‎Roger Somville‎

‎, Atelier Vokaer, 1988 Hardcover, 488 pages, Texte en Francais , belle exemplaire,30 x 34, 488 pp., 571 illustrations (dont planches pleine page) en couleurs et en N/B, 90 miniatures + autres photos en N/B, ISBN 9782870120033.‎

‎somville grandit dans la pauvret apr s la mort pr coce de son p re. Pour cette raison et sous l'influence de son oncle lithographe, il adh re au Parti communiste belge. La guerre civile espagnole et la Seconde Guerre mondiale ont marqu sa vie. Il tudie l'Acad mie royale des beaux-arts de Bruxelles de 1940 1942 et l' cole nationale sup rieure d'architecture et des arts d coratifs de Charles Counhaye de 1942 1945[5], sous l'influence duquel il d veloppe un style monumental expressif. Il est directeur de l'Acad mie des Beaux-Arts de Watermael-Boitsfort de 1958 1986. En 1951, il rejoint La Jeune Peinture Belge. La m me ann e, il fonde le "C ramique de Dour" avec son pouse Simone Tits. Il est l'un des chefs de file du n or alisme et r dige les manifestes de 1958 et de 1966. Apr s les journ es de mai 1968, il fonde le "Mouvement r aliste" en 1969. Ses peintures murales les plus connues sont "Notre temps" (1974-76) dans la station de m tro bruxelloise Hankar[6], et l'Universit catholique de Louvain Louvain-la-Neuve, (avec le "Collectif d'art public" qu'il a fond ) une ?uvre de 410m sur le th me "Qu'est-ce qu'un intellectuel ?‎

‎Passions de l' me et leur r ception philosophique‎

‎, Brepols, 2020 Paperback, 696 pages, Size:156 x 234 mm, Illustrations:10 b/w, 2 col., 6 tables b/w., Languages: French, English, Italian. ISBN 9782503584522.‎

‎Summary The articles collected in this volume approach Descartes' Passions de l' me both from a historical-philological and a theoretical-philosophical point of view, thus aiming to provide an innovative contribution to our understanding of this work Les Passions de l' me sont le dernier livre publi par Descartes. Quand il para t en 1649, la fois Amsterdam et Paris, le philosophe est d j Stockholm, l'invitation de Christine de Su de. Mais c'est sans doute la discussion avec Elisabeth, quelques ann es auparavant, qui fournit l'occasion de sa r daction, m me si Descartes consid rait vraisemblablement qu'il f t requis pour achever le plan d' tudes pr vu pour les Principia philosophiae. Mon dessein, dit Descartes en le pr sentant, n'a pas t d'expliquer les passions en orateur, ni m me en philosophe moral, mais seulement en physicien . En annon ant le 15 avril 1649 Henry More la publication prochaine d'un court trait de affectibus, il pr cisait d j qu'il montrerait comment tous les mouvements des membres qui accompagnent nos passions se produisent en nous-m mes non par l' me, mais par le seul m canisme du corps . Pour autant, Descartes ne s'est pas content de parler des passions en physicien. Il a pris d'autres d cisions philosophiques capitales qui le distinguent de tous le moralistes du Grand Si cle : doter la physique m caniste d'une th orie de passivit ; faire de l'admiration la premi re des passions primitives ; proposer une d finition in dite de l'amour ; substituer le principe de l'estime de soi aux condamnations traditionnelles de l'amour de soi ; donner la libert la figure de g n rosit , etc. Les Passions de l' me sont donc, plus d'un titre, une oeuvre singuli re. En r unissant les communications prononc es lors du double colloque qui s'est tenu en 2014 Paris et Lecce, le pr sent volume cl t un riche ensemble d' tudes initi en 1987 l'occasion du 350e anniversaire du Discours de la m thode, syst matiquement consacr aux oeuvres publi es par Descartes lui-m me. Les articles qui composent ces actes ajoutent l'analyse m ticuleuse des Passions de l' me l'examen de leur contexte contemporain et font droit la r ception du trait , de Malebranche Husserl. S'ensuivra une intelligence renouvel e de l'oeuvre qui livre les derniers fruits de la philosophie cart sienne. Elle n'en dissipe cependant pas l' nigme : car elle est celle m me de son objet, la nature de l'homme . TABLE OF CONTENTS Avant-Propos: l' nigme des Passions (Giulia Belgioioso & Vincent Carraud) Ire partie : Le texte et ses concepts I. Ant c dents, textes et contextes Classifying the Passions : Descartes and his Scholastic Background (Dominique Perler) Verso una ridefinizione del lessico scolastico-cartesiano delle passioni (Igor Agostini) De toute la nature de l'homme: De l'Homme la Description du corps humain, la physiologie des Passions de l' me et ses ant c dents m dicaux (Annie Bitbol-Hesp ri s) Les Passions de l' me, un testo stratificato: l'influenza di Elisabetta (Franco A. Meschini) La d saffection du monde : les quatre th ses fondamentales de la correspondance avec Elisabeth (Alexandre Guimar es Tadeu de Soares) The Correspondence between Princess Elizabeth and Descartes Revisited: The Countess of Horne and the Epistolae Edition (Erik-Jan Bos) Passiones sive affectus animae : Le th me latin d'un tudiant (Corinna Vermeulen) Les passions du philosophe et le progr s de la science : la Pr face des Passions de l' me (Mariafranca Spallanzani) II. Des passions en g n ral Parler des passions en physicien ? (Gilles Olivo) La connaissance l'estime (Jean-Luc Marion) Sur le sujet des motions int rieures : Descartes et Fran ois de Sales (Denis Kambouchner) Le Passions de l' me e il fenomeno del mondo : uno schizzo (Vincent Carraud) L'interaction entre l' me et le corps (Hiroaki Yamada) Cin ma 1, ou le discours indirect libre de Descartes en Deleuze (Xavier Kieft) La volont du mal et la haine dans la Lettre Voet, un impens des Passions de l' me ? (Pablo Pavesi) IInde partie : R ceptions I. La r ception des Passions de l' me dans l'Europe savante Une r action peu connue aux Passions de l' me : Regius et Descartes (Theo Verbeek) Clauberg et la g n rosit de Descartes (Domenico Collacciani) G n rosit et habitude dans le cart sianisme (Giuliano Gasparri) Passions of the Soul in Descartes and the First Cartesians (Roger Ariew) Descartes diverti : Pascal lecteur des Lettres Elisabeth et des Passions de l' me (Laure Verhaeghe) Descartes, Pascal et la gloire (Alberto Frigo) Spinoza lecteur des Passions de l' me (Laurence Renault) Spinoza selon l'ordre des affects (Fr d ric Manzini) Passive and Active Love in Descartes and Malebranche (Tad M. Schmaltz) Malebranche et le concept cart sien de l'amour de Dieu (G bor Boros) La th orie des passions de R gis (Antonella Del Prete) Le Passioni dell'anima nello studio romano : il corso di filosofia naturale di Vitale Giordani (1689-1690) (Alessandra Fusciardi) Signes ext rieurs des passions et caract ristique anthropologique : de Descartes Kant (Francesco Tommasi) II. Lectures ph nom nologiques Passivit et causalit psychophysique : Husserl cart sien ou spinoziste ? (Dominique Pradelle) Au-del de Merleau-Ponty : l'ultime avanc e ph nom nologique de Descartes (Wojciech Starzy?ski) L' me cart sienne est-elle passive en ses passions ? De la double insuffisance du trait des Passions de l' me selon Levinas (Dan Arbib) La passivit ontologique originaire henryenne l' preuve des Passions de l' me (Gr gori Jean) Annexe: L'oeil de Descartes (Yves Pouliquen) Index nominum Index des articles des Passions de l' me‎

‎Futuristic Fiction, Utopia, and Satire in the Age of the Enlightenment. Samuel Madden's 'Memoirs of the Twentieth Century' (1733)‎

‎, Brepols, 2024 Hardback, 460 pages, Size:156 x 234 mm, Illustrations:10 b/w, Language: English. ISBN 9782503606026.‎

‎Summary Published anonymously in 1733, Memoirs of the Twentieth Century is one of the earliest futuristic novels known in Anglophone and Euro-American literature. It foregrounds an acceleration of history brought about by an increasing degree of global interconnectedness, and the exclusion of prophetism and astrology as credible ways to know the future. The work of Samuel Madden, an Irish writer and philanthropist of Whig sympathies, it consists of a collection of diplomatic letters composed in the 1990s, which the narrator claims were brought to him from the time to come by a supernatural entity. Through these correspondences, twentieth-century world scenarios are spread out before the reader, in which British naval power rules the waves and international commerce, while the transnational scheming of the Jesuits threatens the independence of weaker European courts. This book - which includes a study followed by an annotated edition of the text - assesses the cultural significance of this literary work, as an apt observatory on how historical time as a cultural construction was shaped, during the eighteenth century, by new forms of transnational circulation of information, and by the dubious space carved out in European culture by seventeenth- and early eighteenth-century debates on the nature of historical knowledge. Through and by means of the Memoirs case study, this volume aims to contribute to a wider cultural history of the future and speculative fiction. The novel's ironic distancing of beliefs considered to be superstitious and absurd - such as divination techniques and occult and magical disciplines - offers an exceptional testimony to the negotiation of the boundaries of verisimilitude and credibility within a religious enlightenment. TABLE OF CONTENTS Introduction: Knowledge, Power, and Time in the Age of the Enlightenment Part I. Samuel Madden's Eighteenth-Century Memoirs from the Future I. Where was the Future? II. When was the Future? III. An Irish Whig between Philanthropism and Literature IV. An Eighteenth-Century Twentieth Century V. An (Unreliable) Historian of the Future VI. A 'good genius' and the 'scene of things below' VII. Empirical Science, Global Consciousness, and 'the History of Future Times' VIII. Blurring the Dichotomy between History and Fiction IX. Satirising Past Futures X. 'Publishing' the Letters XI. 'This prodigious society': Anti-Jesuit Satire XII. Whose Credulity, whose Credibility XIII. Bookish Mysteries and an 'alternate George VI' XIV. Concluding Remarks Part II. Memoirs of the Twentieth Century A Note on the Text Samuel Madden, Memoirs of the Twentieth Century Notes to the Text Bibliography Index ‎

‎Splendeurs trusques. ‎

‎ Paris, Herscher, 1992 Cartonnage sous jaquette illustr e de l' diteur, 318 pp., nombreuses photos en couleurs, glossaire, index, bibliographie, 29 x 24 cm, en tr s bon tat. ISBN 9782733502044.‎

‎Splendeurs trusques. ‎

‎Bibbia a Montecassino / The Bible at Montecassino‎

‎, Brepols, 2021 Hardback, 483 pages, Size:216 x 280 mm, Illustrations:121 b/w, 140 col., Language(s):Italian, English. ISBN 9782503593098.‎

‎Summary For manuscript historians, the Bible in the form of a codex represents a handcrafted object of the utmost importance: it was the sacred text par excellence and served as a vital reference point in the lives of medieval monks. In addition, it functioned as an indispensable tool for daily liturgical celebration, and as a study text and individual reading book for the purpose of moral edification. The manuscript collection of the Montecassino Abbey presents an exemplary case study, both for the total number of biblical manuscripts it preserves (just under a hundred, and for the diversity of types (complete 'monolithic' Bibles, Old and/or New Testament sequences of varying size and physiognomy, and individual glossed books with commentary beside the text), as well as for the presence of a significant group of codices in Beneventan minuscule produced for internal use within the same Abbey or in its dependencies in a period centered around the eleventh century (with sporadic extensions into the twelfth and thirteenth). The present catalogue aims to deepen our current knowledge of the presence, transmission and reception of the Bible in one of the most important and emblematic medieval Benedictine monasteries. TABLE OF CONTENTS La Bibbia a Montecassino Preface Montecassino e la Bibbia. Forme, contenuti, decorazione / Montecassino and the Bible. Forms, content and decoration Le Bibbie di Montecassino. Protocollo catalografico / The Montecassino Bibles. Cataloguing protocol Abbreviazioni dei libri biblici / Abbreviations of Bible books Bibbie. Catalogo / Bibles. Catalogue Bibbie glossate. Censimento / Glossed Bibles. Census Compactiones Bibliografia / Bibliography Indices Indice dei contenuti non biblici / Index of non Biblical contents Indice dei manoscritti / Index of manuscripts Indice delle Illustrazioni / Index of illustrations Tavole / Plates‎

‎Inside Out: Gender and Ageing Agency in Urban and Non-urban Religious Spaces in Antiquity‎

‎, Brepols, 2026 Hardback, Pages: 373, Size:216 x 280 mm, Illustrations:88 b/w, 87 col., 11 tables b/w., Languages: English, Italian. ISBN 9782503617060.‎

‎Summary Religious spaces in Antiquity could be urban (located in a densely populated area), suburban (within a day's walk of the city), or even extra-urban (located far outside the city walls, and away from the hustle of densely populated areas). They also served very different purposes, with urban sanctuaries often serving local socio-political dynamics, while extra-urban spaces were often founded to allow meditation - or for the exercise of political control over a particular territory. But while the importance of different religious spaces has long been known, up to now, very little attention has been paid to the activities of women and children within these religious spaces. This volume aims to investigate the role that these actors played in Antiquity, both in urban and non-urban sanctuaries and in funerary contexts, in order to see how they fitted into this sacral environment, and in turn, how such sanctuaries were shaped by their presence. Different chapters within the volume explore key questions such as: can religious experiences shape urban landscapes? can urban space influence religious experiences and activities? and what role did women and children play in shaping and linking religious activities and spaces? The result is a far-reaching volume that seeks to highlight the hitherto unrecognized role of women and children in shaping the social, economic, sacral, and even political landscapes of sacred spaces. TABLE OF CONTENTS List of Illustrations Introduction Giulia Pedrucci, Francesca Fulminante, and Martina Seifert 1. Spazi della morte e infanzia: Riflessioni a partire dalla documentazione archeologica nell'Italia preromana Daniela Costanzo How Urban, Non-Urban, and Funerary Spaces Intertwine with Women and Children: General Remarks and 'Interspatial' Perspectives 2. Infancy and Archaeology in Sacred Areas in Etruria Elisabetta Govi 3. The Infancy of Dionysus and the Sacred: Evidence between Etruscan Bologna and Vulci Chiara Pizzirani 4. Distribuzione e funzione delle statuette votive fittili raffiguranti adulti con bambini nell'Italia antica fra VII e I secolo a.C.: differenze fra spazi urbani, non urbani e funerari Giulia Pedrucci 5. Le statuette votive fittili raffiguranti adulti con bambini nell'Italia antica e lo spazio. Tre casi di studio a confronto: il cosiddetto tempio di Minerva Medica a Roma, il santuario di Fondo Patturelli a Capua e il santuario di Bitalemi a Gela Giulia Pedrucci 6. Religious Agency of Children and Youths in the Roman Greece of Pausanias Ville Vuolanto Urban and Suburban Spaces 7. Women and Female Deities in the Urban and Suburban Sanctuaries of Pompeii Maria Teresa D'Alessio 8. 'Worshipping Women': Case Studies from Urban and Suburban Holy Places in Southern Apulia (Sixth-Third Century BC) Giovanni Mastronuzzi 9. Megara Hyblaea: Donne e bambini nelle aree sacre e nelle necropoli della citt Lorenzo Guzzardi 10. Donne e bambini nel santuario urbano di Griso Laboccetta a Rhegion: Immagini, offerte, praxis rituale Daniela Costanzo 11. Women and Performative Space in the Cults of Meter: Epigraphic Evidence from Asia Minor and the Black Sea Marios Kamenou 12. Women and their Clothing Styles in Sacred Spaces: The Case of Palmyra Olympia Bobou and Rubina Raja Extra-urban Spaces 13. Back to Brauron: Hippocrates, Artemis, and Girls in Extra-urban Sanctuaries Laurence Totelin 14. Female Offerings and Slf-representation in Mid-Republican Votive Deposits: A Case Study from Fidenae Letizia Ceccarelli 15. La munificenza femminile nei luoghi di culto dell'Italia Romana: Alcuni esempi Silvia Gazzoli 16. 'Empty Spaces': The Rejection of Motherhood in Female Ascetic Contexts of Late Antiquity, with Reference to Syriac Linguistic and Cultural Environments Claudia Tavolieri 17. Engaging with the World of the Medieval Anchoress in the Twenty-First Century Emily Bowyer-Kazadi Funerary Spaces 18. Motherhood (and by Comparison Fatherhood) Indicators in Funerary Ritual Spaces in Proto-historic Central Italy (Latium vetus and Osteria dell'Osa 1100/1050-580 BC) Francesca Fulminante 19. Women and Infants in Urban Funerary Sacred Spaces in Campania Mariassunta Cuozzo 20. Iulia Florentina's Burial in Catania: Urban and Suburban Religious Spaces in Connection Cristina Soraci 21. Saint Agatha's Burial in Catania: New Discoveries Cristina Soraci 22. Women and Children in Funerary Practices in the Cemetery of Vaste (Fourth-Sixth Century AD): A Visible Care for Invisible People Giovanni Mastronuzzi and Giorgia Tulumello Index‎

‎Concrete Playground : In memory of Betoncentrale Ghent: street art over the years NL / ENG‎

‎, Lannoo 2022, 2022 Hardcover, 224 pagina's / pages, NL / ENG, New, dustjacket, with illustrations / images in colours. ISBN 9789401484732.‎

‎EN - In late 2020 the Inter-Beton concrete plant in Ghent - the 'Betoncentrale' in the lingo - was demolished. With this book the cultural department of the city of Ghent, wants to keep the memory of this graffiti paradise alive. A team of expert image editors identified the most important street artists who were active there at the time, providing a selection of the work that adorned the walls of the plant. Street art expert Tristan Manco situates the local scene in its international context while street art blogger Giulia Riva talked to the artists about their memories of that unique place. With work by PHASE, DHL crew and other pioneers, Bisser, Bu the Warrior, Arrf the wolf, ROA, Resto, Cee Pil, Gentuza Collective, Klaas Van der Linden, Samor, TOYS and Keep Punching Joe. NL - Eind 2020 werd in Gent de Inter-Betonfabriek, 'de Betoncentrale' in de volksmond, gesloopt. Met dit boek wil Cultuur Gent, de cultuurdienst van Stad Gent, de herinnering aan het graffitiparadijs levend houden. Een beeldredactie van experts selecteerde de belangrijkste street artists die er actief waren en toont een uitgelezen selectie van het werk dat de muren van de fabriek sierde. Streetartexpert Tristan Manco kadert de lokale sc ne in haar internationale context en Giulia Riva, blogger over streetart, sprak met de kunstenaars over hun herinneringen aan die unieke plek. Met werk van PHASE, DHL crew en andere pioniers, Bisser, Bu the Warrior, ARRF the wolf, ROA, Resto, Cee Pil, Gentuza Collective, Klaas Van der Linden, Samor, TOYS en Keep Punching Joe. ‎

‎maiolica italiana del Rinascimento: Studi e ricerche. Atti del convegno internazionale, Assisi, 9-11 settembre 2016‎

‎, Brepols, 2020 Hardback, 406 pages, Size:240 x 340 mm, Illustrations:61 b/w, 556 col., Languages: English, Italian. ISBN 9782503582856.‎

‎Summary Resulting from the international conference "The Italian Maiolica in the Renaissance. Studies and Research" (Assisi, 9-11 September 2016), this volume brings together contributions by experts from various national and international institutions, and in particular from museums housing dedicated collections of Renaissance ceramics. The volume, edited by Giulio Busti, Franco Cocchi e Mauro Cesaretti, thus provides a state of the art on historical and ceramological research about Italian Renaissance majolica. Two opening essays by professor emeritus Bruno Toscano and professor Timothy Wilson (Ashmolean Museum, Oxford) set the stage for the three thematic sections that follow. The contributions gathered in these sections respectively offer (1) a new interpretation of collections, collectors and museums, (2) a discussion of current tendencies in the research, and (3) an exploration of ceramic production before and after the Renaissance. Risultato del convegno internazionale La maiolica italiana del Rinascimento. Studi e ricerche (Assisi, 9-11 settembre 2016), questo volume raccoglie contributi di specialisti provenienti da numerose istituzioni nazionali e internazionali, e in particolare da musei che hanno specifiche sezioni di ceramica rinascimentale. Il volume, curato da Giulio Busti, Franco Cocchi e Mauro Cesaretti, fornisce pertanto lo stato dellarte della ricerca storica e ceramologica relativa alla maiolica italiana rinascimentale. Due saggi di apertura del professore emerito Bruno Toscano e del professore Timothy Wilson dellAshmolean Museum di Oxford introducono alle tre sezioni tematiche successive. I contributi raccolti in queste sezioni offrono rispettivamente: (1) una nuova interpretazione delle collezioni, dei collezionisti e dei musei; (2) un dibattito sulle attuali tendenze della ricerca; (3) un'analisi della produzione ceramica prima e dopo il Rinascimento. TABLE OF CONTENTS Prefazioni / Forewords Giorgio Bonamente Giampiero Bianconi Interventi di apertura / Opening lessons Dieci immagini del Cinquecento (Bruno Toscano) Riflessioni sull'attbribuzione e datazione della maiolica istoriata rinascimentale (Timothy Wilson) I musei dell'Umbria per la ceramica (Antonella Pinna) Sessione I: Collezioni, Collezionisti e musei: una rilettura / Session I: Collections, collectors and museums reviewed (Franco Cocchi) Ancora sull'Orsini Colonna: qualche nuova idea da sviluppare in un contesto internazionale, dall'Aquila a Campli, da Bucciarelli ai Lazzarelli, nella stagione del governo di Margherita d'Austria (Lucia Arbace) A curiosity from the Calamelli workshop. A recent acquisition in the context of the British Museum's collection (Dora Thornton) Frammenti di maiolica italiana dalle raccolte didattiche del MIC di Faenza (Valentina Mazzotti) Maioliche del Rinascimento nei Musei della Fondazione Lungarotti (Maria Grazia Marchetti Lungarotti) Una saliera derutese per i Reali d'Inghilterra (Elisa P. Sani) Maiolica veneziana nelle collezioni polacche. Nuove attribuzioni, iconografia, interpretazioni (Ewa Katarzyna Swietlicka) Valorizzazione e svalutazione del Museo della Ceramica di Montelupo: una lezione per il presente e per il futuro (Fausto Berti) La raccolta di maiolica rinascimentale nel Museo Regionale della Ceramica di Deruta (Giulio Busti) Sessione II: Nuove emergenze: studi e ricerche dai territori / Session II: New findings: Studies and research from the production territories (Franco Cocchi) Maioliche di Faenza dal Rinascimento al Manierismo. Un breve profilo attraverso opere inedite (Carmen Ravanelli Guidotti) Majolica made in Spoleto finally identified. A preliminary report (Sir Timothy Clifford) Trasmissioni, contaminazioni e innovazioni nei decori a lustro di area fiorentina (Marino Marini) Francesco Durantino e Fedele Fulmine (Luca Pesante) Note sugli istoriati "a due orizzonti" (Ettore A. Sannipoli) Un'inedita maiolica roveresca: il calamaio del Duca (Claudio Paolinelli) Ceramica per l'architettura nella Orvieto del Cinquecento (Alberto Satolli) Perugia nel primo Cinquecento: il commercio della ceramica in citt (Alberto Maria Sartore) Sessione III: Rinascimenti: prima e dopo / Session III: Renaissances: before and after (Franco Cocchi) Dopo il primato della maiolica: una riconversione industriale nel Valdarno (Hugo Blake) Due interessanti maioliche bassanesi del Seicento nelle collezioni del Mus e national de C ramique di S vres (Raffaela Ausenda) "Alcuni cenni storici delle maioliche di Deruta". Un manoscritto inedito di Giuseppe Fabretti (Clara Menganna) La ceramica di Esanatoglia: considerazioni su alcuni recenti ritrovamenti (Clarissa Sirci) Maioliche liguri istoriate: vasi di farmacia policromi con scene tratte dall'Antico Testamento (Cecilia Chilosi) Girolamo Diruta e la Madonna della Navicella di Chioggia (Giulio Busti, Franco Cocchi) La rappresentazione della musica nella ceramica italiana del Rinascimento (Pier Maurizio Della Porta) Estratti / Abstracts Apparati / Annexes Bibliografia / Bibliography Indice dei nomi / Index of names Indice dei maestri vasai, botteghe/famiglie/manifatture, ceramisti, decoratori e pittori di oggetti ceramici / Index of master potters, workshops/families/manufactures, ceramists, decorators and painters of ceramic objects Indice dei luoghi / Index of places‎

‎BRUNELLESCHI‎

‎1983 / 161 pages. Broché. Editions Macula.‎

‎Très bon état. ‎

‎L'Histoire de L'Art et de la Ville‎

‎Les Editions de la Passion 1995 In-8 broché 24 cm sur 15. 224 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎LES CELTES‎

‎, BOMPIANI , 1991 Hardcover, 800 pages, Text en Francais, 305 x 225 x 60 mm, jaquette illustre , beaucoup illustrations en couleur / n/b., pas adapt la dyslexie ; le livre est en tres bien etat; presque 4 kg. ISBN 9782237004846.‎

‎Les Celtes taient des peuples et des tribus qui parlaient une langue celtique au cours du mill naire avant notre re et des si cles qui ont suivi. Il s'agit donc avant tout d'un concept linguistique. Un Celte tait et est un locuteur d?une langue celtique. Leurs anc tres se sont r pandus partir d?une zone centrale de l?Europe centrale vers l?ouest et l?est. Au d but de l? re commune, les tribus celtiques peuplaient les les britanniques, la Gaule, la p ninsule ib rique et certaines parties de l?Europe centrale, les Balkans et, sous le nom de Galates, m me l?Anatolie. Les langues celtiques appartiennent la famille des langues indo-europ ennes. Les cultures celtiques successives caract ristiques sont la culture de Hallstatt, la p riode de La T ne suivie de la p riode gallo-romaine et enfin la p riode des nations celtes jusqu' nos jours, comme l'indique la carte ci-contre. Les Celtes faisaient du commerce avec les Romains.‎

‎Louis I Khal archtect ‎

‎ Editions d'Architecture Artémis Editions d'Architecture Artémis, 1975. Grand In- carré relié pleine toile éditeur sous jaquette de 252 pages. Nombreuses photos et plans, dans et hors-texte. Texte français et allemand. Très bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Correggio. Pittore universale.‎

‎, Silvana, 2007 Softcover, 192 pages, 24.8 x 1.5 x 29 cm, ITALIAN TEXT. Fine condition . ISBN 9788836609772.‎

‎Correggio fu innovatore straordinario delle arti. L'estrema bellezza della sua pittura, la sapienza e la molteplicit espressiva che egli genialmente esercit , sono meritevoli di gioiosa conoscenza. Le sue opere donano l'appagamento ai sensi e sanno nutrire l'intelletto. Storicamente Correggio stato il primo pittore compiutamente emozionale dell'arte italiana: colui che nel momento creativo ha saputo entrare nello stato d'animo di ogni suo personaggio, rivelandolo; colui che chiede intensamente all'osservatore una partecipazione non soltanto di intelletto, ma di profondi sentimenti e commozioni. Per tali affascinanti novit , per la vivezza delle forme e dei colori, per la libert spaziale, fu il padre artistico delle generazioni successive, alle quali trasmise i moti dei cuori e le trepidazioni delle carni. Questa monografia, che spiega soprattutto i contenuti, vuoi essere uno strumento informativo e invitante per apprezzare un artista realmente altissimo.‎

‎RAVENNE, SES MOSAÏQUES, SES MONUMENTS.‎

‎EDITIONS LONGO. 1990. In-8. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 162 pages. Premier plat illustré en couleurs. Nombreuses illustrations en couleurs et noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎I Capitoli di conoscenza. Centurie I-V. Testo siriaco e traduzione italiana‎

‎, Brepols, 2023 Paperback, 288 pages, Size:180 x 265 mm, Language(s):Syriac, Italian. ISBN 9782503606491.‎

‎Summary D j consid r anciennement comme le grand th oricien de la mystique syro-orientale, Joseph Hazzaya (VIIIe si cle) est n en Perse d'une famille mazd enne, puis s'est converti au christianisme et s'est fait moine. Fils de la r forme d'Abraham de Kashkar, il est spirituellement apparent Isaac de Ninive et Jean de Dalyatha. Sur la base d'une quinzaine de manuscrits, les Chapitres de connaissance dit s et traduits en italien dans ce fascicule font partie d'une ?uvre dans laquelle Hazzaya d ploie son enseignement sous une forme expressive qui, depuis vagre le Pontique, a connu une grande diffusion. TABLE OF CONTENTS Introduzione Abbreviazioni e sigle Bibliografia Testo e traduzione - Centuria I (Primo discorso) - Centuria II (Secondo discorso) - Centuria III (Terzo discorso) - Centuria IV (Capitoli di conoscenza disposti in ordine alfabetico e per ogni lettera dieci capitoli) - Centuria V (Secondo discorso [posto] secondo le lettere dell'alfabeto. [Dalla] lettera Lamed) Indice biblico Indice dei termini siriaci Indice degli autori antichi Indice onomastico e tematico‎

‎Gli acquedotti di Roma antica e gli acquedotti di Roma antica‎

‎Roma, Abete, 1984 2 cloth bound volumes with dustjacket in hard case. 322 pages + LXXX illustrations. 31 x 22 cm. Italian.‎

‎Gli acquedotti di Roma antica e gli acquedotti di Roma antica‎

‎Giuseppe Penone Thoughts in the Roots ‎

‎K ln, Walther & Franz Koenig Verlag, 2025 Hardcover, 168 pages, 30.5 x 22 cm, English text. *New. ISBN 9783753308821.‎

‎Expo: 03/04/2025 - 07/09/2025, Serpentine Gallery, London Edited by Claude Adjil, Alexa Chow, Text by Federico Campagna, Ludovico Einaudi, Hans Ulrich Obrist, Precious Okoyomon, Giuseppe Penone, Elif Shafak The catalogue brings together works from almost five decades by Giuseppe Penone, one of the leading figures of the Arte Povera movement, highlighting the relationship between art and nature that is at the core of his work. Designed by Atelier Dyakova, the publication also includes an extended interview between Penone and Hans Ulrich Obrist discussing the artist's inspiration and practice.‎

‎Elio Luxardo Nudes‎

‎, Silvana Editorale, 2025 Hardcover, 121 pages, 24.5 x 33 cm, Italian, English. *NEW. ISBN 9788836662937.‎

‎An adopted Roman, but born in Brazil in 1908 to Italian immigrant parents, Elio Luxardo (Sorocaba, 1908 ? Milan, 1969) is perhaps the greatest representative of that generation of photographers who found themselves immersed in Italy in the 1930s, while clearly differentiating themselves from their colleagues of the time. A master craftsman of the darkroom, he arrived in Rome in 1932 and grew professionally during the period when the Cinecitt film studios were being developed, cultivating his talent by portraying the actors and actresses of the time. But it was in his studio, far from the film sets, that he brought his inventive flair to the highest level, confining his work to a fascinating and intense mise en sc ne, from which he was able to extract a brilliant core of images dedicated exclusively to nude photography. The volume presents this intimate production of original photographs from the early 1930s, consisting of an unprecedented and engaging relationship between light and shadow. Fascinated by Greek and Roman sculpture, the male nude alternates admirably with the female nude, in a comparison that reveals the clash between two different identities: on the one hand, an involuntary process of observance of the dogmas of the time, and on the other, a tangible trace of his youthful spirit, nurtured in the lush and free atmosphere of Brazil. The man?s strength and vigour are immediately apparent in the representation of the male nude, which, however, intersects perfectly with the elusive eroticism of the female nude, a woman?s body far removed from the rhetoric of ?home, country, family? and the icon of the ?angel of the hearth?. This existential double game meant that his nude photographs, which did not fully comply with the canons of his time and those of the following decades, disappeared. His original, vigorous and seductive images have now finally re-emerged, finding light and visibility in a significant tribute to the artist. Contents Introductory texts Nicola Del Roscio Enrico Praloran Following the Thread of History Giuseppe Vanzella Theatre of the Nude Davide Pellicciari Elio and the ideal of beauty: noble simplicity and quiet grandeur Carlotta Spinelli The Myth of Manliness in Elio Luxardo?s Photographs Federica Muzzarelli Biography Exhibited works Bibliography‎

‎La Baptistère Saint-Jean, Florence. Photographies de Mario Falsini, Ghigo Roli, Mario Ronchetti, Paolo Tosi. Traduit de l’italien par Jérôme Nicolas.‎

‎ Paris, Seuil 2013, 310x310mm, 268pages, reliure d'éditeur sous jaquette. Bel exemplaire.‎

‎ photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Hotel de la Renaissance (Maison Couvert, D. Belleau). Son état actuel, sa restauration‎

‎IMP. COOPERATIVE (Nestor MONCE). 1899. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 24 pages. Nombreuses illustrations en noir et blanc dans le texte et hors-texte. Rousseurs sur les plats.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Korte tydrekenkundige geschiedenis tot gebruyk der jongheyd ‎

‎Antwerpen , G.J. Bincken, 1781 Papieren band, 87 pagina's, NL, gedrukt in Romeins en Civilit lettertypes. *goede staat.‎

‎Korte tydrekenkundige geschiedenis tot gebruyk der jongheyd ‎

‎Andrea Palladio : Sa vie son oeuvre (130 planches hors-texte)‎

‎D. VINCENT & Cie EDITEURS PARIS 1980 120 pages collection LES GRANDS ARCHITECTES. in8. 1980. broché. 120 pages.‎

‎Andréa Palladio : Sa vie, son oeuvre‎

‎Broché, 120 pages, paru chez Dominique Vincent & Cie Editeurs en 1980, le livre est quasi neuf sans défauts signifiants.‎

5 Images

‎L ARCHITECTURE RELIGIEUSE RUSSE DU XI AU XVII SIECLE‎

‎PRESSES UNIVERSITAIRE DE FRANCE. 1929. In-Folio. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 114 pages + 164 planches noir et blanc / signet conservé. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Les Sangallo leur vie leur oeuvre‎

‎1934. Paris Éditions A. Vincent & Cie coll. « Les Grands Architectes » 1934 - Broché 16 5 cm x 22 5 cm 165 pages+ CIII planches noir & blanc hors-texte - Texte de G. K. Loukomski portrait de Giuliano da Sangallo en frontispice bibliographie listes des oeuvres de Giuliano da Sangallo d'Antonio da Sangallo le Vieux et d'Antonio da Sangallo le Jeune - Très bon état‎