Brussel, Ludion, 2020 Bound, illustrated with very fine (photo) editors' plates in colors, 43x30cm, n.p. (+/-112pp), illustrated in colors and b/w. *New. ISBN 9055443026.
Visionary, utopian and romantic, hovering somewhere between da Vinci and Melies, Panamarenko still has what it takes to capture everyone's imagination. His work is the manifestation of his own, baroque universe, in which you can fly, drive and take the plunge with poetic objects of fascinating dimensions. Panamarenko creates his own idiosyncratic blend of science, art, technology and imagination and offers his own interpretation of movement in all its aspects. His aeroplanes seem, in spite of themselves, to defy gravity - they are an answer to humanity's eternal attempts to free itself from the Earth's surface. Panamarenko's work shows that art is intended to express what reason cannot. And what better way to convey that attitude than to allow Panamarenko to tell his own story in words and images? The British critic Jon Thompson sets the ball rolling before gradually letting Panamarenko take over. The artist writes down his ideas and designs characteristic collages of photographs, drawings and sketches. Ludion is marking the publication of this book with a number of editions signed by the artist.Visionary, utopian and romantic, hovering somewhere between da Vinci and Melies, Panamarenko still has what it takes to capture everyone's imagination. His work is the manifestation of his own, baroque universe, in which you can fly, drive and take the plunge with poetic objects of fascinating dimensions. Panamarenko creates his own idiosyncratic blend of science, art, technology and imagination and offers his own interpretation of movement in all its aspects. His aeroplanes seem, in spite of themselves, to defy gravity - they are an answer to humanity's eternal attempts to free itself from the Earth's surface. Panamarenko's work shows that art is intended to express what reason cannot. And what better way to convey that attitude than to allow Panamarenko to tell his own story in words and images. The British critic Jon Thompson sets the ball rolling before gradually letting Panamarenko take over. The artist writes down his ideas and designs characteristic collages of photographs, drawings and sketches.
Burleske in Antwerpschen Poesje-stijl met prenten van Edgard Tijtgat. Voorwoord van Jan de Schuijtert over de Ziel van de poesje. Magneet. Anvers. 1948. In-8 étroit de 42 pp., (1) f. : plats lithographiés en noir (Edgard Tijtgat).
Couvertures et 5 hors-texte, issus du talent d’Edgard Tijtgat (1879-1957 ), à la ligne claire et rustre. Burlesque à trois personnages dans le style du dernier théâtre de marionnettes d’Anvers, qui portait le nom de “Poesje”. Tirage limité à 800 exemplaires, un des 650 sur papier de lin. En parfaite condition. Taillaert, 101.
Een vertelsel voor mijn kinderen. [Une histoire pour mes enfants]. Met Teekeningen van Edgar Tijtgat. Nijgh & Van Ditmar. Rotterdam. 1935. In-8 (23,5 x 18,5 cm). 107 pp., 4 planches : couvertures de carton recouverte d’un jaquette de fort papier gaufré crème, la première illustrée, lithographiée en noir et sépia (Edgard Tijtgat).
Rare tirage de luxe en format plus grand sur un beau papier et à grandes marges. Couverture et quatre tableaux du peintre gravés en sépia et noir. Une édition courante paraîtra la même année à Anvers sur papier ordinaire. A l’état neuf. En partie non coupé. Taillaert, Edgard Tytgat. Catalogue raisonné de l’œuvre gravé, 85.
, Ludion, 2022 Hardcover, 320 pagina's, NL, 325 x 260 mm, Nieuwe editie, met zeer duidelijke grote illustraties in kleur , Met gratis digitale versie. ISBN 9789491819421.
Adembenemende wandeling doorheen het oeuvre van Hieronymus Bosch aan de hand van paginagrote details en pittige commentaren van Till-Holger Borchert. Met gratis digitale versie via het Musebooksplatform. Tweede druk.
, Reichert, 1975 Paperback, 309 seiten, Deutsch, 245 x 165 x 27 mm, in Sehr Gute Kondition, mit illustrationen in farbe / s/w. ISBN 9783920153506.
Ausstellung, 13. Dez. 1975 1. Febr. 1976. Sonderausstellungshalle d. Staatl. Museen, Berlin-Dahlem
Louvain, Rex, 1931 Broche, couverture papier jaune, 125 x 185mm., 69pp., illustration n/b.
Premiere serie des Chefs-d'oeuvre flamands illustres par Felix Timmermans N? 1. Traduit du flamand par Roger Kervyn de Marcke ten Driessche. Bon etat.
Louvain, Rex, 1931 Broche, couverture papier vert, 125 x 190mm., 67pp., illustration n/b.
Traduit du flamand par Roger Kervyn de Marcke ten Driessche. Bon etat.
, Amsterdam, P.N. Van Kampen & Zoon, z.d., Gebonden, geillustreerd (Timmermans, Felix) uitgeverslinnen in kleur, 14x20cm, 201pp, geillustreerd z/w.
22ste druk.
, Paris, Art et Selection, 1947.**, Broche, couverture d' editeur illustre ( Eekman) en couleurs, 23x28,5cm, 140pp, illustre en couleur.
Traduit du flamand par Betty Colin. Illustrations d' Eekman. N? 239 de 1200 exemplaires numerotes sur Velin. Tirage limite de 1450 exemplaires numerotes.
, Brugge/ Lier, Orion/ Desclee De Bouwer/ Timmermans Genootschap, 1973 - 2004., softcovers , originele geillustreerde uitgeversomslag, geillustreerd z/w, 15,5x23,5cm, 188p, 203p, 181p, 173p, 178p, 190p, 143p, 183p, 211p, 191p, 183p, 184p, 175p ,224p, 207p, 189p, 206p, 231p, 190p, 304p, (?? )
(?? )294pp,200p,263p,151p,183p,167p,168p,167p,207p,207p,191p. N? 1: Voor 3 frank en geluk. Felix Timmermans en muziek. N? 2: Getuigenissen. N? 3: Fransiscus en timmermans. N? 4: Pallieter van nabij. N? 5: eerste pennevruchten. N? 6: De grijze jaren. N? 7: Het dertiende kind. N? 8: De herfst blaast op den horen. N? 9: Pallieter in Holland. N? 10: Timmermans ten tonele. N? 11: Een mandeken vol bloemen. N? 12: Bruegel tussen de regels. N? 13: Leven in zijnen asem. N? 14: 100 jaar Felix Timmermans. N? 15: een Timmermansjaar. N? 16: Tussen Demer en Nete. N? 17: Over boerenpsalm. N? 18: Omtrent Anne-Marie. N? 19: Timmermans en het activisme. N? 20: Gegroet, O Lier. N? 21: Timmermans in Scandinavie. N? 22: Nazaret aan de Nete. N? 23: D' Amandelboon van Lier.N? 24: timmermans in beeld. N? 25: Timmermans enderzijds. N? 26: Timmermans anderzijds. N? 27: In den bloeyenden wijngaerdt. N? 28: Een vinger in de hemel. N? 29: Een bloem van het hart. N? 30: De jaren gaan voorbij. N? 31: De echo van een stem. N? 32: Als de blaren vallen. Volledige set in goede conditie,
Inconnu, inconnu, s.d. Broche, couverture papier au vignette, 125 x 190mm., frontispice-photo, 83pp., illustration n/b.
Introduction et traduction de Camille Melloy. Bon etat.
, Felix Timmermans - Kring, 2003 Gebonden, originele uitgeversomslag geillustreerd z/w, originele omslagwikkel geillustreerd z/w, roodopdruk, 15x21.5 cm. 94 pp., verlucht met houtsneden van Wim De Cock, beperkte genummerde en gesigneerde oplage.
Een van de 125 genumeerde exemplaren gesigneerd door Gommaar Timmermans en Wim De Cock, verlucht met houtsneden van De Cock.
, Jaarboek 2005 van het Felix Timmermans-genootschap, 2005 Paperback, 216 pagina's, NL, 235 x 155 mm, in prima staat, met illustraties. ISBN 9080809926.
33e Jaarboek, in prima staat
, Jaarboek 2006 van het Felix Timmermans-genootschap, 2006 Paperback, 190 pagina's, NL, 235 x 155 mm, in prima staat, met illustraties.
34e Jaarboek, in prima staat
, Jaarboek 2004 van het Felix Timmermans-genootschap, 2004 Paperback, 192 pagina's, NL, 235 x 155 mm, jaargang , met illustraties. ISBN 9789080809925.
32e Jaarboek , in Prima staat
, Jaarboek 2010 van het Felix Timmermans-genootschap, 2010 Paperback, 216 pagina's, NL, 235 x 155 mm, in prima staat, met illustraties.
38 ste Jaarboek in prima staat
, Jaarboek 2011 van het Felix Timmermans-genootschap, 2011 Paperback, 184 pagina's, NL, 235 x 155 mm, in prima staat, met illustraties.
39 ste Jaarboek in prima staat
, Jaarboek 2014 van het Felix Timmermans-genootschap, 2014 Paperback, 184 pagina's, NL, 235 x 155 mm, in prima staat, met illustraties.
42 ste Jaarboek In prima staat
, Jaarboek 2009 van het Felix Timmermans-genootschap, 2009 Paperback, 240 pagina's, NL, 235 x 155 mm, in prima staat, met illustraties.
37ste Jaarboek in prima staat
Amsterdam, Van Kampen, 1922 Gebrocheerd, originele papieren uitgeversomslag geillustreerd in kleur, 10.8x15.5 cm., 91 pp., verlucht met 2 z/w houtsneden.
Antwerpen, Antwerpen, Felix Timmermans - Kring/ Antiquariaat Erik Tonen, 2005.**, 2005 Gebonden in linen band, originele geillustreerde stofomslag, 14,5x21,5cm, 99pp, geillustreerd z/w.
Uitgave verlucht met houtsneden van Wim De Cock. Zesde druk. Een van de 100 genummerde exemplaren gesigneerd door Gommaar Timmermans en de illustrator.
Paris, Bernard Grasset, 1938. 14 x 21, 269 pp., quelques illustrations en N/B, broché, bon état (couverture défraîchie).
Texte français de Nelly Weinstein.
, Assen, Van Gorcum, 1980 Gebonden, linnen, vergulde titel op de voorplat, rug versierd met vergulde titel, originele geillustreerde (foto) omslagwikkel in kleur, 21,5x25,5cm, 385pp., rijkelijk geillustreerd z/w. ISBN 9023217888.
Maaslandse monografieen, vol. 2. De Gotiek en de Renaissance. Boek is in prima staat.
, Leuven University Press, 2014 Paperback, 272 pages, ENG, 240 x 170 mm, in New condition, with a few illustrations in b/w. ISBN 9789058679505.
Although women were called the pious sex much earlier, it was during the nineteenth century, when the differences between men and women were being made more explicit, that an intense bond between women and religion was developed. Religiosity was thought to be a natural part of femininity and turned religious masculinity into an oddity. This clear-cut gender ideology, however, remains an ideology (prescribed and contested) that needs to be put in the perspective of its context of origin, the bourgeois milieu. How were these gender identities constructed and by whom? Tine Van Osselaer seeks to clarify how the gender differentiation was created among Belgian Catholics. She brings to light the extent to which religiosity was inscribed in these constructions and how religious teachings contributed to it. It is clear that the limitations of the feminization thesis, a master narrative that has strongly contributed to the introduction of women in religious history, have gradually become more visible. Documenting pastoral care, the devotion to the Sacred Heart of Jesus and Catholic Action, The Pious Sex offers critical commentaries on the master narratives, suggesting that even men could belong to a pious sex.
Tobias Rehberger ; Christiane -Valerie Gerhold ; Karin Uhr , translation : David Shackleton
Reference : 60384
, Deutscher Sparkassenverlag, 2011 Hardcover, 232 pages; ENG / D, 280 x 215 x 25 mm, wie Neu / as New, illustrated in colours. ISBN 9783093032516.
A comprehensive catalog has been published to accompany the exhibition "Tobias Rehberger. marsage" from October 28 to December 9, 2011 in Deutscher Sparkassenverlag. In addition to the exhibits in the exhibition and the commissioned work "Who, why, with whom? And why?", which was created for the collection of Deutscher Sparkassenverlag, a large number of works are shown that have been created in recent years and have not yet been published have been. These include, for example, "Slinky springs to fame", a work of art in the form of a 406-metre-long walkable bridge over the Rhine-Herne Canal, which was inaugurated in the summer of 2011. As is usual with Rehberger, the artist himself determined the concept and design of the catalogue. The publication is laid out like a picture book: the layout consists of pure picture pages on strong paper. The thin, smaller pages of text are inconspicuously inserted in several blocks. The catalog contains a foreword by Dr. Bernd Kobarg, Chairman of the Management Board of the DSV Group (Deutscher Sparkassenverlag), contributions by Dr. Ulrike Groos, director of the Kunstmuseum Stuttgart, and Christiane-Valerie Gerhold, director of the DSV Kunstkontor, in German and English.