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Part IV (1) The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family. The Holy Trinity and The Life of the Virgin
, Brepols - Harvey Miller, 2024 Hardback, 2 vols, 660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col., Language: English. ISBN 9781915487421.
Summary Whereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son - the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation - have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinità. The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes. TABLE OF CONTENTS VOLUME ONE Preface Acknowledgements Introduction Catalogue Raisonné VOLUME TWO Appendices List of Figures Figures Bibliography Indexes Sources of Photographs
The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family Part IV (1) - 2 VOLS. The Holy Trinity and The Life of the Virgin
, Brepols - Harvey Miller, 2024 Hardcovers with dusjackets; 2 vols, Pages:660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col. Language(s):English. FINE.
The book deals with the Virgin's pre-Annunciation life, as those episodes involving her son the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronationWhereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son ? the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation ? have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinità. The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes.
Fra Bartolommeo. Master Draughtsman of the High Renaissance
, Rotterdam, museum Boymans - van Beuningen, 1990, bound in brown cloth with goldimprint on front and spine, illustrated dustjacket, frontispice, 240 x 305mm., 415pp., richely illustrated in colour and b/w. ISBN 9789069180700.
A selection from the Rotterdam Albums and Landscape Drawings from various Collections. Exhibition was held at museum Boymans - van Beuningen, Rotterdam from 16 December 1990 till 17 February 1991. Good condition.
JOSEF EBERZ UND DER NEUE WEG ZUR RELIGIOSEN MALEREI.
Munchen, Goltz, 1918 Broschiert, 170 x 240mm., 16S., 40 Abbildungen koloriert und S/W.
Guter Zustand.
Hans Fischer 1909-1958. Das druckgraphische Werk - Gesamtkatalog.
Bern, Stämpfli & Cie, 1968. 4°. 327 S. Zahlr. Abb. v. H.F.. Illustr. Orig.-Hpgt.
1 von 800 Ex. - Verlagsfrisch.
Egon Schiele 1890 - 1918 Pantomines de volupté Visions de la mortalité
Taschen, 1998, In-4°, 200 pages, broché. Largement illustré avec des reproductions en Couleur.
Très bon état général. Intérieur frais et agréable, comme neuf.
Art international - Volume IX / 10 1965.
Lugano. Art international, 1965. 35 x 25 cm. 60pp. In-4° Broché avec nombreuses photographies et reproductions en N&B et quelques unes en couleur.
Très bon état général. Intérieur frais et agréable, extérieur propre, bon exemplaire de collection ou documentation.
Art international - Volume XI / 7, September 20, 1967.
Lugano. Art international, 1967. 35 x 25 cm. Broché de 64pp. avec nombreuses photographies en N&B et une en couleur.
Bon état général. Intérieur frais et agréable, couverture avec quelques traces d'usage. Mais sinon, bon exemplaire.
Lexicon of the Belgian romantic painters.
Antwerpen, International Art Press, 1981. , 1981 Bound, giltstamped leatherlook with dustjacket, unpaginated, 25,5x18x4,5 cm, ?±350 pp. including 300pp., numerous illustrations in black and white and in colour. In the original sendingpackage.
Signatures & paintings, partly in color. Contains a biographical lexicon, illustrations of signatures & reproductions of paintings of 19th century Belgian painters, including those of the Romantic school (between 1820-1865).
FLEMISCH PAINTING From the 16th to the 18th century. Relaying ideas from Erasmus to Diderot
Turin, Umberto Allemandi & C., 2010 320pp Misure: 24 x 31 cm Illustrazioni: 320 col. Hardback english deutsch nederlands francais preface by Emmanuel Le Roy Ladurie ISBN 978884221837197.
Real? honest men?, the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. She takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art.
Vlaamse schilderkunst van de XVIde tot de XVIIIde eeuw.
Turin, Umberto Allemandi & C., 2010 320pp Misure: 24 x 31 cm Illustrazioni: 320 col. Hardback nederlands preface by Emmanuel Le Roy Ladurie ISBN 9788842219590.
Real honest men, the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. She takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art.
R. KIMPE. schilderijen en tekeningen.
, Deurle, Colibrant, 1972., Originele geillustreerde uitgeversomslag z/w, 22x30cm, 19pp, rijkelijk geillustreerd met buitentekstplaten in kleur en z/w.
Cahiers van Deurle IV. het boek heeft 19 pagina's tekst 32 pagina's (15 )schilderijen 16 pagina's (7) tekeningen en 2 pp colofon is 69pp
TOUT L'OEUVRE PEINT DE PIERO DELLA FRANCESCA.
Paris Flammarion 1990 in 4 (24x31,5) 1 volume reliure cartonnée de l'éditeur sous jaquette en couleurs, 108 pages, 64 planches en couleurs, 110 illustrations en noir et blanc. Collection: ''Les Classiques de l'Art''. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Jaquette en très bon état Couverture rigide
VIE DES FORMES. Suivie de Eloge de la main
Paris Le Club Français du Livre 1964 in 8 carré (21,5x17) Un volume reliure cartonnage toilé gris de l'éditeur, 133 pages [3], suivie d'un cahier de 52 illustrations hors-texte. Collection '' Art ''. Edition hors-commerce numérotée. Bel exemplaire
Très bon Couverture rigide Ed. numérotée
TOUT L'OEUVRE PEINT DE PIERO DELLA FRANCESCA
Paris Flammarion 1968 in 4 (24x31,5) 1 volume reliure cartonnée de l'éditeur, 112 pages, avec 64 planches en couleurs, et de nombreuses illustrations en noir et blanc. La sous jaquette en couleurs manque. Documentation par Perluigi de Vecchi. Collection: ''Les Classiques de l'Art''. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bon Pas de jaquette Couverture rigide
Focillon Henri Emiliani Andrea Lanza Pietromarchi Fabrizia
Reference : 100126463
(1992)
Piero della Francesca
Pratiche 1992 164 pages in8. 1992. Broché. 164 pages.
Très bon état couverture un peu jaunie bonne tenue intérieur propre
Quadri e commercio a Venezia durante il Seicento. Uno studio sul mercato dell'arte (Saggi. Presente storico. Fondaz. G. Cini Band 15)
Marsilio 2001 12 63x14 09x1 37cm. 2001. Broché.
Bon état bonne tenue intérieur propre proche du très bon état
FONDS MERCATOR sous la Direction de : Herman Liebaers / Valentin Vermeersch / Leon Voet / Frans Baudouin / Robert Hoozee.
Reference : ART345M
L'ART FLAMAND DES ORIGINES A NOS JOURS. Peinture, Architecture, Sculpture, Arts Appliqués.
Non daté / 587 pages. Relié avec jaquette + emboitage cartonné au format : 26 x 33,5 cm. Editions Albin Michel.
EXCELLENT ETAT COMME NEUF !
FONTANA AMORETTI, Maria en PLOMP, Michiel; MEIJER, Bert W. ( ed. );
Reference : 24336
REPERTORY OF DUTCH AND FLEMISH PAINTINGS IN ITALIAN PUBLIC COLLECTIONS. VOL. I LIGURIA,
Florence/ Utrecht, Centro Di/ University, 1998 Bound, blue cloth, illustrated dustjacket in colour, 240 x 310mm., 286pp., profound colour illustration.
First volume in the series (edited by Bert W. Meijer) of nine volumes aimed at cataloguing and illustrating the over 10.000 Dutch and Flemish paintings in Italian Public Collections. The first publication of this important research project is dedicated to works of art in the region of Liguria; the over 450 paintings include masterpieces by Gerard David, Hans Memling, Jan van Scorel, Rubens, Antonie van Dyck. Forthcoming volumes: Piedmont, Lombardy, Veneto-Friuli, Tuscany-Sardinia. Book is in new condition.
ASPECTEN LUC PEIRE.
Knokke-Heist, Stedelijk Cultureel Centrum, 1976 originele geïllustreerde uitgeversomslag,20x25 cm. oblongformaat, zonder paginanummering, reproducties in kleur en in z/w, drietalige inleiding Nederlands/Frans/Engels.
Tentoonstelling 27 juni - 13 september 1976. Catalogus : Eerste Graphies, schilderijen op formica, schilderijen op plexiglas, schilderijen op doek, tekeningen, integratie.
Heath's Book of Beauty.
Fore-edge painting. Reliure anglaise d'époque. Londres, The Countess of Blessington, 1843. 1 vol. (155 x 225 mm) de [3] f., 280 p. et 1 f. Demi-veau havane à coins, percaline à décors sur les plats, dos orné, pièce de titre, tranches peintes, couverture conservée (reliure anglaise de l'époque). Édition illustrée de 13 gravures à pleine page. Belle illustration en fore-edge painting sur la gouttière, représentant un paysage de la campagne anglaise.
![Heath's Book of Beauty.. [FORE-EDGE PAINTING]](https://static.livre-rare-book.com/pictures/WLD/25586_1_thumb.jpg)
![Heath's Book of Beauty.. [FORE-EDGE PAINTING]](https://static.livre-rare-book.com/pictures/WLD/25586_2_thumb.jpg)
![Heath's Book of Beauty.. [FORE-EDGE PAINTING]](https://static.livre-rare-book.com/pictures/WLD/25586_3_thumb.jpg)
Le Livre de la beauté de Heath, publié en 1832, devient vite un best-seller dans la société victorienne : le texte rassemble des portraits, écrits et illustrés, des dames de la bonne société anglaise, avec des poèmes et des nouvelles romantiques. Les gravures sont l'oeuvre de l'auteur des textes, Charles Heath (1785-1848), un pionnier de la lithographie britannique. L'ouvrage est publié sous les auspices de Marguerite de Blessington, comtesse du nom, amie de Byron et de Charles Dickens. Elle tint un salon littéraire dans sa maison de Kensington, de 1836 à sa mort en 1849, rendez-vous obligé de nombreux étrangers de distinction - Vigny et Lamartine y vinrent à plusieurs reprises. Elle est inhumée, dans une tombe en forme de pyramide, au cimetière de Chambourcy, dans les Yvelines, aux côtés de son amant Alfred d'Orsay, artiste peintre, dandy et mécène, nommé surintendant de l'École des beaux-arts en 1852 par Louis-Napoléon Bonaparte. De la bibliothèque de Lord Cyril Flower, premier baron de Battersea (ex-libris).
Marc Chagall; Opera monumentale : le vetrate.
Milano, Jaca Book, 1987. 2°. 207 S. mit vielen farbigen, z.T. gefalteten Illustrationen. Leinenband mit Schutzumschlag.
Tadellos erhalten.
Forestier, Sylvie ; Harshav, Benjamin ; Chagall, Marc ; Meyer, Meret
Reference : ART2754M
(1999)
Marc Chagall : Tradiciones Judías.
Fundación Juan March, 1999. Grande Cuarto, (29 cm. ) en rustica. 167 p. profusamente ilustrado con reproducciones en B&N y en color.
Buen estado general. Interior bien conservado, y agradable. Lomo ligeramente marcado, pero de resto, buena pieza. Envio a España y al extranjero a bajo costo.
