Antwerp, De Brauwere, 1993 Bound, cloth with gold title on plate and spine, with original illustrated dust-jacket in colors, 31.5x23 cm., 304 pp., 758 plates, 153 in full color, fine condition !! ISBN 9080149713.
FIRST VOLUME - English edition with dutch translation, 1993 hand-numbered copies.
, Antwerp, De Brauwere, 1996, Cloth binding in original dust-jacket, 225 x 310mm., 304pp., 689 plates (186 color ). ISBN 9789080149724.
Text in English. Original edition, vol. II, volume 1 was published in 1993 and volume III is published in 2001. The early years, Married years, the war years, and after his death. In very good condition.
Wilrijk, De Brauwere, 2001 Gebonden, beige linnen hardcover met goudopdruk, originele uitgeversomslag met flappen in kleur, foto frontispice in z/w 31.2x23 cm., 304 pp, rijke illustratie in kleur en in z/w, beperkte oplage van 2000 exemplaren, Nederlandstalige editie met Duitse, Engelse en Franse samenvatting. ISBN 9080149756.
Deel drie van de rijkelijke monografie. in zeer goede staat !
Antwerpen, vzw Eugeen van Mieghem, 1987 softcover , geillustreerde papieromslag, 210 x 300mm., 31pp., uitgebreide illustratie in kleur en z/w.
Vijfde publicatie in de reeks. Genummerd exemplaar binnen een oplage van 750. In goede staat.
Antwerpen, Stichting Eugeen Van Mieghem, 2009 Gebonden, geillustreerde kartonomslag in kleur, 165 x 250mm., 135mm., z/w illustraties Eugeen Van Mieghem ( 1875-1930).
Bibliofiele uitgifte. Genummerd exemplaar binnen een beperkte oplage van 1000.
Antwerpen, Uitvoerend Comité / Comité exécutif 1905 contient 122 planches + 7pp. liste des planches, belle reliure demi-toile (plats marbrés), 25cm., bon état, S45113
Antwerpen, Uitvoerend Comité / Comité exécutif 1905 contient 122 planches en n/bl + 7pp. liste des planches, reliure cart., br.orig. conservée, 25cm., S91766
Antwerpen, Koninklijk Museum voor Schone Kunsten 1978 123pp.rijkelijk geïll., 24cm., goede staat, S40937
, Brussels, Arcade,1974, 4 volume set in two slip - cases, bound, illustrated dustjackets, 180 x 265mm., 331pp. + pp.331 - 596 and VIII b/w plates + pp. 617 - 687 and 272 b/w illustrations + illustrations 273 - 636. books in very fine condition !!!!!!
Development of Jordaens drawing style. Translated from the Dutch into English by P.S. Falla. Catalogue raisonne of 423 authentic drawings and cartoons, with 29 doubtful drawings, 118 copies and 42 wrongly attributed works. Excellent condition. !!
, Aetas Aurea, Vol. XIX , Cloth bound.wiyh dusjacket, With a Catalogue Raisonne of Paintings and Drawings 2004. 4to. 295 pages text, 245 plates and illustrations (from which 32 in colour) and 61 comparative figures. ISBN 907028877X.
The catalogue raisonne presents Knupfer's oeuvre as a coherent entity for the first time. It contains detailed information for all 304 items, not only in terms of provenance, literature and attribution but also concerning the subject-matter. The catalogue breaks down into 78 paintings and 31 drawings which are accepted as authentic, 21 paintings and 9 drawings for which the attribution is problematic, and 126 works which are mentioned in historic literature but remain untraced. In addition, 30 paintings and 9 drawings which can no longer be attributed to Knupfer are included. The latter are not just listed but are discussed and in a number of cases new attributions are suggested. The catalogue is complemented by a discussion of the chronology of Knupfer's oeuvre, a list of works which are signed and dated, and a concordance with Kuznetzov's numbers from his articles on Knupfer of 1964 and 1974.
Turnhout, Brepols, 2000 Hardback, 384 p., incl. 264 ills. with 152 in colour, 22 x 28,5. ISBN 9781872501628.
This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the Paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation. This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation. The drawings and watercolours catalogued and illustrated here are all in the Royal Collection, Windsor Castle, and are mostly by the artist Antonio Eclissi. The reproductions are generally in full colour, and frequently accompanied by illustrations showing the actual decoration in situ. The introductory essays outline the important phases of Cassiano dal Pozzo's career, discuss the history and significance of the 'Paper Museum', and explore the Christian tradition in seventeeth-century Rome. The Catalogue Raisonnee analyses each drawing in the greatest detail. This volume, the first to appear in the series, will be of special interest to archaeologists and medievalists engaged in the study of Rome's Early Christian churches, since many of the buildings, mosaics and paintings are now no longer extant. Languages : English.
Turnhout, Brepols, 1998 Hardback, 336 p., incl. 281 ills., with 106 in colour, 22 x 28,5. ISBN 9781872501673.
Catalogued here is a diverse and fascinating range of antiquities, mainly collected in the later seventeeth century: reliefs, inscriptions, sarcophagi, sculpture, manuscript illuminations, gold-glass, gems, ivories, lamps, metalwork and 'instruments of martyrdom'. This volume completes Part II of Series A of the Paper Museum. Together with the first volume, it reflects an unusual aspect of Cassiano's interests, but a particularly relevant one for modern scholars: the material remains of post-classical culture in Rome and the psychical inheritance from the earliest centuries of Christianity. Catalogued here is a diverse and fascinating range of antiquities: reliefs, inscriptions, sarcophagi, sculpture, manuscript illuminations, gold-glass, gems, ivories, lamps, metalwork and 'instruments of martyrdom'. The drawings were mainly collected by Carlo Antonio dal Pozzo, Cassiano's brother, in the later seventeeth century and include some of the finest examples of archaeological draughtsmanship of the period. Languages : English.
, Biblioth que des Arts , 1981 Hardcover, 557 pages, FR., 290 x 230 x 45 mm, NOUVEAU !!, jaquette illustr e, beaucoup illustrations en couleur / n/b, dans une cassette en carton ISBN 9782850470165.
The complete Vel zquez in one volume. All the paintings are reproduced with detailed explanations. The text contains biographical data, including references to contemporary sources and re-evaluated historical documents. A register of his work with scholarly analysis is also included. // L'int grale de Vel zquez en un volume. Toutes les peintures sont reproduites avec des explications d taill es. Le texte contient des donn es biographiques, y compris des r f rences des sources contemporaines et des documents historiques r valu s. Un registre de son travail avec une analyse savante est galement inclus.
Antwerpen 1883 Buschmann Hardcover No Jacket 1st Edition
Geschiedenis der Antwerpsche Schilderschool. Gebonden in half marokijnen band ( met schade) 260 x 180 mm, VIII + 1436 pp. Standaardwerk der Antwerpse schilders. goede staat.
Phone number : +32(0)496 80 81 92
Antwerpen 1883 Buschmann Hardcover No Jacket 1st Edition
Geschiedenis der Antwerpsche Schilderschool. Gebonden in half marokijnen band ( met schade) 260 x 180 mm, VIII + 1436 pp. Standaardwerk der Antwerpse schilders. goede staat.
Phone number : +32(0)496 80 81 92
Antwerpen 1883 Buschmann Hardcover No Jacket 1st Edition
Geschiedenis der Antwerpsche Schilderschool. Gebonden in half marokijnen band met 5 knepen ( lichte schade bovenaan de rug ), 250 x 180 mm, VIII + 1436 pp. Standaardwerk der Antwerpse schilders. goede staat.
Phone number : +32(0)496 80 81 92
1990, Caja de Ahorros De Vitoria y Álava, Vitoria. In-4 relié avec jaquette illustré. 358 pages augmenté de nombreuses illustrations. 1990, Caja de Ahorros De Vitoria y Álava, Vitoria. In-4 tapa blanda con subrecubiertas illustrada. 358 pages augmenté de nombreuses illustrations.
Un excellent exemplaire, jaquette avec quelque légères marques d'usage sur la jaquette. Excellente ejemplario en buenas condiciones, sobrecubiertas con algunas marcas de almacenaje.
1992 / 441 pages. Relié avec Jaquette. Editions Larousse
Très bon état. COMME NEUF !
1984 / 142 pages. Relié avec jaquette. Editions Somogy
Illustrations couleurs et N&B. Trés bon état.
Editeur : France-Loisirs Date de parution : 1988 Description : In-4, 128 pages, relié entoilé avec jaquette. Plusieurs illustrations, photographies et reproductions N&B et en couleur.
Bon état général. Intérieur frais et agréable. Jaquette présente et en très bon état.
, Aetas Aurea, Vol. XIV, Davaco., Cloth bound with dusjacket, as new !! 1999. 4to. 400 pp. text. 500 plates and ills. from which 39 color plates. ISBN 9070288060.
This publication discusses the life and work of Gerrit van Honthorst (1592-1656) who was a major innovator for Dutch art during the first half of the seventeenth century. His work consists of two distinct categories; on the one hand his religious, mythological and genre subjects, and on the other, his numerous portraits. This long awaited study discusses the entire career and work of the artist. It includes a complete catalogue raisonne of Honthorst's extensive oeuvre. His accepted works are illustrated in black and white, some in color as well. The major collateral material is also reproduced.
Turnhout, Brepols, 2000 Hardback, 472 p., incl. 224 ills., 180 x 265 mm. ISBN 9780905203614.
This publication examines Ruben?s Passion of Christ as a transformation of diverse influences, and as a tribute to his deeply held religious beliefs and his determination to give his viewers the sense of witnessing a moment in history. Rubens was well placed to take advantage of the increasing demand for scenes of Christ's Passion in the Southern Netherlands at the beginning of the 17th Century. He had developed a reputation for his religious paintings in Italy, and his return to Antwerp coincided with the efforts of the Catholic Church to restore and replace altarpieces damaged by the Calvinists. The experience of Italy fostered Ruben?s interest in both the historical and the human aspects of Christ?s Passion. The influence of classical sculpture and of Titian, Michelangelo and Caravaggio is evident in the monumental quality of his compositions, but he also valued the emotional intensity of Northern masters like Rogier van der Weyden and Quentin Massys. He made many innovations in his concern for accuracy, especially in disputed subjects like the Elevation of the Cross. Ruben?s success in transforming all these diverse influences is a tribute to his deeply held religious beliefs and his determination to give his viewers the sense of witnessing a moment in history. The images that Rubens created were appropriated throughout Europe. Languages: English.
Galerie Lelong, Paris. Paris, Galerie Lelong, 1987, broché sous couverture illustrée, 30 pp., (31,5 x 22 cm). 21 reproductions en couleurs. Préface de Jacques Dupin "Les dernières estampes" (texte en français, anglais, allemand et espagnole).
Très bon état général. Intérieur frais et agréable, extérieur propre, bon exemplaire de collection ou documentation.
1991 / 450 pages. Relié avec jaquette. Editions Abbeville.
Tête et pied de dos très légèrement frottés (peu signifiant). Très bon état.