‎Elisabeth Oy-Marra, Heiko Damm (eds)‎
‎Naples as Laboratory / Laboratorium Neapel. Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, K nstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei‎

‎, Brepols, 2026 Paperback, Pages: 194, Size:216 x 280 mm, Illustrations:6 b/w, 76 col., Languages: English, German. ISBN 9782503579665.‎

Reference : 70533

‎Summary Seventeenth-Century painting in Naples distinguishes itself from that of other artistic capitals for its immense variety of coexisting styles and, in turn, for the rivalry this inspired among artists living in the principal city of the Spanish viceroys. The various tendencies, in fact, might best be described as the manifestation of these rivalries among predominant artists in and around Naples, known in the annals of art history as the great reformers of painting at the turn of the seventeenth century: Caravaggio, who on his travels to and from Malta left behind a number of highly influential paintings; two pupils of Annibale Carracci, Domenichino and Giovanni Lanfranco, who left their individual marks on the city for nearly a decade; the Spaniard Jusepe de Ribera, who lived and worked in Naples and was visited by Vel zquez as he journeyed through Italy. Under Spanish rule and closely tied to the Papal States, this major center of trade on the gulf presented a unique point of convergence for these heterogeneous cultural currents. This conference volume brings together contributions on painters such as Caravaggio and Jusepe de Ribera, as well as Aniello Falcone, Artemisia Gentileschi, Salvator Rosa, and Francesco Solimena. The recurring subject throughout the texts is self-promotion and self-fashioning, as well as the artists' social and intellectual situation 'in situ'. TABLE OF CONTENTS A Laboratorio of Painting: Style, Self-Fashioning and Competition in Neapolitan Baroque Elisabeth Oy-Marra & Heiko Damm Caravaggios Sieben Werke der Barmherzigkeit: Zur Frage devianter Details Rudolf Preimesberger (?) After the Fall of Osuna: Ribera's Work of the 1620s in the Context of Artistic Rivalry, Patronage and Stylistic Currents Justus Lange Riberas Self-Fashioning als Naturalista Elisabeth Oy-Marra Portents of Nature: Jusepe de Ribera and the Bearded Woman Carlo Avilio The Fame Game: A Business Analysis of Artemisia Gentileschi's Neapolitan Career Christopher R. Marshall Beyond Naples: The Self Fashioning of Salvator Rosa Helen Langdon The Clock, the Court, and the Canvas: Luca Giordano and the Virtue of Productivity Tiffany A. Racco Francesco Solimena zwischen Egologie und Eusozialit t Salvatore Pisani Aniello Falcone? Der tote Soldat in der National Gallery in London. Ann herungen an ein kunsthistorisches Methodenproblem Stefan Albl Die Kunst der Macht: Die spanischen Vizek nige als Auftraggeber neapolitanischer Barockmalerei am Beispiel des Conde de Monterrey (reg. 1631-1637) Katrin Zimmermann‎