‎Dirk Braeckman - No Denial, No Explanation ‎

‎Antwerp, Tim Van Laere, 2023 Hardcover, 88 pages, Illustrated., Quadrilingual: English, Dutch, French, Italian .*New. ISBN 9789464004366.‎

‎Tim Van Laere Gallery presents No Denial, No Explanation, a new solo exhibition by internationally acclaimed artist Dirk Braeckman. Dirk Braeckman is celebrated for his stilled, enigmatic visual language?one that continuously questions, suspends, and redefines the photographic medium. His austere, often monochromatic images oppose the velocity and superficiality of today?s visual overload. They urge the viewer to slow down, to look more attentively, and to embrace ambiguity. For Braeckman, the essence of photography lies not in the moment of capture, but in the entire process?from the initial shot to the final image. With this approach, he engages with photography through a painterly lens, emphasizing the process of image construction. His works are not straightforward reproductions of reality, they are carefully altered, marked, deconstructed, and recomposed by the artist. As a result, the viewer doesn?t just get a glimpse through Braeckman?s lens, but feels his physical presence within each work. ‎

‎Let's Go!‎

‎, Tim Van Laere Books, 2023 92 pagina's, 25,5 x 20,5 cm, hardcover, Nederlands/Frans/Engels. ISBN 9789464004205.‎

‎Tim Van Laere Gallery is pleased to present Let?s Go! a group exhibition presenting works by Bram Demunter, Jean Dubuffet, Kati Heck, Leiko Ikemura, Stanislava Kovalcikova, Friedrich Kunath, Jonathan Meese, Albert Oehlen, Tobias Pils, Tal R, Ben Sledsens, Ettore Spaletti, Dennis Tyfus, Rinus Van de Velde, In s Van den Kieboom, Henk Visch, and Franz West. While solo exhibitions allow you to fully enter the world of one artist and give you a glimpse of what the world looks like according to that artist, a group show offers different windows and pathways to various points of view and ways of seeing. It?s for this reason group shows are a vital part of the gallery?s program. By combining works from different artists in all kinds of media, the inner dialogue between the artist and his/her work is brought to a larger table, where its meaning gets challenged and debated by the surrounding works. It makes for an open dialogue where universal truths rise to the front and are brought to the surface of each one of the works presented in the exhibition space. The decision of the gallery to curate the show not only with contemporary artists but to also include modern artists, testifies to the determination the gallery has to pave new pathways to foster new dialogues and share these dialogues with the public. Choosing to curate group shows with cross-pollination in media, genres, and generations, can create new ways in art and expand the existing dialogue of the works which inspires new styles, and different ways of creating and rethinking our ways of seeing. On the one hand, the title of the show, Let?s Go!, reflects on the gallery?s belief in art and its strength to overcome almost everything. It?s a phrase that leaves no room for doubt and proclaims its strong faith in art to the public, inviting them to join the party. On the other hand, the phrase also refers to the process of the artist. Each one of these artists knows how to surrender to their work. They have allowed art to fully consume their life and take a vital part in their existence. They allow the work to speak for itself. Therefore the gallery chose to respect this inner attitude of the works and place them in dialogue as such. They don?t need a thematic alibi to start up new conversations, they just need to be presented as intended by the artist to enter the public?s consciousness.‎

‎Ben Sledsens : Under The Tree Distant Sea.‎

‎, Tim Van Laere Books , 2022 Hardcover, 96 pages, ENG./ NL./FR. edition, 255 x 205 x 15 mm, *NEW, illustrated in colors. ISBN 9789464004182.‎

‎Wanneer men het werk van Ben Sledsens bespreekt, wordt het woord utopia vaak in de mond genomen om de wereld te beschrijven die hij in zijn schilderijen weergeeft. Ook de kunstenaar zelf zegt over zijn werken dat ze een utopia voorstellen waarin hij zelf zou willen leven. Als we echter goed kijken naar het oeuvre dat Sledsens in de loop der jaren heeft gecre erd, merk je echter dat zijn wereld niet enkel is opgebouwd uit optimistische verhalen, noch is zijn ?utopia? een suggestie voor een perfecte samenleving. Het is ook geen kritiek of satire; de kunstenaar herbergt geen enkele ambitie om via zijn werken een sociale of politieke boodschap uit te dragen. De wereld die Sledsens in zijn schilderijen weergeeft is dus niet het product van zijn ongenoegen met onze werkelijkheid; zijn utopia is elders ontstaan. ‎

‎Tal R Home Alone. The exhibition includes a new series of paintings, gouaches and drawings.‎

‎Antwerp, Tim Van Laere Books 2020, 2020 Hardcover, 120 pages Illustrated. 25.5x20.5cm. Text in English / Nederlands. Fine! ISBN 9789464004021.‎

‎Tal R ( Tel Aviv, Israel. Lives and works in Copenhagen) transforms everything in his environment into art. His works are known for their daring colors and vivid imagery. Tal R works with a variety of techniques and media including painting, drawing, collage, sculpture, installation, print and furniture. Tal R is a keen observer, who takes inspiration from reality as well as his imagination. His work fits within the northern European tradition of Edvard Munch, Asger Jorn, Per Kirkeby and Georg Baselitz. Historical and art-historical references are abundant: threads of expressionism, fauvism and symbolism continue, as well as a nod to traditional Scandinavian art, art nouveau, outsider art and children?s paintings. Tal R?s enigmatic work offers intersections of personal experience and wider history through a visual jigsaw, finely balanced between representation and abstraction, of what the artist has termed ?Kolbojnik,? a Hebrew term for leftovers. His unique vision, self-identification as an outsider and ability to sample the two worlds of his different heritages, has produced an artistic language that constantly questions our surrounding realities. According to Tal R one can easily describe the subject of his works over the phone. In Home Alone Tal shows a series of birds in their cages and a series of still lifes. The titles of the works refer to the literary work of Bruno Schulz. In his Cinnamon Shops, a collection of interlinked stories, the most prosaic elements of everyday life become fantastic, full of mystery, capable of containing and at times revealing the deepest secrets of existence. Each story floats between the realism of his own autobiography and a fantastical fiction. In one of his stories Schulz tells about his father?s collection of a colony of birds in the attic, which served as an inspiration to Tal?s series of birds in their cage. Tal?s birds are delicately balanced between representation and abstraction, with abstract shapes and fields of color. The linings of the cage divide the canvas and provide structure to the stacking of different paint colors. In his series of still lifes, Tal depicts a series of objects that have been carefully arranged on a table top. These objects are as familiar as they are estranged. They are the objects that have been taken from their initial place and lost their name. Just like in Disney Pixar?s Toy Story, where the toys come to live as soon as the door closes, Tal gives these objects new life by painting or drawing them. Many of these objects carry references towards the stories of Schulz, but just like the author Tal?s interest is not so much in the story itself but in a proces of regeneration.‎

‎Thuis in de wereld / At home in the world‎

‎, Het zoekend hert, 2021, 2021 Softcover, 55 + 53 pagina's, NL / EN , 175 X 115 mm, illustratede / illustraties. ISBN 9789461172600.‎

‎kruis‎

‎JAARBOEK ARCHITECTUUR VLAANDEREN 2002-2003 : (editie 2004) ‎

‎, Ministerie van de Vlaamse Gemeenschap, 2004 Hardcover, 224 pag. NL, 310 x 230 x 25 mm, als Nieuw, illustraties / afb. in kleur / z/w. ISBN 9789080778740.‎

‎Het Jaarboek Architectuur Vlaanderen verscheen in 2004 voor de zesde maal, en voor het eerst als uitgave van het Vlaams Architectuurinstituut. Het Jaarboek biedt een tweejaarlijks overzicht van de recente ontwikkelingen in de architectuur in Vlaanderen. De editie 2004 stelt een selectie van 15 gebouwen voor aan de hand van heldere projectbeschrijvingen en uitgebreid beeldmateriaal. Het boek wordt aangevuld met een aantal artikels rondom thema?s die via de ingezonden projecten naar boven kwamen drijven. Zo bespreekt Akos Morav nszky aan de hand van het Brugse Concertgebouw de vorming van identiteit als het resultaat van een veelzijdige en complexe historische constructie. Wouter Davidts biedt een confronterende doorlichting van de culturele infrastructuur in Vlaanderen van de laatste 10 jaar. William Mann gaat in op stedelijk wonen met landelijke kwaliteit of de relativiteit van dichtheid, en Tom Avermaete voert een pleidooi voor het architectuurontwerp als een vorm van (stads)onderzoek. Traditioneel bevat het boek verder een overzicht van publicaties, tentoonstellingen, lezingen, wedstrijden en architectuurprijzen. Door dit alles is het jaarboek een waardevolle bron van informatie en vormt het een aanzet voor de ontwikkeling van het architectuurdebat in Vlaanderen.‎

‎M. Jos Van Hee, Ontwerpen 1977-1993‎

‎Antwerpen , deSingel, 1993 Oorspronkelijk uitgeversomslag, 93 pagina's, 28 x 20.5 cm. Nederlandstalige tekst. *Als nieuw.‎

‎Deze catalogus wed uitgegeven naar aanleiding van een tentoonstelling in deSingel van 14 mei tot en met 20 juni 1993, Antwerpen.‎

‎Studie van een jonge vrouw Een bijzondere blik in het atelier van Michaelina Wautier (1604-1689)‎

‎Antwerp, Phoebus Focus XIX, 2020 Paperback, 102 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL. ISBN 9789082746761.‎

‎Phoebus Focus 19 - Studie van een jonge vrouw Een bijzondere blik in het atelier van Michaelina Wautier (1604-1689) ‎

‎Study of a Young Woman An exceptional glimpse into Michaelina Wautiers studio (1604-1689)‎

‎Antwerp, Phoebus Focus XIX, 2020 Paperback, 102 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL. ISBN 9789082746778.‎

‎Phoebus Focus 19 - Study of a Young Woman An exceptional glimpse into Michaelina Wautier's studio (1604-1689) ‎

‎Netherlandish and French Paintings 1400?1480 Critical Catalogue‎

‎, Imhof verlag, 2024 hardcover, Size 24 30 cm, 608 pages, 497 colour and 142 b/w illustrations, English text. ISBN 9783731913191.‎

‎Netherlandish and French Paintings 1400?1480 Critical Catalogue The Berlin Gem ldegalerie houses an internationally outstanding collection of early Netherlandish and French paintings. This scholarly catalogue is dedicated to the works of the pioneer generation, i.e. those artists who began their career in or before the second third of the fifteenth century. In 52 entries, 69 individual paintings are discussed. All the important masters of the period are represented, many of them with major works ? such as the Madonna in the Church by Jan van Eyck, the Miraflores Altarpiece by Rogier van der Weyden, the donor panel of tienne Chevalier by Jean Fouquet, the only known painting by the early Dutch master Albert van Ouwater or the Montforte Altarpiece by Hugo van der Goes. The individual entries are based on art-historical and technological investigations and were written in an interdisciplinary collaboration. This richly illustrated publication presents a wealth of new insights into both the well-known works, and panels that had received less attention in former times.‎

‎Perception and Awareness: Artefacts and Imageries in Medieval European Jewish Cultures‎

‎, Brepols, 2024 Paperback, 360 pages, Size:216 x 280 mm, Illustrations:57 b/w, 65 col., 1 tables b/w., Language: English. ISBN 9782503583945.‎

‎Summary What did the world look like for Jews living in medieval Europe? How did they perceive and make use of the elements of their daily life, from items on the street to religious iconography within holy spaces ? in particular synagogues and at the exterior of churches ? and profane elements from the home? And how did they experience the visual and material cultures of their non-Jewish neighbours? These questions form the core of this volume, which explores pre-modern Jewish approaches to images and material objects from a variety of perspectives. From clothing to manuscripts, and from lighting devices to the understanding of the invisible, the chapters gathered together in this multifaceted volume combine analyses of images and artefacts together with in-depth analyses of texts to offer fresh insights into the visual cultures that informed the world of European Jews in the Middle Ages. TABLE OF CONTENTS Preface and Acknowledgements List of Illustrations Introduction Elisheva Baumgarten, Elisabeth Hollender, Katrin Kogman-Appel, and Ephraim Shoham-Steiner Part One: The Perception of the Visual, the Material, and the Tangible in Shared Public Spaces 1. The Writing on the Wall ? A Mahzor, a Bimah, and a Privilege. A Look at Social Processes in the 13th-Century Jewish Community of Cologne Ephraim Shoham-Steiner 2. Illuminations: Lights, Identities, and the Society of Spectacle in the Late Middle Ages Eleazar Gutwirth 3. Materialization of Memoria Memory and Remembrance of Benefactors in Building Inscriptions in Medieval Ashkenaz Rainer Josef Barzen 4. Differing Perceptions of Church Garments and Worship Implements in the Writings and Thought of the Tosafists Ephraim Kanarfogel 5. Not Black and White Clothes and Difference in Medieval Ashkenaz Elisheva Baumgarten Part Two: Utilizing the Faculties of Visual Means 6. Jewish Chivalry in Late Medieval Illuminated Manuscripts Sara Offenberg 7. The Handling of Diagrams in Medieval Scientific Manuscript Transmission The Sefer ha-mar?im le-Eqlides and its First Proposition Sabine Arndt 8. Non-Verbal Aspects of Astrolabe Knowledge (Fifteenth- to Eighteenth-Century Hebrew Manuscripts) Josefina Rodr guez-Arribas 9. Artifacts that Desire Medieval Perspectives Kalman P. Bland (OBM) 10.The Agency of Images The Temple Vessels in Hebrew Bibles from Roussillon (c. 1300) Katrin Kogman-Appel 11.Visualizing the Invisible: Portrayals of Elijah the Prophet in Fifteenth-Century Ashkenazi Haggadot Chana Shaham-Rosby 12.Visualizing Divine Communication in Medieval Jewish Art Shulamit Laderman Index About the Authors‎

‎Premodern Jewish Books, their Makers and Readers in an Era of Media Change‎

‎, Brepols, 2024 Hardback, 464 pages, Size:216 x 280 mm, Illustrations:106 col., Language: English. ISBN 9782503604633.‎

‎Summary This volume brings together studies about books as artefacts within transitional zones. The history of the book from the handwritten to the printed medium is understood as a process marked by innovation and social change, but also by disorientation and bewilderment. The journey of a book from production to use was determined by a complex set of factors: communication among authors, makers of books, patrons, and readership; the emergence of publishers; and decisions to be made concerning production and publication. These factors underwent tremendous changes during the fifteenth and sixteenth centuries owing to the spread of printing and the rise of Humanism in Europe. Particular focus is put on the physical evidence of books, both handwritten and printed, and what it can tell us about a book's production and its reception. TABLE OF CONTENTS Introduction Katrin Kogman-Appel and Ilona Steimann Part One: Media Change Chapter 1: Changes in Bookmaking: Joel ben Simeon's Manuscripts in the Transition from Customized to Mass Production? Rodica?Herlo-Lukowski Chapter 2: Joel ben Simeon in Transition Evelyn M. Cohen Chapter 3: Jewish Books between Portugal to the Early Sefardi Diaspora.? D bora Marques de Matos Chapter 4: The Emergence of the Printing Self: Egodocuments and Micro-Egodocuments in Jewish Paratexts from Manuscript to Print Avriel Bar-Levav Chapter 5: From Manuscript to Print and Back Again. Two Case Studies in Late Sixteenth-Century Jewish Book Culture Pavel Sl dek Chapter 6: Lishmah Qedushat Sefer Torah or the Impossibility of Printing a Kosher Torah Scroll from Rabbinic Perspectives Annett Martini Part Two: The Craft of Editing Chapter 7: The 1514 'Grace after Meals and Sabbath Hymns and Qiddush' and the Experimental Beginnings of Woodcut Illustrations in Prague Sarit Shalev-Eyni Chapter 8: Hayyim Shahor and Jewish Life in Sixteenth-Century Ashkenaz Lucia Raspe Chapter 9: Of Roots and Signs: Printing Ashkenazi Responsa in Sixteenth-Century Venice Tamara Morsel-Eisenberg Part Three: Reading Chapter 10: The Masorete and His Readers: A Relationship Obscured Now Rediscovered Dalia-Ruth Halperin Chapter 11: Early Hebrew Printing and the Quality of Reading: A Praxeological Study Hanna Liss Chapter 12: Hegemonies of Reading. Layout, Materiality, and Authorship in Early Hebrew Prints Federico Dal Bo ? Part Four: Confiscation and Destruction Chapter 14: Burning the Talmud. Before and After Print David Stern Chapter 15: The Bookless Talmud and the Talmud Book: The Loss of Books in the Medieval and Early Modern World? Yakov Z. Mayer ? Part Five: Christian Collections Chapter 16: A Medieval Hebrew Psalter with Latin Glosses (MS Paris, BnF h breu 113) and Its Cambridge Connection ? Judith Olszowy-Schlanger Chapter 17: A Forced Journey between Two Faiths. The Hebrew Manuscripts of the University of Vienna Ilona Steimann? Chapter 18: 'Ben Hacane Liber qui dicitur Pelia'. Egidio da Viterbo's Kabbalistic Excerpts Saverio Campanini? Chapter 19: Alfonso de Zamora and Hebrew Manuscripts on Grammar and Exegesis in Sixteenth-Century Spain Javier del Barco Chapter 20: On the Beginnings of Christian Hebraist Bibliography in the Sixteenth Century Maximilian de Moli re Manuscript Index General Index‎

‎As it is Done, 57 Contemplations ‎

‎, MER Paper Kunsthalle, Gebonden, Hardcover 24X16cm, 144 pages met prachtige illustraties. ISBN 9789490693787.‎

‎Een bloemlezing van pijnlijke banaliteiten. Een beeldverhaal zonder begin en eind. Getekend en geschreven door Katrin Lohmann, actrice en maakster. Graphic short-stories portraying people beyond revolt. An anthology of distressing trivialities. Sketched by Katrin Lohmann.‎

‎Friedrich Kunath : New Ballads‎

‎, Tim Van Laere Books, 2021, 2021 80 pagina's, illustraties in kleur, 25,5 x 20,5 cm, hardcover, Duits/Engels/Frans. ISBN 9789464004083.‎

‎The universe of Friedrich Kunath is carefully balanced around dichotomies. His paintings address the greater questions in life, bringing viewers into a disruptive state of searching for meaning in life while realizing the ridiculousness of this quest. The artist?s personal journey from East to West Berlin and on to his new-found home in Los Angeles presented him with a wide variety of source material ranging from the canon of art history and German philosophy to the idiom of kitsch and the make-believe world of Hollywood and LA. Many of these materials are impacted by two poles ? the culture of wisdom and pop culture ? to the point of obsession and even, at times, systematization. Dealing with such universal themes of human existence as love, loss, optimism, vulnerability and melancholy, he employs a variety of media, from painting, sculpture, drawing, video and photography to expansive installations, all provided with a tragicomic pathos and dreams of possibilities. In almost every work, there is a tangible realization that the world is a spectacle of unfulfilled dreams in which the rawness of life is fled through the parallel universe of pop culture.‎

‎MICHA L BORREMANS The Acrobat.‎

‎, David Zwirner , 2022 PB, 178 x 114 mm, 64 page, ENG edition, illustrated with coloured illustrations. ISBN 9781644230831.‎

‎Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.‎

‎MICHA L BORREMANS : The Acrobat‎

‎, David Zwirner Books 2022, 2022 Paperback, 64 pages, ENG, 178 x 116 mm, New, dustjacket, coloured illustrations thoughout, . ISBN 9781644230831.‎

‎Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.‎

‎Micha l Borremans: The Monkey‎

‎, David Zwirner Books , 2024 softcover, . ISBN 9781644231463.‎

‎Presenting the Belgian artist Micha l Borremans?s newest group of psychologically charged paintings, this catalogue highlights his exceptional technical skill, interest in figuration, and innovative approach to mise-en-sc ne. ?Everything is a self-portrait. And now I have been painting monkeys. . . . It?s like making a movie.? ?Micha l Borremans, Interview magazine As a pendant to his acclaimed catalogue The Acrobat, The Monkey showcases seventeen paintings that reveal his interest in exploring surface and artifice. Borremans portrays mysterious sitters?including the titular monkeys, which are glazed toy figurines?and depicts enigmatic scenes that simultaneously invite viewers in and keep them at bay. Katya Tylevich?s insightful commentary delves into the depths of Borremans?s compositions, connecting the themes and motifs in The Monkey to those present in previous bodies of work. Tylevich delves into the complex emotional and art-historical registers at play in the artist?s new paintings and maps the trajectory of his practice, observing other instances of repetition and fabulation across his practice. The publication, featuring this essay alongside beautifully illustrated images of the new paintings, serves as the ideal complement to the artist?s 2024 exhibition at David Zwirner, London‎

‎Micha l Borremans A Confrontation at the Zoo. Catalogus Voorlinden 2024‎

‎, Voorlinden, 2024 Hardcover,128 pages, 24 x 29,7 cm Illustrated. text in Nederlands / English.*out of print, *NEW. ISBN 9789492549198.‎

‎catalogus Micha l Borremans - A Confrontation at the Zoo In de catalogus bij de solotentoonstelling van Micha l Borremans zie je alle kunstwerken en zalen terug en kun je inzoomen op de kleinste details. In haar essay neemt kunstkenner en Borremans-connaisseur Katya Tylevich je, al pratend met de kunstenaar, mee door de tentoonstelling en zijn oeuvre. En Ann Demeester, directeur van Kunsthaus Z rich en voormalig directeur van het Frans Hals museum, laat haar licht schijnen op het fenomeen Borremans. //// catalog Micha l Borremans - A Confrontation at the Zoo In the catalog accompanying Micha l Borremans' solo exhibition, you can see all the artworks and rooms and zoom in on the smallest details. In her essay, art expert and Borremans connoisseur Katya Tylevich, while talking to the artist, takes you through the exhibition and his oeuvre. And Ann Demeester, director of Kunsthaus Zurich and former director of the Frans Hals Museum, shines her light on the Borremans phenomenon. ‎

‎Seine-Saint-Denis territoire d'usines.‎

‎ P., Creaphis, 2003 ; in-8 carré (23,5 x 21 cm), broché. 214 pp.-1 f. Couveture illustrée. Abondante iconographie en noir et en couleurs. Parfait état. ‎

‎Histoire de l'industrialisation en Seine-Saint-Denis, et l'architecture industrielle. ‎

‎De Ledoux à Le Corbusier. Origine et développement de l'architecture autonome‎

‎ L'Equerre L'Equerre, 1981. In-8 broché de 99 pages ornées de photos. Bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎L'Architecture au Siècle des Lumières. (Architecture in the Age of Reason). Baroque et post-baroque en Angleterre, en Italie et en France.‎

‎ Julliard, 1963, gr. in-8°, 301 pp, traduit de l'anglais par Olivier Bernier, 222 gravures sur 64 pl. hors texte, index, reliure toile éditeur, jaquette illustrée (abîmée), bon état (Coll. Histoire de l'Art). Edition originale française‎

‎L'architecture au siècle des lumières. Baroque et post-baroque en Angleterre, en Italie et en France. Traduit de l'anglais par Olivier Bernier. Coll. ‘Histoire de l'art’. ‎

‎Paris, Julliard, 1963, gr. in-8vo, 301 p. + 222 ill. en n/b hors-texte, reliure en toile originale sous jaquette illustrée. ‎

‎L'architecture au siècle des lumières. (Collection Histoire de l'art)‎

‎René Juilliard. 1963. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 301 pages augmentées de nombreuses planches en noir et blanc.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Trois architectes révolutionnaires - Boullée. Ledoux. Lequeu ‎

‎Editions de la SADG, 1978, in-8 br. (17 x 24,5), 318 p., introduction et notes de Gilbert Erouart et Georges Teyssot, traduit de l'anglais par Françoise Revers, 284 figures, bon état. ‎

5 Images

‎Voir le sommaire sur photos jointes. ‎

‎TROIS ARCHITECTES RÉVOLUTIONNAIRES: BOULLÉE, LEDOUX, LEQUEU‎

‎Les Éditions de la SADG, 1 volume broché de format 24,5 x 17,5 cm, 319 pages, illustrations, couverture défraîchie, pelliculage fragile, intérieur en bon état. Frais de port en supplément.‎

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‎Envoi en colissimo : + 8,80 euros‎