, Darling Publications, 2011 Hardcover, 60 pages, ENG / FR, 350 x 330 x 15 mm, NEW, illustrated in colour / b/w, large format , rare. ISBN 9783941765481.
Nicolas Gilles est n en 1977 Montpellier o il installe son premier atelier apr s un parcours de formation d coulant d?une sensibilit musicale d s son jeune ge. En 2016, Nicolas tablit son atelier de lutherie dans l?ancienne manufacture Royale de Villeneuvette. Ce village du XVIIeme si cle class monument historique est un crin pr cieux o l?histoire et la nature sont pr serv es s?accordant avec beaut la fabrication des instruments du quatuor. Il s?inspire principalement des grands luthiers Italiens du 18 me si cle (Cr mone, Venise, Breccia) qui ont d velopp le violon dans sa perfection sonore et esth tique. Tout au long de la fabrication, son intuition, son exp rience et l? change avec les musiciens le guident dans ses choix sonores et esth tiques. Ses instruments sont appr ci s en Europe et aux Etats Unis par des solistes et professeurs de Conservatoires.
, Darling Publications, 2007 Hardcover, 96 seiten, German, 220 x 135 x 18 mm, Neu, illustr. in farbe, . ISBN 9783939130284.
It's not every day that you hold such a beautiful and graphically appealing volume of poetry in your hands. See and read, that's what Arne Rautenberg says on almost 100 pages of collages and poems, with lyrical harlequinades and well thought-out pictorial poetry. The title says it all: Whoever hears it, hears the word "increase". Anyone who reads it reads a linguistically creative ?vermeeren?. Anyone who sees art as the focus thinks of Vermeer.
, Darling Publications, 2007 Hardcover, 56 pages, ENG / GER , 220 x 170 x 15 mm, NEW, ill. in colour / b/w. ISBN 9783939130475.
When confronted with Lukas Roth s photography one is immediately struck by its variety of subject, because the work doesn t follow a single unified theme. The photos present urban scenes, isolated architecture and housing blocks as well as landscapes. People move about within these spaces but they could just as well be empty. It isn t the objective documentation of an object or a situation that is the focus of interest here in the sense of an ?industrial archaeology?, but rather the opposite.
, Darling Publications, 2005 Hardcover, 40 pages, Multilingual !, 220 x 135 x 13 mm, New, illustrated in colour, available in white cloth and orange cloth. ISBN 9783980959582.
Mitsy Groenendijk (1952) is a well-known Dutch artist. She was one of the forewomen of the 'Sirens' who made Amsterdam unsafe at the end of the last century with a female-presented painting that harked back to Romanticism.
, Darling Publications, 2009 Hardcover, 48 pages, ENG / GER, 330 x 330 x 15 mm, NEW / NEU, illustr. in colour / b/w.Large Format ISBN 9783941765061.
Susanne Rottenbacher studied stage design at Barnard College[1] from 1988 to 1991 in New York (B.A.) and then (1991-1992) completed a degree in light (MSc) at the Bartlett School of Architecture and Planning in London. She worked as a set designer at the Deutsche Oper Berlin and as a light designer for the "LichtKunstLicht" planning office. In this context, among other things, she designed the lighting design for the Federal Chancellery and the new government buildings. She has been working as a freelance light artist since 2007. Susanne Rottenbacher creates expansive installations from sculptural elements that can best be described as light-colored bodies. Her sculptures are characterised by great lightness and transparency and change in dialogue with the surrounding space and times of day. They penetrate the surrounding space like three-dimensional drawings and thus reinterpret it. The organically curved forms seem to be in dynamic motion and at the same time frozen in time and space
, Darling Publications, 2010 Hardcover, 84 pages, ENG / GER, 330 x 330 x 20 mm, NEW, photos in b/w, . ISBN 9783941765221.
What do West Berlin's world-famous ICC, one of the most important pieces of 1970s pop and hi-tech architecture, and the nondescript garages, lounges, or bowling alley of the erstwhile motor pool of the GDR Council of Ministers in Lichtenberg, East Berlin, have in common? The first was created in order to show off West Berlin's claim to global city status. To this day it is regarded as one of the most successful conference centers, yet the ICC's future is still under dispute. The second was once used by the SED leadership to exhibit their claims to power and has been used, since the regime's collapse in 1989, by automobilefocused firms and now also as a gallery, exhibition and studio center. Berlin-based photographer Claus Rottenbacher and architecture historian Nikolaus Bernau investigate the astonishingly well-preserved state of these chronological documents, their ostentatious aesthetic orientation to the "zeitgeist" which was, after all, put to the service of completely different social and cultural systems. They discover a commonality that is located beyond the formal differences.
, Darling Publications, 2008 Hardcover, 64 pages, ENG / GER, 220 x 170 x 15 mm, NEW / NEU, ill. in colour / b/w. ISBN 9783939130789.
, Darling Publications, 2006 Hardcover, 84 pages, ENG / GER , 245 x 215 x 15 mm, NEW, ill. in colour. ISBN 9783939130055.
This book showcases works of the artist duo Alice Stepanek and Steven Maslin. A bilingual publication, it includes an essay by Dr. Andreas Honneth titled ?Panic-ridden Arcadia: Reflections on Alice Stepanek?s and Steven Maslin?s Views of the Skies?.
, Rotovision, 2009 Hardcover, 176 pages, ENG, 255 x 255 x 18 mm, in good condition, illustrated in colour. ISBN 9782940378401.
Demonstrates how to shoot big personalities. This title showcases the work reflecting the various aspects of celebrity and performance photography, including projects shot in studios, on sets, in theatres, on stage, and on location.
, Museum moderner Kunst, 1981 Original metal spiral, oblong; 48x15cm. 46 pages Text in German / English. In fine condition .
E. U. in Ausstellungskatalog Serie Reversal des Museums moderner Kunst.
, Scheidegger & Spiess, 2018 Hardcover, 380 pages, Illustrated. text in English, **Fine condition. ISBN 9783858818027.
This English-language book portrays the historic La Gara estate in Jussy near Geneva and its 18th century gardens. The buildings have been restored by Swiss architect Verena Best-Mast and supplemented with harmonious interior design interventions. The gardens were subtly reinterpreted in a contemporary way by the renowned Belgian landscape architect Erik Dhont and supplemented with a palindrome-like hedge labyrinth designed by the Swiss artist Markus Raetz. Anette Freytag has followed La Gara's transformation at close quarters over the past few years. Her own contributions and those of her co-authors - Verena Best-Mast, Erik A. de Jong, Erik Dhont, ric Dumont, Le la el-Wakil, Iris Lauterbach, Ga l Maridat, Rainer Michael Mason, Markus Raetz, Luc- ric Revilliod and Natalie Rilliet - shed light on the history of the estate, the restoration of the buildings and gardens, including the historic irrigation system and carp ponds, as well as the contemporary landscape interventions. The book also focuses on Geneva's garden culture and the characteristics of the Jussy landscape with its great biodiversity. The book is also dedicated to the phenomenon of the ?Ferme orn e?, a villa modeled on ancient models with agricultural and ornamental functions. An important part of this book are the new photographs by Zurich photographer Georg Aerni from all four seasons. Winner of the European Garden Book Award.
Les Eglises romanes. Préface de Marcel Aubert. Illustré de 51 figures dans le texte, 60 planches h.-t. et 1 carte. Paris. Picard. 1951. Fort in-4 br. couverture imprimée en noir et rouge, 326pp. Très bel exemplaire.
, Steidl Publishers 2016, 2016 Hardcover, 234 pages, English, 310 x 255 mm, book in new state, . ISBN 9783958291225.
Over the course of her career, Angela Grauerholz has created a subjective vision of our world, full of intimate moments that reveal the passage of time. Her spaces are filled with people, glimpses of public and private interiors, and ethereal rural and urban landscapes. The out-of-focus quality of her photographs transforms them into a stream of consciousness, generating a sense of collective memory. She considers this approach ?a representation of our experience: a continuous prodding into something that escapes us continuously.? Turning away from the single image shown on the wall, her photographs are displayed inside cabinets, in portfolios or on sliding panels. This method creates new viewing possibilities, opens up narrative potential, and pushes the concept of the archive to reveal its potentially endless thematic categories and points of entry. Grauerholz?s attention to how the medium is displayed and experienced makes the viewer an active participant in her photographic universe.
Modena, Panini, 1992 Linnen binding with dustjacket, 488 pages, 30,5 x 24,5 cm, Italian text. *fine condition.
Le Tombe Dipinte di Paestum
Couverture souple. Broché. 137 pages. Sous emboîtage. 19 x 25 cm. Dos défraîchi.
Livre. Monografie illustrate pubblicate sotto la direzione del Dott. Corrado Ricci. Abondamment illustré. Istituto italiano d'Arti grafiche, editore, 1912.
Couverture souple. Broché. 183 pages. Sous emboîtage. 19 x 25 cm. Manque au dos.
Livre. Monografie illustrate pubblicate sotto la direzione del Dott. Corrado Ricci. Abondamment illustré. Istituto italiano d'Arti grafiche, editore, 1908.
, Park Books, 2015 softcover, 334 PAGES, Illustrated. ISBN 9783906027968.
Post-war modernist architecture is a subject of controversial debate. The results of a research project into four significant buildings from this era in Vienna are presented, including looking at the future use and development for these buildings.
ANGELINI LUIGI (1884-1969)- ANTONICELLI TEMI - LEONARDI CARLO (1892-)- MARTINENGHI GIUSEPPE (1894-1970)
Reference : 103557
(1922)
1922 Milan, Giuseppe Martinenghi Editore, 1922, 218x225mm, 84+(6) pp., broché sous couverture illustrée avec vignette collée au centre.Edition originale.
Préface de Giuseppe Martinenghi et 80 projets d’architecture de villas et de palais par ces quatre architectes actifs dans les années 1920-1930, dont plusieurs furent réalisés.Envoi autographe signé et daté de décembre 1922 de Giuseppe Matinenghi à l’architecte viennois Adolf Loos.(103557)
Phone number : +33 1 48 01 02 37
Angelique Campens, Roxane Le Grelle, Francelle Cane, Sophie Lauwers, Iwan Strauven
Reference : 56752
, Walter Koenig Verlag, 2021 softcover 160 pages. Eng. edition.*fine condition ISBN 9783753300351.
Samen met curator Angelique Campens en Architecture Curating Practice duikt BOZAR de archieven in van architect en beeldhouwer Jacques Moeschal (1913-2004). Als leerling aan de Acad mie Royale des Beaux-Arts in Brussel raakte hij al snel gefascineerd door de sculpturale mogelijkheden van beton. In het kielzog van de democratisering in het naoorlogse Belgi , staat Moeschal bij het grote publiek vooral bekend om zijn monumentale beeldhouwwerken die integraal deel uitmaken van het autosnelwegennetwerk. Passanten genieten volop mee wanneer ze vanuit hun wagen plots op een imposant werk van Moeschal stoten. De beelden werden landmarks op onze eentonige autostrades. Aan de hand van plannen, filmfragmenten, maquettes en interventies van hedendaagse kunstenaars zal de tentoonstelling dieper inzoomen op de relatie tussen kunst en architectuur in het onderbelichte werk van Moeschal. ----- Together with curator Angelique Campens and Architecture Curating Practice, BOZAR delves into the archives of architect and sculptor Jacques Moeschal (1913-2004). As a student at the Acad mie Royale des Beaux-Arts in Brussels, he quickly became fascinated by the sculptural possibilities of concrete. In the wake of democratization in post-war Belgium, Moeschal is best known to the general public for his monumental sculptures that are an integral part of the motorway network. Passers-by enjoy it to the fullest when they suddenly come across an impressive work by Moeschal from their car. The images became landmarks on our monotonous highways. Using plans, film fragments, models and interventions by contemporary artists, the exhibition will zoom in deeper on the relationship between art and architecture in Moeschal's underexposed work.
1993 / 426 pages. Broché au format : 25 x 34 cm. Editions COAVN
Très bon état / Very good condition.
, Silvana, 2025 Hardback, Dimensions 250 x 205 mm, 110 Illustrations col. & bw ill., 216 Pages, Language English ed. ISBN 9788836660940.
This volume brings together all the main stages of the work of one of the most important American photographers of the last century, Walter Rosenblum (1919 - 2006): from his beginnings in the Photo League to the experience of immigrants in New York's Lower East Side, from the Second World War (in which he participated as a photo reporter) to the Spanish Civil War refugees in France, up to the exceptional documentation of life in the Harlem neighbourhood, the Bronx and Haiti.
zanipolo venezia. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 145 pages augmentées de nombreuses photos en couleurs dans et hors texte.. . . . Classification Dewey : 720-Architecture
Tradut de l'italien par Nelly Pellarin Classification Dewey : 720-Architecture
Hachette & Cie, coll. « Les Classiques de l’Art » 1909 In-4 relié. 169 reproductions. 178 pages. Bon état d’occasion.
Bon état d’occasion
, Wien, Verlag Fritz Molden, 1978., Gebunden, Original-Leinen, Deckelvergoldung, Ruckentitelvergoldung, Original-Schutzumschlag illustriert (photo) koloriert, 28,5x22,5cm, 287pp, illustriert s/w. ISBN 3217008960.
Die Stifte und Kloster in Bayern, Osterreich und der Schweiz. Mit 146 Farbabbildungen von Gerhard Trumler, 49 Abbildungen im text, 2 Karten. Herausgegeben von Hans Schaumberger.
, Brepols, 2026 Hardback, 430 p., 216 x 280 mm, Illustrations:14 b/w, 7 col., 3 tables b/w, .Language(s):English *New . ISBN 9782503616209.
In 1822?1823, the obsessive British collector Sir Thomas Phillipps (1792?1872) spent a year in Switzerland planning to reduce his spending on books. Yet, by the time he returned to England, he had bought some 850 manuscripts and printed volumes. The historical context of these acquisitions offers a unique case study of the workings of the Swiss market in rare books in the first half of the nineteenth century. The Antiquarian Book Trade in Switzerland shows how this market was organised, how booksellers gathered and sold their stock, what kinds of books were available for sale, and the repercussions of Phillipps?s purchases on the formation of libraries in the twentieth century. Combining archival research, the survey of sale and library catalogues, and the material analysis of books, this monograph argues that the Swiss book trade was a thriving business led by professional and amateur dealers who sold rare and modern volumes in shops, private houses, and religious institutions. Phillipps?s motives for obtaining these items (and those of the owners who bought them after his death) also indicate that books were acquired for their aesthetic quality and prestige, historical and literary research, and political purposes. Illustrating the changing values assigned to books, this study demonstrates how many of these volumes became treasures of the world?s cultural heritage.