Turnhout, Brepols, 2005 Hardback, XIV+354 p., 4 b/w ill., 160 x 240 mm. ISBN 9782503515168.
This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, influenced the creation, dissemination, and interpretation of the medieval poetic oeuvre. Performance theory is used as a framework throughout. Since no social history of poet-performers exists in English, part I presents a social history that re-examines what is known about social status, cultural image and employment. Part II investigates the affective nature of performance and focuses on poet-composer-performers. This study argues that the techniques and principles of performance (body movement, gesture, voice modulation, instrumentation) and the goals of creating a memorable, even electrifying experience for audiences determine the performer's lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people's attitudes. Poet-minstrels were capable of re-membering the listeners' memories of the past during the intense present of the performance. Readings of several texts are offered, including romances, the political songs of well-known poet-performers (i.e. Walther von der Vogelweide) and the gnomic poets (Spruchdichter) whose songs have been neglected until now. The songs are quite intricate and multivalent as they masterfully display an aesthetic totally integrated with their performative context. Languages : English.
Turnhout, Brepols, 2009 Hardback, X+476 p., 1 b/w ill., 156 x 234 mm. ISBN 9782503528366.
Saints Edith and AEthelthryth: Princesses, Miracle Workers, and their Late Medieval Audience narrates the lives of two Anglo-Saxon princesses who were venerated as saints long after their deaths. St Edith, the daughter of King Edgar, was renowned as a patron of the arts and the church during her lifetime; her posthumous miracles included protection of Wilton Abbey and the English royal family. St AEthelthryth, who retained her virginity through not one but two royal marriages, also worked numerous miracles at her tomb at the Abbey of Ely. The poems, composed at Wilton Abbey in the early fifteenth century, allow us to see how late medieval religious women practised their devotion to early medieval women saints. The Middle English verse texts are presented here in the original and in translation with explanatory notes and glossary. A thorough introduction provides extensive contextualization and analysis of the two poems as well as description of the manuscript and its language and prosody. These primary source texts are important contributions to the study of English history, language, literature, religion, and women's studies. Languages : English, Middle English.
OXFORD UNIV PR 1992 280 pages 14 94x2 39x22 61cm. 1992. Cartonné jaquette. 280 pages.
Très Bon Etat de conservation intérieur propre bonne tenue avec sa jaquette
Il Mulino 1988 520 pages 14x3 8x24cm. 1988. Cartonné. 520 pages.
Très Bon Etat de conservation intérieur propre bonne tenue pages non-coupées sur la fin du livre
Meignan Amaël Driscoll Tim Crestani Rémi
Reference : 500113173
(2012)
ISBN : 9782759017140
STUDYRAMA 2012 501 pages 17 1x24x2 9cm. 2012. Broché. 501 pages.
Bon état
Paris, Hachette, 1938. In-8, br., 290p. De l'indo-européen au latin... à la persistance du latin écrit en passant par les parlers latin.Quelques soulignures au crayon de papier (facilement effaçables), exemplaire un peu jauni mais t.b.e général.
Paris, librairie ancienne Honoré Champion, coll. linguistique publiée par la société de lingustique de Paris, 1950. In-8 broché de 136 p. Livre en très bon état.
Meirieu Philippe Runtz-Christian Edmée
Reference : 500096630
(2010)
ISBN : 9782850088179
CHRONIQUE SOCIA 2010 14 986x1 524x21 844cm. 2010. Broché.
Bon état
Hermann 2014 379 pages 17x3 4x23 8cm. 2014. Broché. 3 volume(s). 379 pages.
Bon état couvertures un peu défraîchies intérieurs propres bonne tenue
1970 Société de presse berrichonne, Sancerre, 1970. Un volume in-8 broché, couverture blanche, 239 pages. Pliure sur la couverture, néanmoins bon état.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
1868 PARIS IMPRIMERIE NATIONALE. 1880. In-8 Broché.. 382 pages Lacouverture est muette et "bricolée" mais le texte est tres lisible et bien complet
New York, Alfred A. Knopf, 1962, in-8 cartonné sous jaquette, 739 pp + 35 pp d'index. En anglais. Bon état.
Editorial Seix Barral S.A 1998 11 2x1 4x18 4cm. 1998. Broché.
Très bon état
Nogent-surMarne, Editions Mentor, 1956-1965. Ensemble de 5 livres 15x23 cm, illustrés par Marcel Jeanjean et Marie-Laure Herzog pour le volume M.221, br.
1907 . Toulouse. Imp. Lib. Eduouard Privat. Toulouse. 1907. CIXpp.+238pp.in8, , broché, bon exemplaire, non coupé, dos un peu bruni (bibliotheque méridionnale )
Hachette 2012 13 6x0 4x19 4cm. 2012. Broché.
Bon état
E P Dutton 1991 11 2x5 4x14 2cm. 1991. Relié.
Etat correct
Editions Larousse 1991 8x3x10cm. 1991. Broché.
Etat correct
Editions Flammarion 2013 94 pages 12 4x0 6x17 2cm. 2013. pocket_book. 94 pages.
Bon état
, Brepols - Harvey Miller, 2006 softcover, . XII+761 p., 20 b/w ill., 165 x 240 mm, Languages: English, French, German. ISBN 9782503524207.
More than obstacles, medieval frontiers - whether geographical, political, military, intellectual or artistic - seem to have been bridges and points of contact. This volume brings together forty-four contributions by specialists of history, history of ideas, medieval philosophy, philology, linguistics, literature as well as manuscript and archival studies. The first uses of the term frontiere in thirteenth-fourteenth-century French were military, referring to the first line of troops in a battle. In architecture it meant the front of a building, and at the end of the fourteenth century it was first used as a geographical term, in Spain specifically about the divide between the Christians and the Muslims. More than obstacles, medieval frontiers - whether geographical, political, military, intellectual or artistic - seem to have been bridges and points of contact. Frontiers was the theme of the Third European Congress of Medieval Studies organised by the FIDEM in Jyvaskyla, Finland, in 2003. True to the nature of the FIDEM, it was highly interdisciplinary, bringing together scholars from all over the world, addressing problems ranging from Byzantine administration to Icelandic vernacular scribal culture, during a week of extraordinary intellectual excitement. This volume brings together forty-four contributions by specialists of history, history of ideas, medieval philosophy, philology, linguistics, literature as well as manuscript and archival studies.