Editions l'Agence à Rivesaltes, 2009. In-8 broché (24,3 x 16 cm), 131 pages, illustré de photographies. L'histoire de la première guerre 1914-1918 à travers des soldats du Roussillon. - 380g.- Comme neuf.
Editions Pratiques et Documentaires. 1915. In-8. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur acceptable. 63 pages.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Pour la fin et pour le lendemain de la guerre. Préface de Charles Benoist. Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Adrien Pierre. 1945. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Quelques rousseurs. 125 pages - fortes rousseurs sur les plats - quelques photos en noir et blanc hors texte - papier jauni - pages non coupées.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
1977 Robert Laffont, collection Vécu, 1977, 349 pages, in 8 broché, état d'usage, coins cornés, quelques usures et frottements.
, Thames and Hudson , 2022 Hardcover, 320 pages, ENG, 290 x 270 mm, NEW, dustjacket, illustrated in colour and b/w. ISBN 9780500978580.
The first monograph on Richard Smith, a key figure in the development of British art. Richard Smith (1931-2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith's major Tate Gallery retrospective in 1975, he was 'at once in and out of touch with the currents of the mainstream . au courant and aloof at the same time.' That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith's entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the 'Kite' works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith's art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith's art, while Alex Massouras's two themed essays, 'Young and British' and 'From Motion Pictures to Flight', explore Smith's originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.
, Bulfinch, 1997 Hardcover,112 pages, ENG. edition, 340 x 265 x 20 mm, In Very Good Condition, illustrated dustjacket, Full Page Photographs in b/w. ISBN 9780821223765.
This monograph of Bassman's legendary work - the first ever published - presents the romantic, experimental visions, seen mostly in Harper's Bazaar, that brought a sophisticated new aesthetic to print photography. Yet the story of Bassman's life and newfound celebrity at age eight and the extraordinary tale of how her work survived are as remarkable as the images themselves. From the 1940s to the 1960s Bassman was at fashion's cutting edge, working as both art director and photographer. At Junior Bazaar she worked with young photographers like Richard Avedon, Robert Frank, Louis Faurer, Arnold Newman and Paul Himmel. Then, under Russian emigre and Modernist guru Alexey Brodovitch (and while using George Hoyningen-Huene's darkroom), Bassman started to shoot pictures herself - diffuse, moody images with an idiosyncratic vocabulary of gestures, and an unsettling edge. Bassman soon was in constant demand and, in addition to her editorial work, shot advertising campaigns for clients like Chanel and Balenciaga. By the 1970s, Bassman's interest in pure form began to clash with fashion's changing aesthetic. Her increasing disenchantment with fashion as an industry led her to abandon commercial photography for personal projects instead. In a bold attempt to free herself creatively from the past, she jettisoned forty years of negatives and prints - her life's work. Over twenty years later, luck resurrected a forgotten bag, brimful of hundreds of images. Now, Bassman is enjoying a resurgence at fashion's forefront, with exhibitions at museums and art galleries in New York, Paris, London, and Milan, several portfolios in the New York Times Magazine, the coveted Neiman Marcus campaign, and an upcoming 1997 retrospective exhibition at the Fashion Institute of Technology, New York, that plans to travel to Germany and Milan. This long-awaited monograph, presenting both past and recent work, is not only a tribute to a great talent in the annals of fashion and photography but also the story of an indomitable creative personality.
Présentation de Michel Crucis. Les dessins humoristiques sont l'oeuvre de Constant Gauducheau, nombreuses illustrations, cartes ou photographies en noir et blanc. Cliché de couverture de Jean-Paul Rainondeau. Chantonnay, Imprimerie Gaultier, 1983. Grand in-8 (24,5x17cm) broché. 332pp.
Le passage du Gois est un lieu naturel situé dans l'ouest de la France sur la Côte Vendéenne.
GRASSET BERNARD. 1919. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Bernard Grasset. 1919. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages. Ruban adhésif sur le dos. Annotation sur le premier plat.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Grasset. 1919. in-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. Paris, Grasset, 1919, in 12, broché, 62 pp.. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
1G-071 - Lieu d'édition : Paris Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
LAURENS H.. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages augmentées de nombreuses photos en noir et blanc dans le texte.. . . . Classification Dewey : 303.66-Guerre
Classification Dewey : 303.66-Guerre
Geste Editions, 1996, format 215x135mm, broché, 63 pages, exemplaire en bon état.
2001 Presses Universitaires de Grenoble / Association des amis du Musée des Troupes de Montagne - 2001 -, 1 volume in-8 de 215 pages - broché
Bon état.
Casterman In-8 Couverture souple Paris 1968
Très bon 115 pages. Transcription et traduction de cinq conférences données par Martin Luther King en novembre et décembre 1967 sur les ondes de CBC radio dans le cadre des Conférences Massey.
P., Renaissance du Livre, 1919 In-12, br., VI - 292 pp., documents photographiques h.-t.
correct
Paris, Fournier, 1911 in-8, 331 pp., 12 croquis dépliants, demi-basane verte, dos à nerfs, couv. cons. Cachet (annulé). (reliure postérieure).
Souvenirs du général Martinov qui, lors de la guerre Russo-Japonaise, commandait le régiment de Zaraïsk. LIVRE NON DISPONIBLE À PARIS, VENTE PAR CORRESPONDANCE UNIQUEMENT
Phone number : 33 01 43 26 71 17
, Contrasto, 2012 Hardcover, 160 pages, ENG, 290 x 230 x 20 mm, as New , full page coloured photographs. ISBN 9788869653322.
In this book, published to accompany a massive exhibition scheduled for July 2012 at the High Museum of Art in Atlanta, Martin Parr turns his idiosyncratic eye on concepts such as leisure, consumption and communication, and how these themes play out in America.
, Harper's Books, Incorporated, 2017 Softcover, 120 pages, ENG, 305 x 220 x 10 mm, in good condition, full page coloured photographs, 2-sided. ISBN 9780692884195.
Commissioned by CNN to document both the Republican and Democratic conventions, Martin Parr's "Conventional Photography" provides a window into the American political psyche at the dawn of the Trump era. Shot in his signature style emphasizing at once the banal and the outlandish, Parr deconstructs the divide between red and blue states in a full-bleed color haze. Bound dos- -dos to reflect the dichotomy between parties, and to highlight the upside-down nature of what Bill Clinton referred to as a "whackadoodle" election.
Editions Yves Michelet, 1990. In-8, 515 pages, 219 photos en noir et blan, 16 pages en couleurs (26 documents), 4 documents, cartonnage, jaquette illustrée par Paul Lengellé. Tiré à 3000 exemplaires, un des 1500 numérotés.
Lavauzelle. 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 550 pages.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Lavauzelle 1992 Lavauzelle, 1992, 549 p., broché, bon état.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Guy Trédaniel Broché 1983 In-8 (14 x 21,1 cm), broché, 317 pages ; pliures au dos, couverture uniformément jaunie, rousseurs aux tranches, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
P. Horizons de France, 1929. Grand in-8, 382 pages. Broché.
Beaux et nombreux portraits gravés sur bois à pleine page.
Les Horizons de France. 1929. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur acceptable. 382 pages. Illustré de dessins en noir et blanc hors texte (portraits). Petit manque sur le 1er plat. 2e plat manquant.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Les trois empereurs: Guillaume II, François-Joseph, Nicolas II. Les origines de la guerre: M. Pachtitch, M de Bethmann-Hollveg, Le Comte Tisza, M. poincaré, Lord Grey. Les souffrances de la Belgique: Le Card. Mercier. La guerre lente: Lord Asquith, M. Briand... Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
DES HORIZONS DE FRANCE. 25 juillet 1929. In-8. Broché. Etat passable, Plats abîmés, Dos satisfaisant, Intérieur acceptable. 382 pages. Quelques gravures en noir et blanc, hors-texte. Ouvrage débroché. Dos renforcé par une bande, avec code de bibliothèque sur la coiffe en-tête. Tampon de bibliothèque sur la page de titre. Quelques manques et accrocs sur les bords des plats de couverture. . . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918
Classification Dewey : 940.3-Première Guerre mondiale 1914-1918