Antwerpen, Standaard Boekhandel, z/d Ingenaaid, originele uitgeversomslag, frontispice in z/w, 21.7x16.6 cm., XI + 97 pp. + 2, buitentekst illustraties in z/w (frontispice + 14 platen).
mooi exemplaar GESIGNEERD DOOR JOZEF MULS
Bruxelles, Apollo, 1943 softcover, originele geillustreerde uitgeversomslag 13x22,5cm, 40pp, +30 illustrations, geillustreerd z/w. FR
monographie French text
Diest, Pro Arte 1944 173pp.tekst + 156 buitentekstills., gecart.band met stofwikkel, 32cm., goede staat, S45240
, Brussel, Kunstkring, 1942., softcover, orriginele uitgeversomslag, geillustreerde omslagwikkel z/w, 39pp + 32 buitentekstplaten z/w.
Reeks " Kunst in Belgie"
Brussels, Centre international d'étude de la peinture médiévale des bassins de l'Escaut et de la Meuse 1998 385pp., 30cm., softcover, in the series "Contributions to fifteenth-century painting in the Southern Netherlands and the Principality of Liège" volume 8, good condition, S84472
Genève Editions d'Art Albert Skira 1963 in 4 (33x27) 1 volume reliure toilée rouge de l'éditeur sous jaquette illustrée en couleurs, 236 pages |1]. Ouvrage illustré de 125 reproductions contrecollées, dont 85 en couleurs. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Jaquette en très bon état Reliure
Paris, Éditions des Musées Nationaux-Petit Palais, 1946, 13,6 X 18,2 cm, br. ouv. ill. 8 repro. n.b h.t. Avant-propos de Yvon Bizardel Directeur des Beaux-Arts, Musées et Bibliothèques de la Ville de Paris, introduction de André Chamson.
Catalogue de l'exposition organisée au Petit Palais à l'occasion de sa réouverture au public en 1946.
, Brepols Publishers, 2004 paperback, 260 p., 219 b/w ill. 41 colour ill., 210 x 280 mm English. ISBN 9781872501239.
Otto Pacht, one of the most significant art-historians of the ?Vienna School?, and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo?s work, interpreting it as the basis for his sons? later development. He analyses Jacopo?s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht?s examination of Mantegna?s work, where the construction of space and depth is the key to our understanding of Mantegna?s creative process. Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile?s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! "Pacht's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48)
2017 - reliure agrafée - Catalogue de l'exposition à la Gallerie Dark Matters, Toulouse - Février 2017 - Petit in-4 (27 x 18,5 cm) agrafé - Pages non numérotées - Très nombreuses illustrations - Exposition curatée par Édouard Tristes Tropiques - Exemplaire signé et numéroté N° 30 / 100
Bon état
Aarau u. Bern, Aargauer Kunsthaus u. Benteli, 1996. 4°. 271 S. Mit zahlr. (dv. viele farb.) Illustr. u. Abb. Orig.-Pappbd. mit Schutzumschlag.
Bruxelles, Jean Malvaux, s.d. Broche, couverture carton rouge, 20 x 20cm, 12 reproductions contre-collees avec des verbes sur page en face.
Antwerpen, Galerij Brabo, 1980 Stevige papieromslag geillustreerd z/w, 19 x 19 cm., pagina's niet genummerd, z/w illustratie.
Tentoonstelling In Galerij Brabo, Antwerpen, van 21 september tot 12 oktober 1980.
, Brussel, Paleis voor Schone Kunsten, 1977., Originele geillustreerde uitgeversomslag in kleur, 20,5x20,5cm, 219pp, geillustreerd z/w.
Zijn reis (1520-1521) en invloed. In 426 afbeeldingen, tentoonstellingcatalogus,
, Antwerpen, v.z.w. Eugeen Van Mieghem, z.d.** (db), softcover geniet,, originele geillustreerde uitgeversomslag in kleur, 21x30cm, 81pp, geillustreerd in kleur en z/w.
Jakob Smits Museum, Mol.
, Antwerpen, v.z.w. Eugeen Van Mieghem, z.d.** (db)., softcover geniet, originele geillustreerde uitgeversomslag in kleur, 21x30cm, 63pp, geillustreerd in kleur en z/w.
Tekeningen en pastels uit de verzameling van het Stedelijk Prentenkabinet.
Dusseldorf, Stadtische Kunsthalle, 1985 Gebunden, Leinen mit Schutzumschlag, 240 x 295mm., 351S., illustriert. ISBN 3546477715.
Wichtiger Uberblick uber den rheinischen Expressionismus mit Kurzbiographien u.a. zu Jankel Adler, Gerd Arntz, Mathias Barz, Herbert Campendonk, Theo Campion, H. M. Davringhausen, O. Dix, Johanna Ey, Conrad Felixmuller, Otto Pankok, Gerd Wollheim.
Turnhout, Brepols, 2005 Paperback, V+98 p., 59 b/w ill., 215 x 280 mm.
JUNHYOUNG MICHAEL SHIN: Iconographic Surrogates: Contemplating Amit 'bha Images in the Late Kory ' Dynasty (Fourteenth Century) JAMES CAHILL: Some thoughts on the History and Post-History of Chinese Painting ROBERT E. HARRIST, JR: A Response to Professor Cahill's "Some Thoughts on the History and Post-History of Chinese Painting" JEROME SILBERGELD: The Evolution of a "Revolution": Unsettled Reflections on the Chinese Art-Historical Mission REBECCA M. BROWN: Patn's Golghar and the Transformations of Colonial Discourse DEBORAH HUTTON: Carved in Stone: The Codification of a Visual Identity for the Indo-Islamic Sultanate of B 'dj'p' r Art of Asia Acquired by North American Museums, 2003-2004. New.
Antwerpen , Artiestenfonds, 1963 Papercover, 24 x 15,5cm., 32pp., z/w illustratie en advertenties van lokale handelaars.
Driemaandelijks tijdschrift voor kunst en cultuur. In goede staat.
Antwerpen, v.z.w. Eugeen Van Mieghem, 1990 softcover geillustreerde karton omslag in kleur, 21x30cm, 32pp, geillustreerd in kleur en z/w.
Album, n° 11.
, Brussel, Paleis voor Schone Kunsten, 1980., softcover originele uitgeversomslag, 22x29,5cm, 481pp, geillustreerd in kleur en z/w, bibliografie. Nederlands, in goede staat.
Europalia 80 Belgie. Architectuur - Meubilair - Wandtapijten, borduurwerk - Schilderkunst, graveerkunst, tekenkunst - Sculpttur - Juwelen - Opsmuk - Keramiek - Boeken, grafiek - Boekbindkunst - Boekverluchting - Affiche - Fotografie.
, Gent, z.d.**, Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 29,5x21,5cm, 71pp, geillustreerd in kleur en z/w.
Van Dyck nummer. In goede staat.
, Hasselt, Prov. Begijnhof, 1967., Gebrocheerd, originele geillustreerde (foto) uitgeversomslag z/w, 21x27cm, z.p., geillustreerd z/w.
Milan, Skira, 2003 Couverture souple, 245 x 285mm., 365pp., illustration abondante en couleurs. ISBN 8884915295.
2 avril - 22 juin 2003 Paris, musee de Luxembourg. 12 juillet - 30 septembre 2003 Quimper, musee des Beaux-Arts. Bon etat.
, Geneve, Editions d' Art Albert Skira, 1982.**, Broche, couverture d' editeur illustre en couleur, 23,5x27,5cm, 155pp, illustre en couleur et n/b.
, Mercatorfonds, 2007, Softcover, 24 x 17 cm., 96pp., 180 full colour illustrations.
This year the Belgian young painters?? asbl is organising, as is its tradition, a new version of its award in the premises, and with the support, of the Palais des Beaux-Arts. This prestigious prize has become one of the major events in the plastic arts world in Belgium. New book, ndl/fr/eng.