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Chefs-d'Oeuvre de la peinture française du Louvre - Des Primitifs à Manet
Paris, Éditions des Musées Nationaux-Petit Palais, 1946, 13,6 X 18,2 cm, br. ouv. ill. 8 repro. n.b h.t. Avant-propos de Yvon Bizardel Directeur des Beaux-Arts, Musées et Bibliothèques de la Ville de Paris, introduction de André Chamson.
Catalogue de l'exposition organisée au Petit Palais à l'occasion de sa réouverture au public en 1946.
Carolingian Painting
George Braziller Inc 1977 128 pages 19 56x1 27x27 43cm. 1977. Broché. 128 pages.
Bon Etat couverture défraîchie intérieur propre
Otto Pacht. Venetian Painting in the Fifteenth Century. Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna
, Brepols Publishers, 2004 paperback, 260 p., 219 b/w ill. 41 colour ill., 210 x 280 mm English. ISBN 9781872501239.
Otto Pacht, one of the most significant art-historians of the ?Vienna School?, and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo?s work, interpreting it as the basis for his sons? later development. He analyses Jacopo?s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht?s examination of Mantegna?s work, where the construction of space and depth is the key to our understanding of Mantegna?s creative process. Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile?s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! "Pacht's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48)
Robert Müller. Skulpturen, Zeichnungen und Druckgraphik.
Aarau u. Bern, Aargauer Kunsthaus u. Benteli, 1996. 4°. 271 S. Mit zahlr. (dv. viele farb.) Illustr. u. Abb. Orig.-Pappbd. mit Schutzumschlag.
12 x Breugel,
Bruxelles, Jean Malvaux, s.d. Broche, couverture carton rouge, 20 x 20cm, 12 reproductions contre-collees avec des verbes sur page en face.
Albert Tersago Beeldhouwwerk Roland De Winter Grafiek,
Antwerpen, Galerij Brabo, 1980 Stevige papieromslag geillustreerd z/w, 19 x 19 cm., pagina's niet genummerd, z/w illustratie.
Tentoonstelling In Galerij Brabo, Antwerpen, van 21 september tot 12 oktober 1980.
ALBRECHT DURER IN DE NEDERLANDEN.
, Brussel, Paleis voor Schone Kunsten, 1977., Originele geillustreerde uitgeversomslag in kleur, 20,5x20,5cm, 219pp, geillustreerd z/w.
Zijn reis (1520-1521) en invloed. In 426 afbeeldingen, tentoonstellingcatalogus,
album nummer 3 - EUGEEN VAN MIEGHEM 1875 - 1930. .
, Antwerpen, v.z.w. Eugeen Van Mieghem, z.d.** (db), softcover geniet,, originele geillustreerde uitgeversomslag in kleur, 21x30cm, 81pp, geillustreerd in kleur en z/w.
Jakob Smits Museum, Mol.
album nummer 6 - EUGEEN VAN MIEGHEM 1875 - 1930 EN DE ANTWERPSE HAVEN. ( album n 6).
, Antwerpen, v.z.w. Eugeen Van Mieghem, z.d.** (db)., softcover geniet, originele geillustreerde uitgeversomslag in kleur, 21x30cm, 63pp, geillustreerd in kleur en z/w.
Tekeningen en pastels uit de verzameling van het Stedelijk Prentenkabinet.
AM ANFANG: DAS JUNGE RHEINLAND. ZUR KUNST UND ZEITGESCHICHTE EINER REGION 1918 - 1945,
Dusseldorf, Stadtische Kunsthalle, 1985 Gebunden, Leinen mit Schutzumschlag, 240 x 295mm., 351S., illustriert. ISBN 3546477715.
Wichtiger Uberblick uber den rheinischen Expressionismus mit Kurzbiographien u.a. zu Jankel Adler, Gerd Arntz, Mathias Barz, Herbert Campendonk, Theo Campion, H. M. Davringhausen, O. Dix, Johanna Ey, Conrad Felixmuller, Otto Pankok, Gerd Wollheim.
Archives of Asian Art 55/2005,
Turnhout, Brepols, 2005 Paperback, V+98 p., 59 b/w ill., 215 x 280 mm.
JUNHYOUNG MICHAEL SHIN: Iconographic Surrogates: Contemplating Amit 'bha Images in the Late Kory ' Dynasty (Fourteenth Century) JAMES CAHILL: Some thoughts on the History and Post-History of Chinese Painting ROBERT E. HARRIST, JR: A Response to Professor Cahill's "Some Thoughts on the History and Post-History of Chinese Painting" JEROME SILBERGELD: The Evolution of a "Revolution": Unsettled Reflections on the Chinese Art-Historical Mission REBECCA M. BROWN: Patn's Golghar and the Transformations of Colonial Discourse DEBORAH HUTTON: Carved in Stone: The Codification of a Visual Identity for the Indo-Islamic Sultanate of B 'dj'p' r Art of Asia Acquired by North American Museums, 2003-2004. New.
Artiestenblad XIVe jaargang. Nummer 3 1963. Rik Slabbinck in Worpsweide,
Antwerpen , Artiestenfonds, 1963 Papercover, 24 x 15,5cm., 32pp., z/w illustratie en advertenties van lokale handelaars.
Driemaandelijks tijdschrift voor kunst en cultuur. In goede staat.
artist of the people. Eugene Van Mieghem 1875 - 1930,
Antwerpen, v.z.w. Eugeen Van Mieghem, 1990 softcover geillustreerde karton omslag in kleur, 21x30cm, 32pp, geillustreerd in kleur en z/w.
Album, n 11.
ART NOUVEAU BELGIE. Art Nouveau Belgie. catalogus Europalia 1980.
, Brussel, Paleis voor Schone Kunsten, 1980., softcover originele uitgeversomslag, 22x29,5cm, 481pp, geillustreerd in kleur en z/w, bibliografie. Nederlands, in goede staat.
Europalia 80 Belgie. Architectuur - Meubilair - Wandtapijten, borduurwerk - Schilderkunst, graveerkunst, tekenkunst - Sculpttur - Juwelen - Opsmuk - Keramiek - Boeken, grafiek - Boekbindkunst - Boekverluchting - Affiche - Fotografie.
ARTS, ANTIQUES, AUCTIONS,
, Gent, z.d.**, Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 29,5x21,5cm, 71pp, geillustreerd in kleur en z/w.
Van Dyck nummer. In goede staat.
BALTHUS.
, Geneve, Editions d' Art Albert Skira, 1982.**, Broche, couverture d' editeur illustre en couleur, 23,5x27,5cm, 155pp, illustre en couleur et n/b.
Belgian young painters award 2007,
, Mercatorfonds, 2007, Softcover, 24 x 17 cm., 96pp., 180 full colour illustrations.
This year the Belgian young painters?? asbl is organising, as is its tradition, a new version of its award in the premises, and with the support, of the Palais des Beaux-Arts. This prestigious prize has become one of the major events in the plastic arts world in Belgium. New book, ndl/fr/eng.
BENNI EFRAT/ MICHAEL GITLIN/ OSVALDO ROMBERG/BUKY SCHWARTZ. ( 4 volumes)
, Antwerpen, MUHKA, 1991., Originele uitgeversomslag, 21x27,5cm, 31pp + 32pp + 32pp + 32pp, geillustreerd in kleur en z/w.
Aspekten van Israelische kunst. Tekst nederlands/ english.
Brasschaat ten tijde van burgemeester Reusens. Kunstenaars in Brasschaat rond 1900,
Brasschaat, Heemkundige Kring Breesgata, 1991
Tentoonstelling van 26 oktober t/3 3 november 1991, Cultureel Centrum Park van Brasschaat.
Breugel a Rubens: l'ecole de peinture anversoise 1550-1650
, Antwerpen, Snoeck-Ducaju/ Koninklijk Museum voor Schone Kunsten, 1993, paperback, editeur couverture illustree couleur originale, 25,5 x32cm, 335pp, illustration detaillee de couleur et n / b. ISBN 9053490490469.
A l'occasion de l'exposition au Musee royal des Beaux-Arts, Anvers, 19/12/1992-8/03/1993. Bon etat
BROEDER - KUNSTENAAR WILLY RAMS KUNSTENAAR - BROEDER,
Nijmegen, Albertinum, 1994 Gebonden, karton onder geillustreerde kartonomslag in kleur, 230 x 235mm., 96pp., uitgebreide kleurillustratie. ISBN 909007659X.
Een fraai verzorgde blik op de wonderlijke beeldenwereld van een broeder Dominicaan. In prima staat.
BRUNO VEKEMANS,
Antwerpen, Stockmans, 2002 Bound, red half-cloth illustrated cardboard, 230 x 325mm., pages not numbered, 184 full page colour illustrations. ISBN 9789077207024.
Vekemans' forte is painting. His earlier work consisted mainly of gouaches on cartridge paper but nowadays he mostly paints with oil on canvas or behind glass and some work and/or studies using mixed techniques: gouache, aquarelle, and ink on paper. "In my paintings, I believe it is the image that counts, not the message. I do not want to express social commitment through my work. Reality is more overwhelming than imagination. How the paint was applied to the surface tells the story, not the actual rendering which is only of secondary importance." Vekemans has chosen resolutely for figurative painting. Images he found or images stored in his memory, but always recognisable and distilled from what is called "real life". He records these images using his own, personal style and without overshadowing conceptualism. His work does not make any sharp criticism, metaphoric reflection, and sociological considerations. Bruno Vekemans is only interested in the actual image, the picture that acquires power and authority through its own content. He shows scenes from reality which will make you quiver with emotion. His paintings depict moments of tranquility and intimacy although they are placed within the context of activity. Some viewers may experience melancholy, quietness or a special atmosphere but this is real beauty in the eyes of Bruno Vekemans. His palette reveals much about him: colours that balance between opening and covering but which are always intense and convincing. New book.
BULGAARSE ICONEN EN MANUSCRIPTEN.
, Gent, Snoeck-Ducaju, 2002 Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 24x29,5cm, 116pp, rijkelijk geillustreerd in kleur en z/w, chronologisch overzicht, lexicon.
Het veelvoud van het afzonderlijke... Geloof en taal: de wortels van de Bulgaarse culturele identiteit... Religieuze kunst in Bulgarije..
CARL BUCHHEISTER.
, Bruxelles, Galerie Les Contemporains, 1963., Broche, couverture papier, frontispice - photo, 165 x 220mm., pages ne sont pas numerotees, illustration en couleur et en n/b.
Edition quadrilingue Fr/Nl/Angl/All. Bon etat.
CATALOGUE DU MUSEE D' ANVERS.
, Anvers, Conseil d' administration de l' Academie Royale des Beaux-Arts, 1857., 1857 Relie, plein-veau, estampe a froid sur les plats, dos orne de titre dore, tranches dorees, 11,5x17,5cm, (XVI) 520pp,errata et addenda.
Deuxieme edition. Table alphabetique des artistes dont les oeuvres sont ecrites dans le catalogue. Tableaux des maitres inconnus. Liste de signatures. Bon etat,
