‎Bibbia a Montecassino / The Bible at Montecassino‎

‎, Brepols, 2021 Hardback, 483 pages, Size:216 x 280 mm, Illustrations:121 b/w, 140 col., Language(s):Italian, English. ISBN 9782503593098.‎

‎Summary For manuscript historians, the Bible in the form of a codex represents a handcrafted object of the utmost importance: it was the sacred text par excellence and served as a vital reference point in the lives of medieval monks. In addition, it functioned as an indispensable tool for daily liturgical celebration, and as a study text and individual reading book for the purpose of moral edification. The manuscript collection of the Montecassino Abbey presents an exemplary case study, both for the total number of biblical manuscripts it preserves (just under a hundred, and for the diversity of types (complete 'monolithic' Bibles, Old and/or New Testament sequences of varying size and physiognomy, and individual glossed books with commentary beside the text), as well as for the presence of a significant group of codices in Beneventan minuscule produced for internal use within the same Abbey or in its dependencies in a period centered around the eleventh century (with sporadic extensions into the twelfth and thirteenth). The present catalogue aims to deepen our current knowledge of the presence, transmission and reception of the Bible in one of the most important and emblematic medieval Benedictine monasteries. TABLE OF CONTENTS La Bibbia a Montecassino Preface Montecassino e la Bibbia. Forme, contenuti, decorazione / Montecassino and the Bible. Forms, content and decoration Le Bibbie di Montecassino. Protocollo catalografico / The Montecassino Bibles. Cataloguing protocol Abbreviazioni dei libri biblici / Abbreviations of Bible books Bibbie. Catalogo / Bibles. Catalogue Bibbie glossate. Censimento / Glossed Bibles. Census Compactiones Bibliografia / Bibliography Indices Indice dei contenuti non biblici / Index of non Biblical contents Indice dei manoscritti / Index of manuscripts Indice delle Illustrazioni / Index of illustrations Tavole / Plates‎

‎Inside Out: Gender and Ageing Agency in Urban and Non-urban Religious Spaces in Antiquity‎

‎, Brepols, 2026 Hardback, Pages: 373, Size:216 x 280 mm, Illustrations:88 b/w, 87 col., 11 tables b/w., Languages: English, Italian. ISBN 9782503617060.‎

‎Summary Religious spaces in Antiquity could be urban (located in a densely populated area), suburban (within a day's walk of the city), or even extra-urban (located far outside the city walls, and away from the hustle of densely populated areas). They also served very different purposes, with urban sanctuaries often serving local socio-political dynamics, while extra-urban spaces were often founded to allow meditation - or for the exercise of political control over a particular territory. But while the importance of different religious spaces has long been known, up to now, very little attention has been paid to the activities of women and children within these religious spaces. This volume aims to investigate the role that these actors played in Antiquity, both in urban and non-urban sanctuaries and in funerary contexts, in order to see how they fitted into this sacral environment, and in turn, how such sanctuaries were shaped by their presence. Different chapters within the volume explore key questions such as: can religious experiences shape urban landscapes? can urban space influence religious experiences and activities? and what role did women and children play in shaping and linking religious activities and spaces? The result is a far-reaching volume that seeks to highlight the hitherto unrecognized role of women and children in shaping the social, economic, sacral, and even political landscapes of sacred spaces. TABLE OF CONTENTS List of Illustrations Introduction Giulia Pedrucci, Francesca Fulminante, and Martina Seifert 1. Spazi della morte e infanzia: Riflessioni a partire dalla documentazione archeologica nell'Italia preromana Daniela Costanzo How Urban, Non-Urban, and Funerary Spaces Intertwine with Women and Children: General Remarks and 'Interspatial' Perspectives 2. Infancy and Archaeology in Sacred Areas in Etruria Elisabetta Govi 3. The Infancy of Dionysus and the Sacred: Evidence between Etruscan Bologna and Vulci Chiara Pizzirani 4. Distribuzione e funzione delle statuette votive fittili raffiguranti adulti con bambini nell'Italia antica fra VII e I secolo a.C.: differenze fra spazi urbani, non urbani e funerari Giulia Pedrucci 5. Le statuette votive fittili raffiguranti adulti con bambini nell'Italia antica e lo spazio. Tre casi di studio a confronto: il cosiddetto tempio di Minerva Medica a Roma, il santuario di Fondo Patturelli a Capua e il santuario di Bitalemi a Gela Giulia Pedrucci 6. Religious Agency of Children and Youths in the Roman Greece of Pausanias Ville Vuolanto Urban and Suburban Spaces 7. Women and Female Deities in the Urban and Suburban Sanctuaries of Pompeii Maria Teresa D'Alessio 8. 'Worshipping Women': Case Studies from Urban and Suburban Holy Places in Southern Apulia (Sixth-Third Century BC) Giovanni Mastronuzzi 9. Megara Hyblaea: Donne e bambini nelle aree sacre e nelle necropoli della città Lorenzo Guzzardi 10. Donne e bambini nel santuario urbano di Griso Laboccetta a Rhegion: Immagini, offerte, praxis rituale Daniela Costanzo 11. Women and Performative Space in the Cults of Meter: Epigraphic Evidence from Asia Minor and the Black Sea Marios Kamenou 12. Women and their Clothing Styles in Sacred Spaces: The Case of Palmyra Olympia Bobou and Rubina Raja Extra-urban Spaces 13. Back to Brauron: Hippocrates, Artemis, and Girls in Extra-urban Sanctuaries Laurence Totelin 14. Female Offerings and Slf-representation in Mid-Republican Votive Deposits: A Case Study from Fidenae Letizia Ceccarelli 15. La munificenza femminile nei luoghi di culto dell'Italia Romana: Alcuni esempi Silvia Gazzoli 16. 'Empty Spaces': The Rejection of Motherhood in Female Ascetic Contexts of Late Antiquity, with Reference to Syriac Linguistic and Cultural Environments Claudia Tavolieri 17. Engaging with the World of the Medieval Anchoress in the Twenty-First Century Emily Bowyer-Kazadi Funerary Spaces 18. Motherhood (and by Comparison Fatherhood) Indicators in Funerary Ritual Spaces in Proto-historic Central Italy (Latium vetus and Osteria dell'Osa 1100/1050-580 BC) Francesca Fulminante 19. Women and Infants in Urban Funerary Sacred Spaces in Campania Mariassunta Cuozzo 20. Iulia Florentina's Burial in Catania: Urban and Suburban Religious Spaces in Connection Cristina Soraci 21. Saint Agatha's Burial in Catania: New Discoveries Cristina Soraci 22. Women and Children in Funerary Practices in the Cemetery of Vaste (Fourth-Sixth Century AD): A Visible Care for Invisible People Giovanni Mastronuzzi and Giorgia Tulumello Index‎

‎Concrete Playground : In memory of Betoncentrale Ghent: street art over the years NL / ENG‎

‎, Lannoo 2022, 2022 Hardcover, 224 pagina's / pages, NL / ENG, New, dustjacket, with illustrations / images in colours. ISBN 9789401484732.‎

‎EN - In late 2020 the Inter-Beton concrete plant in Ghent - the 'Betoncentrale' in the lingo - was demolished. With this book the cultural department of the city of Ghent, wants to keep the memory of this graffiti paradise alive. A team of expert image editors identified the most important street artists who were active there at the time, providing a selection of the work that adorned the walls of the plant. Street art expert Tristan Manco situates the local scene in its international context while street art blogger Giulia Riva talked to the artists about their memories of that unique place. With work by PHASE, DHL crew and other pioneers, Bisser, Bué the Warrior, Arrf the wolf, ROA, Resto, Cee Pil, Gentuza Collective, Klaas Van der Linden, Samor, TOYS and Keep Punching Joe. NL - Eind 2020 werd in Gent de Inter-Betonfabriek, 'de Betoncentrale' in de volksmond, gesloopt. Met dit boek wil Cultuur Gent, de cultuurdienst van Stad Gent, de herinnering aan het graffitiparadijs levend houden. Een beeldredactie van experts selecteerde de belangrijkste street artists die er actief waren en toont een uitgelezen selectie van het werk dat de muren van de fabriek sierde. Streetartexpert Tristan Manco kadert de lokale scène in haar internationale context en Giulia Riva, blogger over streetart, sprak met de kunstenaars over hun herinneringen aan die unieke plek. Met werk van PHASE, DHL crew en andere pioniers, Bisser, Bué the Warrior, ARRF the wolf, ROA, Resto, Cee Pil, Gentuza Collective, Klaas Van der Linden, Samor, TOYS en Keep Punching Joe. ‎

‎maiolica italiana del Rinascimento: Studi e ricerche. Atti del convegno internazionale, Assisi, 9-11 settembre 2016‎

‎, Brepols, 2020 Hardback, 406 pages, Size:240 x 340 mm, Illustrations:61 b/w, 556 col., Languages: English, Italian. ISBN 9782503582856.‎

‎Summary Resulting from the international conference "The Italian Maiolica in the Renaissance. Studies and Research" (Assisi, 9-11 September 2016), this volume brings together contributions by experts from various national and international institutions, and in particular from museums housing dedicated collections of Renaissance ceramics. The volume, edited by Giulio Busti, Franco Cocchi e Mauro Cesaretti, thus provides a state of the art on historical and ceramological research about Italian Renaissance majolica. Two opening essays by professor emeritus Bruno Toscano and professor Timothy Wilson (Ashmolean Museum, Oxford) set the stage for the three thematic sections that follow. The contributions gathered in these sections respectively offer (1) a new interpretation of collections, collectors and museums, (2) a discussion of current tendencies in the research, and (3) an exploration of ceramic production before and after the Renaissance. Risultato del convegno internazionale La maiolica italiana del Rinascimento. Studi e ricerche (Assisi, 9-11 settembre 2016), questo volume raccoglie contributi di specialisti provenienti da numerose istituzioni nazionali e internazionali, e in particolare da musei che hanno specifiche sezioni di ceramica rinascimentale. Il volume, curato da Giulio Busti, Franco Cocchi e Mauro Cesaretti, fornisce pertanto lo stato dellarte della ricerca storica e ceramologica relativa alla maiolica italiana rinascimentale. Due saggi di apertura del professore emerito Bruno Toscano e del professore Timothy Wilson dellAshmolean Museum di Oxford introducono alle tre sezioni tematiche successive. I contributi raccolti in queste sezioni offrono rispettivamente: (1) una nuova interpretazione delle collezioni, dei collezionisti e dei musei; (2) un dibattito sulle attuali tendenze della ricerca; (3) un'analisi della produzione ceramica prima e dopo il Rinascimento. TABLE OF CONTENTS Prefazioni / Forewords Giorgio Bonamente Giampiero Bianconi Interventi di apertura / Opening lessons Dieci immagini del Cinquecento (Bruno Toscano) Riflessioni sull'attbribuzione e datazione della maiolica istoriata rinascimentale (Timothy Wilson) I musei dell'Umbria per la ceramica (Antonella Pinna) Sessione I: Collezioni, Collezionisti e musei: una rilettura / Session I: Collections, collectors and museums reviewed (Franco Cocchi) Ancora sull'Orsini Colonna: qualche nuova idea da sviluppare in un contesto internazionale, dall'Aquila a Campli, da Bucciarelli ai Lazzarelli, nella stagione del governo di Margherita d'Austria (Lucia Arbace) A curiosity from the Calamelli workshop. A recent acquisition in the context of the British Museum's collection (Dora Thornton) Frammenti di maiolica italiana dalle raccolte didattiche del MIC di Faenza (Valentina Mazzotti) Maioliche del Rinascimento nei Musei della Fondazione Lungarotti (Maria Grazia Marchetti Lungarotti) Una saliera derutese per i Reali d'Inghilterra (Elisa P. Sani) Maiolica veneziana nelle collezioni polacche. Nuove attribuzioni, iconografia, interpretazioni (Ewa Katarzyna Swietlicka) Valorizzazione e svalutazione del Museo della Ceramica di Montelupo: una lezione per il presente e per il futuro (Fausto Berti) La raccolta di maiolica rinascimentale nel Museo Regionale della Ceramica di Deruta (Giulio Busti) Sessione II: Nuove emergenze: studi e ricerche dai territori / Session II: New findings: Studies and research from the production territories (Franco Cocchi) Maioliche di Faenza dal Rinascimento al Manierismo. Un breve profilo attraverso opere inedite (Carmen Ravanelli Guidotti) Majolica made in Spoleto finally identified. A preliminary report (Sir Timothy Clifford) Trasmissioni, contaminazioni e innovazioni nei decori a lustro di area fiorentina (Marino Marini) Francesco Durantino e Fedele Fulmine (Luca Pesante) Note sugli istoriati "a due orizzonti" (Ettore A. Sannipoli) Un'inedita maiolica roveresca: il calamaio del Duca (Claudio Paolinelli) Ceramica per l'architettura nella Orvieto del Cinquecento (Alberto Satolli) Perugia nel primo Cinquecento: il commercio della ceramica in città (Alberto Maria Sartore) Sessione III: Rinascimenti: prima e dopo / Session III: Renaissances: before and after (Franco Cocchi) Dopo il primato della maiolica: una riconversione industriale nel Valdarno (Hugo Blake) Due interessanti maioliche bassanesi del Seicento nelle collezioni del Musée national de Céramique di Sèvres (Raffaela Ausenda) "Alcuni cenni storici delle maioliche di Deruta". Un manoscritto inedito di Giuseppe Fabretti (Clara Menganna) La ceramica di Esanatoglia: considerazioni su alcuni recenti ritrovamenti (Clarissa Sirci) Maioliche liguri istoriate: vasi di farmacia policromi con scene tratte dall'Antico Testamento (Cecilia Chilosi) Girolamo Diruta e la Madonna della Navicella di Chioggia (Giulio Busti, Franco Cocchi) La rappresentazione della musica nella ceramica italiana del Rinascimento (Pier Maurizio Della Porta) Estratti / Abstracts Apparati / Annexes Bibliografia / Bibliography Indice dei nomi / Index of names Indice dei maestri vasai, botteghe/famiglie/manifatture, ceramisti, decoratori e pittori di oggetti ceramici / Index of master potters, workshops/families/manufactures, ceramists, decorators and painters of ceramic objects Indice dei luoghi / Index of places‎

‎BRUNELLESCHI‎

‎1983 / 161 pages. Broché. Editions Macula.‎

‎Très bon état. ‎

‎L'Histoire de L'Art et de la Ville‎

‎Les Editions de la Passion 1995 In-8 broché 24 cm sur 15. 224 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎LES CELTES‎

‎, BOMPIANI , 1991 Hardcover, 800 pages, Text en Francais, 305 x 225 x 60 mm, jaquette illustreé, beaucoup illustrations en couleur / n/b., pas adapté à la dyslexie ; le livre est en tres bien etat; presque 4 kg. ISBN 9782237004846.‎

‎Les Celtes étaient des peuples et des tribus qui parlaient une langue celtique au cours du millénaire avant notre ère et des siècles qui ont suivi. Il s'agit donc avant tout d'un concept linguistique. Un Celte était et est un locuteur d?une langue celtique. Leurs ancêtres se sont répandus à partir d?une zone centrale de l?Europe centrale vers l?ouest et l?est. Au début de l?ère commune, les tribus celtiques peuplaient les îles britanniques, la Gaule, la péninsule ibérique et certaines parties de l?Europe centrale, les Balkans et, sous le nom de Galates, même l?Anatolie. Les langues celtiques appartiennent à la famille des langues indo-européennes. Les cultures celtiques successives caractéristiques sont la culture de Hallstatt, la période de La Tène suivie de la période gallo-romaine et enfin la période des nations celtes jusqu'à nos jours, comme l'indique la carte ci-contre. Les Celtes faisaient du commerce avec les Romains.‎

‎Louis I Khal archtect ‎

‎ Editions d'Architecture Artémis Editions d'Architecture Artémis, 1975. Grand In- carré relié pleine toile éditeur sous jaquette de 252 pages. Nombreuses photos et plans, dans et hors-texte. Texte français et allemand. Très bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Correggio. Pittore universale.‎

‎, Silvana, 2007 Softcover, 192 pages, 24.8 x 1.5 x 29 cm, ITALIAN TEXT. Fine condition . ISBN 9788836609772.‎

‎Correggio fu innovatore straordinario delle arti. L'estrema bellezza della sua pittura, la sapienza e la molteplicità espressiva che egli genialmente esercitò, sono meritevoli di gioiosa conoscenza. Le sue opere donano l'appagamento ai sensi e sanno nutrire l'intelletto. Storicamente Correggio è stato il primo pittore compiutamente emozionale dell'arte italiana: colui che nel momento creativo ha saputo entrare nello stato d'animo di ogni suo personaggio, rivelandolo; colui che chiede intensamente all'osservatore una partecipazione non soltanto di intelletto, ma di profondi sentimenti e commozioni. Per tali affascinanti novità, per la vivezza delle forme e dei colori, per la libertà spaziale, fu il padre artistico delle generazioni successive, alle quali trasmise i moti dei cuori e le trepidazioni delle carni. Questa monografia, che spiega soprattutto i contenuti, vuoi essere uno strumento informativo e invitante per apprezzare un artista realmente altissimo.‎

‎RAVENNE, SES MOSAÏQUES, SES MONUMENTS.‎

‎EDITIONS LONGO. 1990. In-8. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 162 pages. Premier plat illustré en couleurs. Nombreuses illustrations en couleurs et noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎I Capitoli di conoscenza. Centurie I-V. Testo siriaco e traduzione italiana‎

‎, Brepols, 2023 Paperback, 288 pages, Size:180 x 265 mm, Language(s):Syriac, Italian. ISBN 9782503606491.‎

‎Summary Déjà considéré anciennement comme le grand théoricien de la mystique syro-orientale, Joseph Hazzaya (VIIIe siècle) est né en Perse d'une famille mazdéenne, puis s'est converti au christianisme et s'est fait moine. Fils de la réforme d'Abraham de Kashkar, il est spirituellement apparenté à Isaac de Ninive et Jean de Dalyatha. Sur la base d'une quinzaine de manuscrits, les Chapitres de connaissance édités et traduits en italien dans ce fascicule font partie d'une ?uvre dans laquelle Hazzaya déploie son enseignement sous une forme expressive qui, depuis Évagre le Pontique, a connu une grande diffusion. TABLE OF CONTENTS Introduzione Abbreviazioni e sigle Bibliografia Testo e traduzione - Centuria I (Primo discorso) - Centuria II (Secondo discorso) - Centuria III (Terzo discorso) - Centuria IV (Capitoli di conoscenza disposti in ordine alfabetico e per ogni lettera dieci capitoli) - Centuria V (Secondo discorso [posto] secondo le lettere dell'alfabeto. [Dalla] lettera Lamed) Indice biblico Indice dei termini siriaci Indice degli autori antichi Indice onomastico e tematico‎

‎Gli acquedotti di Roma antica e gli acquedotti di Roma antica‎

‎Roma, Abete, 1984 2 cloth bound volumes with dustjacket in hard case. 322 pages + LXXX illustrations. 31 x 22 cm. Italian.‎

‎Gli acquedotti di Roma antica e gli acquedotti di Roma antica‎

‎Giuseppe Penone Thoughts in the Roots ‎

‎Köln, Walther & Franz Koenig Verlag, 2025 Hardcover, 168 pages, 30.5 x 22 cm, English text. *New. ISBN 9783753308821.‎

‎Expo: 03/04/2025 - 07/09/2025, Serpentine Gallery, London Edited by Claude Adjil, Alexa Chow, Text by Federico Campagna, Ludovico Einaudi, Hans Ulrich Obrist, Precious Okoyomon, Giuseppe Penone, Elif Shafak The catalogue brings together works from almost five decades by Giuseppe Penone, one of the leading figures of the Arte Povera movement, highlighting the relationship between art and nature that is at the core of his work. Designed by Atelier Dyakova, the publication also includes an extended interview between Penone and Hans Ulrich Obrist discussing the artist's inspiration and practice.‎

‎Elio Luxardo Nudes‎

‎, Silvana Editorale, 2025 Hardcover, 121 pages, 24.5 x 33 cm, Italian, English. *NEW. ISBN 9788836662937.‎

‎An adopted Roman, but born in Brazil in 1908 to Italian immigrant parents, Elio Luxardo (Sorocaba, 1908 ? Milan, 1969) is perhaps the greatest representative of that generation of photographers who found themselves immersed in Italy in the 1930s, while clearly differentiating themselves from their colleagues of the time. A master craftsman of the darkroom, he arrived in Rome in 1932 and grew professionally during the period when the Cinecittà film studios were being developed, cultivating his talent by portraying the actors and actresses of the time. But it was in his studio, far from the film sets, that he brought his inventive flair to the highest level, confining his work to a fascinating and intense mise en scène, from which he was able to extract a brilliant core of images dedicated exclusively to nude photography. The volume presents this intimate production of original photographs from the early 1930s, consisting of an unprecedented and engaging relationship between light and shadow. Fascinated by Greek and Roman sculpture, the male nude alternates admirably with the female nude, in a comparison that reveals the clash between two different identities: on the one hand, an involuntary process of observance of the dogmas of the time, and on the other, a tangible trace of his youthful spirit, nurtured in the lush and free atmosphere of Brazil. The man?s strength and vigour are immediately apparent in the representation of the male nude, which, however, intersects perfectly with the elusive eroticism of the female nude, a woman?s body far removed from the rhetoric of ?home, country, family? and the icon of the ?angel of the hearth?. This existential double game meant that his nude photographs, which did not fully comply with the canons of his time and those of the following decades, disappeared. His original, vigorous and seductive images have now finally re-emerged, finding light and visibility in a significant tribute to the artist. Contents Introductory texts Nicola Del Roscio Enrico Praloran Following the Thread of History Giuseppe Vanzella Theatre of the Nude Davide Pellicciari Elio and the ideal of beauty: noble simplicity and quiet grandeur Carlotta Spinelli The Myth of Manliness in Elio Luxardo?s Photographs Federica Muzzarelli Biography Exhibited works Bibliography‎

‎La Baptistère Saint-Jean, Florence. Photographies de Mario Falsini, Ghigo Roli, Mario Ronchetti, Paolo Tosi. Traduit de l’italien par Jérôme Nicolas.‎

‎ Paris, Seuil 2013, 310x310mm, 268pages, reliure d'éditeur sous jaquette. Bel exemplaire.‎

‎ photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Hotel de la Renaissance (Maison Couvert, D. Belleau). Son état actuel, sa restauration‎

‎IMP. COOPERATIVE (Nestor MONCE). 1899. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 24 pages. Nombreuses illustrations en noir et blanc dans le texte et hors-texte. Rousseurs sur les plats.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Korte tydrekenkundige geschiedenis tot gebruyk der jongheyd ‎

‎Antwerpen , G.J. Bincken, 1781 Papieren band, 87 pagina's, NL, gedrukt in Romeins en Civilité lettertypes. *goede staat.‎

‎Korte tydrekenkundige geschiedenis tot gebruyk der jongheyd ‎

‎Andrea Palladio : Sa vie son oeuvre (130 planches hors-texte)‎

‎D. VINCENT & Cie EDITEURS PARIS 1980 120 pages collection LES GRANDS ARCHITECTES. in8. 1980. broché. 120 pages.‎

‎Andréa Palladio : Sa vie, son oeuvre‎

‎Broché, 120 pages, paru chez Dominique Vincent & Cie Editeurs en 1980, le livre est quasi neuf sans défauts signifiants.‎

5 Images

‎L ARCHITECTURE RELIGIEUSE RUSSE DU XI AU XVII SIECLE‎

‎PRESSES UNIVERSITAIRE DE FRANCE. 1929. In-Folio. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 114 pages + 164 planches noir et blanc / signet conservé. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Les Sangallo leur vie leur oeuvre‎

‎1934. Paris Éditions A. Vincent & Cie coll. « Les Grands Architectes » 1934 - Broché 16 5 cm x 22 5 cm 165 pages+ CIII planches noir & blanc hors-texte - Texte de G. K. Loukomski portrait de Giuliano da Sangallo en frontispice bibliographie listes des oeuvres de Giuliano da Sangallo d'Antonio da Sangallo le Vieux et d'Antonio da Sangallo le Jeune - Très bon état‎

‎Les théâtres anciens et modernes‎

‎1935. Paris Librairie de Paris Firmin-Didot et Cie éditeurs 1935 - Broché 21 cm x 27 cm 39 pages + 88 planches en héliogravure - Texte de G.-K. Loukomski - Préface de Louis Hautecoeur - Très bon état‎

‎Les Monuments du groupe d'Angkor‎

‎J. Maisonneuve 2003, in-12 broché sous jaquette illustrée, XIII-294 p. (bel état) Avec reproductions de photos et 30 planches dépliantes. Réimpression de la 6ème édition de cet excellent classique, accessible au grand public tout en étant solidement documenté.‎

‎Contribution à une Anthologie de lespace bâti Bruxellois de Léopold II à nos jours‎

‎Louis Musin 1978‎

‎Très bon état Ouvrage broché nombreuses photos format 24 / 19 293 pages - largeur/hauteur : x cm - poids : g - nombre de pages : p. - langue : ‎

‎New British Architecture‎

‎Thames & Hudson Ltd 1990 192 pages 22x2 6x25 6cm. 1990. Relié. 192 pages.‎

‎Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France‎