Dusseldorf, Stadtische Kunsthalle, 1985 Gebunden, Leinen mit Schutzumschlag, 240 x 295mm., 351S., illustriert. ISBN 3546477715.
Wichtiger Uberblick uber den rheinischen Expressionismus mit Kurzbiographien u.a. zu Jankel Adler, Gerd Arntz, Mathias Barz, Herbert Campendonk, Theo Campion, H. M. Davringhausen, O. Dix, Johanna Ey, Conrad Felixmuller, Otto Pankok, Gerd Wollheim.
Turnhout, Brepols, 2005 Paperback, V+98 p., 59 b/w ill., 215 x 280 mm.
JUNHYOUNG MICHAEL SHIN: Iconographic Surrogates: Contemplating Amit 'bha Images in the Late Kory ' Dynasty (Fourteenth Century) JAMES CAHILL: Some thoughts on the History and Post-History of Chinese Painting ROBERT E. HARRIST, JR: A Response to Professor Cahill's "Some Thoughts on the History and Post-History of Chinese Painting" JEROME SILBERGELD: The Evolution of a "Revolution": Unsettled Reflections on the Chinese Art-Historical Mission REBECCA M. BROWN: Patn's Golghar and the Transformations of Colonial Discourse DEBORAH HUTTON: Carved in Stone: The Codification of a Visual Identity for the Indo-Islamic Sultanate of B 'dj'p' r Art of Asia Acquired by North American Museums, 2003-2004. New.
Antwerpen , Artiestenfonds, 1963 Papercover, 24 x 15,5cm., 32pp., z/w illustratie en advertenties van lokale handelaars.
Driemaandelijks tijdschrift voor kunst en cultuur. In goede staat.
Antwerpen, v.z.w. Eugeen Van Mieghem, 1990 softcover geillustreerde karton omslag in kleur, 21x30cm, 32pp, geillustreerd in kleur en z/w.
Album, n 11.
, Brussel, Paleis voor Schone Kunsten, 1980., softcover originele uitgeversomslag, 22x29,5cm, 481pp, geillustreerd in kleur en z/w, bibliografie. Nederlands, in goede staat.
Europalia 80 Belgie. Architectuur - Meubilair - Wandtapijten, borduurwerk - Schilderkunst, graveerkunst, tekenkunst - Sculpttur - Juwelen - Opsmuk - Keramiek - Boeken, grafiek - Boekbindkunst - Boekverluchting - Affiche - Fotografie.
, Gent, z.d.**, Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 29,5x21,5cm, 71pp, geillustreerd in kleur en z/w.
Van Dyck nummer. In goede staat.
, Geneve, Editions d' Art Albert Skira, 1982.**, Broche, couverture d' editeur illustre en couleur, 23,5x27,5cm, 155pp, illustre en couleur et n/b.
, Mercatorfonds, 2007, Softcover, 24 x 17 cm., 96pp., 180 full colour illustrations.
This year the Belgian young painters?? asbl is organising, as is its tradition, a new version of its award in the premises, and with the support, of the Palais des Beaux-Arts. This prestigious prize has become one of the major events in the plastic arts world in Belgium. New book, ndl/fr/eng.
, Antwerpen, MUHKA, 1991., Originele uitgeversomslag, 21x27,5cm, 31pp + 32pp + 32pp + 32pp, geillustreerd in kleur en z/w.
Aspekten van Israelische kunst. Tekst nederlands/ english.
Brasschaat, Heemkundige Kring Breesgata, 1991
Tentoonstelling van 26 oktober t/3 3 november 1991, Cultureel Centrum Park van Brasschaat.
, Antwerpen, Snoeck-Ducaju/ Koninklijk Museum voor Schone Kunsten, 1993, paperback, editeur couverture illustree couleur originale, 25,5 x32cm, 335pp, illustration detaillee de couleur et n / b. ISBN 9053490490469.
A l'occasion de l'exposition au Musee royal des Beaux-Arts, Anvers, 19/12/1992-8/03/1993. Bon etat
Nijmegen, Albertinum, 1994 Gebonden, karton onder geillustreerde kartonomslag in kleur, 230 x 235mm., 96pp., uitgebreide kleurillustratie. ISBN 909007659X.
Een fraai verzorgde blik op de wonderlijke beeldenwereld van een broeder Dominicaan. In prima staat.
Antwerpen, Stockmans, 2002 Bound, red half-cloth illustrated cardboard, 230 x 325mm., pages not numbered, 184 full page colour illustrations. ISBN 9789077207024.
Vekemans' forte is painting. His earlier work consisted mainly of gouaches on cartridge paper but nowadays he mostly paints with oil on canvas or behind glass and some work and/or studies using mixed techniques: gouache, aquarelle, and ink on paper. "In my paintings, I believe it is the image that counts, not the message. I do not want to express social commitment through my work. Reality is more overwhelming than imagination. How the paint was applied to the surface tells the story, not the actual rendering which is only of secondary importance." Vekemans has chosen resolutely for figurative painting. Images he found or images stored in his memory, but always recognisable and distilled from what is called "real life". He records these images using his own, personal style and without overshadowing conceptualism. His work does not make any sharp criticism, metaphoric reflection, and sociological considerations. Bruno Vekemans is only interested in the actual image, the picture that acquires power and authority through its own content. He shows scenes from reality which will make you quiver with emotion. His paintings depict moments of tranquility and intimacy although they are placed within the context of activity. Some viewers may experience melancholy, quietness or a special atmosphere but this is real beauty in the eyes of Bruno Vekemans. His palette reveals much about him: colours that balance between opening and covering but which are always intense and convincing. New book.
, Gent, Snoeck-Ducaju, 2002 Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 24x29,5cm, 116pp, rijkelijk geillustreerd in kleur en z/w, chronologisch overzicht, lexicon.
Het veelvoud van het afzonderlijke... Geloof en taal: de wortels van de Bulgaarse culturele identiteit... Religieuze kunst in Bulgarije..
, Bruxelles, Galerie Les Contemporains, 1963., Broche, couverture papier, frontispice - photo, 165 x 220mm., pages ne sont pas numerotees, illustration en couleur et en n/b.
Edition quadrilingue Fr/Nl/Angl/All. Bon etat.
, Anvers, Conseil d' administration de l' Academie Royale des Beaux-Arts, 1857., 1857 Relie, plein-veau, estampe a froid sur les plats, dos orne de titre dore, tranches dorees, 11,5x17,5cm, (XVI) 520pp,errata et addenda.
Deuxieme edition. Table alphabetique des artistes dont les oeuvres sont ecrites dans le catalogue. Tableaux des maitres inconnus. Liste de signatures. Bon etat,
Antwerpen , Koninklijk Museum voor Schone Kunsten, 1988 Geillustreerde kartonomslag, 155 x 230mm., 525pp., zeer uitgebreide z/w illustratie.
in goede staat.
, Liege, Musee Saint - Georges, 1982.**, Broche, couverture d' editeur illustre en couleur, 21,5x24cm, 176pp, illustre en couleur et n/b, bibliographie.
, Paris, Reunion des Musees Nationaux, 1981 Broche, couverture d' editeur illustre en couleur, 21x29,5cm, z.p, illustre en couleur et n/b.
, Mazzotta, 1987.**, Broche, couverture d' editeur illustre en couleur, 23x27cm, 295pp, illustre en couleur et n/b.
Impressionisti e postimpressionisti dal Musea di San Paolo del Brasile.
, Berlin, Museum fur Deutsche Volkskunde, 1978., Brosschiert, Original-Umschlag illustriert koloriert, 17x24cm, 160pp, illustriert s/w.
Vorstellungen und Wirklichkeit vom 16. Jahrhundert bis zur Gegenwart.
Los Angeles, County Museum of Art, 1988 Illustrated cardboard cover in colour, 255 x 280mm., 288pp., colour illustration troughout. . ISBN 0810911671.
Los Angeles County Museum of Art February 4 - April 24, 1988. Metropolitan Museum of Art, June 18 - August 14, 1988. Tate Gallery, October 26, 1988 - January 3, 1989. In good condition.
Munster, Landesmuseum fur Kunst und Kulturgeschichte, 1968 Gebrocheerd, karton onder geillustreerde papieromslag, 205 x 265mm., 124pp., zeer vele ( ingekleefde ) illustraties in kleur en z/w.
In goede staat.
The Hague, Royal Picture Gallery, 1982 Illustrated cardboard cover in colour, 240 x 280mm., 127pp., profoundly illustrated in colour and b/w.
1 October - 12 December 1983. Art Gallery of Ontario / Toronto. In good condition.
, Paris, Lachenal & Ritter, 2000**, Relie, sous jacquette d' editeur illustre en couleur, 25,5x28,5cm, 153pp., illustre en couleur et n/b. ISBN 9782904388514.
En bon etat.