, Museo Nacional del Prado., 1999 Hardcover, 283 paginas, Spanish, 290 x 230 mm, condicione prima. ISBN 9788487317859.
PRADO EDICIONES EL VISO. MADRID 19999 NO E INDICA EDICION PRIMERA EDICION. BLANDA RUSTICA ILUSTRADA. Condizione libro: MUY BUEN ESTADO. 28X22. HISTORIA DE EUROPA ARTE PINTURA SOCIEDAD CORTESANA SIGLO XVII SOCIEDAD PINTURA Y CORTE MADRID BRUSELAS LONDRES.284 PGS. MUY ILUSTRAO EN TEXTO. CATALOGO EXPOSICION.
, TASCHEN , 2020 Hardcover, 15.6 x 21.7 cm, 1.11 kg, 512 pages, Edition: English, French, German. ISBN 9783836576437.
Dig into the 750 album covers that made rock history. Fact sheets, insider interviews, and lists from leading collectors take you on a musical memory tour. Covering everyone from Elvis to Bowie to The Sex Pistols, this complete volume includes bonus info on 250 records that became turning points for a band, an artist, or a genre.
, Brepols, 2019 Hardback, xiii + 489 pages, Size:210 x 260 mm, Illustrations:16 b/w, 87 tables b/w., Languages: English, German, Italian. ISBN 9782503583464.
Summary The history of programme music stretches back centuries, but only in the nineteenth century did it enter into widespread use. Indeed, seminal compositions by Ludwig van Beethoven and Fr d ric Chopin to Arnold Schoenberg and Jean Sibelius have helped programme music to secure a position within the artistic pantheon, albeit not without bringing a significant amount of controversy in tow. Yet despite its ubiquitous presence in the nineteenth century, scholarship has not adequately articulated the full extent of programme music's range and impact. This volume explores the diverse ways in which programme music was defined, historicized, practiced, disseminated, and judged. It considers how biography, tradition, and function informed the compositional approaches taken by Beethoven, Joseph Joachim, Ethel Smyth, and Zygmunt Noskowski, among others. It draws on extra-musical elements-novels, poems, lithographs, and other forms of creative expression-to determine the ontological profile of works by Chopin, Franz Liszt, Antonio Pasculli, Piotr Tchaikovsky, and Leo? Jan ?ek. It situates compositions by Johannes Brahms, Gustav Mahler, Sibelius, and Schoenberg within the ongoing discourse around Hanslickian absolute and Lisztian programme music. And it visits major European cities to highlight the critical streams of reception toward the end of the century. Throughout, it repeatedly engages with questions of generic identity (with special attention given to the symphonic poem), issues of narrativity and topicality, and considerations of form and structure.
, Editions du Mus e Horta, Couverture reliee 44 PAGES 17,4 cm 25,0 cm 1,0 cm. ISBN 9782491871086.
Monsieur Artono a 130 ans et toutes ses dents ! c?est Art nouveau. Il est n Bruxelles en 1893 avec une id e un peu folle derri re la t te : r volutionner l?architecture et les arts d coratifs. Rien que a ! Gr ce ses deux cerveaux, l?un rectiligne et l?autre courbe, monsieur Artono peut prendre toutes les formes, dont celles qui sont n es de l?imagination de Victor Horta et aussi Paul Hankar, les inventaires de l?Art nouveau en Belgique. La plupart du temps, monsieur Artono travaille tr s s rieusement, mais il aime aussi faire rire les enfants ! Ce sacr blagueur et un peu comme toi et moi : unique en son genre et riche de ses racines europ ennes, africaines, orientales, asiatiques?
, Tim Van Laere Books 2012, 2012 Hardcover, EN / D, unnumbered pages, illustrated in colour and b/w, fine condition, .
Dragonbaby "Johnny" 6 September - 20 October 2012
Antwerpen , Tim Van Laere Books 2020, 2020 Bound, 136 pages, English. 25,5 x 20,5 cm, hardcover, Engels ISBN 9789464004014.
fourth solo exhibition of Jonathan Meese. The title DR. 50/50FITTYMEESE (Pump Away Reality) refers to the celebration of Meese?s 50th birthday on the day of the opening. The German artist Jonathan Meese (b. 1970, Tokyo, lives and works in Berlin and Hamburg) is presenting a new series of paintings and drawings Women this theme seems unusual for Meese at first sight, whose work is mainly identified with rather masculine dominated subjects like world history, original myths and heroic legends. On closer examination one discovers, though, that from the beginning women play an important role in Meese?s painterly and also sculptural work. His early paintings from 2000, show an almost classical approach of act painting, following the tradition of the femme fatale. Although his artistic expression has changed to a more and more abstract expressionist style, his women still often appear in the role of an enchantress, seductress, vampire or witch. But Meese was never really concerned with the destructive power of the female sex inherent in this theme. Nor was he intent upon gender-specific questions. He even queries them in his performances, playing the role of a woman (Zarathustra ? Die Gestalten sind unterwegs with Martin Wuttke in 2006), and in paintings showing figures with genitals of both sexes. To Meese the femme fatale is only interesting as an archetype of art, as a symbol of power. That applies to the image of the mother, too. Meese depicted his own mother, Brigitte, in many portraits and installations (MOR with TAL R in 2005)?as an animal, a general, a vampire and the goddess Isis and many more. Following Nietzsche, the mother in the artist?s eyes is ?the industry of nature.? Known for the deconstruction of pictorial codes, Meese renews in his latest work the persistent power of often clich d symbols which relate to the women as much as to love, the origin and nature: the heart, the spiral and the strawberry.
, Tim Van Laere Books, 2017 hardcover, 54 pages, kleurenillustraties, 25,5 21,5 cm, English. Fine! ISBN X.
Jonathan Meese ( 1970 Tokyo, lives and and works in Berlin and Hamburg) is renowned for his multi-faceted work, including wildly exuberant paintings, installations, ecstatic performances and a powerful body of sculptures in a variety of media. For this exhibition Jonathan Meese is presenting a new series of works focusing on science fiction. His works are starring Mr. Spock, ufologist Robert Dean, Darth Vader, Stanley Kubrick, UFO?s, John Boorman?s Zardoz, Edgar Wallace and extraterrestrial lifeforms. Science fiction has grown as a genre not only concerned with science, but by the 70?s also with consequences. It asked ?What if?? ?What if the world in which we live is not the reality?? ?What if there was an alternative universe with different laws and institutions As Rod Serling defines: fantasy is the impossible made probable. Science fiction is the improbable made possible.? This statement can also be made about Art. In contrary to culture, Art has no boundaries. ?E.T? VS. ?DR. IDEOLOGY?, Art vs. culture. As Jonathan Meese states in his manifest: ?In the exhibition ?E.T.? VS. ?DR. IDEOLOGY? (JOHNNY FUZZY M. SINCLAIR) there will be many paintings, a round table, sculptures, photos, manifests and maybe a video. All this material is FUTURE. All this material has no Ideology. All this material is LOVE. All this material is Dictatorship of Art. Johnny Meese builds a Space-Ship of Total Art. The Gallery-Space is the Commander?s Headquarters of Total Art. Art is Total Love. The ?Round Table? is the wheel of Total Animalism. Johnny M. is the 1. Soldier of Total Art.?
Antwerpen , Tim Van Laere Books 2015, 2015 Bound, 106 pages, English.
In his second solo exhibition at the Tim Van Laere Gallery, the German artist Jonathan Meese (b. 1970, Tokyo, lives and works in Berlin and Hamburg) is presenting a new series of paintings and drawings focusing on women. They are starring his mother, Barbarella, Lolita, Fr ulein K.U.N.S.T., Scarlett Johansson, Mumina, Nofretete and Cara Delevingne, who currently is not only Britain?s favourite Topmodel but also Topgurner?making fun of herself by playing with her face, showing what a useful mask it is: a subversive, humorous and playful performative act Meese deeply relates to in his art. Women?this theme seems unusual for Meese at first sight, whose work is mainly identified with rather masculine dominated subjects like world history, original myths and heroic legends. On closer examination one discovers, though, that from the beginning women play an important role in Meese?s painterly and also sculptural work. His early paintings from 2000, show an almost classical approach of act painting, following the tradition of the femme fatale. Although his artistic expression has changed to a more and more abstract expressionist style, his women still often appear in the role of an enchantress, seductress, vampire or witch. But Meese was never really concerned with the destructive power of the female sex inherent in this theme. Nor was he intent upon gender-specific questions. He even queries them in his performances, playing the role of a woman (Zarathustra ? Die Gestalten sind unterwegs with Martin Wuttke in 2006), and in paintings showing figures with genitals of both sexes. To Meese the femme fatale is only interesting as an archetype of art, as a symbol of power. That applies to the image of the mother, too. Meese depicted his own mother, Brigitte, in many portraits and installations (MOR with TAL R in 2005)?as an animal, a general, a vampire and the goddess Isis and many more. Following Nietzsche, the mother in the artist?s eyes is ?the industry of nature.? Known for the deconstruction of pictorial codes, Meese renews in his latest work the persistent power of often clich d symbols which relate to the women as much as to love, the origin and nature: the heart, the spiral and the strawberry.
, Yale, 2003 Hardcover with dusjacket 348 pages Illustrated. ISBN 9780300098549.
A comprehensive history of antiquity collecting in Great Britain. Jonathan Scott gives portraits of the principal collectors, describes the mechanics of the art trade and collecting, and takes us to beautiful sculpture galleries that were created by such distinguished architects as Robert Adam. By the nineteenth century, connoisseurs from the British Isles had assembled the richest collections of classical antiquities outside Rome. The galleries they created to house the spectacular Greek and Roman statues, ornaments, vases, bronzes, and gems were in many instances designed to be as magnificent as the artworks themselves. This delightful book examines how the great British antiquities collections were put together and displayed, from Lord Arundel?s collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century and the greatest art acquisition of all time, that of the Elgin Marbles from the Acropolis. In this book, the first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott gives portraits of the principal collectors, describes the mechanics of the art trade and collecting, and takes us to beautiful sculpture galleries that were created by such distinguished architects as Robert Adam and Jeffry Wyatville. With a generous selection of illustrations of the interiors of collectors? houses, the book presents in unprecedented detail the story of private British antiquities collectors and their truly remarkable collections.
, ludion / Ikon Gallery Ltd, 2015 Softcover, 128 pages, . ISBN 9781904864974.
Ikon Gallery Ltd, United Kingdom, 2015. Paperback. Condition: New. Language: English
Turnhout, Brepols, 2007 Hardback, original editor's jacket, english, 19x25 cm., 396 pp., 199 b/w illustrations and 38 colour illustrations. ISBN 9782503525549.
Pictura Nova PICT 14. This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints.
, Studio Editions, 1994 191pp., ENG, gebonden in gekartonneerde band met stofomslag, conditie: zeer goed, 310 x 275 mm, illustrated in colour / b/w. ISBN 9781851704125.
Charles Rennie Mackintosh (7 June 1868 ? 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow and died in London. He is among the most important figures of Modern Style (British Art Nouveau style).
Londres, Jones & Co, 1829. 3 vol. in-4, 100 pl. + 50 pl. + 45 pl., demi-basane à coins aubergine, plats de papier illustré (défraîchis, petites rousseurs).
Édition originale de ce recueil de maisons et châteaux aristocratiques de Grande Bretagne. Il comprend un total de 195 planches comportant 2 vues chacune, accompagnées de pages de descriptions des lieux et, parfois, des principales oeuvres d'art qui y sont conservées. Étiquette de la librairie Maggs Bro mentionnant sa provenance : la bibliothèque du comte de Chambord. En l'état. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Paris, Editions Vincent, Fréal et Cie, 1963 petit in 4 à l'italienne, jaquette toile de l'éditeur sous jaquette illustrée, 264 pages
Edition originale française, traduit de l'américain par Jeanine Flitz. Plans et photographies en noir des réalisations, quelques unes en couleurs. Bel exemplaire.
London, John Boydell, O.J. (um 1780). Schabkunstkupfer von Valentine Green. Bildgrösse: 15 x 12,5 cm. Blattgrösse: 18 x 13,5 cm.
Farington, George (1752-1788): Engl. Maler. Green, Valentine (1739-1813): Engl. Graphiker.
Carpentras, Éditions Terres du Sud, 2006. In-8, format à l'italienne. Cartonnage éditeur toile bleue illustrée. Absence de pagination (120 pages environ). Belles illustrations en couleurs. Plans dont certains sur calque et sur double page. Texte en anglais et en français. Très bon état.
Livre sur les réalisations des architectes Lafourcade
Paris : L'Aventurine, 2001. Broché 33x23cm à couverture illustrée couleurs 228 pages illustrées de 112 planches couleur hors-texte et noir in-texto.
Architecte et décorateur, Owen Jones supervisa les travaux de la première Exposition Universelle de 1851 à Londres et la décoration du Crystal Palace, ce palais en fonte et verre édifié pour l'abriter. Son traité, publié en 1856, reste une référence dans ce domaine par son aspect encyclopédique et constitue un riche répertoire iconographique puisant dans les styles du monde entier de toute époque.
Editions du "Studio", 1913, VIII-152 p., in-4 br. (20,5 x 29), n° spécial du Studio printemps 1913, publié par Charles Holmes, texte et illustrations par Sidney R. Jones avec planches en coul. d'après d'autres artistes, texte en français et en anglais, couverture et dos passés, intérieur très propre, bon état
"The Studio Magazine was een geïllustreerd tijdschrift over beeldende kunsten en kunstnijverheid, opgericht door Charles Holme en Gleeson White in Groot-Brittannië in 1893, dat veel invloed uitoefende op de ontwikkeling van Art Nouveau en de Arts and Crafts-beweging. The Studio bevorderde het werk van de Nieuwe Kunst-kunstenaars, ontwerpers en architecten en speelde een belangrijke rol bij het bekendmaken van het werk van Charles Rennie Mackintosh en Charles Voysey". Voir le sommaire sur photos jointes
Editions du "Studio", 1913, in-4 rel. 1/2 toile (20,5 x 29), VIII-152 p., n° spécial du Studio printemps 1913, publié par Charles Holmes, texte et illustrations par Sidney R. Jones avec planches en coul. d'après d'autres artistes, texte en français et en anglais, reliure modeste, coiffes frottées, intérieur propre, bon état.
"The Studio Magazine was een geïllustreerd tijdschrift over beeldende kunsten en kunstnijverheid, opgericht door Charles Holme en Gleeson White in Groot-Brittannië in 1893, dat veel invloed uitoefende op de ontwikkeling van Art Nouveau en de Arts and Crafts-beweging. The Studio bevorderde het werk van de Nieuwe Kunst-kunstenaars, ontwerpers en architecten en speelde een belangrijke rol bij het bekendmaken van het werk van Charles Rennie Mackintosh en Charles Voysey". Voir le sommaire sur photos jointes.
Paris Editions du "Studio" 1913 1 vol. broché in-4, broché, 37 + VIII + 152 pp., nombreux dessins en noir de Sidney R. Jones. Texte en anglais précédé de la traduction française. Dos ridé, sinon en très bon état.
The Studio Broché 1912 In-4 (29*21), dos broché, couverture illustrée, VIII+162 pages et planches d'illustrations en couleurs, nombreuses illustrations en noir in texte ; intérieur frais, petite déchirure sans manque en bas du premier plat, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Texte et illustrations de Sydney R. Jones avec quelques compositions en couleurs de W. Ball et J. Fullwood. P. Edt. Du Studio, 1912. Grand in-8, 162 pages. Demi chagrin marron de l'époque, dos à nerfs orné.
Texte en anglais, introduction en français et en anglais.
Thames and Hudson. Non daté. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 399 pages. Nombreux dessins et photos en coulerus, dans et hors texte.. . . . Classification Dewey : 720-Architecture
900 illustrations, 747 in colour. Classification Dewey : 720-Architecture
Taschen Toile d'éditeur 1994 In-4°, toile d'éditeur de couleur bordeaux sous jaquette illustrée en couleurs avec emboîtage, 340 et 400 pp., 1er volume : 1792-1949 et 2ème : 1950-heute, texte en allemand traduit en anglais, importante iconographie couleurs et noir et blanc in et hors texte ; excellent état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Robert Laffont, Les Enigmes de L'Univers, 1991, 361 pages, in 8 broché, bon état, coins légèrement cornés.