‎MAN RAY OEUVRES 1909-1972,‎

‎Paris, Celiv, 1990 Relie, toile blanche a l'impression doree, jaquette illustree en couleurs, 230 x 315mm., illustration profonde en couleurs et en n/b. ISBN 286535007X.‎

‎Peintures et sculptures. Bon etat.‎

‎Primitifs Flamands. Collections de Tchecoslovaquie‎

‎, Turnhout, Brepols, 1985, Relie, toile sous jacquette d'editeur, 135 p., + 24 pl., 230 x 300 mm., comme neuf.‎

‎TROUBLE SPOT, PAINTING.‎

‎, Antwerpen, MUHKA, 1999., Gebonden, originele geillustreerde uitgeversomslag in kleur, 23,5x27,5cm, 176pp, geillustreerd in kleur. ISBN 9789072828064.‎

‎Tekst nederlands/ francais/ english.‎

‎Tadeusz Makowski polski malarz w Paryzu‎

‎Wroclaw, 1976 163pp.+ 174 ills.out-of-text, cloth, dustwrapper, VG, Text in Polish, [Monography on this Polish painter-artist, who lived and worked in Paris]‎

‎Traite de l'Harmonie (1722) van Jean-Philippe Rameau en de ontwikkeling van het muziektheoretisch denken in Frankrijk.‎

‎, Brussel, Paleis der Academien, 1989., softcover , originele uitgeversomslag, 18x26cm. ISBN 9065694250.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n? 47.‎

‎Stefan Lochner. Image Making in Fifteenth-Century Cologne With contributions by Peter Klein and Truus van Bueren,‎

‎Turnhout, Brepols, 2004 Hardback, XII+328 pages., 224 b/w ill. + 48 colour ill., + 200 ill., 210 x 297 mm. ISBN 9782503505671.‎

‎This monograph re-evaluates the oeuvre ascribed to Stefan Lochner in the light of an extensive examination of his works with infrared reflectography, revealing Lochner to be draughtsman practicing a style quite new at the time. The sumptuous paintings of Stefan Lochner (d. Cologne 1451) are among the most familiar yet least understood images of the late Middle Ages. His depictions of the Virgin and Child have entered the popular imagination as models of sweetness and grace, values superficially attached to them since their rediscovery two hundred years ago. Appreciation of Lochner's achievements has also been impeded by criticism that artificially judges him in terms of perceived realism. Both attitudes have blinded us to Lochner's creativity and invention. This book explores Lochner's oeuvre from various vantage points. Tracing current conceptions of the artist back to the earliest recorded testimonies, it first reviews Lochner's changing critical fortunes. A perceptual account of Lochner's major paintings and illuminated manuscripts follows, clarifying the artist's passion for the nature of representation and the different ways in which he engages the viewer. In addition, study of Lochner's works by means of infrared reflectography reveals a draftsman of the first order: his complex underdrawings foreshadow Martin Schongauer's graphic style of forty years later. Lochner's atelier and the different forms of collaboration that took place within it are the focus of a separate chapter. The book then identifies criteria in his images that contemporaries would have valued, such as his enduring engagement with the goldsmith's art, which typifies the manner in which his technical versatility enhanced the sensorial and emotive appeal of his images. An excursus examines painting in Cologne at the end of Lochner's career, while a catalogue provides basic information on all the paintings associated with Lochner and discusses the reflectography of most of them. The appendices contain Truus van Bueren's transcription and translation of all the known documents related to Lochner, the regulations of the Cologne painters' corporation, and Peter Klein's dendrochronological findings on Lochner's panels. The first monograph on Stefan Lochner since 1938, this book is richly illustrated with 69 color plates and 225 black-and-white reproductions; it includes a bibliography and index. Languages : English.‎

‎Invention. Northern Renaissance Studies in Honor of Molly Faries,‎

‎Turnhout, Brepols, 2008 Hardback, XLVIII+231 pages., 188 b/w ill. + 35 colour ill., 210 x 297 mm.*NEW ISBN 9782503527680.‎

‎Invention: Northern Renaissance Studies in Honor of Molly Faries, evokes Molly's passion for understanding an artist's creative process. The term 'invention' is here understood in the widest possible sense: How did a work of art come into being? How did an artist react to new stimuli or adapt to a new culture? Was innovation valued above adherence to a local tradition? To what degree could artists shape their patrons? taste? How did artists transform their own inventions over time and adopt those of others Was there a concept of invention specific to the Northern Renaissance and how did it differ from ours . The authors who tackle these and other questions include university professors, curators, conservators, and conservation scientists, all recognized specialists in northern European art of the fifteenth and sixteenth centuries. The artists they discuss are among the greatest painters, manuscript illuminators, printmakers, and sculptors: Johan Maelwael, the Limbourg brothers, Jan Van Eyck, Rogier van der Weyden, Hans Memling, Lieven van Lathem, Juan de Flandes, Jean Hey, Albrecht Durer, Hieronymus Bosch, Master H.L., Jacques Du Broeucq, and Jan Brueghel the Elder. Table of content: J.R.J. van Asperen de Boer, ?Laudatio Molly Faries?; Julien Chapuis, ?Introduction: Engaging Tradition in Fifteenth-Century Art?; Victor Schmidt, ?Johan Maelwael and the Beginnings of Netherlandish Canvas Painting?; Timothy Husband, ?The Pictorial Intelligence in the Belles Heures of Jean de France, Duke of Berry?; Carol Purtle, ?Intention and Invention in Jan van Eyck?s Panel of Saint Barbara?; Alfred Acres, ?Posing Intentions in Renaissance Painting?; Catherine Metzger and Michael Palmer, ?The Creative Process in Rogier van der Weyden's Portraits?; Till-Holger Borchert, ?Hans Memling and Early Netherlandish Painting?; Maryan Ainsworth, ?Juan de Flandes, Chameleon Painter?; Anne van Buren, ?Van Lathem?s Costumes?; Larry Silver, ?Translating D rer into Dutch?; Walter Gibson, ?An Infernal Invention: Bosch?s Tree-Man?; Corine Schleif and Volker Schier, ?Puzzles on and beneath the Surface: Matching Technical Discoveries with Historical Narratives, the Case of Changed Subjectivity in the Imhoff Epitaph?; Martha Wolff, ?Observations on Underdrawings in the Paintings of the Master of Moulins?; Philippe Lorentz, ?The Painter?s Role in the Conception of Sculpture: Jean Hey and the Statues from Chantelle?; Jeffrey Chipps Smith, ?Master H. L. and the Challenge of Translating Invention in Different Media?; Matt Kavaler, ?Jacques Dubroeucq and Northern Perspectives on the Antique Mode? Bibliography of Molly Faries‎

‎EUGÈNE BOUDIN. la vie et l'oeuvre d'après les lettres et les documents inédits ‎

‎Neuchatel Editions Ides et Calendes 1977 grand in 4 (33x26) 1 volume reliure toilée de l'éditeur sous jaquette illustrée en couleurs, 246 pages. Avec 223 illustrations, dont 50 illustratins hors-texte en couleurs contrecollées. Deuxième édition mise à jour. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎Delvaux Suites 12.‎

‎, Geneve, Galerie Krugier, 1966., Illustrated portfolio containing a 4-page essay, a four-page catalogue of the exhibition and chronology, and 16-pages of plates, including a color plate tipped in. 25x32.5cm., very good copy.‎

‎Imprime a l'occasion de l'exposition retrospective des oeuvres de Paul Delvaux. Bon etat.‎

‎ESTEVE. Galeries nationales du Grand Palais, Paris 17 octobre 1986 - 12 janvier 1987.‎

‎1986 / 267 pages. Broché. Editions Réunion des musées nationaux.‎

‎Illustrations couleurs et N&B. Trés bon état.‎

‎LES FAUVES. LE REGNE DE LA COULEUR. Matisse / Derain / Van Dongen / Braque / Dufy et les autres.‎

‎1992 / 222 pages. Broché In-4. Editions Terrail‎

‎Très bon état. COMME NEUF ! ‎

‎Edgard TYTGAT ‎

‎, Paris, Les Editions G. Cres et Cie, , 1930 Broche, couverture d' editeur, tache d' eau, 15x19,5cm, 14 pp + 40 pp(4) planches n/b.‎

‎collections les artistes nouveau‎

‎La Renaissance italienne. Peintres et poètes dans les collections genevoises‎

‎, Skira 2006 343pp., avec de nombreuses illustrations en couleurs, 29cm., reliure cart. d'éditeur, jaquette illustrée, bon état, [Publication à l'occasion de l'exposition au Musée de l Fondation Martin Bodmer, Cologny-Genève, 25 novembre 2006 - 1er avril 2007], S95195‎

‎Po mes‎

‎Anvers, Ca Ira, 1933 Plaquette in-8, agraf e, couverture rempli e, 36 pages. Edition originale. Un des 100 exemplaires sur papier Featherweight. Num ro 10. 19.5 x 16 cm‎

‎1 de 100 exemplaires numerotes. tirage limite. N 10‎

‎LEONOR FINI ‎

‎Lausanne La Guilde du Livre et Clairefontaine 1972 in 4 carré (30,5x30,5) 1 volume reliure toilée noire de l'éditeur, jaquette illustrée en couleurs, rhodoïd, 175 pages, avec de nombreuses illustrations en noir et blanc, et en planches en couleurs contrecollées. Leonor Fini, 1908-1996, peintre surréaliste. Troisième édition. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Couverture rigide ‎

‎Paintings of the Sui Tang and Five Dynasties (Great Treasury of Chinese Fine Arts)‎

‎People's Fine Arts Publishing House China 1988 258 pages 1988. Relié. 258 pages.‎

‎Bon état‎

‎palais ducal d'Urbin,‎

‎Turnhout, Brepols, 1964 Hardback, 132 p., + 208 pl., 230 x 290 mm. ISBN 13010070100.‎

‎Languages: French.‎

‎Tributes to Paul Binski. Medieval Gothic: Art, Architecture & Ideas‎

‎, Brepols - Harvey Miller, 2021 Hardback, 436 pages, Size:210 x 275 mm, Illustrations:22 b/w, 132 col., Language: English. ISBN 9781912554744.‎

‎Summary This volume is published in honour of Paul Binski, whose scholarship and teaching have done so much to illuminate the material and intellectual worlds of Gothic art and architecture. Remarkable for its material scope and philosophical depth, Paul's work has had a powerful influence on the current state of the field: this is reflected here in thirty-four essays on buildings, works of art and ideas in a wide range of historical and geographical contexts, from Iberia to Scandinavia and Italy to Ireland. Consistently fresh in their scholarship, these essays combine to make an important contribution to medieval art history. In doing so they reflect the admiration and affection which Paul inspires in his students and colleagues. With contributions by: Gabriel Byng, Meredith Cohen, Emily Guerry, James Hillson, Ethan Matt Kavaler, Tom Nickson, Zo Opa?i?, Claudia Bolgia, Jean-Marie Guillou t, Justin E. A. Kroesen, Julian Luxford, Robert Mills, John Munns, Matthew M. Reeve, Laura Slater, Beth Williamson, Jessica Berenbeim, Spike Bucklow, Marcia Kupfer, Jean-Pascal Pouzet, Miri Rubin, Kathryn M. Rudy, Roc o S nchez Ameijeiras, Lucy Wrapson, Patrick Zutshi, Mary Carruthers, Jill Caskey, Lucy Donkin, Kate Heard, Robert Maniura, Alexander Marr, M. A. Michael, Conrad Rudolph, Betsy Sears. TABLE OF CONTENTS Part One: Gothic Architecture 1. Gabriel Byng - The 'Great Rebuilding' of the Late Middle Ages: Revising the longue dur e History of the Gothic Parish Church 2. Meredith Cohen - 'The Forest through the Trees': The Pier as a Seed Plan at the Lady Chapel of Saint-Germain des Pr s 3. Emily Guerry - A Gothic Throne for the King of Kings: A Re-evaluation of the Design, Date, and Function of the Sainte-Chapelle Tribune 4. James Hillson - Linearity and the Gothic Style: Architectural Conception in England and France, 1200-1400 5. Ethan Matt Kavaler - Diamonds are Forever: Cell Vaults and the Beginnings of History 6. Tom Nickson - Describing Architecture in Thirteenth-Century Spain 7. Zo Opa?i? - Cui bono? The Founding and Funding of Medieval Religious Institutions under Charles IV Part Two: Gothic Sculpture and its Environment 8. Claudia Bolgia - The 'Tabernacles' War' II, c.1400: New Light on the Competition between Icons and Relics in Late Medieval Rome 9. Jean-Marie Guillou t - Epigraphic One-Upmanship: Remarks about Text-Image Relationship in Fifteenth Century Monumental Sculpture 10. Justin E. A. Kroesen - Gotland Wonder: Unique High Medieval Interior Ensembles on a Baltic Island 11. Julian Luxford - John and Johanna Ormond's Grave 12. Robert Mills - Wild Forms: The Art of East Anglian Wodewoses 13. John Munns - The Thirteenth-Century Pyx Cover at Wells Cathedral 14. Matthew M. Reeve - Fragments from Wisdom's House: The Lady chapel Juxta Claustrum at Wells Cathedral 15. Laura Slater - Musical Wit and Courtly Connections at Cogges 16. Beth Williamson - The Kilcorban Madonna: Joy and Potential in an Irish Wooden Virgin and Child Part Three: Gothic Painting, Manuscripts and Poetics 17. Jessica Berenbeim - Recapitulation: A Medieval Table of Contents 18. Spike Bucklow - The Economics of Blue and Gold 19. Marcia Kupfer - A Hill of Foreskins: Circumcision in the Alba Bible 20. Jean-Pascal Pouzet - Notes towards a Poetics of Western Medieval Manuscript Form - with an Application to Illuminated Manuscripts in Cambridge University Library 21. Miri Rubin - Ecclesia and Synagoga in Time 22. Kathryn M. Rudy - The Bolton/Blackburn Hours (York Minster Add. Ms. 2): A New Solution to its Text-Image Disjunctions using a Structural Model 23. Roc o S nchez Ameijeiras - If the Sea Were Made of Ink: A Word on Medieval Visual Poetry 24. Lucy Wrapson - A Royal Portrait? Uncovering the Identity of Saints on the Latemedieval Screen at North Tuddenham, Norfolk 25. Patrick Zutshi - The Veronica Images Painted by Matteo Giovannetti for Pope Urban V (1369) Part Four: Gothic Art and Ideas 26. Mary Carruthers - Becoming Like an Angel: The Concept of Sublimis in Monastic Contemplation and in Alchemy 27. Jill Caskey - Treasure, Taxonomy, and Transformation in the Inventories of San Nicola, Bari 28. Lucy Donkin - Mining Mount Tabor: the Schauinsland Window at the Minster of Freiburg im Breisgau 29. Kate Heard - The Ecclesiastical Textiles of Humphrey, Duke of Gloucester 30. Robert Maniura - Why Study Miraculous Images? 31. Alexander Marr - Working by Wit Alone: Aspects of Ingenuity in D rer 32. M. A. Michael - Inventing Gothic Painting: Creating Fine Art 33. Conrad Rudolph - The Evidence of the Training of Tour Guides in the Middle Ages 34. Betsy Sears - Gothic Logic: Panofsky's Unwritten Book on 'The Gothic Style' Index of Buildings, Works of Art, Manuscripts, and Medieval Authors‎

‎Tributes to Nigel J. Morgan, Contexts of Medieval Art: Images, Objects and Ideas‎

‎, Brepols - Harvey Miller, 2010 Hardcover. 386 p., 148 b/w ill., 210 x 275 mm, Languages: English, Including an index. Fine copy. ISBN 9781905375295.‎

‎REMBRANDT & JAN JOHANIDES ‎

‎Charenton Flohic Editions 1995 in 4 (32x25) 1 volume broché, sous jaquette illustrée en couleurs, 80 pages, avec des reproductions en couleurs. Collection '' Musées secrets'', 20, XVIIe siècle. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état ‎

‎SEURAT. 1990‎

‎, Paris, Flammarion, 1990 Relie, toile bleu, dos orne de titre dore, sous jacquette d' editeur illustre en couleur, 335 x 270 x 32 mm, 248pp, illustre en couleur et n/b, bon etat!!! ISBN 9782080100535.‎

‎Outre l' analyse critique ou historique, le present ouvrage retrace la vie de Seurat, l' evolution de ses reflexions theorique, les exposition auxquelles il participa et ou il rencontra un acceuil souvant hostile. La documentation reunie part l' auteur dans ce livre permet de decouvrir pour la premiere fois en couleurs des tableaux qui appartenaient a des collectionneurs prives depuis le debut du siecle. On y trouvera egalement une selection des dessins de Seurat, des premieres ebauches de l' etudiant aux realisations achevees du maitre.‎

‎Edward Leibovitz.‎

‎, Zellik, Roularta Art Books, 1994., Originele geillustreerde uitgeversomslag in kleur met flappen, 29x25cm, 159pp, geillustreerd in kleur en z/w. ISBN 9054661526.‎

‎Edward Leibovitz monografie; Tekst Nederlands / Francais / English /Deutsch. ‎

‎Edward Leibovitz. (gesigneerd+originele tekening)‎

‎, Zellik, Roularta Art Books, 1994., Originele geillustreerde uitgeversomslag in kleur met flappen, 29x25cm, 159pp, geillustreerd in kleur en z/w. ISBN 9054661526.‎

‎Tekst Nederlands / Francais / English /Deutsch. **** Met originele tekening en gesigneerd door de kunstenaar op titelblad.‎

‎Edward Leibovitz. monografie ‎

‎, Zellik, Roularta Art Books, 1994., Gebonden blauw linnen, originele geillustreerde uitgeversomslag in kleur, 29x25cm, 159pp, geillustreerd in kleur en z/w. ISBN 9054661526.‎

‎Tekst Nederlands / Francais / English / Deutsch. . **gesigneerd en opdracht door de auteur VAN JOLE.‎

‎GIUSEPPE BARETTI (1719-1789). L'homme et l'oeuvre ‎

‎Clermond-Ferrand G. de Bussac 1973 in 8 (24x16) 1 volume broché, 503 pages, avec un feuillet d'errata in fine. Giuseppe Baretti, 1719-1789, écrivain italien. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎