‎Le pitture della nuova catacomba di Via Latina‎

‎Citta del Vaticano, Pontificio Istituto di Archeologia Cristiana 1960 109pp. (text) + 120 plates out-of-text, in the series "Monumenti di Antichita cristiana. Serie II" volume 8, 28cm., publisher's hardcover in brown cloth (few stains), dustwrapper, text in Italian, good condition, weight: 1.6kg., S106509‎

‎LA PEINTURE EN BELGIQUE DES ORIGINES A NOS JOURS.‎

‎, Bruxelles, Commission belge de bibliographie, 1960., Originele uitgeversomslag, 14,5x20,5cm, 462pp.‎

‎Bibliographia Belgica, n? 47. Bibliographie choisie et commentee d' ouvrages en langue francaise a l' usage de la Bibliotheque du second Derge.‎

‎Harvey Miller. Flora: The Erbario Miniato and other Drawings,‎

‎Turnhout, Brepols, 2007 Hardback, 2 vol., 664 p., 368 b/w ill. + 317 colour ill., 22 x 28,5. ISBN 9781905375189.‎

‎These volumes catalogue more than 200 botanical drawings from the Erbario Miniato, an early seventeenth-century herbal made for Federico Cesi and acquired by Cassiano after Cesi's death in 1630. Also included are a further sixty or so loose sheets that originally formed a companion volume, broken up in the eighteenth century, and botanical drawings commissioned by Cassiano and Carlo Antonio dal Pozzo. Most of the drawings depict the native flora of central Italy, but mycological specimens, rarities from across Europe and recently imported species such as the crown imperial, the tobacco plant, the tomato and the aubergine are also represented. Languages : English.‎

‎FORM UND GEGENSTAND.‎

‎, Koln, Bohlau, 1961., Brosschiert, Original - Umschlag illustriert s/w, 15,5x23cm, 104pp + 16pp Tafeln.‎

‎Studien zur Niederlandischen Malerei des 15. Jahrhunderts. Munstersche Forschungen, n? 13.‎

‎La peinture à Bruges. Guide historique et critique‎

‎Bruxelles-Paris, G.Van Oest 1922 83pp.+ 96 planches hors-texte, 29cm., br.orig., bon état, S83138‎

‎Antoine Mortier‎

‎Brussel, Elsevier 1956 16pp.tekst + 24pp.buitentekstills.+ portret + frontispice in kleur, geïllustreerde gecart.band, genummerd exemplaar: no.1566, uit de reeks "Monografieën over Belgische kunst", 25cm., [text in dutch]‎

‎H.V. WOLVENS,‎

‎Antwerpen, de Sikkel, 1953 Gebonden g,, 185 x 245mm., 16pp. gevolgd door 24 z/w. ills, goede staat.‎

‎Monografieen over belgische kunst.‎

‎Le fantastique dans l'Art Flamand‎

‎Bruxelles, Cercle d'Art 1947 98pp.+ 48 planches hors-texte en n/bl, 25cm., br.orig., jaq. ill., dans la série "L'art en Belgique", bon état, S91860‎

‎LE FANTASTIQUE DANS L' ART FLAMAND,‎

‎, Bruxelles, Editions du Cercle d' Art, 1947, Broche, couverture d' editeur illustre n/b, 24,5x17,5cm, 97pp + 48 planches n/b.‎

‎tres bon ‎

‎MARC CHAGALL.‎

‎Paris, Gres, 1929 Broche, couverture carton illustree a l'impression du titre en rouge, 140 x 195mm., 16pp. et 32 planches n/b.‎

‎Collection " Les Artistes Nouveaux ". Bon etat.‎

‎Livelier than life. The Master of the Amsterdam Cabinet or the Housebook Master, ca. 1470-1500‎

‎Amsterdam, Rijksmuseum 1985 308pp.with numerous illustrations in bl/w and some in colour, in-4, softcover, Exhibition catalogue (Amsterdam, Rijksprentenkabinet, March 14 June 9, 1985), good condition, S85724‎

‎On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art From 1870 to 1914 and Beyond‎

‎, Springer Books, 2025 hardcover 210 pages, 15 b/w illustrations, 99 illustrations in colour. English, *new. ISBN 9783031636332.‎

‎This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realit t und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carr , Walter Crane, James Ensor, Juan Gris, K the Kollwitz, Constantin Meunier,Mih ly Munk csy, Th ophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations.‎

‎LES MERVEILLES DE LA NATURE ‎

‎Lausanne J.-J.Pauvert 1971 in 4 1 volume reliure toilée rouge de l'éditeur, sous étui assorti, non paginé, avec de nombreuses reproductions de dessins monochromes de Léonor Fini. Poèmes de Severo Sarduy. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Bon Couverture rigide ‎

‎Part IV (1) The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family. The Holy Trinity and The Life of the Virgin‎

‎, Brepols - Harvey Miller, 2024 Hardback, 2 vols, 660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col., Language: English. ISBN 9781915487421.‎

‎Summary Whereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son - the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation - have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinit . The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes. TABLE OF CONTENTS VOLUME ONE Preface Acknowledgements Introduction Catalogue Raisonn VOLUME TWO Appendices List of Figures Figures Bibliography Indexes Sources of Photographs‎

‎ The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family Part IV (1) - 2 VOLS. The Holy Trinity and The Life of the Virgin‎

‎, Brepols - Harvey Miller, 2024 Hardcovers with dusjackets; 2 vols, Pages:660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col. Language(s):English. FINE.‎

‎The book deals with the Virgin's pre-Annunciation life, as those episodes involving her son the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronationWhereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son ? the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation ? have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinit . The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes.‎

‎Fra Bartolommeo. Master Draughtsman of the High Renaissance‎

‎, Rotterdam, museum Boymans - van Beuningen, 1990, bound in brown cloth with goldimprint on front and spine, illustrated dustjacket, frontispice, 240 x 305mm., 415pp., richely illustrated in colour and b/w. ISBN 9789069180700.‎

‎A selection from the Rotterdam Albums and Landscape Drawings from various Collections. Exhibition was held at museum Boymans - van Beuningen, Rotterdam from 16 December 1990 till 17 February 1991. Good condition.‎

‎JOSEF EBERZ UND DER NEUE WEG ZUR RELIGIOSEN MALEREI.‎

‎Munchen, Goltz, 1918 Broschiert, 170 x 240mm., 16S., 40 Abbildungen koloriert und S/W.‎

‎Guter Zustand.‎

‎Hans Fischer 1909-1958. Das druckgraphische Werk - Gesamtkatalog.‎

‎Bern, Stämpfli & Cie, 1968. 4°. 327 S. Zahlr. Abb. v. H.F.. Illustr. Orig.-Hpgt.‎

‎1 von 800 Ex. - Verlagsfrisch.‎

‎Egon Schiele 1890 - 1918 Pantomines de volupté Visions de la mortalité‎

‎Taschen, 1998, In-4°, 200 pages, broché. Largement illustré avec des reproductions en Couleur.‎

‎Très bon état général. Intérieur frais et agréable, comme neuf.‎

‎Art international - Volume IX / 10 1965.‎

‎Lugano. Art international, 1965. 35 x 25 cm. 60pp. In-4° Broché avec nombreuses photographies et reproductions en N&B et quelques unes en couleur. ‎

‎Très bon état général. Intérieur frais et agréable, extérieur propre, bon exemplaire de collection ou documentation.‎

‎Art international - Volume XI / 7, September 20, 1967.‎

‎Lugano. Art international, 1967. 35 x 25 cm. Broché de 64pp. avec nombreuses photographies en N&B et une en couleur.‎

‎Bon état général. Intérieur frais et agréable, couverture avec quelques traces d'usage. Mais sinon, bon exemplaire.‎

‎Lexicon of the Belgian romantic painters. ‎

‎ Antwerpen, International Art Press, 1981. , 1981 Bound, giltstamped leatherlook with dustjacket, unpaginated, 25,5x18x4,5 cm, ? 350 pp. including 300pp., numerous illustrations in black and white and in colour. In the original sendingpackage.‎

‎Signatures & paintings, partly in color. Contains a biographical lexicon, illustrations of signatures & reproductions of paintings of 19th century Belgian painters, including those of the Romantic school (between 1820-1865). ‎

‎Durer E L'Italia: Catalogo Della Mostra (Roma 10 Marzo-9 Giugno 2007) (Cataloghi di mostre. Arte)‎

‎Mondadori Electa 2007 336 pages 24x3 4x27 6cm. 2007. Broché. 336 pages.‎

7 Images

‎proche du très bon état avec sa jaquette intérieur propre‎

‎FLEMISCH PAINTING From the 16th to the 18th century. Relaying ideas from Erasmus to Diderot‎

‎Turin, Umberto Allemandi & C., 2010 320pp Misure: 24 x 31 cm Illustrazioni: 320 col. Hardback english deutsch nederlands francais preface by Emmanuel Le Roy Ladurie ISBN 978884221837197.‎

‎Real? honest men?, the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. She takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art.‎

‎Vlaamse schilderkunst van de XVIde tot de XVIIIde eeuw.‎

‎Turin, Umberto Allemandi & C., 2010 320pp Misure: 24 x 31 cm Illustrazioni: 320 col. Hardback nederlands preface by Emmanuel Le Roy Ladurie ISBN 9788842219590.‎

‎Real honest men, the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. She takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art.‎