Sequana. 1941. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 70 pages.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Choses vues, 1940. Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
1941 in-12, 70pp., br. P. Sequana 1941, in-12, 70pp., br.
Evasion du Richelieu de Brest. Dakar.
Phone number : 33 (0)3 85 53 99 03
P., Sequana, 1941, in 8° broché, 70 pages ; non coupé ; cachets.
PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
P., Sequana, 1941, in 8° broché, 70 pages ; quelques rousseurs éparses ; couverture fanée et tachée.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
, Stichting Kunstboek, 2012 Hardcover, 179 pages, ENG / FR, 220 x 170 x 20 mm , good condition, illustrated in colour. ISBN 9789058564221.
After the success of the first two editions (Lille, 2006 and Kortrijk, 2008), the experience continues with the Futurotextiles 3 exhibition, inaugurated on the occasion of the opening of the European Center for Innovative Textiles. Discover thanks to this catalog the textiles of tomorrow, the most incredible outfits with micro-encapsulated or inflatable lace. Imagine fabrics made from wisteria or lotus, a flax fiber violin, a t-shirt transmitting medical data... Fiber optics, or basalt, these will no longer hold any secrets for you. Technical or artistic prowess make it a pioneering exhibition that reveals the latest fascinating trends in textiles.
Presses de la Cité 1989 In-8 broché. 285 pages. Couverture écrnée sinon bon état d’occasion.
Bon état d’occasion
Cisalpino, Varese, 1935. In-8 gr., cartonato edit. (dorso restaurato per manc.), pp. 435,(3), con 12 tavv. illustrative nel t. Edizione originale. Cfr. Valsecchi Pontiggia,2740. Testo ben conservato.
PERRIN. 1971. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 343 pages - jaquette en bon état .. Avec Jaquette. . . Classification Dewey : 944.0811-Guerre et révolution de 1870/1871
Préface et notes par Jacques Suffel. Classification Dewey : 944.0811-Guerre et révolution de 1870/1871
JC LATTES. 2004. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 269 pages. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
La Charité sur Loire, Editions Delayance, 1978 ; in-8, broché. 354pp. - 23ff. bistre hors-texte d'illustrations et de cartes. Légères traces de manipulation sur la couverture.
Cet ouvrage est la trancription de la thèse de Doctorat de 3ème cycle présentée par l'auteur en janvier 1979.
ALBIN MICHEL. 1958. In-8. Broché. Etat d'usage, Couv. convenable, Mors fendus, Intérieur frais. 414 pages - Couverture contrepliée. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Albin Michel. 1958. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 414 pages.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Trad. de l'espagnol par Francis de Miomandre. Préface de Jacques Isorni. Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Editions de l'Agence. 2001. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Rivesaltes, Editions de l'Agence, 2001, grand in 8, broché, photos et cartes, 157 pp.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
1G-071 - Lieu d'édition : Rivesaltes Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Editions l'Agence à Rivesaltes, 2009. In-8 broché (24,3 x 16 cm), 131 pages, illustré de photographies. L'histoire de la première guerre 1914-1918 à travers des soldats du Roussillon. - 380g.- Comme neuf.
Editions Pratiques et Documentaires. 1915. In-8. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur acceptable. 63 pages.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Pour la fin et pour le lendemain de la guerre. Préface de Charles Benoist. Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Adrien Pierre. 1945. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Quelques rousseurs. 125 pages - fortes rousseurs sur les plats - quelques photos en noir et blanc hors texte - papier jauni - pages non coupées.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
1977 Robert Laffont, collection Vécu, 1977, 349 pages, in 8 broché, état d'usage, coins cornés, quelques usures et frottements.
, Thames and Hudson , 2022 Hardcover, 320 pages, ENG, 290 x 270 mm, NEW, dustjacket, illustrated in colour and b/w. ISBN 9780500978580.
The first monograph on Richard Smith, a key figure in the development of British art. Richard Smith (1931-2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith's major Tate Gallery retrospective in 1975, he was 'at once in and out of touch with the currents of the mainstream . au courant and aloof at the same time.' That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith's entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the 'Kite' works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith's art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith's art, while Alex Massouras's two themed essays, 'Young and British' and 'From Motion Pictures to Flight', explore Smith's originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.
, Bulfinch, 1997 Hardcover,112 pages, ENG. edition, 340 x 265 x 20 mm, In Very Good Condition, illustrated dustjacket, Full Page Photographs in b/w. ISBN 9780821223765.
This monograph of Bassman's legendary work - the first ever published - presents the romantic, experimental visions, seen mostly in Harper's Bazaar, that brought a sophisticated new aesthetic to print photography. Yet the story of Bassman's life and newfound celebrity at age eight and the extraordinary tale of how her work survived are as remarkable as the images themselves. From the 1940s to the 1960s Bassman was at fashion's cutting edge, working as both art director and photographer. At Junior Bazaar she worked with young photographers like Richard Avedon, Robert Frank, Louis Faurer, Arnold Newman and Paul Himmel. Then, under Russian emigre and Modernist guru Alexey Brodovitch (and while using George Hoyningen-Huene's darkroom), Bassman started to shoot pictures herself - diffuse, moody images with an idiosyncratic vocabulary of gestures, and an unsettling edge. Bassman soon was in constant demand and, in addition to her editorial work, shot advertising campaigns for clients like Chanel and Balenciaga. By the 1970s, Bassman's interest in pure form began to clash with fashion's changing aesthetic. Her increasing disenchantment with fashion as an industry led her to abandon commercial photography for personal projects instead. In a bold attempt to free herself creatively from the past, she jettisoned forty years of negatives and prints - her life's work. Over twenty years later, luck resurrected a forgotten bag, brimful of hundreds of images. Now, Bassman is enjoying a resurgence at fashion's forefront, with exhibitions at museums and art galleries in New York, Paris, London, and Milan, several portfolios in the New York Times Magazine, the coveted Neiman Marcus campaign, and an upcoming 1997 retrospective exhibition at the Fashion Institute of Technology, New York, that plans to travel to Germany and Milan. This long-awaited monograph, presenting both past and recent work, is not only a tribute to a great talent in the annals of fashion and photography but also the story of an indomitable creative personality.
Présentation de Michel Crucis. Les dessins humoristiques sont l'oeuvre de Constant Gauducheau, nombreuses illustrations, cartes ou photographies en noir et blanc. Cliché de couverture de Jean-Paul Rainondeau. Chantonnay, Imprimerie Gaultier, 1983. Grand in-8 (24,5x17cm) broché. 332pp.
Le passage du Gois est un lieu naturel situé dans l'ouest de la France sur la Côte Vendéenne.
GRASSET BERNARD. 1919. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Bernard Grasset. 1919. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages. Ruban adhésif sur le dos. Annotation sur le premier plat.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Grasset. 1919. in-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. Paris, Grasset, 1919, in 12, broché, 62 pp.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
1G-071 - Lieu d'édition : Paris Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
LAURENS H.. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages augmentées de nombreuses photos en noir et blanc dans le texte.. . . . Classification Dewey : 303.66-Guerre
Classification Dewey : 303.66-Guerre
Geste Editions, 1996, format 215x135mm, broché, 63 pages, exemplaire en bon état.