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POL MARA,
, Brussel, Museumfonds van het ministerie van de Vlaamsche Gemeenschap, 1984, softcover, originele ge llustreerde uitgeversomslag, 29,5x21cm, z.p. ( +/- 64pp), ge llustreerd z/w en kleur.(40)
Tekst Nederlands, FR/ENG/DE . In goede staat.
Sancti Leonis Magni Romani Pontificis Sermones et Epistolae. Fragmenta selecta,
Turnhout, Brepols, 2001 Hardback, 210 p., 210 x 297 mm. ISBN 9782503511603.
After Augustine, Pope Leo the Great has been one of the most important witnesses to Manichaeism in the Latin West. This volume first introduces into the world of Leo and his polemics against the Manichaeans in Rome and elsewhere; in this context, the doctrines and practices of Spanish Priscillianism are discussed as well. The central part of the book provides the original Latin texts of Leo, the Constitution of Valentinian III concerning the Manichaeans and a pivotal letter of Turibius of Astorga, all accompanied by an English translation and commentary. The following ten Excursuses deal with central tenets of the Manichaean Christian Gnosis as treated by both Leo and in the original documents of the Manichaeans: Mani the Paraclete; the date of Mani's death; the Bema Festival; the Manichaean fasts, astrology, (apocryphal) literature, dualism, Christology, etc. It not only turns out that Leo provides original information on Manichaeism in the Latin West, but also that Mani's world religion exerted a considerable influence on e.g. the Pope's Christology (and thus on the Catholic Christian dogma). Extensive Indices conclude this first volume of the Series Latina of the Corpus Fontium Manichaeorum. Languages: Latin.
Titian: Materiality, Likeness, Istoria,
Turnhout, Brepols, 2007 Paperback, VIII 161 p., 150 b/w ill. 27 colour ill., 210 x 297 mm. ISBN 9782503518398.
Materiality / Facture Jodi Cranston, Theorizing Materiality: Titian's Flaying of Marsyas; Daniela Bohde, Corporeality and Materiality: Light, Colour and the Body in Titian's San Salvatore Annunciation and Naples Danae; Miguel Falomir, Titian's Tityus; Paul Joannides, Titian's Repetitions Likeness Joanna Woods-Marsden, The Mistress as 'Virtuous': Titian's Portrait of Laura Dianti; Jaynie Anderson, Titian's Franciscan Friar in Melbourne: A Portrait of the Confessor to Aretino and Titian? Istoria Luba Freedman, The Vainly Imploring Goddess in Titian's Venus and Adonis; Patricia Meilman, Historical Tradition and Political Strategy: Titian's Battle Painting. New book.
Karin Sagner, Matthias Ulrich, Vittorio Magnago Lampugani und Max Hollein (Hg.) mit Beitragen von Matthias A. Amann und Harald R. Stuhlinger u.a.;
Reference : 42236
Eroberung der Strasse. Von Monet bis Grosz,
Munchen, Hirmer, 2006 Klappenbroschur, 28 x 24,5cm., 324 Seiten mit 208 Abbildungen, davon 100 in Farbe, 91 in schwarz-weiss, 22 Plane und Karten.
Stadt- und Strassenbilder vom franzosischen Impressionismus bis zum deutschen Expressionismus bezeugen die Entwicklung der modernen Grossstadt. Am Beispiel von Paris und Berlin wird der Begeisterung der Kunstler fur das neuartige Landschaftsbild und dem Zusammenhang mit den stadtebaulichen Neugestaltungen der Metropolen nachgespurt. Steigende Einwohnerzahlen und technologischer Fortschritt lassen im ausgehenden 19. Jahrhundert das bis heute andauernde urbane Leben entstehen, das von Veranderungen der gesellschaftlichen Struktur und des Strassenbilds gepragt ist. Die grundlegenden Interventionen von Baron Haussmann in Paris und die umfassende Neubebauung in Berlin unter James Hobrecht in der zweiten Halfte des 19. Jahrhunderts erweisen sich fur beide Stadte als nachhaltig. Mehrstockige Hauser, breite Strassen, beleuchtete Schaufenster und uberdachte Einkaufspassagen bilden fortan das Umfeld des modernen Burgers, der vor den langen und dicht bevolkerten Boulevards und gleichformigen Hauserfronten als einzelner zugunsten der gleichzeitig auftretenden Menschenmassen zurucktritt. Die Faszination und Neugier, mit der Impressionisten wie Claude Monet oder Camille Pissarro die Anonymitat des Individuums in ihren atmospharisch-malerischen Gemalden protokollieren, dokumentieren eine positive Bewertung des Stadtraumes als Ort des Fortschrittes und der Verbesserung. In der autonomen und als bedrohlich empfundenen Stadt der Expressionisten von George Grosz bis Ludwig Meidner kommt dagegen ein zunehmender Kampf gegen deren als eigenstandig und vereinnahmend wahrgenommenes Wesen zum Ausdruck. Das Zusammenspiel von moderner Stadtentwicklung und kunstlerischer Darstellung wird in Gemalden, Lithographien, historischen Fotografien, Planen und Originalplakaten in vielseitiger Weise beleuchtet, so dass sich ein weites Panorama des modernen Lebens in den beiden Metropolen ergibt. With English summary.
Trecento Pictoriality: Diagrammatic Painting in Late Medieval Italy
, Brepols - Harvey Miller, 2023 Hardback, 367 pages, Size:220 x 280 mm, Illustrations:115 col., Language: English. ISBN 9781915487049.
Summary In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first comprehensive study of the practice of monumental diagrammatic painting in late-medieval Italy, moving the study of diagrams from the manuscript page to the frescoed wall and tempera panel. Often placed alongside narrative, devotional, and allegorical paintings, the diagrammatic mode was one of a number of pictorial modes available to artists, patrons, and planners, with a unique ability to present complex content to viewers. While monumental diagrams may have sparked some of the experiences usually associated with diagrams in manuscripts, acting as machines for thought, scaffolds for memory, or tools for the visualization of complex concepts, their reception was also shaped by their presence in public spaces, their scale and aura as richly decorated works of monumental visual art, and their insertion into larger pictorial programs. Closely examining the visual and communicative strategies of these paintings expands the horizon of trecento art history beyond narrative and devotional painting, and shifts our understanding of all of the arts of the trecento, calling attention to issues of scale, visual rhetoric, pictorial ingenuity, and reception.
Cesty a navraty na Slovensko (Voyages et retours en Slovaquie)
Editeur Danica Zmetakova, 1999. Catalogue d'exposition, In-4° broché non paginé (autour 100 pages) avec nombreuses reproductions en N&B et en couleurs.
Très bon état général. Intérieur frais et agréable, extérieur propre, bon exemplaire de collection.
Tributes to Lucy Freeman Sandler, Studies in Illuminated Manuscripts
, Brepols - Harvey Miller, 2008 Hardcover. 428 pages., 162 b/w ill., 210 x 275 mm, Languages: English, Including an index. Fine copy. ISBN 9781872501031.
This volume is published in honour of Lucy Freeman Sandler, Helen Gould Sheppard Professor of Art History, Emerita at New York University, whose contribution to the study of illuminated manuscripts, and to English Gothic book illumination in particular has been outstanding. The articles offered here are all in deep appreciation for her friendship, her teaching, and her collegiality, and the thematic range and methodological variety of the essays truly reflect the breadth and depth of her intellectual interests. Table of Contents Kathryn A. Smith, Lucy Freeman Sandler: An Appreciation ? Carol H. Krinsky, Lucy Freeman Sandler: From a Colleague and Friend The Publications of Lucy Freeman Sandler Jane E. Rosenthal, An Unprecedented Image of Love and Devotion: The Crucifixion In Judith of Flanders' Gospel Book ? Walter Cahn, The Pictorial Epitaph of Lambert of Saint-Bertin ? Gerald B. Guest, Structuring Old Testament History in the Psalter of Louis IX ? William M. Voelkle, More Medieval Alphabet Soup: Another Unique Catherine Initial From the Mosan Psalter-Hours ? Alison Stones, A Note on the North French Manuscripts of Brunetto Latini?s Tr sor ? Nigel Morgan, The Bohun Apocalypse ? Susan L?Engle, The Naked Bishop: Baring the Body to Express the Law ? Nancy Freeman Regalado, Fortune?s Two Crowns: Images of Kingship in Paris, BnF MS fr. 146 Roman de Fauvel ? Madeline H. Caviness; Marginally Correct ? Elizabeth Sears, Scribal Wit in a Manuscript from the Ch telet: Images in the Margins of Boileau?s Livre des m tiers (Paris, BnF MS fr. 24069) ? M. A. Michael, Planning for Style: A Preliminary Reading of the De Lisle Psalter Virgin and Child ? Richard K. Emmerson, Visualizing the Vernacular: Middle English Early Fourteenth Century Bilingual and Trilingual Manuscript Illustrations ? Margot M. Nishimura and David Nishimura, Rabbits, Warrens, and Warenne: The Patronage of the Gorleston Psalter ? Lilian M. C. Randall, Sense and Sensibilities in an Early Fourteenth-Century Psalter from East Anglia ? Adelaide Bennett, Leaves of a Fourteenth-Century Franco-Flemish Antiphonary Owned by John Ruskin (1819-1900) ? Margaret M. Manion, Imaging the Marvelous and Fostering Marian Devotion: The Miracles de Notre Dame and French Royalty ? C. M. Kauffmann, An Illustrated Life of Christ in Verse ? Claire Richter Sherman, Representations of Maternal and Familial Roles in French Translations of the Pseudo-Aristotelian Economics, Book I ? Kathleen L. Scott, The Remains of a Missal: Chetham's Library MS 6713 ? Roger S. Wieck, Trial by Fleur: The Earliest Work by the Master of Walters 219 ? Janet Backhouse (?), Patronage and Commemoration in the Beaufort Hours ? Jenny Stratford and Catherine Reynolds, The Foyle Breviary and Hours of John, Duke of Bedford, in the British Library ? Erik Inglis, The Production and Program of Fouquet's Boccaccio ? Jonathan J. G. Alexander, Mansueta Asinella: An Unusual Image of a Book Presentation to Marguerite de France, Duchesse de Savoie (1523-74) ? Ruth Mellinkoff, Two Erotic Women Warriors: Sexy, Violent, and Lethal Indexes and other apparatus Review "The fact that Lucy Freeman Sandler, and others like her, have inspired so much sustained investigation is both a tribute to her and yet another reminder of the urgent need for further catalogues of the great collections in the UK and abroad." (D. McKitterick in: Times Literary Supplement, 23 January 2009, p. 29) "Bref, ce recueil d' tudes richement illustr , mis en page avec l' l gance coutumi re aux productions de Harvey Miller, fournira au lecteur une mine d'informations et d'interpr tations nouvelles, (...), avec - comme souvent dans ce genre de m langes kal idoscopiques - boire et manger." (D. Vanwijnsberghe, dans: Revue Belge d'Arch ologie et d'Histoire de l'Art, n 79, 2010, p. 105-106) "Many other provocative and valuable offerings to the study of manuscript illumination are found in this volume. The thematic and methodological variety of the essays is worthy testimony to Sandler?s rich and wide-ranging scholarship. Certainly the variety of subjects and general excellence of the contributions will insure the book?s regular consultation in the future. In short, this is a handsome and admirable tribute to an eminent scholar." Richard A. Leson (University of Wisconsin) in CAA Review, May 2010
DIE MALERFAMILIE HOLBEIN IN BASEL.
, Basel, Kunstmuseum, 1960., Brosschiert, Original-Umschlag illustriert s/w, 16,5x24cm, 351pp, illustriert s/w.
Austellung im Kunstmuseum Basel zur Funfhundertjahrfeier der Universitat Basel.
Gemaldegalerie Dresden. Alte Meister.
, Dresden, Staatliche Kunstsammlungen, 1992., Brosschiert, Original-Umschlag illustriert koloriert, 24x16,5cm, 473pp, illustriert s/w. ISBN 9783363005684.
Katalog der ausgestellten werke.
KLOPFER FINE ART.
, Kusnacht, Klopfer fine art, s.d., Brosschiert, Original - Umschlag, 21,5x24,5cm, s.d., illustriert koloriert und s/w.
KLOPFER FINE ART.
Kunstmuseum Dusseldorf. Die gemalde des 19. Jahrhunderts.
, Mainz am Rhein, Verlag Philipp Von Zabern, 1981., Gebunden, original kartonniert illustriert koloriert, 24,5x17cm, 296pp, illustriert s/w. ISBN 38053052104.
Mit ausnahme der Dusseldrofer Schule. Mit 222 s/w. abbildungen und 32 Farbtafeln.
EDVARD MUNCH.
, Brussel, Koninklijke Bibliotheek Albert I, 1981 Originele uitgeversomslag geillustreerd z/w, 18,5x25,5cm, 127pp, geillustreerd.
Schilderijen, 1900-1906 en grafiek.
MEMLING - TENTOONSTELLING. 1939 Brugge
, Brugge, Desclee, De Brouwer en Co, 1939., originele uitgeversomslag geillustreerd z/w, 18x24cm, 82pp + 40 platen z/w.
catalogus tentoonstelling Ingericht door het Stadsbestuur in het Stedelijk Museum te Brugge. tweede uitgave
