‎Painting Architecture in Early Renaissance Italy. Innovation and Persuasion at the Intersection of Artistic and Architectural Practice‎

‎, Brepols - Harvey Miller, 2024 Hardback, approx. 220 pages, Size:220 x 280 mm, Illustrations:3 b/w, 138 col., Language: English. ISBN 9781915487032.‎

‎Summary Why did artists include prominent architectural settings in their narrative paintings? Why did they labour over specific, highly innovative structural solutions? Why did they endeavour to design original ornamental motifs which brought together sculptural, painterly and architectural approaches, as well as showcasing their understanding of materiality? Painting Architecture in Early Renaissance Italy addresses these questions in order to shed light on the early exchanges between artistic and architectural practice in Italy, arguing that architecture in painting provided a unique platform for architectural experimentation. Rather than interpreting architectural settings as purely spatial devices and as lesser counterparts of their built cognates, this book emphasises their intrinsic value as designs as well as communicative tools, contending that the architectural imagination of artists was instrumental in redefining the status of architectural forms as a kind of cultural currency. Exploring the nexus between innovation and persuasion, Livia Lupi highlights an early form of little-discussed paragone between painting and architecture which relied on a shared understanding of architectural invention as a symbol of prestige. This approach offers a precious insight into how architectural forms were perceived and deployed, be they two or three-dimensional, at the same time clarifying the intersection of architecture and the figural arts in the work of later, influential figures like Giuliano da Sangallo, Raphael, Michelangelo and Baldassarre Peruzzi, whose work would not have been possible without the architectural experimentation of early fifteenth-century artists. TABLE OF CONTENTS INTRODUCTION The Architectural Imagination of Artists Pictorial Space and Architecture in Painting Visual Rhetoric The Case Studies All'antica Innovation and Paragone 1 A NEW ARCHITECTURAL CONSCIOUSNESS MASOLINO DA PANICALE AT CASTIGLIONE OLONA Masolino and Architecture Architecture as Cultural Currency Architecture, Nature and Encomiastic Ekphrasis 2 PERFORMING MAGNIFICENCE THE PELLEGRINAIO AT SANTA MARIA DELLA SCALA IN SIENA Ornament and Structure Architectural Portrait and Ex Novo Reinvention Building the Community The Pellegrinaio as a Stage 3 BUILDING LEGITIMACY FRA ANGELICO'S NICHOLAS V CHAPEL IN THE VATICAN PALACE Fra Angelico and Architecture Crafting Time and Place through Architecture Dignity and Authority Roman Echoes CONCLUSION Craftsmanship and Patronage Innovation and Self-promotion Disegno and Paragone Architectural Forms as Persuasion Appendix‎

‎Deutsche Malerei im 19. Jahrhundert‎

‎Darmstadt, Wissenschaftliche Buchgesellschaft 2005 213pp.richly illustrated in colour & bl/w, 28cm., cart.cover, VG‎

‎DEUTSCHE MALEREI IM 19. JAHRHUNDERT,‎

‎Darmstadt, Primus Verlag, 2005 Gebunden, Leinen mit Schutzumschlag, 205 x 275mm., 211S., illustriert. ISBN 3896785303.‎

‎Inhalt u.a.: Ein Jahrhundert deutscher Kunst; Monumentale Geschichtsmalerei; Biedermeierlicher Humor... Guter Zustand.‎

‎Le musée de l'Ermitage, Léningrad [dans: Les Primitifs Flamands. I: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle, 8]‎

‎Bruxelles, Centre National de recherches "Primitifs Flamands" 1965 [ix] + 68pp. + 125 planches hors texte, 29cm., reliure toile, jaq.ill., bel état, dans la série "Les Primitifs Flamands. I: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle" volume 8, S84592‎

‎EEN HUIS VOL KUNST. RUBENS ALS VERZAMELAAR.‎

‎Antwerpen , Rubenshuis/ Rubenianum, 2004 Softcover, geillustreerde kartonomslag met flappen, 235 x 300mm., 342pp., zeer uitgebreid geillustreerd in kleur en z/w. . ISBN 9789076704715.‎

‎Uitgegeven naar aanleiding van de gelijknamige tentoonstelling in het Rubenshuis te Antwerpen van 6 maart tot 13 juni 2004. In goede staat. ‎

‎EEN HUIS VOL KUNST. RUBENS ALS VERZAMELAAR.‎

‎Antwerpen , Rubenshuis/ Rubenianum, 2004 Gebonden, hardcover zwart, originele uitgeversomslag in kleur met flappen, geillustreerde kartonomslag met flappen, 24.5x30.7 cm., 342 pp., zeer uitgebreid geillustreerd in kleur en z/w. . ISBN 9789076704685.‎

‎Uitgegeven naar aanleiding van de gelijknamige tentoonstelling in het Rubenshuis te Antwerpen van 6 maart tot 13 juni 2004.‎

‎New Perspectives on Abraham Bloemaert and his Workshop‎

‎, Brepols, 2022 Paperback, 291 pages, Size:216 x 280 mm, Illustrations:115 b/w, 25 col., Language: English. ISBN 9782503598017.‎

‎Summary The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the catalogue raisonn of his paintings and, more recently, of his drawings, particularly in connection with the major exhibition The Bloemaert Effect (2012, Utrecht & Schwerin). This publication examines Abraham Bloemaert as a universal artist while it also aims to better understand his contribution towards the development of new iconographic themes. The choice and execution of specific subjects are considered in light of the local religious context, among others. In order to offer new perspectives and stimulate further research, the volume carefully examines the role of his workshop and the various artistic practices - painting, engraving, and drawing - in which its members engaged under Bloemaert's supervision. A key question ties together the multifaceted approaches presented here: should Bloemaert be considered as the 'father of the Utrecht school' and the founder of a dynasty of artists? TABLE OF CONTENTS Preface ? L onie Marquaille Abraham Bloemaert as a Universal Painter Between Fable and Nature: Abraham Bloemaert in Dutch Seventeenth-Century Art Theory ? Jan Blanc The Tree and the Farmhouse: Bloemaert, Van Mander and the Birth of Dutch Landscape Painting ? Boudewijn Bakker Candlelight, Devotional Meditation, and Artistic Process in Abraham Bloemaert's Supper at Emmaus ? Natasha Seaman 'Niet te verladen': The Manner and Meaning of Abraham Bloemaert and Bo tius Bolswert's Sylva anachoretica of 1619 ? Walter S. Melion Abraham Bloemaert's Workshop and Legacy Abraham Bloemaert: Artistic Strategy and Workshop Production ? Gero Seelig Printmaking in Bloemaert's Workshop in Utrecht. Reconsidering Abraham's Collaboration with his Sons: Cornelis II and Frederick ? L onie Marquaille Cornelis Bloemaert II: Rethinking his Role as Reproductive Engraver ? Erin Downey Late Bloomers: Nicolaes Kn pfer, Jan Baptist Weenix, Jan Both and the Utrecht Workshop of Abraham Bloemaert ? Elizabeth Nogrady 'Son go t de dessein tenoit toujours du pays': Abraham Bloemaert's Graphic Legacy in Eighteenth-Century France ? J. Cabelle Ahn On Attribution Attributing the Adoration of the Shepherds in Antibes Cathedral. A Painting by Abraham Bloemaert's Workshop or his Son Hendrick? ? Olivier Zeder Bibliography Index of Names‎

‎HODLER.‎

‎Paris, Gres, 1931 Broche, couverture carton illustree a l'impression du titre en rouge, 140 x 195mm., 16pp. et 32 planches n/b.‎

‎Collection " Les Artistes Nouveaux ". Bon etat.‎

‎HET GALANTE TIJDPERK. SCHILDERIJEN UIT DE COLLECTIE VAN HET RIJKSMUSEUM,‎

‎Amsterdam/ Zwolle, Rijksmuseum / Waanders, 1995 Softcover , 215 x 270mm., 104pp., uitgebreide kleurillustratie. ISBN 9040097178.‎

‎Oud bibliotheek exemplaar, stempel op eerste schutblad ‎

‎LES TRÉSORS DE L'AMERIQUE PRECOLOMBIENNE ‎

‎Genève Editions d'Art Albert Skira 1964 in 4 (33x27) 1 volume reliure toilée rouge de l'éditeur sous jaquette illustrée en couleurs, 245 pages |1]. Ouvrage illustré de 122 reproductions contrecollées, dont 85 en couleurs, et 22 dessins dans le texte. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎Ghent Altarpiece and the Art of Jan van Eyck : For My Husband Otto H. Forster‎

‎Princeton, University Press, 1980 Illustrated cardboard cover, 255 x 190 x 20 mm., 255pp., 212 b/w plates. ISBN 0691038708.‎

‎The Altarpiece reconstructed - The Quatrain - The Iconography of the Altarpiece - Towards Criteria for judging Eyckian Works - The Ghant Altarpice in Northern Altar Painting - In good condition.‎

‎Vincent van Gogh Peinture 1853-1890 Tome 1 (Voir deuxième Tome Ref: ART2946M ou lot des deux Tomes Ref: ART2944M)‎

‎Éditions Fonds mercator / Albin Michel - 1990, In-4°, 292 pp. Avec des reproductions en noir et en couleurs; textes en français.‎

‎Livres en excellent état, intérieur frais et complet. Un excellent exemplaire en excellentes conditions. ‎

‎Thierry Loulé. Autoportraits‎

‎ 2012 Edition de la Galerie Michel Estades (GME) - 2012 - In-4, cartonnage noir avec illustration sur le premier plat - 112 pages - Très nombreuses illustrations en couleurs hors texte‎

‎Bon état - Menus frottements sur la couverture - Coin et coiffe inférieurs légèrement frottés ‎

‎LES AVENTURES DU ROI PAUSOLE ‎

‎Paris Arthème Fayard & Cie, Editeurs 1925 grand in 8 (23,5x18,5) 1 volume broché sous couverture cartonné de papier marbré moderne, dos muet de cuir noir cousu à la japonaise, couverture illustrée conservée (les 2 plats), 174 pages. Ouvrage illustré de 28 bois originaux de Léonard-Tsuguharu Foujita (frontispice, 4 hors-texte, 22 in-texte, et le dernier sur le quatrième plat de la couverture). Collection ''Le Livre de Demain'', 36. Achevé d'imprimer à la date de décembre 1925 (premier tirage). Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Broché ‎

‎JOACHIM WTEWAEL AND DUTCH MANNERISM catalogue raisonne.‎

‎, Davaco, Aetas Aurea, Vol. VI, 1989 , Cloth bound, 4to., 280 pp. text containing a full catalogue raisonne, 319 plates and ills. from which 28 color plates. ISBN 9789070288242.‎

‎This book explores Wtewael's position at a transitional moment in Dutch art. It is a study of the last efflorescence of mannerism and an assessment of that tradition's importance for the seventeenth century. Emphasis is on Wtewael as a painter, with his related drawings also considered. Most often choosing his themes from classical mythology and the Bible, he was a history painter, when that calling was considered the highest level of art. He also, however, painted portraits and genre scenes. The variety of his subjects is matched by protean shifts in format, from brilliant little pictures on copper to panel paintings and canvases on a grand scale. The text begins with an overview of Dutch mannerism - its definition, history, and relationship to other European manifestations of the style. Subsequent chapters provide a biography of Wtewael, trace the stylistic development of his paintings, and discuss his choice and treatment of subjects. A review of his and his colleagues' reputations with artists, critics, and collectors presents the vicissitudes of Dutch mannerism since the seventeenth century. And, finally, a chapter of connoisseurhip devotes particular attention to the multiple versions of Wtewael's paintings and the separate artistic identity of his son Peter. As new ‎

‎Mantegna a Mantova. 1460-1506. Catalogo della mostra (Mantova 16 settembre 2006-14 gennaio 2007). Ediz. illustrata‎

‎Skira 2006 256 pages 24 8x2 6x28 6cm. 2006. Broché. 256 pages.‎

5 Images

‎Très bon état de conservation intérieur propre bonne tenue‎

‎JAN VANRIET, gesigneerd‎

‎, Antwerpen / Amsterdam, Manteau, 1982, Softcover, illustrated wrappers, photo - frontispice, 275 x 245mm., pages not numbered, beautifully illustrated in colour and b/w. ISBN 9060125436.‎

‎Trilingual edition Eng / Fr / Dutch. Original drawing and autographed by Jan Vanriet, gesigneerd exemplaar‎

‎Lyonel Feininger‎

‎München, Prestel 1998 187pp. with numerous illustrations in colour and in bl/w, 31cm., publisher's hardcover, illustrated dustwrapper, 2nd revised edition, text in German, very good, S94819‎

‎EL GRECO‎

‎1954 / 221 pages. Relié avec jaquette. Editions Phaidon‎

‎Avec 200 Planches. Jaquette d'usage avec de petits frottements, tête et pied du dos légèrement rognés. Bon état.‎

‎AACHENER KUNSTBLATTER DES MUSEUMVEREINS.‎

‎, Koln, Verlag Dumont Schauberg, 1993., Brosschiert, Original - Umschlag illustriert koloriert, 21x30cm, 370pp, illustriert koloriert und s/w. ISBN 9783770133925.‎

‎Band 59.‎

‎JOSEPH-MARIE VIEN, PEINTRE DU ROI (1716-1809). Ville de Béziers. Musée de Beaux-Arts. Hôtel Fabrégat. Octobre-novembre 1990 ‎

‎Montpellier New Imprimerie Graphics 1990 in 8 (24x17,5) 1 volume broché, couverture illustrée en couleurs, non paginé (70 pages), avec des illustrations en noir et blanc et en couleurs, dont hors-texte. Joseph-Marie Vien, Montpellier 1716 - pais 1809, peintre, dessinateur et graveur français. Catalogue de l'exposition au Musée des Beaux-Arts, Hôtel Fabégat, à Béziers, octobre-novembre 1990. Catalogue de 111 numéros décrits par Jacques Lugand, conservateur du Musée des Beaux-Arts de Béziers, dont: peintures, dessins peintures. Etat de neuf ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Neuf Broché ‎

‎DESSINS ET AQUARELLES DE JEAN MOULIN ‎

‎Montpellier Les Presses du Languedoc / Ville de Béziers 1993 petit in 4 (24x20) 1 volume broché, couverture illustrée à rabats, 91 pages [1]. Cet ouvrage reproduit 72 dessins et 10 aquarelles de Jean Moulin, certains signés de son pseudonyme: Romanin, issus du legs de Laure Moulin, en 1975, au Musée des Beaux-Arts de Béziers. Présentation de Jacques Lugand, Conservateur du Musée des Beaux-Arts de Béziers. Première édition. Etat de neuf ‎

‎Neuf Broché ‎

‎Collections privées de Béziers et de sa région. Première exposition. Juillet-Septembre 1967 ‎

‎Béziers Imprimerie Sodiep 1967 in 8 (21x15,5) un volume broché, couverture illustrée, 156 pages (texte pages 1 à 64, illustrations pages 65 à la fin). Catalogue de 130 numéros décrits, index des noms de lieux et de personnes. Première édition. Bel exemplaire ‎

‎Très bon Broché ‎

‎PAYSAGE MÉDITERRANÉEN ‎

‎Milan Electa / Monte dei Paschi di Siena 1992 in 4 (28x25) Un volume broché, couverture à rabats illustrée, 315 pages [1], avec de nombreuses illustrations en noir et blanc et en couleurs, dont hors-texte. Immersion dans le monde méditerranéeen; Le paysage méditerranéeen, La construction du paysage méditerranéeen; Le paysage méditerranéeen, son modèle culturel et sa diffusion; Les perspectives du paysage méditerranéeen; Appendice. Catalogue réalisé a l'occasion de l'exposition de Séville en 1992, sous la direction de Yves Luginbuhl, direction artistique de Marcello Francone, coordination éditoriale Emmanuela Belloni. Bibliographies. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎

‎DAWN OF THE GOLDEN AGE. NORHERN NETHERLANDISH ART 1580 - 1620,‎

‎Zwolle/ Amsterdam, Waanders/ Rijksmuseum, 1994 softcover 230 x 305mm., 718pp., profoundly illustrated in colour and b/w. ISBN 9789066303911.‎

‎This large volume, the catalog for a major exhibition at the Rijksmuseum in Amsterdam, covers an important transition period in the art of the Netherlands, just before the era of Rembrandt, Vermeer, and other masters. Although the exhibit includes work by such well-known artists as Franz Hals and Hendrick Goltzius, the bulk of the art work will be unfamiliar to nonspecialists. Painting, sculpture, architecture, and the decorative arts are all included. Several long essays begin the volume, and over 1000 small black-and-white photographs and 100 full-page color plates of the exhibited artists are accompanied by full scholarly annotations. A substantial acquisition for specialized collections. In good condition. ‎