‎PALÉOGRAPHIE DU MOYEN AGE ‎

‎Paris Armand Colin 1973 in 8 (24x16) 1 volume broché, couverture illustrée à rabats, 352 pages, avec de nombreuses reproductions en noir et blanc, dont fac-similés d'écritures et de manuscrits. Collection U. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎

‎Paléographie du Moyen Age. ‎

‎ Paris, Armand Colin, 1973. In-8 broché, couv. rempliée ill., 352 pp., 50 reprod. de fac-similés à pleine pp. avec transcriptions en regard, très nb. ill., dessins, plans, reprod. photogr. in-t., lexique, bibliographie, tables in fine. ‎

‎Collection U. Couv. un peu défraîchie, bon ex. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Paléographie du Moyen Age. 2e édition.‎

‎ 1991 Paris, Colin, 1991, grand in 8° broché, 367 pages ; couverture illustrée. ‎

‎ ...................... Photos sur demande .......................... ‎

‎Biblical Perspectives : Early Use & Interpretation of the Bible in Light of the Dead Sea Scrolls. Proceedings of the First International Symposium of the Orion Center, 12-14 May 1996.‎

‎ Leiden, Brill, 1998. In-8, rel. éd. pleine-toile noire sous jaquette, VIII-291 pp., texte en anglais, indices, index. ‎

‎Collection : Studies on the texts of the desert of Judah edited by F. Garcia Martinez, A.S. Van der Woude. Volume XXVIII. Comme neuf - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Gothic Manuscripts: 1260-1320. Part One , two volumes. A Survey of Manuscripts Illuminated in France. ‎

‎, Brepols - Harvey Miller, 2013 hardback, cloth. with dusjackets, 2 volumes., 1130 pages ., 838 b/w ill. 77 colour ill., 230 x 330 mm, Languages: English, A Survey of Manuscripts Illuminated in France. ISBN 9781872501956.‎

‎This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. The period c. 1260-1320 marks the emergence and the flowering of what has come to be known as the ?courtly style? in French painting, whose dynamic vitality is manifest throughout the region we now call France. By the end of this period French art had assimilated a rich variety of regional works and styles. New texts had been introduced to a range of patrons, and patterns to be played out in the following centuries were in place. This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. While the royal, courtly, academic and ecclesiastical patrons were critical to the cultural and artistic production of the capital, books made in provincial centres manifest an independence and originality that can be attributed to fruitful interaction with neighbouring cultures?the linguistic, literary, and artistic traditions of England in the north and west, Navarre, Aragon, the county of Barcelona and the Kingdom of Majorca in the Pyrenean regions, and the Empire along the eastern borders, from the principalities of North Italy and the Alpine regions to Burgundy, Hainaut and Flanders. Ecclesiastical boundaries cut across political divisions, contributing different sets of allegiances that impacted upon book culture in other ways. The Provinces of Reims and Tarantaise included fiefs of Empire, while Narbonne (to 1317) encompassed dioceses in Aragon, and the Provinces of Bordeaux and Tours lay in part in lands held by the English. The religious orders and the universities offered other sets of governing structures and vehicles of influence and reception. Royal and courtly patrons took their place in this period alongside churchmen and women and layfolk from the burgeoning bourgeois class, many of whom are known from ownership notes or inventories. Yet some of the finest books of the period were made for people whose identity remains obscure. Similarly the names of craftsmen?scribes, decorators, illuminators?are often known from their signatures in the books they made or from payments and other records, yet many distinguished works are the products of anonymous creators. These years witnessed an explosition in the range of texts that were deemed worthy of illustraton, extending far beyond the usual liturgical and devotional material to include works of science, medicine, law, philosophy, history and literature in verse and prose, offering a wealth of material for comparative study which is only beginning to be exploited in modern scholarship. This book is organized according to production in regional centres based on stylistic analysis and by comparative tables of the illustration of liturgical and devotional books, and a selection of romances, legal and historical works. Part 1 comprises the Introduction, the Lists of the Producers (scribes, illuminators and decorators) and Patrons whose names are known, followed by a Catalogue of Manuscripts made in the North (Paris and the Province of Sens, Normandy, the Province of Reims). Part 2 contains the Catalogue of Manuscripts made in the East, South-East, South-West, West and Centre, followed by the Comparative Tables and Index of Manuscripts Cited. Alison Stones is Professor of History of Art and Architecture at the University of Pittsburgh, a Fellow of the Society of Antiquaries of London and a membre correspondant etranger of the Societe nationale des antiquaires de France. ‎

‎I manoscritti datati della Provincia di Arezzo.Manoscritti datati d’Italia 15.‎

‎ Firenze, Edizioni del Galluzzo - sismel 2007, 300x220mm, X- 100pagine, legatura del editore con sovracopperta. Exemplaire à l'état de neuf.‎

‎ 66 incisione b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Codices Urbinates Latini, tomus II: Codices 501-1000 [in: Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti]‎

‎Roma, Typis Polyglottis Vaticanis 1902 Volume 2 (out of 3): 750pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, small stamp on title page, text and interior are clean and bright, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.5, good condition, weight: 2.8kg., R107220‎

‎Codices Urbinates Latini, tomus III: Codices 1001-1779 [in: Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti]‎

‎Roma, Typis Polyglottis Vaticanis 1921 Volume 3 (out of 3): XL + LXXI + 835pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, small stamp on title page, text and interior are clean and bright except for few occasional foxing, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.5, good condition, weight: 3.1kg., R107221‎

‎Sigebert de Gembloux. Fédération Internationale des Instituts d’Etudes Médiévales, TEMA 79, Textes et Etudes du Moyen Âge.‎

‎ Turnhout - Barcelona - Madrid, Brepols 2015, 240x165mm, IX - 210pages, broché. Exemplaire à l'état de neuf.‎

‎ photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Texts from the Pyramid Age.‎

‎ Atlanta, Society of Biblical Literature, 2005. In-8 broché, couv. ill. en coul., XXXVII-522 pp., 7 fig., texte en anglais, bibliographie, glossaire, chronologie, index. ‎

‎Collection of Society of Biblical Literature - Writings from the Ancient World, number 16. Comme neuf. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Roman de Gillion de Trazegnies‎

‎, Brepols - Harvey Miller, 2010 softcover r. 424 pages., 18 b/w ill., 1 b/w line art, 156 x 234 mm, Languages: French, Middle French, Including an index. Fine copy. ISBN 9782503540726.‎

‎Gillion de Trazegnies est un roman anonyme en prose ecrit a la cour de Bourgogne au milieu du xve siecle en l'honneur des Trazegnies, grande famille du Hainaut, et dedie a Philippe le Bon. Ce roman, edite ici pour la premiere fois en entier avec des annotations, raconte l?histoire d?un chevalier hainuyer, Gillion de Trazegnies, parti pour Jerusalem et qui, sur le chemin du retour, est fait prisonnier par le sultan de Babylone. Au cours de sa captivite, il epouse la fille du sultan, croyant a tort que sa premiere epouse est morte en couches. Gillion se retrouve donc bigame et decouvre qu?il est pere de jumeaux, Jean et Gerard, de son premier mariage. Une introduction detaillee presente le roman a travers l?etude de la date, de l?auteur (avec une nouvelle piste : Gilbert de Lannoy), des manuscrits ou des illustrations. Elle reunit egalement des informations riches et fournies sur l?histoire de la famille de Trazegnies et ses legendes, les versions flamandes et le contexte bourguignon. Glossaire, index des noms propres et table des proverbes completent cette edition.‎

‎Corpus of the Old Uighur Letters from the Eastern Silk Road‎

‎, Brepols, 2020 Paperback, 304 pages, Size:210 x 297 mm, Illustrations:3 b/w, 20 col., Languages: English, Uygur, Chinese. ISBN 9782503587080.‎

‎Summary The documents in this volume were written by people of the West Uighur kingdom, which flourished from the second half of the 9th century to the start of the 13th century in and around the eastern Tianshan region including the Turfan Depression, and by Uighurs of the 13th to 14th centuries when this region had come under the rule of the Mongol empire (i.e. former West Uighurs). Old Uighur is a form of Old Turkic. This Corpus includes over two hundred letters that were written in Old Uighur using the Uighur script, which derives from the Sogdian script. Although the use of paper had at the time not yet spread to Europe, these letters are all written on paper. The ink is similar to that which was used in China, but the letters were written with reed or wooden pens rather than with writing brushes. The majority of these letters were discovered in the 20th century in China, either in the Turfan Depression in the Xinjiang Uighur Autonomous Region or in the famous Mogao Caves of the Thousand Buddhas at Dunhuang in Gansu, and a small number were unearthed at the remains of Kara-khoto in the Gansu Corridor.‎

‎Les papyrus de la Mer Rouge I. Le "Journal de Merer" (Papyrus Jarf A et B).‎

‎ Le Caire, IFAO, 2017. In-4, cartonnage éd. illus., IX-166 pp., 31 fig., XXIX pl. photogr. in fine dont 4 volantes dépliantes, index, bibliogr. ‎

‎ Excellente condition. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Sacre rappresentazioni manoscritte e a stampa conservate nella Biblioteca Nazionale Centrale di Firenze. Inventari e Cataloghi Toscani, n.° 25.‎

‎ Milano, Giunta regionale toscana & Editrice Bibliografica 1988, 300x210mm, XVI - 300pagine, in brossura. Timbro biblioteca. Buono stato. ‎

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‎folios introductifs de l'Antiphonaire de Le n (Archivo de la Catedral de Le n, ms. 8, fol. 1-27). tude et dition‎

‎, Brepols, 2024 Hardback, 500 pages, Size:216 x 280 mm, Illustrations:46 b/w, 44 col., 30 tables b/w., Language(s):French, English, Spanish. *new ISBN 9782503593913.‎

‎Summary L'Antiphonaire de Le n, ?joyau des antiphonaires latins? (dom Louis Brou), est le seul complet de l'ancienne liturgie hispanique. Conserv la cath drale de Le n et dat du dixi me si cle, il est introduit par vingt-sept folios qui appartiennent tr s certainement au manuscrit originel. Encore largement m connus malgr leur grande richesse, ces folios contiennent des textes litt raires et liturgiques, un calendrier, des miniatures, des tableaux et des roues de comput, ainsi qu'un trait de comput. L' dition de ces pi ces - l'exception du trait - et leur analyse pluridisciplinaire (codicologique, pal ographique, iconographique, litt raire, musicologique, liturgique et computistique) permettent d' tudier en profondeur la vie religieuse et la culture de cette poque, l'importance de l'h ritage wisigothique, les influences venues du monde ultra-pyr n en, ainsi que les origines et les remaniements de ce codex. Ces folios introductifs constituent tout la fois la porte d'entr e et la clef de lecture d'un manuscrit dont l'histoire se trouve au c?ur des grands enjeux de son temps?: r alis pour le monast re San Cipriano del Condado, il fut vite transf r au monast re Santiago de Le n puis au chapitre de la cath drale. Bien que proche des centres de pouvoir - il comporte les seings du roi Ferdinand Ier et de ses fils -, il sombra dans l'oubli lorsque son fils Alphonse VI accepta en 1080 de renoncer la liturgie hispanique et d'adopter, la demande du pape Gr goire VII, le rit romain. Cette tude participe sa red couverte. TABLE OF CONTENTS Thomas Deswarte, Introduction tudes Thomas Deswarte, Origine et vicissitudes de l'Antiphonaire de Le n: de la codicologie l'histoire Eva Castro Caridad, Textos proemiales antiguos y nuevos en el Antifonario de Le n (L8) Ainoa Castro Correa, Los folios introductorios del Antifonario de Le n (Le n, Archivo Capitular, MS 8): an lisis paleogr fico Emma Hornby and Rebecca Maloy, Notated chant in the opening folios of the Le n antiphoner Miguel C. Vivancos, El calendario y otros contenidos lit rgicos en los folios introductorios del antifonario de Le n Immo Warntjes, The computistica of the Antiphonary of Le n in context Soledad de Silva y Ver stegui, La iconografia en los pr logos del Antifonario de la catedral de Le n dition des folios 1-28 Thomas Deswarte, Immo Warntjes et Alfred Lohr Glossaire Sources & bibliographie Planches‎

‎Critique des deux chartes de fondation de l'abbaye de Saint-Guillem-du-Désert.‎

‎ Paris, imp. Schneider et Langrand, s.d. (1841), 1 br., couverture muette, envoi autographe, signé de l'auteur à monsieurAlphonse Denis député. in-8 de 13 pp., lithographie dépliante en frontispice, légères mouillures dans les marges ; ‎

‎Extrait des "Mémoires de la Société Royale des Antiquités de France". ‎

‎PALEOGRAFIA GRECA E LATINA.‎

‎Terza edizione. Hoepli, Milano, 1911. In-16 p., cartonato editoriale, pp. XI,208 + 53,(11) di Elenco Manuali, con 38 incisioni nel t. e 8 tavole in fototipia di cui 1 in tricromia. Ben conservato.‎

‎Prozessrechtliche Inschriften der griechischen Poleis : Arkadien (IPArk).‎

‎ Vienne, Der österreichischen Akademie der Wissenschaften, 1994. In-8 br., XXIV-362 pp., 11 pl. en noir in fine, index. ‎

‎ Couv. un peu passé, bon ex. par ailleurs. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Titus Maccius Plautus. Fabularum Reliquae Ambrosianae. Codicis rescripti ambrosiani apographum. Confecit et edidit Guilelmus Studemund.‎

‎ Hildesheim - New York, Georg Olms 1972, 245x180mm, XXXII - 524pages, reliure toile de l’éditeur. ‎

‎ texte en latin, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Typologie de l'Epipaléolithique du Maghreb.‎

‎ Paris, Arts et Métiers Graphiques, 1963. In-4 broché, 209 pp., 1 carte dépliante, 61 fig. en n/b. in-t, 1 pl. de fig. dépliante, bibliographie. ‎

‎Mémoires du centre de recherches anthropologiques préhistoriques et ethnographiques d'Alger. - II . Dos lég. défraîchi, très bonne condition par ailleurs. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Studi e ricerche di diplomatica comunale. Collezione: Fonti e strumenti per la storia del notariato italiano, V.‎

‎ Roma, Consiglio Nazionale del Notariato 1980, 240x160mm, VIII - 384pagine, legatura del editore con sovracopperta. Ottimo stato. ‎

‎ incisione a colori e b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Pleasure and Politics at the Court of France. The Artistic Patronage of Queen Marie of Brabant (1260-1321)‎

‎, Brepols - Harvey Miller, 2019 Hardback, 328 pages, Size:220 x 280 mm, Illustrations:37 b/w, 140 col., Language: English. ISBN 9781905375684.‎

‎Summary For her commissioning and performance of a French vernacular version of the Arabic tale of the Thousand and One Nights - recorded in one of the most vivid and sumptuous extant late thirteenth-century manuscripts - as well as for her numerous other commissions, Queen Marie of Brabant (1260-1321) was heralded as an intellectual and literary patron comparable to Alexander the Great and Charlemagne. Nevertheless, classic studies of the late medieval period understate Marie's connection to the contemporary rise of secular interests at the French court. Pleasure and Politics seeks to reshape that conversation by illustrating how the historical and material record reveals the queen's essential contributions to the burgeoning court. This emerging importance of the secular and redefinition of the sacred during the last decades of Capetian rule becomes all the more striking when juxtaposed to the pious tone of the lengthy reign of Louis IX (1214-1270), which had ended just four years before Marie's marriage to his son. That Marie often chose innovative materials and iconographies for these objects - ones that would later in the fourteenth century become the norm - signals her impact on late medieval patronage. Pleasure and Politics examines Marie's life beginning with her youth in Brabant, to her entry into Paris in 1274 accompanied by her retinue of courtiers, artists, objects, and ideas from the northern courts of Brabant, Flanders, and Artois. It continues with her elaborate coronation held for the first time in the Sainte-Chapelle the following year, her years as queen of France - often full of intrigue - and her long, productive widowhood, until her death and burial in 1321. With a focus on her Brabantine and Carolingian heritage joined to her status as French queen - often expressed through pioneering styles of heraldry - her commissions included ceremonies, marriage treaties, and intercessions, as well as a stunning collection of jewels, seals, manuscripts, reliquaries, sculpture, stained glass, and architecture that she gathered and built around her. This study also reveals Marie's regular collaboration with family, friends, and artists, in particular that with the poet Adenet le Roi, women of the French court like Blanche of France (1252-1320), and relatives from the north like Robert of Artois (1250-1302). With this broader view, it also analyzes the dynamics of Marie's patronage and its impact on contemporary and future women and men of the royal house. Court, culture, politics, and gender - these are the themes that flow throughout Marie of Brabant's life and tie together the material effects of a long, pleasure-filled existence enlivened by the politics of Europe on the cusp of a new age. TABLE OF CONTENTS Preface Chapter One. Introduction Chapter Two. Absorbing Brabantine Culture: Politics and Poetry in the Youth of Marie of Brabant Chapter Three. Transforming the Court: New Roles in Politics, Arts, and Ceremony Chapter Four. Deluxe, Didactic, Secular, and Spiritual: Manuscript Patronage in the Court of Marie of Brabant Chapter Five. Carolingian Current: Promotion and Patrimony in the Patronage of Marie of Brabant Chapter Six. Conclusion: The Next Generation: Royal Women's Patronage into the Fourteenth Century Appendices Bibliography Index‎

‎I luoghi dello scrivere da Francesco Petrarca agli albori dell'étà moderna. Atti del Convegno internazionale di studio dell’Associazione italiana dei Paelografi e Diplomatisti, Arezzo, 8 - 11 ottobre 2003. Collezione Studi e Ricerche 3.‎

‎ Spoleto, CISAM, Centro Italiano di Studi sull’Alto Medioevo 2006, 235x170mm, IX - 513pagine, in brossura. Broché. Ottimo stato. Très bon état. ‎

‎ fotografie b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Histoire du texte de la description de la terre de Denys le Périégète.‎

‎ Université de Jannina, 1990. In-8 broché, 455 pp., 11 planches de fac-similés en noir in-fine, + une dépliante. Index. Envoi autographe signé de l'auteur. Epuisé, rare. ‎

‎ Très bonne cond. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Il sacramentario adalpretiano. Cod. Vindobon. Ser. n. 206. Collana di monografie edita dalla società per gli studi trentini, XV.‎

‎ Trento, Societé Studi Trentini di Scienze Storiche 1965, 250x180mm, 151pagine, in brossura. Omaggio dell'autore. Ottimo stato. ‎

‎ testo in latino e italiano, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎