‎LE FANTASTIQUE DANS L' ART FLAMAND,‎

‎, Bruxelles, Editions du Cercle d' Art, 1947, Broche, couverture d' editeur illustre n/b, 24,5x17,5cm, 97pp + 48 planches n/b.‎

‎tres bon ‎

‎MARC CHAGALL.‎

‎Paris, Gres, 1929 Broche, couverture carton illustree a l'impression du titre en rouge, 140 x 195mm., 16pp. et 32 planches n/b.‎

‎Collection " Les Artistes Nouveaux ". Bon etat.‎

‎Livelier than life. The Master of the Amsterdam Cabinet or the Housebook Master, ca. 1470-1500‎

‎Amsterdam, Rijksmuseum 1985 308pp.with numerous illustrations in bl/w and some in colour, in-4, softcover, Exhibition catalogue (Amsterdam, Rijksprentenkabinet, March 14 June 9, 1985), good condition, S85724‎

‎On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art From 1870 to 1914 and Beyond‎

‎, Springer Books, 2025 hardcover 210 pages, 15 b/w illustrations, 99 illustrations in colour. English, *new. ISBN 9783031636332.‎

‎This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations.‎

‎Islamic Miniature Painting - Topkapı Palace Museum‎

‎Tereüman 1979 in4. 1979. Cartonné jaquette. Cet ouvrage publié en 1979 par Filiz Çağman et Zeren Tanındı présente une collection de miniatures islamiques conservées au musée du palais de Topkapı à Istanbul. Il traite de l'enluminure islamique et des manuscrits avec 168 pages et des planches illustrées‎

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‎Bon Etat jaquette défraîchie intérieur propre‎

‎LES MERVEILLES DE LA NATURE ‎

‎Lausanne J.-J.Pauvert 1971 in 4 1 volume reliure toilée rouge de l'éditeur, sous étui assorti, non paginé, avec de nombreuses reproductions de dessins monochromes de Léonor Fini. Poèmes de Severo Sarduy. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Bon Couverture rigide ‎

‎Part IV (1) The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family. The Holy Trinity and The Life of the Virgin‎

‎, Brepols - Harvey Miller, 2024 Hardback, 2 vols, 660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col., Language: English. ISBN 9781915487421.‎

‎Summary Whereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son - the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation - have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinità. The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes. TABLE OF CONTENTS VOLUME ONE Preface Acknowledgements Introduction Catalogue Raisonné VOLUME TWO Appendices List of Figures Figures Bibliography Indexes Sources of Photographs‎

‎ The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family Part IV (1) - 2 VOLS. The Holy Trinity and The Life of the Virgin‎

‎, Brepols - Harvey Miller, 2024 Hardcovers with dusjackets; 2 vols, Pages:660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col. Language(s):English. FINE.‎

‎The book deals with the Virgin's pre-Annunciation life, as those episodes involving her son the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronationWhereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son ? the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation ? have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinità. The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes.‎

‎Fra Bartolommeo. Master Draughtsman of the High Renaissance‎

‎, Rotterdam, museum Boymans - van Beuningen, 1990, bound in brown cloth with goldimprint on front and spine, illustrated dustjacket, frontispice, 240 x 305mm., 415pp., richely illustrated in colour and b/w. ISBN 9789069180700.‎

‎A selection from the Rotterdam Albums and Landscape Drawings from various Collections. Exhibition was held at museum Boymans - van Beuningen, Rotterdam from 16 December 1990 till 17 February 1991. Good condition.‎

‎JOSEF EBERZ UND DER NEUE WEG ZUR RELIGIOSEN MALEREI.‎

‎Munchen, Goltz, 1918 Broschiert, 170 x 240mm., 16S., 40 Abbildungen koloriert und S/W.‎

‎Guter Zustand.‎

‎Hans Fischer 1909-1958. Das druckgraphische Werk - Gesamtkatalog.‎

‎Bern, Stämpfli & Cie, 1968. 4°. 327 S. Zahlr. Abb. v. H.F.. Illustr. Orig.-Hpgt.‎

‎1 von 800 Ex. - Verlagsfrisch.‎

‎Egon Schiele 1890 - 1918 Pantomines de volupté Visions de la mortalité‎

‎Taschen, 1998, In-4°, 200 pages, broché. Largement illustré avec des reproductions en Couleur.‎

‎Très bon état général. Intérieur frais et agréable, comme neuf.‎

‎Art international - Volume IX / 10 1965.‎

‎Lugano. Art international, 1965. 35 x 25 cm. 60pp. In-4° Broché avec nombreuses photographies et reproductions en N&B et quelques unes en couleur. ‎

‎Très bon état général. Intérieur frais et agréable, extérieur propre, bon exemplaire de collection ou documentation.‎

‎Art international - Volume XI / 7, September 20, 1967.‎

‎Lugano. Art international, 1967. 35 x 25 cm. Broché de 64pp. avec nombreuses photographies en N&B et une en couleur.‎

‎Bon état général. Intérieur frais et agréable, couverture avec quelques traces d'usage. Mais sinon, bon exemplaire.‎

‎Lexicon of the Belgian romantic painters. ‎

‎ Antwerpen, International Art Press, 1981. , 1981 Bound, giltstamped leatherlook with dustjacket, unpaginated, 25,5x18x4,5 cm, ?±350 pp. including 300pp., numerous illustrations in black and white and in colour. In the original sendingpackage.‎

‎Signatures & paintings, partly in color. Contains a biographical lexicon, illustrations of signatures & reproductions of paintings of 19th century Belgian painters, including those of the Romantic school (between 1820-1865). ‎

‎FLEMISCH PAINTING From the 16th to the 18th century. Relaying ideas from Erasmus to Diderot‎

‎Turin, Umberto Allemandi & C., 2010 320pp Misure: 24 x 31 cm Illustrazioni: 320 col. Hardback english deutsch nederlands francais preface by Emmanuel Le Roy Ladurie ISBN 978884221837197.‎

‎Real? honest men?, the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. She takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art.‎

‎Vlaamse schilderkunst van de XVIde tot de XVIIIde eeuw.‎

‎Turin, Umberto Allemandi & C., 2010 320pp Misure: 24 x 31 cm Illustrazioni: 320 col. Hardback nederlands preface by Emmanuel Le Roy Ladurie ISBN 9788842219590.‎

‎Real honest men, the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. She takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art.‎

‎Music and the Figurative Arts in the Baroque Era‎

‎, Brepols, 2026 Hardback, Pages: xvi + 448, Size:210 x 270 mm, Illustrations:192 b/w, 16 col., 9 tables b/w., 1 music example, Languages: English, Italian, French. ISBN 9782503621845.‎

‎Summary The figurative arts - or the arts that transcribe the visible - are interested in music in many ways. If we consider the hierarchy of genres, particularly formalised at the end of the 17th century with the advent of the academies, music is present in religious subjects, historical and mythological themes, the performing arts, genre scenes, portraits and still lifes. Artists offered musical motifs using a wide variety of techniques, including painting of course, but also the graphic arts (drawing, engraving) and the plastic arts (sculpture, objets d'art and textiles in particular). This multiplicity of themes, media and techniques gives us the opportunity to discover common or rarer musical instruments that can be remarkably observed, but also musical notations that are sometimes perfectly identifiable, particular playing techniques that refer to theoretical treatises or learning tutors, and musical ensembles appropriate to a wide variety of circumstances (religious rituals, festivals, urban or court entertainments, the performing arts, domestic practices). All these visual traces of music raise questions about the place of music among the other arts, and about its social and symbolic importance, since it suggests or even provokes the affirmation of a status, of a terrestrial or spiritual power, of an aesthetic or even philosophical choice. The contributions gathered here reflect this diversity during the seventeenth and eighteenth centuries in Italy, France, Germany, Spain and Austria. TABLE OF CONTENTS Florence Gétreau and Fulvia Morabito Preface Spiritual Inspiration Maria Luisa Baldassari Chi era il maestro di Santa Cecilia? Dipinti di S. Cecilia e trattati tastieristici nel primo Barocco Galliano Ciliberti Un caso di musica picta: il mottetto In te Domine spes mea attribuito a Giacomo Carissimi Gaëtan Naulleau Le choeur polyphonique dans les planches illustrées du Cæremoniale Episcoporum (1600-1779) : caractéristiques, circulation et signification d'un thème iconographique Scenography and Theatrical Art Silvia Bier « Le propre de ce spectacle? »: Early French Opera and the Idea of a Synthesis of Arts Adriana De Feo Pietro Pariati and Apostolo Zeno at the Viennese Court: Baroque Spectacle and the Representation of Power Portraits of Musicians Nicola Usula Musica nei ritratti e ritratti nella musica: il caso di Leopoldo i Asburgo (1640-1705) Florence Gétreau The Musical Assembly with Reincken, Buxtehude and Theile Painted in 1674 by Johannes Voorhout: Reassessing Its Historiography and Interpretation Vincent Robin Quelques portraits de musettes et de musettistes aux XVIIe et XVIIIe siècles Court Music Images Florence Gétreau Présence de la musique dans l'iconographie du salon de la Paix à Versailles : les peintures et les trophées des bas-reliefs de métal doré Michael Latcham All the World's a Stage: Farinelli at the Royal Court of Spain, 1737 to 1760 Cristina Bordas Visual Memory of Farinelli in 21st Century Madrid Iconographic Appendix Abstract and Biographies Index of Names‎

‎R. KIMPE. schilderijen en tekeningen.‎

‎, Deurle, Colibrant, 1972., Originele geillustreerde uitgeversomslag z/w, 22x30cm, 19pp, rijkelijk geillustreerd met buitentekstplaten in kleur en z/w.‎

‎Cahiers van Deurle IV. het boek heeft 19 pagina's tekst 32 pagina's (15 )schilderijen 16 pagina's (7) tekeningen en 2 pp colofon is 69pp‎

‎TOUT L'OEUVRE PEINT DE PIERO DELLA FRANCESCA. ‎

‎Paris Flammarion 1990 in 4 (24x31,5) 1 volume reliure cartonnée de l'éditeur sous jaquette en couleurs, 108 pages, 64 planches en couleurs, 110 illustrations en noir et blanc. Collection: ''Les Classiques de l'Art''. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Couverture rigide ‎

‎VIE DES FORMES. Suivie de Eloge de la main ‎

‎Paris Le Club Français du Livre 1964 in 8 carré (21,5x17) Un volume reliure cartonnage toilé gris de l'éditeur, 133 pages [3], suivie d'un cahier de 52 illustrations hors-texte. Collection '' Art ''. Edition hors-commerce numérotée. Bel exemplaire ‎

‎Très bon Couverture rigide Ed. numérotée ‎

‎TOUT L'OEUVRE PEINT DE PIERO DELLA FRANCESCA ‎

‎Paris Flammarion 1968 in 4 (24x31,5) 1 volume reliure cartonnée de l'éditeur, 112 pages, avec 64 planches en couleurs, et de nombreuses illustrations en noir et blanc. La sous jaquette en couleurs manque. Documentation par Perluigi de Vecchi. Collection: ''Les Classiques de l'Art''. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Bon Pas de jaquette Couverture rigide ‎

‎Piero della Francesca‎

‎Pratiche 1992 164 pages in8. 1992. Broché. 164 pages.‎

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‎Très bon état couverture un peu jaunie bonne tenue intérieur propre‎

‎Quadri e commercio a Venezia durante il Seicento. Uno studio sul mercato dell'arte (Saggi. Presente storico. Fondaz. G. Cini Band 15)‎

‎Marsilio 2001 12 63x14 09x1 37cm. 2001. Broché.‎

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‎Bon état bonne tenue intérieur propre proche du très bon état‎

‎L'ART FLAMAND DES ORIGINES A NOS JOURS. Peinture, Architecture, Sculpture, Arts Appliqués.‎

‎Non daté / 587 pages. Relié avec jaquette + emboitage cartonné au format : 26 x 33,5 cm. Editions Albin Michel.‎

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‎EXCELLENT ETAT COMME NEUF ! ‎