Lloyd Wright (June 8, 1867 Richland Center, Wisconsin April 9), 1959 was an influential American architect and writer on architecture. He is considered the figurehead of the Prairie School‎

‎Mastering Nature in the Medieval Arabic and Latin Worlds. Studies in Heritage and Transfer of Arabic Science in Honour of Charles Burnett‎

‎, Brepols, 2023 Hardback, 292 pages, Size:156 x 234 mm, Illustrations:8 b/w, 9 col., 6 tables b/w., Language(s):English, Latin, Arabic. ISBN 9782503604480.‎

‎Summary Understanding and influencing nature were preeminent aims of medieval Arabic science, and attracted European fascination with its accomplishments. This volume draws together studies on central themes, presenting a world of enquiry into the earth and the heavens, and ways to harness this information for divination and the occult sciences. It gives examples of how Arabic science travelled to Latin Europe through texts and instruments, and how it underwent transformation there as diverse fields were put to use and reinterpreted. The studies introduce a range of learning and perspectives: astrology conducted with planetary lots; a geography where features of the earth's surface move over time; knowledge of the elements and climates which Adelard of Bath learned from Arab masters; Avicenna's meteorology explaining the extremes of fire storms and catastrophic floods; debates about the eternity or creation of the world; evaluations of magic as a rational, intellectual discipline, or alternatively a danger needing censorship and linked to female witchcraft; and a precious astrolabe which in the Renaissance was reused and inspired new theoretical writings. Together these studies sketch a landscape of medieval Arabic science and Latin European engagement with this new frontier. TABLE OF CONTENTS Introduction Ab? Ma?shar and the Tradition of Planetary Lots in Astrology ?DORIAN GIESELER GREENBAUM The Ikhw?n al-?af?? on the ??rat al-Ar?: A Geography in Motion? GODEFROID DE CALLATA? Adelard of Bath on Climates and the Elements: An Adaptive View on Nature ? PEDRO-MANTAS ESPA A Avicenna's On Floods (De diluviis) in Latin Translation: Critical Edition with an English Translation of the Arabic ? DAG NIKOLAUS HASSE Latin Scholastics on the Eternity of the World and Eternal Creation on the Part of the Creature: Did They Amount to the Same Thing? ? ANN GILETTI Whitewash for ?Black Magic': Justifications and Arguments in Favour of Magic in the Latin Picatrix ? DAVID PORRECA Censorship, maleficia, and the Medieval Readers of the Liber vaccae ? SOPHIE PAGE The Transmission of Materialized Knowledge: A Medieval Saphea with Islamic Projections, Re-engraved in the Renaissance ? KOENRAD VAN CLEEMPOEL Bibliography of Works by Charles S. F. Burnett Index‎

‎VAN EYCK IN DETAIL -ENGLISH-‎

‎, ludion, 2020 Hardcover, 320 x 250 mm, 256 pages, ENGLISH edition FINE!! isbn;9789461300591 (HB - E) ISBN 9789461300591.‎

‎Razor-sharp analysis of details from Van Eyck's work, which often cannot be observed with the naked eye. Each detail is accompanied by accessible commentary. With a biography, an essay on the oil painting technique and a catalogue of Van Eyck's oeuvre. Second edition.Zelden was een schilderkunst tegelijkertijd zo inventief, verfijnd en subliem Review(s) The Flemish painter Jan van Eyck (ca. 1390-1441) is one of the greatest painters of the 15th century and especially famous for his very detailed paintings. His oeuvre is literally scrutinized in this publication: razor-sharp details are shown and commented on on the basis of many examples. An overview (with explanations) of the entire painted oeuvre and a biography precede this. The chapters with detailed images are arranged in themes: the divine, man, nature, architecture, everyday life and tactility. On the basis of these details, the reader not only gets a nice overview of the painter's work, but also of his fascinating technique. With many beautiful color images, a bibliography and a foreword by the painter Luc Tuymans. Highly recommended for lovers of early Flemish painting.‎

‎Architecture pour le peuple - Maisons du Peuple - Belgique. Allemagne. Autriche. France. Grande-Bretagne. Italie. Pays-Bas. Suisse.‎

‎AAM Editions, Bruxelles, 1984. In-8, broché sous couverture rempliée et illustrée en couleur, 286 pp. Introduction, par A. Brauman et M. Culot - I. Belgique : Victor Horta et la maison du Peuple de Bruxelles, par Franco Borsi. - Voyages au pays des maisons du Peuple, par A. Brauman et Brigitte Buyssens. - Inventaire visuel ...‎

‎Nombreuses illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com‎

‎LE MUS E GUIMET ET SES AMIS : Cent ans d'histoire partag e ‎

‎, Snoeck Publishers (France), 2023 PB+, 240 x 180 mm, 312 pages , 250 illustraties, FR edition, Nouveau, . ISBN 9789461618573.‎

‎Fond en 1889 par l'industriel et collectionneur mile Guimet (1836-1918), le mus e Guimet tait l'origine pens pour tre un mus e de l'histoire des religions. La Soci t des Amis du mus e Guimet (SAMG) tait cr e dans le but de regrouper autour de l'institution donateurs, collectionneurs priv s, collaborateurs, scientifiques et m c nes d sireux de participer activement l'enrichissement des collections, gr ce au financement d'acquisitions ou de restaurations d'oeuvres. L'exposition-anniversaire du centenaire qui ouvre en juin 2023 retrace les grandes lignes des rapports qui ont uni le mus e Guimet la Soci t des Amis, voquant certaines de ses figures majeures, elle souligne galement les temps forts qui ont marqu son r le de soutien l' gard de l'institution : durant la seconde guerre mondiale ou encore lors des troubles qui ont fait basculer le Cambodge dans le chaos (1970-1975). Ce si cle d'histoire partag e est pr sent avec des documents d'archive in dits ainsi qu'une s lection d'une trentaine d'oeuvres entr es dans les collections du mus e Guimet gr ce la g n rosit de la SAMG de 1933 nos jours. Certaines font aujourd'hui partie des chefsd'oeuvre incontournables du mus e Guimet, couvrant l'ensemble des aires g ographiques, des p riodes chronologiques et des techniques d'art : statuaire chinoise, indienne et tib taine, peintures, estampes et objets d'art du Japon, figures de th tre d'ombre du Cambodge, c ramique ancienne et contemporaine.‎

‎Tussen droom en daad : Over het managen van (nieuwe) culturele architectuurprojecten‎

‎, Lannoo Campus , 2011 Paperback, 152 pagina's, NL, 215 x 135 mm, Nieuwstaat, met illustraties in z/w, . ISBN 9789020997958.‎

‎Het verhaal achter de bouw van de Singel, het STAM en het MAS De culturele organisatie die erin slaagt het gebouw te realiseren waarvan ze droomde, bestaat allicht niet. Tussen droom en daad gaat niet over gebouwen, maar over de zeer complexe managementprocessen die nodig zijn om culturele architectuurprojecten tot een goed einde te brengen. Ze zijn niet alleen complex omdat er verschillende stakeholders bij betrokken zijn, maar ook omdat het management niet stopt bij afloop van het project. Integendeel, de cultuurmanager moet ook nadien over de nodige vaardigheden en middelen beschikken om het beheer en de exploitatie van het nieuwe gebouw in goede banen te leiden. Tussen droom en daad wil die complexe processen ontrafelen. Na een brede theoretische reflectie wordt de architect aan het woord gelaten. Bovendien vullen praktijkvoorbeelden de theorie aan: van het STAM over het MAS, deSingel en het The tre de La Place in Luik. Vier boeiende verhalen die ons een exclusieve blik gunnen achter de schermen van deze prachtige gebouwen. Tussen droom en daad richt zich tot iedereen die actief is binnen de culturele en creatieve sector en geboeid is door de invloed van maatschappelijke ontwikkelingen op het management van culturele en creatieve organisaties. Deze publicatie is een bundeling van de teksten die voorbereid werden naar aanleiding van het jaarlijkse colloquium van het Prof. Robert Bilsen Fonds voor Cultuurmanagement van de Universiteit Antwerpen. Het Fonds wil hiermee het debat en de reflectie over het management in de cultuursector stimuleren.‎

‎La MAISON dans sa REGION : Le DAUPHINE‎

‎Un ouvrage de 96 pages, format 215 x 285 mm, illustré, relié toile sous jaquette couleurs, publié en 1992, Massin Editeur, bon état‎

‎L'architecture en Dauphiné : Isère, Drôme et Hautes-Alpes‎

‎Thomas McKnight - Windows on Paradise‎

‎, Abbeville Press, NY, 1990 Hardcover, 190 pages, ENG, 350 x 270 x 20 mm, dustjacket, in Perfect Condition !, illustrated in special colours. ISBN 9780896600881.‎

‎The wide appeal of McKnight's world is explained in part by its mixture of wild beauty and domestic luxury. His idyllic islands in the sun invariably include aspects of the developed culture he considers indispensable. McKnight's paradise has the best of everything -- what better definition of heaven can there be? Clearly and strongly, his beautiful images of places near and far appeal to our senses -- his lush but subtle color, his charming and elegant compositions, his skillful rendering of form -- these qualities we admire and enjoy in the works of master artists of all time. Thomas McKnight's work is in the collections of major museums, including the Metropolitan Museum of Art, and millions of his paintings and silk-screen prints have sold through galleries and print stores across the nation. McKnight, who has devoted his time exclusively to art since 1972, is best known for his pictures of serene and beautiful rooms. These inviting, jewel-toned spaces have large windows or archways overlooking equally attractive outdoors scenes both local (Boston Public Garden or Manhattan Penthouse) and exotic (Venice, Parts, or the Greek isles). "This was my first introduction to Thomas McKnight, who has traveled the world and has translated his vision into gorgeous, colorful paintings rich with detail, whimsy and creativity. McKnight finds paradise everywhere he goes, and it's easy to enjoy his vision and fantasize about your own experience there, from New York City to the Greek Islands, to the Caribbean. A great book gift for those who travel, or for armchair travelers. Makes you want to see his artwork 'up close' to see even more." ‎

‎Beaute d'un patrimoine architectural‎

‎BIBLIOTHEQUE DE L'IMAGE 1998 In-4 relié. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Les Dessins d'architecture de l'Ecole des Beaux-Arts‎

‎Paris, Arthaud, 1988, Relié-Jaquette éditeur, sous étui., 165 pages. Très bon état. ‎

‎ NB : LES QUESTIONS ET COMMANDES SONT TRAITEES DANS LES 24H ET LES ENVOIS REPRENDRONT LE 15 DECEMBRE (livraison vers la France en 48h). MERCI‎

‎Les DESSINS d'ARCHITECTURE du XIXe SIECLE‎

‎Un ouvrage de 96 pages, format 245 x 320 mm, illustré, broché couverture couleurs rempliée, publié en 1995, Editions PML, bon état‎

‎LES DESSINS D'ARCHITECTURE DU XIXe SIECLE‎

‎100 PAGES-24,2 CM X 31,8 CM-COUVERTURE A RABATS-(500H)‎

5 Images

‎BIBLIOTHEQUE DE L'IMAGE COUVERTURE SOUPLE ETAT COMME NEUF‎

‎LES ARCHITECTES DE LA LIBERTE‎

‎1989 / 176 pages. Editions Gallimard / Découverte.‎

‎Très bon état.‎

‎Annie Leibovitz XXL ‎

‎, Taschen, 2022 Hardcover in slipcase, 27.1 x 37.4 cm, 5.80 kg, 556 pages XXL -ENGLISH text. ISBN 9783836582186.‎

‎When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images-such as John Lennon and Yoko Ono entwined in a last embrace-as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else, Leibovitz says. The book is very personal, but the narrative is told through popular culture. It's not arranged chronologically and it's not a retrospective. It's more like a roller coaster. Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.‎