RUBENS Peter Paul (RUELENS Charles-Louis & ROOSES Max, eds.)
Reference : S102945
(1887)
Anvers, Veuve De Backer (II-III: Jos Maes, IV-V-VI: J.E. Buschmann) 1887-1909 Série complète en 6 tomes: xviii,444 + iii,480 + 488 + 461 + 466 + xvi,382 pp., avec 36 planches hors-texte dont 7 fac-similes de lettres, dans la série "Codex Diplomaticus Rubenianus : documents relatifs à la vie et aux oeuvres de Rubens" tomes 1 à 6, 32cm., brochures originales (quelques-unes avec traces d'usage), pages toujours non coupées (sauf t.6), texte et intérieur frais et en très bon état, [Première édition aussi complète des lettres de Rubens, publiées dans leur langue d'origine (italien, latin, espagnol, anglais) avec leur traduction en français et des commentaires ainsi que des lettres qui lui furent adressées ou le concernent. La correspondance couvre les années 1600 à 1649 et porte sur ses différentes activités, y compris sur le plan diplomatique, ainsi que sur ses relations avec les cours européennes], bon état, poids: 13kg., S102945
, Brepols - Harvey Miller, 2026 Hardback, Pages: xxii + 345 p. Size:216 x 280 mm, Illustrations:81 b/w, 282 col., 1 tables b/w. Language(s):English. new. ISBN 9782503622750.
Summary While the statues and busts of Rome have long captivated scholarly attention, the extraordinary diversity of portraits produced across the empire's so-called peripheries has remained underexplored. As new discoveries and research projects, such as the Palmyra Portrait Project, expand our understanding of provincial visual culture, fresh questions emerge about the nature, function, and interpretation of Roman period portraiture. This volume revisits portraiture by looking beyond the Roman empire?s core to its vibrant borderlands, revealing how traditions of representing the individual varied dramatically across cities, regions, and time. The contributions gathered here examine both adherence to, and departures from, mainstream portrait conventions, highlighting the creative negotiations between local identities and imperial visual norms, engaging with a wide range of media ? sculpture, mosaics, and paintings ? and addressing issues such as workshop practices and the circulation of resources. Case studies explore reworking and reuse, the reconstruction of display contexts, and the development of regional visual languages over time. In shifting the lens from centre to regional situations, this volume reveals portraits as powerful expressions of identities and cultural entanglement across the ancient Mediterranean and West Asia. TABLE OF CONTENTS List of Illustrations Portraying the Individual in the Roman East: Local?Imperial Entanglements in Sculpture, Mosaics, and Paintings (1st?4th Centuries AD) Rubina Raja 1. Roman ?Mummy Portraits? ? Panel Paintings, Painted Shrouds, and Stucco Masks: The Appropriation of the Graeco-Roman ?Individual Portrait? by the Death Industry of Roman Egypt Christopher H. Hallet 2. Portrait Mummies from Antino polis as Evidence for lite Interaction between Egypt and Syria Barbara E. Borg 3. Locally Crafted Empires: The Case of the Palmyrene Portrait Habit and the Legacy of Greek Art Rubina Raja 4. Putting Portraits in the Big Picture: Otacilia Severa and Faustina the Elder in Palmyra Olympia Bobou, Dario Calomino, Julia Lenghan, and Rubina Raja 5. Theoi Sebastoi Olympioi: Hellenising Imperial Images in the Greek East R. R. R. Smith 6. Portraying the Emperor ? Seeing the Emperor: Between Typology and Individuality in a Colossal Portrait in Sagalassos Jane Fejfer, Jeroen Poblome, anf Peter Talloen 7. The Portrait Statues from the Artemision at Messene ? Expressing Identity and Representing Power Olympia Bobou and Christopher Dickenson 8. Funerary Portraits from Hierapolis in Syria Michael Bl mer 9. The Other Half of the Empire: On Early Depictions of Individuals in Sepulchral Art in the West Dietrich Boschung 10. Funerary Portraits on the Rhine in the First Half of the First Century AD: Sartorial Expressions of Cultural Awareness and Ethnic Belonging Maureen Caroll 11. Citizens, Emperors, and Gods: Portraiture in the Roman Central Balkans Nade?da Gavrilovi? Vitas 12. From Periphery to Centre Stage: ?Zenobia in Chains? (1859) by Harriet Hosmer and ?The Death of Cleopatra? (1876) by Edmonia Lewis Amalie Skovm ller
Paris Editions de la Réunion des Musées Nationaux / Flammarion 1996 in 4 (30,5x22,5) 1 fort volume broché, couverture illustrée en couleurs, 495 pages. avec de nombreuses illustrations en noir et blanc et en couleurs. Textes de Anne Baldassari, Pierre Daix, Michael C. Fitzgerald, Brigitte Léal, Marilyn McCully, Robert Rosenblum, William Rubin, Hélène Seckel, et Kirk Varnedoe. Catalogue édité à l'occasion de l'exposition présentée dans les Galeries Nationales du Grand Palais 15 Octobre 1996 - 20 Janvier 1997. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Broché
Turnhout, Brepols, 1999 Hardback, original editor's jacket, english, 19x25 cm., 279 pp., illustrated. ISBN 9782503505770.
Pictura Nova PICT 4. This monograph provides an analysis of Paul Bril?s specific contribution to the development of landscape art in Rome and his achievements as a guiding force to two generations of Netherlandish artists who visited Rome.
2000 / 175 pages. Broché Editions Skira / Seuil
Illustrations couleurs et N&B. Très bon état.
Brussels, Arcade Press xv + 241pp.+ 203 bl/w illustrations out of text, 27cm., hardcover (editor's cloth), dustwrapper (with few small tears), in cart. slipcase with some use, text in English, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens" part I, good condition (text and interior in very good condition), S85646
New York, Allworth Press, 1996 Illustrated cardboard cover in colour, 150 x 230mm., 224pp. ISBN 1880559447.
Introduction by Bill Beckley. In good condition.
, Milano, Edizioni del Milione, 1965, Bound, sand coloured cloth, blue dustjacket, 220 x 290mm., 50pp., 124 + XLII plates in color and b/w.
Con un ritratto dell'artista di Raffaele Carrieri. Antologia critica di Sergio Solmi, Maurice Raynal, Jean Paulhan, Alain Bosquet, Jean Cassou. In good condition.
Paris Editions Princesse 1976 in 4 (30,5 x 25,5) 1 volume reliure cartonnée de l'éditeur sous jaquette illustrée en couleurs, 96 pages, avec de nombreuses reproductions en noir et blanc et en couleurs. Collection '' Dessins et Aquarelles des Grands Maîtres ''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Jaquette en très bon état Couverture rigide
Antwerpen , Die Poorte, 1949 oorspronkelijk uitgeverslinnen band zonder stofomslag// , titelpagina met vignet, foto-frontispice, 240 x 320mm., 114pp., verschillende buitentekstillustratie in kleur of z/w, sommige ingekleefd.
Eerste levensjaren - Roeping - Jeugd - Lotsbestemming - Strijd - Eertse successen - Huwelijk - De opgang - In Holland - Triomf - Balen-Wezel - St Gillis Waas - In het Koninklijk Park - De oorlog - De roem - Terug in het Koninklijk Park - Herinneringen - Ouderdom en einde. r het boek is verder in prima staat.
, Uitgeverij Snoeck, 2004, Hardback (relie), French edition, couverture cartonn e illustr e, photo - frontipsice, 240 x 305mm., 200pp., belles reproductions en couleurs. ISBN 9789053495445.
Une monographie consacree a Michel Buylen, un peintre dont la personnalite aux multiples facettes ne cesse d'intriguer par sa virtuosite epoustouflante et le regard novateur qu'il pose sur les sujets eternels et fondateurs: le nu (le denude ?), l'enfance, le paysage, les marines comme abstraction obligee et le portrait, compromis et confrontation. Livre est en bon etat.
, Antwerpen, Pandora, 2001, Softcover geillustreerde uitgeversomslag, frontispice, 235 x 300mm., zonder paginanummering, alle illustratie in kleur en hors texto. ISBN 9789053251713.
De muur van Kris Fierens. Het weigeren van elk excuus. Drietalig uitgave Nl/Fr/Eng. Als nieuw. Author: Marc Ruyters, Philippe Pirotte, Paperback, 297x245mm, 120p, 60duotone, English/ Dutch (NL)/ French edition, ISBN-10: 9053251715 ISBN-13: 9789053251713
, Brussel, Paleis der Academien, 1995., softcover, originele uitgeversomslag, 17,5x25,5cm, 211pp+ 52pp platen z/w. ISBN 9789065696229.
Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie: Klasse der Schone Kunsten.
Turnhout, Brepols, 1963 Hardback, 133 p., + 231 pl., 230 x 290 mm. ISBN 13010060100.
Languages: French.
New York, Harry N. Abrams, 1990
Bound, red cloth, illustrated dustjacket in colour, 265 x 335mm., unnumbered pages ( 146pp ), colour illustration throughout.
Paris Edition Albin Michel 1935 in 8 (20,5x14,5) 1 volume broché, XXIII et 464 pages, avec 2 cartes et 20 planches hors texte. Collection '' bibliliothèque de Synthèse Historique - L'évolution de l'humanité '', N°40. Bon exemplaire
Bon
Paris Edition Albin Michel 1951 in 8 (20,5x14,5) 1 volume broché, XXIII et 468 pages, avec 2 cartes et 20 planches hors texte. Collection '' bibliliothèque de Synthèse Historique - L'évolution de l'humanité '', N°40. Bel exemplaire
Très bon Broché
Mazzotta 1986 in 4 (27x23) 1 volume broché, couverture illustrée en couleurs, 247 pages, avec de nombreuses illustrations en noir et blanc et en couleurs, dont hors-texte. Catalogue édité à l'occasion de l'exposition présentée à l'Hôtel de Ville de Paris, du 19 juin au 24 août 1986, par l'association pour la promotion des arts; Contributions de Achille Bonito Oliva, Lothar Fischer, Marty Grosz, Andrea Panaccione, Uwe Schneede et Marina Schneede-Sczesny. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon
, Brussel, Koninklijk Musea voor Shone Kunsten van Belgie, 1987., Originele geillustreerde uitgeversomslag in kleur, 21x28cm, 184pp, geillustreerd in kleur en z/w. ISBN 9782871630036.
expo Europalia 87 Osterreich. Bruxelles
Stad Gent/ Liege, , 1987 Softcover, 231pp., talrijke ills. in kleur en z/w. Tweetalige editie Nl/Fr. In goede staat (lichte gebruiksporen op de cover)?
Europalia 87 Osterreich. Museum voor Schone Kunsten, Gent 17.09.87-08.11.87 - Salle Saint-Georges, Liege, 14.11.87-31.12.87.
Lausanne La Bibliothèque des Arts 1992 in 4 carré (25x22) 1 volume reliure toilée bleue de l'éditeur sous jaquette rempliée illustrée en couleurs, 112 pages [2], avec de nombreuses illustrations, dont planches hors-texte en couleurs, étui. Tirage limité à 960 exemplaires numérotés sur vélin blanc, celui-ci un des 910 exemplaires numérotés de 51 à 960. Envoi autographe signé de Pierre Sabatier. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Jaquette en très bon état Couverture rigide Signé par l'auteur Ed. numérotée
, Brepols - Harvey Miller, 2024 Pages: iv + 483 pages, Size:180 x 265 mm, Illustrations:20 b/w, 238 col. Language(s):English, French, Italian. *new. ISBN 9782503608525.
If specialists of painting look at figures - their movements and expressions -, architectural scholars examine drawings and buildings. Yet the convergence of these two disciplines remains largely marginalized. The aims of the publication is to remedy this situation, covering a wide range from painted fa ades and interiors of buildings to representations of architecture on paintings and frescoes. The theme contributes to the breaking down of boundaries between imagination and realization in the field of architecture and favors a more profound understanding of the permeability of the two spheres. Many different approaches are addressed in this publication, including examples from the sixteenth century in Italy and The Netherlands and the early eighteenth-century in France and Britain. The contributions in this publication are arranged according to four main themes. The first one focuses on The Temple of Solomon and the Old Testament, a favorite subject of the genre Architecturae Pictae. The second theme brings together several contributions which reflect on the significance that can be ascribed to architecture in paintings, some of which investigate the theoretical concepts that inform both architecture and painting. In the third theme, a number of case studies in Italy, the Low Countries, France and Britain, the contributions are much different from one other both in terms of content and methodology. As a final theme, a special topic is addressed, focusing on the important patrons of these buildings and liked to see themselves immortalized in painted architecture. TABLE OF CONTENTS Introduction Part I: The Temple of Solomon and the Old Testament Pedro A. Galera Andreu and Felipe Serrano Estrella, From the Temple of Solomon to Celestial Jerusalem: Symbolic Architecture in Spanish Baroque Painting Francesco Guidi, Notes on Pellegrino Tibaldi, El Escorial, and the Temple of Jerusalem Luis Rueda Galan, The Paradox of Villalpando?s Temple of Solomon in Northern European Painting Eckhard Leuschner, Architecture in Pictures with Old Testament Subject Matter in Seicento Rome and Naples Part II: On Meaning in Painted Architecture and Architectural Theory Sabine Frommel, L?architecture peinte dans des sc nes bibliques et des r cits antiques au XVIIe si cle. Mutations des langages et des valeurs s mantiques Mathieu Lett, Charles Le Brun et la repr sentation peinte de l?architecture. Utilit , convenance et ambitions savantes Francisco Ollero, Painted Architectures, Paintings in Architecture. The Perspectives of Francisco Guti rrez Cabello (1616-c.1670) Part III: Architectural Representations in Paintings during the Sixteenth and Seventeenth Centuries in Europe: Case Studies Giuseppe Bonaccorso, Architettura picta e architettura di carta. Enigmatiche convergenze nel progetto di Carlo Fontana per una chiesa nel Colosseo Sonia Cavicchioli, L?architettura come soggetto nell?invenzione pittorica del Domenichino Lauro Magnani, Architetture dipinte e rinnovamento urbano a Genova nel secondo Cinquecento Annarosa Cerutti Fusco, Finte architetture nell'opera pittorica di Pietro da Cortona a Roma nel Pontificato di Urbano VIII Barberini. Temi e interpretazioni Piet Lombaerde, Painted Architecture in the Age of Rubens: The Case of the Southern Low Countries in the Late Sixteenth and Seventeenth Centuries Bernard M. Vermet, On the Relations between Bertholomeus van Bassen and Dirck van Delen and the Role of Their Personal Contacts Rapha l Tassin, L?architecture dans l??uvre de Claude Gell e le Lorrain. R alit recompos e ou recherche d?id al? Lydia Hamlett, Painted Architecture in the British Baroque Part IV: Architectural Representations in Paintings for the Courts of Popes, Cardinals, and Kings Neela Struck, Picturing Projects: The Painterly Staging of Roman Buildings under Pope Paul V Arnold Witte, Mediating Architectural Prestige: Cardinals? Portraits, 1570-1650 Daniela del Pesco, L?architettura dipinta durante il regno di Luigi XIV Bibliography Index
, Art Revisited, 2003., Gebonden onder geillustreerd karton, 230 x 235mm., 35pp., alle reproducties in kleur. ISBN 907273629.
Uitgegeven ter gelegenheid van de tentoonstelling bij Berko Fine Paintings, van 9 tot en met 24 augustus 2003. Boek is in prima staat.
1977 - broché - Edition du CNMHS (Caisse Nationale des Monuments Historiques et des Sites) - In-8 format carré (21 x 21 cm) broché - 96 pages - Nombreuses illustrations et photographies - La publication de cet ouvrage fait suite aux recherches entreprises à l'occasion de l'exposition sur Henri LABROUSTE présentée en 1976 à l'Hotel de Sully
Bon état
Munich, Saur 1996 xxi + 1058pp.+ 54 illustrations out of text, 25cm., hardcover (editor's cloth with gilt lettering), very good condition, S85082