London Marcus Ward & Co. 1878
First Edition. Small colour birthday card, with gilt full-page illustrations, to front and back. These are the same illustrations as the Spring and Summer seasons of the calendars attributed to the illustrator Kate Greenaway, but we are not sure these illustrations are hers. They are beautiful though! Circa 1878. Inside is a hand written birthday message, dated 1879, and a printed poem by Horatius Bonar. In fine condition. 100 x 70 mm (4 x 2Ÿ inches)
Paris Librairie d'Éducation 1877 Première édition. Un drame / comédie rare. Cartons originaux en bougran vert avec décoration dorée. Propre mais un peu frotté. Étiquette de papier au dos. Il y a une gravure en frontispice par A. Calon. Nous n'avons trouvé aucun exemplaire disponible au moment du catalogage. La seule bibliothèque répertoriée est la BnF à Paris. Conforme à WorldCat / OCLC : 460398628. 72 pages. 18cm x 11cm.
First edition. A scarce drama / comedy. Original green buckram boards with gilt decoration. Clean but a little rubbing. Paper shelf label to spine. There is a frontis engraving by A. Calon. We can find no copies available at the time of cataloguing. The only library listing is in the BnF in Paris. Conforms to WorldCat / OCLC: 460398628. 72 pages. 18cm x 11cm. .
London: Randal Taylor, 1690
Although the Popish Plot was ten years gone by the time this polemic was published, anti-Catholic feeling still ran high. This pamphlet purports to show all of the ways that Papists had attempted to undermine the Church of England since the Reformation. As such, this is almost a literature review of the previous hundred years, summarising Bishop Burnett, Stillingfleet and others, whilst quoting from Parliament and Catholic peers. It is followed by A LETTER OF THE MINISTERS Of the CITY of LONDON, Presented the First of January, 1645. to the Reverend Assembly of Divines sitting at Westminster, by Authority of Parliament, against TOLERATION. This pamphlet has been abstracted from a collection, and so appears as a disbound item - with the binding marks and stab marks to the spine. No wrapper or cover (now held in a protective sleeve. The top edge of the first couple of pages is beginning to come away - although the binding is still holding securely. A touch of darkening to the front and rear pages, less so inside. There are pencil ticks throughout the work in the margins. Wing B 4382. [4], 67, [1] pp.
London Marcus Ward & Co. 1877 Petit livret-calendrier à la reliure délicatement cousue. Comprend quatre illustrations pleine page en couleurs et dorées, représentant les quatre saisons : Printemps, Été, Automne et Hiver. Beaucoup de ces calendriers ont été attribués à l'illustratrice Kate Greenaway, mais nous ne sommes pas sûrs que ces illustrations soient les siennes. Quoi qu'il en soit, elles sont magnifiques ! Au verso de chaque calendrier figurent des informations sur l'année à venir. Elles comprennent les phases de la lune, les jours fériés, les jours d'église, les éclipses et des informations sur les tarifs postaux étrangers et nationaux. En bas à gauche de chaque illustration figure le nom de l'éditeur : Marcus Ward & Co. En bas à droite de chaque illustration, on peut lire : Ent. Sta. Hall - version abrégée de Entered at Stationers' Hall. Le livret est en bon état. 100 x 70 mm
First Edition. Small calendar booklet with a delicately sewn binding. (The thread appears to be recent). Comprises four colour and gilt full-page illustrations, depicting the four seasons: Spring, Summer, Autumn, and Winter. Many of these calendars were attributed to the illustrator Kate Greenaway, but we are not sure these illustrations are hers. Nonetheless, they are beautiful! On verso of each is information for that coming year. Includes the moon's phases, legal holidays, church days, eclipses, and information about foreign and domestic postage rates. Bottom left of each illustration is the publisher's name: Marcus Ward & Co. Bottom right of each it reads: Ent. Sta. Hall - abbreviated version of Entered at Stationers' Hall. Booklet is in fine condition. 100 x 70 mm (4 x 2Ÿ inches). .
Berlin Verlag der Lustige Blätter 1905 Couvertures cartonnées d'origine liées avec de la ficelle. Illustrations et caricatures d'époque en couleurs et en n/b, plus des publicités d'éditeurs, de libraires, de papeteries, d'imprimeurs, de relieurs, etc. 34 pages. Les couvertures sont foncées et légèrement salies. À l'intérieur, les pages sont uniformément toniques, mais sinon en très bon état. Texte en allemand
Original cardboard covers tied with string. Period colour and b/w illustrations and caricatures, plus advertisements from publishers, bookcase designers, paper mills, printers, bookbinders etc. 34 pages. Covers are darkened and slightly soiled. Internally the pages are evenly toned, but otherwise in a very good condition. Text in German. 300 x 220 mm (11Ÿ x 8Ÿ inches).
Saumur E. Roland 1908 Un programme attrayant pour le Carrousel de 1908. Les couvertures avant et arrière présentent des dessins de Grasser. Le programme à l'intérieur indique le nom, le grade, etc. de chaque officier de cavalerie participant, et ce qu'ils font pendant le Carrousel. 4 pages. 320 x 250 mm (12œ x 9Ÿ pouces). Les couvertures sont un peu assombries et marquées. Petit trou d'épingle sur un bord. Fente réparée sur les 3-4 cm inférieurs du dos. L'intérieur est propre mais légèrement assombri. Une belle pièce d'histoire militaire / équine éphémère. L'école de cavalerie de Saumur a été créée en 1763 pour former les cavaliers à l'armée. La légende veut que l'évêque de Saumur ait fait déménager l'école à Saumur pour faire souffrir la ville protestante (après que les officiers aient été trop amicaux avec les dames locales). Le carrousel régulier est l'un des points forts de l'équitation française. L'école existe toujours aujourd'hui, formant les officiers des régiments de chars et soutenant le Cadre Noir, l'élite des cavaliers français.
First Edition. An attractive programme for the 1908 Carrousel. The front and rear covers show designs by Grasser, The programme inside, show the name, rank etc of each cavalry officer taking part, and what they are doing during the Carrousel. 4 pages. 320 by 250mm (12œ by 9Ÿ inches). The covers are a little darkened and marked. small pinhole to one edge. Repaired split to the bottom 3-4 cm of the spine. Internally clean but slightly darkened. A nice piece of ephemeral military / equine history. The Cavalry school at Saumur was established in 1763 to train riders in the military. Legend has it that the Bishop of made the school move to Saumur to bring pain to the Protestant town (after the officers had been too friendly with the local ladies). The regular Carousel is one of the highlights of French Horse riding. The school still exists today, training officers of the tank regiments, and supporting the nearby Cadre Noir, France's elite horse riders. .
Mansfield CT Maurizio Martino 1995
Limited to 150 copies. Facsimile of the 1918-1920 Cambridge University Press edition. In original green cloth with gilt title to spine. No dust wrapper, as issued. 587 pp. 280 x 220 mm (11 x 8Ÿ inches). In very good condition. Pages clean and binding tight.
London John Norton for Joyce Norton 1633
A nice copy of this two volume work, unfortunately lacking the title page to Volume I. The volume starts on gather A. Original full leather boards, with a touch of bumping / edgewear to the boards. Recent spine with titles and date to the spine. There is a little water staining to the work, particularly to the edges, and a slight nicking to the edges of the blank front end paper. Some darkening / foxing, again particularly to the edges. Owner's inscriptions to the inside front board and to the 2nd end paper. (IWe think what is laid in as the first end paper is a later addition, when the spine was replaced - the second end paper appears from condition and inscriptions to be the original one). Also lacking is leaf 3I2 (page 99/100) with the text here also lacking. Bizarrely, a full page plate, dating from 1814 has been laid in to face page 275. This is an engraving by Wm Craig and L. Brown, showing national liberty crushing the nations of Europe. This is perhaps laid in here as it is opposite an homily against Disobedience and Wilfull rebellion. This long homily, published in various forms, is important, as it was part of the celebrations following the failure of the rebellions against Queen Elizabeth I. To the end of the work is "A thankesgiving for the suppression of the last rebellion." 1-98, [vi], 1-98 101-320 [iv]. 290 x 210 mm (11œ x 8Œ inches).
New York Mcloughlin Bro's. 1889 Rare. Première édition. Carton rigide illustré en couleurs. Brèves relectures illustrées de trois histoires préférées des enfants. Les planches sont un peu frottées sur les bords, ainsi qu'en haut et à la queue du dos. Page de titre illustrée en couleur et rehaussée de dorures. Intérieur très propre et bien rangé - avec 16 très belles illustrations en couleur pleine page, et plusieurs illustrations en noir et blanc dans le texte. Non paginé. 270 x 220 mm (10Ÿ x 8Ÿ inches).
Scarce. First edition. Hardback colour illustrated boards. Brief illustrated retellings of three favourite children's stories. Boards a little rubbed at edges, and to top and tail of spine. Gilt embellished colour illustrated title page. Very clean and tidy inside - with 16 very nice full-page colour illustrations, and several in text b/w illustrations. Unpaginated. 270 x 220 mm (10Ÿ x 8Ÿ inches). .
London / New York Frederick Warne and Co.; Scribner, Welford and Armstrong 1877 Fait partie de la série Now and Then juvenile de Frederick Warne. Premier exemplaire. Contes de fées : Cendrillon, Les trois ours, Guignol et Judy. Inscription de l'ancien propriétaire et date sur le premier feuillet libre - daté de 1877. La Bodleian Library suggère également que la date de publication n'est pas postérieure à 1878. Livre relié en tissu rouge foncé avec un titre doré, des bordures et des décorations noires gaufrées. Décalage sur la page de titre, quelques rousseurs occasionnelles - bon état général. pp. 194-28. Conforme à OCLC 62577904. 180 x 130 mm
Part of Frederick Warne's Now and Then juvenile series. First Thus. Fairy tales: Cinderella, Three Bears, Punch and Judy. Previous owner's gift inscription and date on front free endpaper - dated 1877. Date of publication also suggested by the Bodleian Library as no later than 1878. Hardback dark red cloth with gilt title box, plus embossed black borders and decorations. Covers in very good condition. Slight water mark to the top of the rear board. Signature to front end paper with offsetting to title page, occasional spots of foxing - overall very good. pp. 194-28. Conforms to OCLC 62577904. 180 x 130 mm (7 x 5 inches). .
Cantini 1987 In-4 broché. Bon état d’occasion.
Bon état d’occasion
Germany NA 1982 Original Manuskript. Text in deutscher Sprache. Rosafarbener Seidenhalbbinder mit schwarzen Blättern. Auf der ersten Tafel ist ein Hausschild angebracht. Neben dem weißen Vorsatzblatt und dem illustrierten Titelblatt gibt es 8 zusätzliche Blätter, die nur auf einer Seite eingefärbt sind. Im Vorwort wird erklärt, dass es sich um ein Märchen handelt, das von Elfen gesammelt wurde, die im Wald im Kreis tanzten. Sechs Blätter enthalten handgeschriebene Verse, und jedes Blatt ist mit einer Silhouettenzeichnung verziert. Schließlich stellt ein naives Feinpapier den Mond und die Schafe dar. Die Blätter sind in gutem Zustand, aber leicht berieben und bestoßen. Im Inneren sind die Seiten in gutem Zustand, sauber und ohne signifikante Markierungen. Es handelt sich um eine attraktive Inlandsproduktion. Erste Ausgabe. 23cm x 31cm
An original manuscript. Text in German. Half pink silk Hardback with black leaves. Home made label to the front board. In addition to the blank end paper and illustrated title page, there are 8 further leaves, inked to one side only. The foreword explains how this is a tale picked up from Elves dancing in the round in the forest. There are then six leaves which contain verses in manuscript, and a silhouette drawing to each leaf. Finally, there is a naive end paper with the moon and sheep. The boards are in sound but slightly rubbed and bumped condition. Internally, the pages are in good, clean condition with no significant marks. An attractive piece of home production. First Edition. 23cm x 31cm .
Berlin, R. v. Deckers Verlag, 1910. Lex8vo.(Neudruck 1917). Orig. boards. Tear in first hinge. XXXVIII,680 pp.
Leyden L. Herdingh & Zoon 1822
First Edition. A complete year of this periodical, bound in hardback. Marbled paper boards, with label to spine giving date in gilt. Engraved title page. Diverse subjects are covered; everything from The case of Douglas Loveday, prohibition of the import of grain, Belgium and Batavia, the High Council of Nobility, Profanity and Church songs, and information about the Dutch colonies! We have other complete years of this scarce periodicals too. Boards a little rubbed but overall good and clean. Very slight bowing to the boards. Ownership stamp of the Rijskarchief of Noord-Brabant to verso of title page. 446 pages. 220 x 130 mm (8Ÿ x 5 inches).
Leyden L. Herdingh & Zoon 1823 Première édition. Une année complète de ce périodique, reliée en cartonnage. Plaques de papier marbré, avec étiquette au dos indiquant la date en doré. Page de titre gravée. Divers sujets sont abordés : l'art de l'impression des livres, les juifs et les jésuites, l'agriculture, les salaires, la prévention de la mendicité, les bateaux à vapeur et l'Amérique du Sud ! Nous avons également d'autres années complètes de ce périodique rare. Les planches sont un peu frottées et le dos est légèrement fendu. Dans l'ensemble, bon et propre. 458 pages. 220 x 130 mm (8Ÿ x 5 pouces).
First Edition. A complete year of this periodical, bound in hardback. Marbled paper boards, with label to spine giving date in gilt. Engraved title page. Diverse subjects are covered; everything from the art of book printing, Jews to Jesuits, agriculture, salaries, prevention of begging, steam vessels, and South America! We have other complete years of this scarce periodicals too. Boards a little rubbed, with slight splitting starting to spine. Overall good and clean. 458 pages. 220 x 130 mm (8Ÿ x 5 inches). .
Small 8vo. 3 cont. full mottled calf. Richly gilt backs. Top and bottom of spines slightly worn. Stamp on titles. VIII,659,628,656 pp.
Munchen: J. Derschler 'schen Buchbruderei, 1863
The Sacred rule for the Order of St. Bridget with the additions, the explanation of the Order & Rule and the Rule of St. Augustine. From the Library of the Syon Abbey Bridgetine convent. Original quarter calf with dark blue buckram boards. Titles to the spine. Label of Syon Abbey to the rear board. Text is in old fashioned Gothic German. The binding is a little rubbed with some loss to the surface layer of the leather. Binding is still firm and holding together well. The paper itself is of a fairly cheap quality, but is clean and tidy throughout. Overall a nice example of this very scarce item. No copies on COPAC, and only one in the KVK catalogue of German and Austrian holdings. 141, [x] pp.
London 1910
An attractive children's game. There a blocks of wood, with 6 paintings pasted onto the six sides, when placed together they make a picture showing children playing. Held in a wooden box, which once have a clasp (now broken). There are 4 chromolithographed illustrations in the box, and a fifth is pasted onto the lid. We suspect there was a sixth, now missing. The blocks have rubbing to the corners, with slight loss of image. The lithographs are on thin paper, and has small nicks and tears to the edges, but still attractive. Darkening to the image on the front board. Overall, an attractive game, showing signs of regular use. This was clearly British, from the red post box on the image to the lid of the box. The dating is from the children's clothing, particularly the sailor suit on the cover. 150 x 190 mm (6 x 7œ inches).
Een originele aquarel van de Sint Gertrudiskerk op de Grote Markt Bergen op Zoom. Sfeervol gepresenteerd, met de toren van de kerk en de restaurants op het marktplein. De afbeelding staat achter passe partout. Afbeelding zelf meet 80 mm x 200 mm. Passe partout lijst is 200 mm, x 260 mm. Het schilderij is gesigneerd, maar de naam is niet te ontcijferen. Gepresenteerd in een wit aluminium frame (geglazuurd). Dit item wordt verkocht met het frame. Uitstekende staat. Het passe-partout is een beetje uitgesneden.
Anon Anon 1930 Un bel exemplaire de cette gravure à l'aquatinte allemande, signée (mais indéchiffrable). Avec le titre "Ein Windstross". Début du 20e siècle, vers 1930, d'après le style et les vêtements nettement Art déco. Une jeune femme tient son chapeau contre le vent, tandis que sa jupe (coupée à la "longueur italienne") ondule. Elle tient son parapluie fermement enroulé contre le vent. Jolie mise en couleur. Filigrane sur le papier. Un peu d'usure dans les grandes marges. Gravure 350 mm x 195 mm. Dimensions totales : 460 mm x 300 mm.
A lovely copy of this German aquatint etching, signed (but indecipherable). With title "Ein Windstross." Early 20th Century, circa 1930 from the distinctly Art Deco styling and clothing. A young woman holds her hat against the wind, whilst her skirt (cut to the "Italian Length") billows. She holds her umbrella tightly furled against the wind. Nice colouring. Watermark to paper. A touch of edge wear to the large margins. Engraving 350 mm x 195 mm. Size in total: 460 mm x 300 mm. .
International Music Publications 1993 43 pages in8. 1993. Broché. 43 pages.
French édition - Le livre qui n'a jamais été lu présente de petites marques de stockage sur la couverture et/ou les pourtours mais du reste en très bon état d'ensemble. Expédition soignée depuis la France dans un emballage adapté
Stockholm, Hartwig Gercken, 1737. Lille 8vo. Samt. hldrbd. Rygforgyldning. Ryg med brugsspor. Revne i ene fals, men ikke løs. 192 pp.
Munchen / Munich 1840
Blue / grey paper covers. Sewn. Heavy rag paper. Printed in Gothic script. Woodcut illustration to the title page. Text in German throughout. An account of a tour of England. It seems mainly to have been visits to Catholics, and much of the text is commenting on religious matters. The book ends with a litany / prayer for England.
Ca. 1920. 19 x 20 cm. Unsigned. Black/white etching showing a smiling nude girl wearing only shoes lying in bed. Top of plate with tears not affecting picture.